Changes occur all the time. They can be identifiable and dramatic, or they can emerge imperceptibly, creeping up on you until one day you realise your foundations are less solid than you imagined. At this point in your life you need to find a new path.' Changing Gear looks at why work is such an important part of a person's identity. The book is filled with case studies of people who have transitioned from one career to another, or stepped back (...) from work to embrace retirement, and shines a light on the underlying, and sometimes unconscious, psychological and social dynamics involved. The book offers insight, advice and a practical 7-Step Transition Plan to help the reader make decisions and take account of their domestic and professional situations, looking at what's important and how to cope with change, and providing a road map for the future and all the different opportunities it may bring. Now, more than ever, our working lives have changed and we are all getting used to a new way of doing business. Coping with transition is hard and this book will help the reader to navigate new ways of working, by tapping into the current issues being faced by all workers. (shrink)

There are cases such as climate change where the cumulative effects of the actions of several agents lead to grave harm but where no individual agent can make a perceptible difference for the better or worse. According to Derek Parfit, dealing with such imperceptible difference cases requires substantial changes to the way we think about morality. InOn What Matters, Parfit builds on Kantian Ethics to address the problem of imperceptible differences, but the transformation that Kant's theory undergoes (...) in his hands is radical. I argue that Parfit's changes to Kant's theory are not only unnecessary but also detrimental to making sense of the ethical dimensions of action in collective contexts. Building on the notion of imperfect duties, I offer an alternative solution to the problem of imperceptible difference cases that remains closer to Kant's original theory and avoids the difficulties of Parfit's approach. (shrink)

The quantization error in a fixed-size Self-Organizing Map (SOM) with unsupervised winner-take-all learning has previously been used successfully to detect, in minimal computation time, highly meaningful changes across images in medical time series and in time series of satellite images. Here, the functional properties of the quantization error in SOM are explored further to show that the metric is capable of reliably discriminating between the finest differences in local contrast intensities and contrast signs. While this capability of the QE is (...) akin to functional characteristics of a specific class of retinal ganglion cells (the so-called Y-cells) in the visual systems of the primate and the cat, the sensitivity of the QE surpasses the capacity limits of human visual detection. Here, the quantization error in the SOM is found to reliably signal changes in contrast or colour when contrast information is removed from or added to the image, but not when the amount and relative weight of contrast information is constant and only the local spatial position of contrast elements in the pattern changes. While the RGB Mean reflects coarser changes in colour or contrast well enough, the SOM-QE is shown to outperform the RGB Mean in the detection of single-pixel changes in images with up to five million pixels. This could have important implications in the context of unsupervised image learning and computational building block approaches to large sets of image data (big data). (shrink)

The phenomenon of anthropogenic climate change—in which weather patterns and attendant ecological disruption result from increasing concentrations of greenhouse gases released into the atmosphere through human activities—challenges several conventional assumptions regarding moral responsibility. Multifarious individual acts and choices contribute (often imperceptibly) to the causal chain that is expected to produce profound and lasting harm unless significant mitigation efforts begin soon. Attributing responsibility for such harmful consequences is complicated by what Derek Parfit terms “mistakes in moral mathematics,” or failures to (...) correctly assess the various individual contributions to collectively produced harm. Combined with the difficulties in attributingresponsibility to agents for spatially and temporally distant harmful effects and that of holding agents culpable for effects (resulting from socially-acceptable acts) about which they may be ignorant, this paper attempts to sort out several ethical problems surrounding the identification of responsible parties contributing to climate change. (shrink)

Maurits Cornelis Escher’s 1938 lithograph, Cycle, illustrates what mathematical physicist Roger Penrose calls ‘impossible objects’. The illusion of three-dimensionality, the innovative use of tessellation, and the incorporation of traditionally figurative elements induce the viewer to perceive the lithographic print as depicting a visually plausible reality built on the deconstructive metamorphosis of man into cube. It is Escher’s ability to paradoxically combine the radical oppositions of man and cube, landscape and geometric abstraction into an apparently harmonious composition where shapes repeat with (...) subtle variation and almost imperceptibly transition into radically different shapes that I want to use as a visual paradigm for conceptualizing the shifts in human consciousness in the digital age. Roger Penrose, path-breaking theorist of consciousness as a physical but non-computational process, was inspired by and inspired Escher. Penrose’s provisional concepts of consciousness, time and space can be visually compared to Escher’s earlier man-cube renderings, where each of these individual design elements allows the transition to another shape. In other words, Penrose’s theories, like Escher’s design concepts, illustrate a moment of transition in consciousness theory. As in Escher’s Cycle, the individual elements are being continually redefined, reshaped and revealed. Each may be a unique distortion of the previous, but this does not mean that it is disconnected or independent of the final outcome. These distortions are transitional elements that lead us visually to the other side of the composition. Radical transformations and developing connectedness in the boundaries between art, technology and science function like the individual elements in Escher’s Cycle. As we try to define the shifts in human consciousness occurring in the digital age, visually speaking, we are focusing on only one element right in the middle of an Escher metamorphosis, unable to see exactly how this element will be part of the completed design. This thought can be both frightening and liberating: frightening because we humans are used to relying on boundaries and predictable outcomes to feel a sense of control, liberating because anything and everything is possible and the changes will occur naturally as part of the transition. If Escher teaches us anything, it is that each piece in the meta-morphosis is needed to complete the big picture. (shrink)

Clouds are therefore a fine metaphor for intermediary and automatic beings… Trees too are clouds: only, they are slower at occupying space. In the new landscape of media archaeology—especially variantology, which insists on ramified rather than convergent developments—media, too, appear to be imperceptibly changing from stable trees into metastable clouds. If we accelerate that motion, then the whole McLuhan-Kittler-Parikka media forest of semi-separate specimens starts to look like a self-rearranging ballet—a murmuration across species. At a certain historical rate, in other (...) words, problems of media ontology and phylogenesis tend to turn into animated sequences in which individual or individuated media.. (shrink)

Failure, success's ugly sister, is inevitable - cognitively, biologically and morally. We all make mistakes, we all die, and we all get it wrong. A chain of flaws can be traced through all phenomena, natural and human. We see impending and actual failures in individual lives, in marriages, careers, in religion, education, psychotherapy, business, nations, and in entire civilizations. And there are chronic and imperceptible failures in everyday domains that most of the time we barely notice, often until it (...) is too late. Colin Feltham expores what constitutes failure across a number of domains. He takes guidance from the work of such diverse philosophers and thinkers as Diogenes, Epictetus, Augustine, Schopenhauer, Kierkegaard, Heidegger, Sartre, Camus, Cioran and Ricoeur, while also drawing on the insights of artists and writers such as van Gogh, Arthur Miller, Philip Larkin, Samuel Beckett, Charles Bukowski and Philip Roth. Precursors and partial synonyms for failure can be seen in the concepts of hamartia, sin, fallenness, non-being, false consciousness and anthropathology. Philosophy can help us but is itself, in its reliance on language and logic, subject to inherent flaws and failures. It is the very pervasiveness yet common denial of failure which makes it a compelling topic that cries out for honest analysis. We live in a time when the cliche of failed Marxism may be segueing frighteningly into the failure of 'selfish capitalism', in a time of geopolitical uncertainty and failure to address the dire need for agreement and action on climate change. But many of us are also painfully aware of our own shortcomings, our own weakness of will and lack of authenticity. Trying to identify where the lines may be drawn between individual responsibility, social policy, and historical and biological dark forces is a key challenge in this fascinating book. (shrink)

"The Philosophy of the Future" which has cost the author 'more than half a century of toil', is a stout defense of the principle of Causation both against the philosophical scientists who, following Hume, would reduce cause to customary sequence among our sense-impressions, and against the subordination by many writers on logic of the notion of cause to that of reason or ground. To cancel causality is to efface all distinction between truth and falsehood. Scientia est cognoscere causas. "The sole (...) essential function of all thinking is to discriminate between cause and effect." "There is no known form of thought which is not ultimately reducible into an assertion of cause and effect." From the vantage ground of this theorem, with its corollary that "a cause cannot be known except through its effects, or an effect apart from its cause", Mr. Hebberd trains his guns upon the systems of Hume, Kant, Hegel, Mill, and other logical writers. He reviews successively Space, Time, the Concept, Judgment, and finally Induction, defined as "the discovery of causal processes by means of physical and mental experiment", in the attempt to show that all categories are but species and derivative forms under the supreme and all-embracing category of causality. The logical discussion is followed by chapters on God, Freedom and the Soul, in which the metaphysical application of his principles is made. The causal concept is utilized to strengthen the ontological argument. "The conception of a sufficient cause, fully understood, is identical with the theistic conception of God." This conception of a sufficient cause involves unity, infinitude, freedom and love (if an infinite being acts at all, or causes any changes, it must be for the sake of others). The fact again that the causal nexus is "a reality imperceptible to the senses" discredits materialism and positivism, and is used in demonstration of the existence and immortality of the soul. Mr. Hebberd attempts no exact definition of cause, but this, as he says in the appendix, is because he regards it as incapable of ordinary definition, "there being no wider genus under which it can be ranged as a species" (p. 214). He omits also any discussion of the origin of the causal concept. While frequently inveighing against innate ideas and Kantian apriorities, and rejecting impartially "the Scottish philosophy of 'common sense', with its short and easy method of 'intuitions', the French and English empiricism, the Teutonic illusionism" (p. 95) he yet declares: "Man does come into the world equipped, not with intuitions, but with the means of attaining to an assured knowledge of the world as the workmanship of an infinite and benevolent Being. For he comes endowed with the prerogative of thought; but to think is to affirm causality" (p. 157). What is this but intuitionism? Mr. Hebberd's work, it will be seen, is a discussion at once ambitious and concise of the deepest problems of logic and metaphysics. His book, in our judgment, is well worth the attention of the philosophical reader, who cannot but enjoy its incisive style, its trenchant criticisms, its wide outlook upon philosophic thought, and its original insights into its problems. -The Princeton Theological Review, Vol. 12 [1914]. (shrink)

Some of the most pressing contemporary social problems result from the amalgamation of a mass of actions that are not intentionally coordinated. Although these essentially aggregative harms are foreseeable, it is unclear what moral duties individuals have with regards to them. This paper offers a new analysis of these problems and uses a nonideal contractualist approach to argue in favour of two kinds of duties for individuals. Collectivization duties that require individuals to act responsively with a view to ensuring that (...) there are effective governance agents that reliably, fairly, and efficiently prevent these outcomes in the long-term and duties of restraint that require individuals to avoid action of a kind that is likely to come together with other actions to cause serious EAH in the immediate future when restraint with regards to actions of this kind could help prevent the outcome from occurring. (shrink)

I cannot forbear adding to these reasonings an observation, which may, perhaps, be found of some importance. In every system of morality, which I have hitherto met with, I have always remark'd, that the author proceeds for some time in the ordinary way of reasoning, and establishes the being of a God, or makes observations concerning human affairs; when of a sudden I am surpriz'd to find, that instead of the usual copulations of propositions, is , and is not , (...) I meet with no proposition that is not connected with an ought , or an ought not. This change is imperceptible; but is, however, of the last consequence. For as this ought, or ought not, expresses some new relation or affirmation, 'tis necessary that it shou'd be observ'd and explain'd; and at the same time that a reason should be given, for what seems altogether inconceivable, how this new relation can be a deduction from others, which are entirely different from it. But as authors do not commonly use this precaution, I shall presume to recommend it to the readers; and am persuaded, that this small attention wou'd subvert all the vulgar systems of morality, and let us see, that the distinction of vice and virtue is not founded merely on the relations of objects, nor is perceiv'd by reason. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 30.3 (2000) 3-11 [Access article in PDF] Preface The State of Death Jonathan Strauss In reality, there is perhaps a greater distance between old age and youth than there is between decrepitude and death, for here one must not consider death to be something absolute.... Death is not armed with a blade, nothing violent accompanies it, life ends by imperceptible nuances.... (D. J.)We dare... to assert, on (...) the basis of a knowledge of the structure and properties of the human body and a large number of observations, that death can be cured. (m.) —Diderot and d'Alembert, Encyclopédie1But if Man is Action, and if Action is Negativity "appearing" as Death, Man, in his human or speaking existence, is only a more or less deferred death, and one that is conscious of itself.Therefore: to recognize Discourse philosophically, or to recognize Man as one who speaks, is to accept unambiguously the fact of death and to describe... its significance and reach. Now, this is precisely what philosophers before Hegel omitted to do. —Alexandre Kojève, Introduction à la lecture de HegelDeath changed in the nineteenth century. The shift probably began during the Enlightenment, when, as Philippe Ariès has argued, people learned for the first time to fear their mortality—not just the terrors and uncertainties of their demise or the anguish over an eventual punishment for their sins, but extinction itself [1: 112-14, 125]. Within the space of a few decades, death became a sheer and unredeemable absence, an unconsolable loss, and a confrontation with pure negativity. During those years, death was transformed from a nuance between different states to an absolute. It became, in itself, infinite and sublime, a nothingness whose discovery, like that of the zero, unleashed unknown and limitless powers. These now had to be grappled with, to be grasped theoretically as well as practically, in both the intimacy of private fears and the communality of public legislation. And once death was recognized as an absolute it could be put to use as one, for both the individual and the social collective.Hegel, as Kojève taught, was the first to harness the new forces of mortality within an intellectual mechanism worthy of their scope. "Death," he wrote in the preface to the 1807 Phenomenology of Spirit, "... is of all things the most dreadful, and to hold fast what is dead requires the greatest strength" [19]. This power to grasp one's demise, to confront it and "tarry" with it, was what he called the Subject—at once the isolated unit of humanity confronted by the limits of its mortality and the key to the social orders that [End Page 3] depend on it, in a pragmatic sense. As justice and enfranchisement increasingly rely on the responsibility of single subjects, so does death rise in importance as the final determiner of socially answerable individuality. In this setting, where mortality is the limit of the subject, society becomes a state of death, a collective grounded in the transcendental absolute of a nothingness that intervenes regularly and practically within the events of life.In such a state, executions are not merely exercises of authority or purgings of unassimilable elements from the social body; they are also, and most significantly, spectacles of the transcendental grounds of the social itself. Here, death is democratic not merely because it is the universal leveler, not simply because it imposes a one hundred percent experience tax on all brackets of the population, but because it produces the uniform units of untransferable humanity, individuals, who at once suffer the obligation to conform to the state and enjoy the, at least theoretical, enfranchisement to transform it. Throughout our days, in the most insignificant details, we feel this mortal isolation organizing our legal relation to our social context, and in each case my death to come draws a line around me, saying: this is you. My metro pass and airline tickets will be valid, my response to the jury duty summons required, and my vote counted, unless I die. It does not matter that I have changed lovers, or... (shrink)

Photography has an important place in picturing and documenting environmental changes, especially when they occur in distant areas, or are inaccessible from ground level and/or imperceptible to the naked eye due to their scale. As the invention of photographic technology was officially registered only 55 years after the invention of the steam engine (which is commonly taken as the starting point of the Anthropocene era), most subsequent transformations of the environment have been well documented. One needs to distinguish the (...) time of human changes to the environment, the Anthropocene, from images of the era this term names, which are the way humans learn of their own environmental deeds. Such images may be dependent, yet they are also distinct insofar as they influence the perception as well as the production of the Anthropocene itself, framed by limits of the static, fractioned, subjectivized and perspectival medium of photography. In this vein, the article risks proposing yet another in a long series of neologisms that aim to define the unstable or extreme times we live in: the Photographocene. The Photographocene marks various phases of the human relationship to the environment in which photographs have documented, directly communicated and announced impending environmental processes directly caused by human actions. Yet, this is also an era marked by photographic images of the environment that report but also pollute our relationship to the environment by forming an alternate reality. Thus, this concept enables one to articulate the role that images have in our understanding of the past‐present‐future human impact on the environment. (shrink)

United States law and culture have yet to find a constructive and fair way to talk about rape, especially in “non-paradigmatic” rape cases like acquaintance or date rape. Particularly on college campuses, acquaintance rape is an ongoing, severe problem. Leading legal minds disagree sharply on how to address it. In part, this polarizing debate stems from our collective inability to free our language of the myths and stock stories that plague the subject of rape. No court case better exemplifies the (...) problem than the notorious decision of the Pennsylvania Supreme Court in Commonwealth v. Berkowitz, one of the most widely taught rape cases in the United States. In his empirical study of attitudes on rape, Professor Dan Kahan used the Berkowitz facts in part because they are such an iconic representation of some of the more difficult and troubling issues surrounding acquaintance rape. In that study, Kahan concluded that whether people perceive a story as describing “rape” depends primarily on cultural cognition, meaning the cultural group to which the reader of the story belongs. The text and substance of the law’s definition of rape mattered little. Kahan concluded that if we wish to change outcomes in rape cases, the cultural understandings of rape, more than the law, must change. This essay takes Kahan’s conclusion that cultural understanding is the primary driver of rape outcomes and asks the question: from where does that cultural understanding come? In no small part, this essay argues, those cultural beliefs come from the law, particularly from legal narratives. The facts of judicial opinions reflect the judges’ cultural understanding of rape and then that cultural understanding becomes what rape is (and isn’t). That image of rape then powerfully influences cultural understanding within and outside of law. It is a recursive process by which legal narratives create and reinforce cultural understanding which then itself creates and reinforces legal narratives and so on in an endless loop. In this way, law is neither irrelevant nor innocent in the outcome of rape cases. It is just exerting its influence, often imperceptibly, through rhetoric. (shrink)

Air pollution is one of the largest environmental health risks globally but is often imperceptible to people. Air quality smartphone applications provide real-time localized air quality information and have the potential to help people learn about the health effects of air pollution and enable them to take action to protect their health. Hundreds of air quality apps are now available; however, there is scant information on how effective these mobile apps are at educating stakeholders about air pollution and promoting (...) behavioral change to protect their health. In this paper, we test how intrinsic and extrinsic motivations can enhance users’ engagement with air quality information through an app, and favor changes in protective behavior. We developed an air quality app, AirForU, with a built-in research study that was downloaded by 2740 users. We found that engagement was higher for users with intrinsic motivations, such as those who are health conscious, either because they are suffering from heart disease or other conditions aggravated by air pollution, or because they exercise frequently and want to maintain a healthy lifestyle. Extrinsic motivations such as notifications were also effective. App users stated that they frequently shared air quality information with others, learned about the Air Quality Index, and took measures to protect their health while using AirForU app. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Locke on the Knowledge of Material Things ROBERT FENDEL ANDERSON IT IS nOT John Locke's intention, in his Essay Concerning Human Understanding, to deal with matter and material substance nor with how these are able to affect the mind. These are considerations for natural philosophy; Locke counts himself rather among the moral philosophers. He does not propose, therefore, to meddle with the physical aspects of the mind, nor with (...) the physical production of sensations through the organs, nor with the production of ideas in the understanding, nor even with whether ideas depend upon matter for their source. He defers to the wisdom of such men as Boyle, Sydenham, Huygens and Newton in these considerations, and finds it "... ambition enough to be employed as an under-labourer in clearing the ground a little, and removing some of the rubbish that lies in the way to knowledge....,, 1 It is true that Locke's Essay is characterized chiefly not by an interest in matter and the mechanics of perception but rather by an interest in epistemology and in the ordering and assessment of our knowledge. Because of the very nature and emphasis of this epistemology, however, Locke finds that he must, from time to time, at least mention the nature of matter and how it affects us. Finally, it becomes apparent, certain changes or ambiguities in his point of view regarding the mode of our knowledge and its certainty are consequences of his understanding of matter. It is a demonstration of these elements of his doctrine, which seem not to have obtained the full attention of such scholars as Aaron, Fraser, and Gibson, that I shall attempt in this paper. Fundamentally, Locke's theory of matter appears to be that of Democritus and Epicurus. Like the Greek atomists, he conceives of matter as consisting of particles or corpuscles infinite in number. At least some of these are so minute as to be individually insensible, and probably he intends that all are, although, to my knowledge, he never states that this is so. In the aggregate, in any case, particles do constitute perceptible bodies. As for the Greeks, so also for Locke, the particles arc all extended, having size and shape. They are said also to possess motion or rest, although he takes care to say that matter cannot produce motion in itself,e Locke frequently mentions other properties as being "primary" or "really in" material things. Some of these are solidity, texture, cohesion of parts, situation, and number. Apparently some of these may be ranked under others since, as he 1"Epistle to the Reader," Vol. I, p. 14. All footnotes refer to passages in John Locke's An Essay Concerning Human Understanding, collated and annotated, with prolegomena, biographical, critical, and historical by Alexander Campbell Fraser, in two volumes (New York, Dover Publications, Inc., 1959). Large Roman numerals refer to books of the Essay; small Roman numerals refer to chapters of the books; Arabic numerals refer to sections of the chapters. 2 IV, x, 10. [205] 206 HISTORY OF PHILOSOPHY remarks, figure presupposes extension, and receiving or communicating motion through impact presupposes solidity. The influences of these particles upon one another are treated by Locke under the topic of "powers," a notion which includes in it some kind of "secret relation of parts." 3 The capacities in any substance to give alterations of primary qualities are active powers; the capacities to receive such alterations are passive powers. This alteration must be accomplished by impact or impulse since this, Locke says, is the only way in which bodies can be conceived to operate. Sensation in the percipient being then is to be understood as a special case of this impact of particles upon others. It is evident to Locke that from external obiects some motion must be conveyed by some parts of our bodies to the brain or seat of sensation to produce in our minds the particular ideas we have of these external objects. We are able by sight to perceive at a distance the primary qualities of bodies of observable size. Locke reasons that therefore "... some singly imperceptible bodies must come from them to the eyes, and thereby convey to... (shrink)

Computing has become ubiquitous and organic. The “new” human ecosystem is increasingly composed of "intelligent" objects. Since the Nineties there has been a constant application of the practice of disappearance of everyday objects. The daily experience changes, since the objects we use, in their disappearance and imperceptibility, do not divide us from the Life-World. At the same time, the designer is called to rewrite and amplify human experience, and design reflects a different conception of the aesthetic, which must be intended (...) not only as a theory of the artistic and/or cosmetic beauty, but mainly as a science of the experience as such. The designer is no longer limited to designing objects, but he can also design human beings. (shrink)

Individual identity and the multiplicity of cultural factors that “influence” the individual obviously raise the question of who we are as persons. But it is equally obvious that such individual reality is temporal, thereby constituting individual history. The latter seems to be like a Heraclitean flux where change is the only constant. In other words, since we never cease to change—even imperceptibly—shouldn’t we conclude that we never remain identical to ourselves in such a process of becoming? To use (...) a concept put forward by Ricœur, Idem-Identity, as stable and substantial sameness, appears to be an illusion, as we are the history of our actions and experiences, a history that continues to shape... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:110. THE RED QUEEN AT SUBSTRACTION? A wise man, Hume writes at the beginning of Part I of Section X of the first Inquiry, proportions his belief to the evidence (EHU 110). Towards the end of the second part of the same section he begins to sum up his conclusions : Upon the whole then, it appears, that no testimony for any kind of miracle has ever amounted to (...) a probability, much less to a proof... It is experience only, which gives authority to human testimony ; and it is the same experience which assures us of the laws of nature. When, therefore, these two kinds of experience are contrary, we have nothing to do but subs tract the one from the other, and embrace an opinion, either on one side or the other, with that assurance which arises from the remainder. But according to the principle here explained, this substrae tion, with regard to all popular religions, amounts to an entire annihilation; and therefore we may establish it as a maxim, that no human testimony can have such force as to prove a miracle, and make it a just foundation for any such system of religion (EHU 127). What kind of principle can this be which so remarkably ensures that subtractions of the lesser quantity from the greater, neither diminishes the greater by the amount subtracted, nor even leaves it undiminished, but somehow instead always results in a zero remainder? It is, presumably, the sum of all the reasons which Hume has been giving for thinking that the evidence for the occurrence of miracles In the infancy of new religions is peculiarly feeble and corrupt (EHU 126). But of course the principle here explained, however true and important it may be, cannot validate this piece of Wonderland arithmetic. It is obvious that what Hume meant, and should have said yet did not say, is that it is the evidence for the miraculous which is annihilated by the principle here explained; and hence that there is nothing whatever to 'substract' from the massive contrary evidence that m. whatever putative laws of nature are in question do in fact hold universally. So why did Hume, instead of writing what it is perfectly obvious that he really meant, write something which is as it stands incoherent and absurd? For much the same reason, I suggest, as that for which I and so many other sympathetic readers have in the past failed to notice anything wrong in what the text actually says. We have all of us, Hume included, been tolerably clear on what he ought to be saying. We have then too generously mistaken it that that is what he i¿ saying. This change, as he remarked on another occasion, is imperceptible; even if here it is scarcely of the last consequence (T469). Antony Flew (Visiting) University of California at San Diego... (shrink)

I have enjoyed reading fiction since I was young, and until I was twenty-eight I believed that I could write it myself. Then I read a novel by [Michel] Tournier and changed my mind. Imperceptibly, great changes have taken place in fiction. The difference between modern fiction and classical fiction is as great as the difference between the car and the horse-drawn cart. The finest of the modern novels cannot be read ten lines at a glance. Let me cite an (...) example, so that my readers can come to share my point of view. The first sentence of Marguerite Duras's novel The Lover is "I was already old." Innumerable vicissitudes are contained in that phrase. If you read on carefully, you will discover that more or less every sentence is written like that, and my views on modem novels were formulated by reference to The Lover. The great modern novels always contain a lot of information and are extremely elegantly written, delighting those who read them and scaring those who would like to write fiction. Of the classic writers, only the Russian Chekhov occasionally writes in this way, but by no means all his works command reverence. I have to confess that modern novelists used to shock me greatly. The novel by Tournier that I read, called Death and the Maiden, was only the first of a series of shocks. (shrink)

Phototoxicity frequently occurs during live fluorescence microscopy, and its consequences are often underestimated. Damage to cellular macromolecules upon excitation light illumination can impair sample physiology, and even lead to sample death. In this review, we explain how phototoxicity influences live samples, and we highlight that, besides the obvious effects of phototoxicity, there are often subtler consequences of illumination that are imperceptible when only the morphology of samples is examined. Such less apparent manifestations of phototoxicity are equally problematic, and can (...) change the conclusions drawn from an experiment. Thus, limiting phototoxicity is a prerequisite for obtaining reproducible quantitative data on biological processes. We present strategies to reduce phototoxicity, e.g. limiting the illumination to the focal plane and suggest controls for phototoxicity effects. Overall, we argue that phototoxicity needs increased attention from researchers when designing experiments, and when evaluating research findings. (shrink)

Among the reasons that Whitehead is such an interesting philosopher is that his work resonates across philosophical traditions. This collection develops connections between Whiteheadian concepts and recent European thinkers. The purpose is not simply to compare, however, but, as editor Jeremy Fackenthal suggests, to develop a Whiteheadian thinking “in tandem” with European philosophers in order to create disruptions or “dislocations” in thought that can engender creative approaches to contemporary problems.One general feature of the book deserves mention at the outset, though (...) I will return to it later in the review: although phenomenology and hermeneutics are each represented in the volume, roughly half of the essays focus on the work of Gilles Deleuze (if we group these together with essays focused on “new materialism,” which is connected with Deleuze, the proportion is more like two-thirds). This will be no surprise, since Deleuze is the European philosopher who was most appreciative of Whitehead. And yet, the result is that the conversation with “continental philosophy” is highly selective.The book is organized into three parts, each comprised of three essays. In part 1, “Technological and Systematic Dislocations,” William S. Hamrick brings Whitehead into conversation with Maurice Merleau-Ponty's concept of “the flesh” to suggest an ecological ontology capable of overcoming the instrumentalization of nature. Hamrick's strategy is to read Whitehead and Merleau-Ponty as contributing to an “ontological foundation” for a sustainable civilization (18). Bo Eberle writes about the “quantified self” suggested in new, wearable self-monitoring technologies. Drawing on Whitehead's notion of causal efficacy, Eberle argues that devices such as Fitbit give us access to bodily states that bypasses the standard ways we are aware of ourselves (i.e., through consciousness). He goes further to argue that, like all ways of knowing, wearable technologies are selective, and that the selection reflects the interests of the manufacturers and promotes a certain kind of subjectivity (in the case of Fitbit, a subjectivity that is oriented toward “getting your steps in”). Whitehead's epistemology thus enables the critic of wearable technologies to understand how contemporary experience and self-understanding is shaped not simply by recent technological mediations but by the material interests embedded in them. J.R. Hustwit and Carl Dyke take on what they call “activist” uses of Whitehead that naively (in their judgment) suggest that a non-relational substance metaphysics is to blame for most of our social ills. They employ the theory of complex adaptive systems in conversation with Whitehead and Antonio Gramsci to show that, in fact, achieving significant social change is far more difficult and even unpredictable than mere insertion of better ideas into public discourse. Dominant hegemonies have ways of adapting and absorbing attempts to undermine them. Here Hustwit and Dyke draw on the philosophy of Paul Ricoeur to suggest that resistance to the dominant hegemony is nevertheless always possible because of the vagueness of discourse, allowing a plurality of competing interpretations and thus fractures in the dominant hegemony. However, even this kind of resistance is impossible to control and its effects incapable of being entirely predicted. To the essay's titular question, “Can Whitehead save the world?” the authors answer, “No.”In part 2, “Animal/Human Dislocations,” Jeremy Fackenthal draws on the new materialism of Rosi Braidotti (and Deleuze) along with Whitehead to argue for a “process-relational” nomadism that culminates in a “becoming-imperceptible.” His reading together of Whitehead and Braidotti creates the opportunity to recast the former's concept of objective immortality in such a way that it does not refer to death so much as to being diffused into a relational network. The satisfaction of an actual occasion may be taken as its translation into its effects among its relations. Fackenthal argues that this becoming-imperceptible makes possible a sustainable presence within a fragile network of life. Deena M. Lin uses Whitehead, Braidotti, and Judith Butler to lay out a vision of human life as precarious and deserving attention, care, and solidarity. She presses this vision as a direct moral assault on US (Trump's) policy toward Syrian refugees. Going further, she draws on Braidotti's posthuman account of zoe to argue for universal connection and solidarity with all life that should foster, as the title of her essay puts it, “Welcoming of Syrian Life.” Tano Posteraro offers an intriguing essay drawing on Jakob von Uexküll's account of animal experience. Posteraro argues that Uexküll's notion of an animal's Umwelt, shaped by its distinctive perceptual apparatus, needs to be supplemented by Whitehead's notion of prehension to account for the active dimension of animal perception. Rather than a passive registering of animal environments, Posteraro argues that the latter are constructed, and that concepts (or conceptual prehensions) should be understood as tools with which such environments are constructed.In part 3, “Time, the World, and Abstraction,” three essays probe ways that Whiteheadian and Deleuzian themes may resonate critically and constructively. Kris Klotz brings the thought of Whitehead and Deleuze together to inquire about how alternatives to present social forms are envisioned. He argues that, for Whitehead, every actual occasion involves a selection of some features of the past, and, further, that every selection is also an abstraction from the concrete welter of influences impinging on it. For Whitehead, then, to envision alternatives involves a critique of abstractions, a reinstatement of the concrete plurality of possibilities. This, for Whitehead, is what rationality does: it works at restoring the concrete, and, with it, a series of alternatives that have been eclipsed. To this Whiteheadian analysis, Klotz adds Deleuze and Guattari's critique of “opinion.” For Deleuze and Guattari, opinion is not an idiosyncrasy but a consensus to which differences of experience are subjected. Philosophy, for Deleuze and Guattari, must always struggle against opinion in order to bring alternatives to light. These conceptions of reason/philosophy, Klotz argues, represent useful ways to critique inequalities and other social wrongs that are embedded in the social forms that are routinely taken for granted. Elijah Prewitt-Davis uses a scene from Buffy the Vampire Slayer, along with philosophical innovations of Foucault, Deleuze, and Whitehead, to offer a distinctive account of power. Prewitt-Davis calls attention to Deleuze's important book on Leibniz, The Fold, and to how Whitehead's concept of prehension lies at its center. The upshot is that power is not reduced to dominance but, instead, is at work wherever any occasion of experience persists amid the onslaught of the influence of other occasions. Power, as Deleuze wrote, is the capacity to be affected—and to decide how to constitute oneself anew. Keith Robinson offers a detailed account of Whitehead's epistemology along with a reading of Deleuze's analysis of temporality to suggest that there is a common trajectory that seeks to undermine what the title of the essay describes as the “Bifurcation of Nature” (i.e., the separation of natural phenomena and human experience) within the dominant Western philosophical tradition.There is much of value in the volume as a whole. Aside from staging what Spinoza might have called good encounters between Whitehead and a number of continental philosophers, enhancing the conceptual power of each, the contributors are able to make a case that these philosophical trajectories, when read together, have much to contribute to our understanding of and response to the pressing issues of the day. In addition, readers who are interested in the relationship between Whitehead and the new materialism will find this volume to be a helpful resource, stocked with fine examples of how to sharpen new materialist thinking with Whitehead and how to read contemporary contexts through these lenses. On the other hand, this book is not a handbook nor a comprehensive reference. The organizational logic behind its division into sections is murky and the amount of attention given to particular continental philosophers as opposed to others appears somewhat arbitrary: there are recent continental philosophers who get little to no attention at (Derrida, Malabou, Žižek, Agamben, Latour, Nancy, for example), several of whom might prove to be quite interesting to read “in tandem” with Whitehead. Perhaps that is just to say that there are many more essays to be written. (shrink)

The subject of this paper is the relationship between factual beliefs and moral beliefs, between is-statements and ought-statements. Hume recognizes that a problem exists concerning this relationship. He states the problem in an oft-quoted passage from his Treatise. In their writings, moral philosophers pass imperceptibly from is-statements to ought-statements; and this change is “of the last consequence. For as this ought, or ought not, expresses some new relation or affirmation, 'tis necessary that it shou'd be observ'd and explain'd; and (...) at the same time that a reason should be given, for what seems altogether inconceivable, how this new relation can be a deduction from others, which are entirely different from it”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Porch: Meditations on the Edge of Nature by Charlie HaileyBruce B. JanzThe Porch: Meditations on the Edge of Natureby charlie hailey Chicago: The University of Chicago Press, 2021Charlie Hailey’s The Porch is a difficult book to review. This is not because I have to be measured in my praise—it is an excellent book, well written, with a mix of close observations and rigorous research. It is also (...) not difficult to review because it is challenging to read—it is an absolute joy to read. Hailey is a writer with a sense of rhythm and scene; this work could easily be taught in a course on creative nonfiction as it has that sense of writing craft along with its phenomenological acuity.No, The Porch is difficult to review because I get the sense that Hailey is asking us to do something other than evaluate it for the adequacy of its arguments or the originality of its points, or even the beauty of its writing. He is asking us to enter a world with him, to see things we haven’t seen and see those we have seen in a new way. The chapters are titled “Porch,” “Tilt,” “Air,” “Screen,” “Blue,” and “Acclimate,” and these give an idea of the space he is opening up. It is a space somewhere between a material world and the sense we make of it. The author is entirely committed to both, but not fooled by the illusions or uplifting promises of either.The primary porch of the book is on his cabin on the Homosassa River in Florida. It is a porch that is under threat of rising waters due [End Page 142] to climate change and catastrophe due to hurricanes. It is a porch on an estuary fed by a spring, which means that the water quality and clarity varies greatly over the nine miles of the river’s flow. Animal life abounds. It is, in other words, a porch where one is not going to be easily lulled to sleep, at least if paying the slightest bit of attention.It is perhaps unavoidable that talking about this book means talking about the environment. Indeed, on a first reading, this reminded me more of nature writing than architecture writing. The book is, to be sure, a reflection on architecture at its best, which is to say, the lived aspect of built space, the almost imperceptible but nonetheless real ways in which the liminal space of the porch affords the experience of the membrane between nature and culture, the outside and the inside, the public and the private. But it is also nature writing, inasmuch as a common thread in nature writing is to place us in the middle of nature, as part of it. We are not the designers, nor are we the inhabitants; we are those in the milieu, the middle of cause and effect, actor and acted upon, subject and object. It is a rare book on architecture, even vernacular architecture, that achieves this. The tendency is to always look for the optimization of the built environment, the tweak that will succeed in drawing us out into our best selves or the cute or trendy new feature. That is not Hailey’s goal here.If the porch is one of the best places in the built environment to understand the milieu, it must present itself in those terms beyond the author’s own circumstance. Otherwise, this would just be a paeon to a much-loved place. But the book is full of examples of porches, both literary and real, not just as objects or as liminal spaces between nature and culture, but as sites that show us their inhabitants and guests in unguarded and exploratory moments. If the trope of human vs. nature in American letters is of the human coming to terms with his or her own individuality, striving to tame, dominate, or at least fit into nature, and the trope of human in the built environment often ends up as the externalization of our internal, as-yet unrealized natures, this porch does something entirely different. We neither have the self/other... (shrink)

In this thesis, I examine the perceptibility of the Platonic Ideas in the thought of Arthur Schopenhauer. The work is divided into four chapters, each focusing and building upon a specific aspect related to this question. The first chapter (“"Plato and the Primacy of Intellect"”) deals with Schopenhauer’s interpretation specific to Platonic thought. I there address the question of why it is that Schopenhauer should consider Plato to have interpreted the Ideas as 'perceptible', particularly in view of evidence which seems (...) to testify to the contrary. Does Schopenhauer misinterpret Plato, or are there sufficient grounds for considering his interpretation consistent? This is important in light of Schopenhauer’s reinterpretation of the Platonic Idea on the basis of the primacy of the will in contradistinction to Plato’'s own emphasis upon the intelligible. In effect, for Schopenhauer, Plato confuses the nature of imperceptible concepts with the more perceptually grounded Ideas. In the second chapter (“"On the Direct Path to Knowledge"”), I explore Schopenhauer’'s methodological approach on the basis of the will. I there discuss the difference between Schopenhauer and Kant with respect to Transcendental Idealism, particularly in terms of their separate analysis and derivation of the thing-in-itself. From there, I turn to a consideration of Schopenhauer'’s discussion of the nature of formal and empirical intuitions, of abstraction and the nature of universal concepts, and finally of the intuitively grounded nature of mathematical demonstration which serves as an analogy for the manner in which Schopenhauer deals with knowledge of the Ideas. In the third chapter ("“The Perceptibility of the Ideas”"), I discuss the manner in which the Ideas become accessible as the manifestation of the Will, arising through the representation of perception. There a number of distinctions are made between Ideas and concepts, as well as the nature of contemplation through Genius. The Ideas are found to be perceptible as aesthetic intuitions which relate not only to the in-itself nature inherent to phenomena, but serve also as the essential basis and foundation for all genuine forms of art. In the fourth and final chapter (“"Critical Discussion of Schopenhauer’s Ideas"”), I consider and outline a number of potential problems with respect to Schopenhauer’s analysis. In particular, Schopenhauer encounters difficulties on the basis of the simultaneous immanence and transcendence of the Ideas; of the knowledge of the Ideas characterized as intuitive while yet having a strangely abstract basis; of the unity of the will in face of the plurality of Ideas and phenomena; and finally of the annihilation of the will which creates essential problems in terms of the desideratum of knowledge itself. I here also attempt to offer various solutions to these problems where relevant. The conclusion which I arrive at in this work is that any radical reorientation of ontology must bear an essential effect upon the character and methodology of knowledge itself. In other words, Schopenhauer’s interpretation of the perceptibility of the Ideas is a direct consequence of hi s analysis of the will as the metaphysical thing-in-itself. In fact, this essential change colors his entire epistemological approach, from science and mathematics, to logic and the Ideas—from the ground the up. (shrink)

The purpose of this article is twofold. It first seeks to prove that the notion of facticity in Heidegger’s work saw a major change after Being and Time. While several studies did deal with facticity as it appeared before the magnus opus and show the influence it had on the latter’s development, hardly any have dealt with what happens to facticity after Sein und Zeit. This is mostly because facticity, as it imploded, took on different names which fall under (...) the heading of ground-attunements. Secondly, I will show the ambivalent character of this new facticity, where many essential notions, such as thrownness, truth, attunement and guilt, shifted meanings, sometimes almost imperceptibly or surreptitiously. I will show that this ambivalence comes from the fact that the shift in question allowed for an opening of facticity while at the same time bringing in restrictive limits, and thus a closing-off of certain essential issues. This has left several adumbrated questions, such as responsibility, in abeyance. (shrink)

In his time, D. Hume made an observation that essentially predetermined the nature of subsequent ethics research. "In every system of morality that I have hitherto met with, I have always remarked," he wrote in A Treatise of Human Nature, "that the author proceeds for some time in the ordinary way of reasoning, and establishes the being of a God, or makes observations concerning human affairs; when of a sudden I am surprised to find that instead of the usual copulations (...) of propositions, is, and is not, I meet with no proposition that is not connected with an ought, or an ought not. This change is imperceptible; but is, however, of the last consequence. … A reason should be given for what seems altogether inconceivable, how this new relation can be a deduction from others, which are entirely different from it. But as authors do not commonly use this precaution, I shall presume to recommend it to the readers; and am persuaded that this small attention would subvert all the vulgar systems of morality, and let us see that the distinction of vice and virtue is not founded merely on the relations of objects, nor is perceived by reason."1 The obvious meaning of this statement is that the imperative nature of moral language cannot be considered an adequate expression of the essence of morality; rather, it conceals the erroneousness of its epistemologized schemes of explanation. The accuracy of such an interpretation of the excerpt, even if it were questionable on the basis of its literal meaning, raises no doubt in the general context of Hume's own ethics where morality is identified with a special moral sense-a sense of sympathy that can be revealed effectively without the compelling force of duty. By some strange logic, ethics after Hume turned his warning into a positive program and saw its task as laying bare the concept of the moral "ought" and trying to find a transition from "is" to "ought." These persistent and multifaceted efforts, which enriched the theory of ethics in many ways, nevertheless did not achieve their immediate goal. The question arises, then, whether the negative result was not predetermined by an improper formulation of the problem itself that arose from the assumption that the specific nature of morality is connected with its imperativeness. (shrink)

In homes, schools, and workplaces, women and men are often separated in ways that sustain gender stratification by reducing women's access to socially valued knowledge. The fact that these spatial arrangements may be imperceptible increases their power to reproduce prevailing status differences. I use cross-cultural and historical examples to illustrate that the more pronounced the degree of spatial gender segregation, the lower is women's status relative to men's. The advantages of such a spatial perspective are its interdisciplinary foundations and (...) its creation of avenues for change. (shrink)

At the beginning of the seventeenth century, the sine law of refraction had been discovered. Thus, natural philosophers tried even more to find a cause of refraction and to demonstrate the law. One of them was Thomas Hobbes, who was the author of the Leviathan and also worked on optics. At first, in the Hobbes analogy , he was influenced by Ibn al-Haytham, just as Descartes was in his famous proof in the Dioptrique . In his later optical scripts Tractatus (...) Opticus I , Tractatus Opticus II , and A Minute or First Draught of the Optiques , he developed a new explanation. Rejecting a corpuscular theory of light, Hobbes conceived a ray not as a body but as a motion originating from the light source: a ray can only be the motion of a body. The normal to the sides of a ray is called 'linea lucis'. If a ray is incident into another medium with a different density, one part of the linea lucis will be in the rarer and the other in the denser medium during an imperceptibly short period. Because the resistances in the two media are different, the parts of the linea lucis will move with different velocities; as a result the linea lucis will rotate and the direction of the ray will be changed. The next explanation given in De Corpore comes closer to the first one that Hobbes set down in the analogy. It must be asked why he replaced the theory of rotation by one which seems to carry less conviction. The reason could be that the dropped theory is founded in part on basic requirements of a corpuscular theory of light. Abandoning the whole theory might have been the lesser evil for Hobbes. In two later works, the Problemata Physica and the Decameron Physiologicum , Hobbes varied his explanation without giving any proof for the sine law. It should be noted, however, that in the Decameron he refers to the proof contained in the Tractatus Opticus I, but not that given in De Corpore. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 35.3 (2002) 208-222 [Access article in PDF] Writing, Illness and Affirmation Jeremiah Dyehouse My formula for greatness in a human being is amor fati: that one wants nothing to be different, not forward, not backward, not in all eternity. Not merely to bear what is necessary, still less conceal it—all idealism is mendaciousness in the face of what is necessary—but love it. —Friedrich Nietzsche In her (...) widely circulated book On Death and Dying, Elisabeth Kübler-Ross, M.D., addresses herself to a changed historical context for work in medicine. In societies with increasingly effective medical care, she argues, doctors and nurses find themselves working with patients whose health problems range from imperceptible yet terminal sicknesses to psychosomatic ailments. Today, especially, it is easy to see the reality of her description of this situation: forms of terminal cancer can be detected earlier and earlier in a patient's life, rendering the disconcerting reality of a terminal illness with few or no symptoms. Equally strange for doctors and patients today are forms of environmental illness like chronic fatigue syndrome, a condition suffered by many but still disputed by doctors and researchers. To this situation of medical risk, personal suffering, and therapeutic care, Kübler-Ross prescribes a communicative engagement with the dying. This engagement, she argues, not only teaches doctors about death and dying, but it also provides respite for those who must experience these events.The problem of communicating with the dying, the main focus of Kübler-Ross's book, is nevertheless eclipsed by the other, more notable aspect of On Death and Dying. For out of this book emerged the now very popular understanding of the stages of death, the normal sequence of an individual's emotional reconciliation to dying: the processes of denial and isolation, anger, bargaining, depression—the whole series of intrapsychic processes leading up to a final acceptance of death and dying. Now we live amongst a whole panoply of staged progresses towards the acceptance of trauma: trauma associated not only with death and dying but also with substance abuse, catastrophe, and forms of violence. It is perhaps worth recalling, however, that the most famous of these stage models, the five stages [End Page 208] of death, emerged out of Kübler-Ross's attempt to learn what the dying can teach the living about communication.In what follows, I assume that writing about illness is another, more popular form of Kübler-Ross's descriptive and communicative project. To write pathography, as Anne Hunsaker Hawkins calls narratives of illness and dying in her survey of these texts, Reconstructing Illness: Studies in Pathography, is to engage with what sickness and dying teach about life and writing. As might be guessed, most pathographies orbit familiar centers of gravity: agency for the dying, reconciliation for the living, the whole leaden project of acceptance. Even so, pathography is not always and everywhere engaged in such projects. Pathography, as Hawkins demonstrates, is a highly variable project. Literary pathography is quite different from popular pathography, and texts within these categories differ with respect to the purpose of their writing. Pathography is conceived as a communicative engagement with sickness and dying, with the sick and the dying, but is hardly unified in its aims or its functions. It is a form of writing that not just potentially but actually admits a diversity of purposes and produces a variety of effects.It is my purpose here to propose a typology for pathographies. Although pathography as a genre of writing takes a bewildering variety of forms, these writings can be grouped according to their effects. I divide pathography into three types, according to the kind of response they offer to sickness and dying, to the sick and the dying. First, I treat pathography as a process of passive acceptance, the bearing of a burden proposed by the necessities of illness and death. Next, I characterize pathographies that approach the writing of illness or dying as a process of active acceptance. This type of pathography uses writing about illness and dying as a process for the... (shrink)

Recent biological studies have wrought a sea-change in our understanding of our intimate relations with the microbiota dwelling within or upon the human body. Since these microorganisms are imperceptible, we have access to them only indirectly, through data analysis, rather than through experiments or tools that enhance human observation. Merleau-Ponty’s understanding of the human subject and our relations with animals depends upon perception in a dynamic of reversibility. Thus both the scientific method of approach and the extension of (...) subjectivity to microbiota challenge his views. Yet, with Merleau-Ponty’s concepts of intertwining and the anonymous visibility that subtends it, we can redefine the human being as a community in kinship with multiple microbial species, sharing space, metabolic functions, and future.Des études biologiques récentes ont provoqué un bouleversement dans notre compréhension de nos relations intimes avec les microbiotes habitant dans ou à la surface du corps humain. Puisque ces micro-organismes sont imperceptibles, nous n’accédons à eux qu’indirectement, par l’analyses des données, plutôt que par l’expérience ou les outils qui renforcent l’observation humaine. La compréhension merleau-pontienne du sujet humain et de nos relations avec les animaux dépend de la dynamique de la réversibilité. Par conséquent, la méthode de saisie scientifique et l’extension de la subjectivité aux microbiotes interrogent et défient sa conception. Cependant, à partir des concepts d’entrelacement et de visibilité anonyme qui le sous-tend, nous pouvons redéfinir l’être humain comme une communauté d’affinités avec de multiples espèces microbiennes, qui partage un espace, des fonctions métaboliques et même un futur.Studi biologici recenti hanno introdotto una profonda trasformazione nella nostra comprensione dell’intima relazione che intratteniamo con i microbiota che dimorano all’interno o sulla superficie del corpo umano. Poiché questi micro-organismi sono impercettibili, abbiamo accesso ad essi solo indirettamente, attraverso l’analisi di dati, oppure attraverso esperimenti o strumenti che accrescano l’osservazione umana. La comprensione di Merleau-Ponty del soggetto umano e della nostra relazione con gli animali si basa sulla percezione in una dinamica di reversibilità. Una simile prospettiva è messa alla prova se confrontata sia con il metodo dell’approccio scientifico, che con una possibile estensione della soggettività ai microbiota. Allo stesso tempo, attraverso il concetto merleau-pontiano di intreccio, e a partire dall’idea di una visibilità anonima che lo sottende, diviene possibile ridefinire la natura umana come una comunità condivisa dalle diverse specie microbiche, in quanto compartecipano degli stessi spazi, funzioni metaboliche e avvenire. (shrink)

The role of the state has occupied centre stage in the development of economics as an independent discipline and is one of the most contentious issues addressed by contemporary economists and political economists. The immediate post-war years saw a swing in economic theory towards interventionism, motivated by the urgent need for reconstruction in advanced capitalist countries, the establishment of socialism in parts of Asia and Eastern Europe, and the liberation of many developing nations from colonialism. After a quarter of a (...) century of interventionist policies, a vigourous backlash against state intervention began with the discrediting of welfare statism in advanced capitalist countries, grew through the spread of liberalisation programmes among developing nations during the 1980s, and culminated in the dismantling of socialist central planning since 1989. In this volume, ten distinguished contributors examine patterns of interventionism and anit-interventionism in a wide variety of historical, political and institutional contexts and within different theoretical traditions. Their primary focus is on the internal factors which shape the role of the state and determine its effectiveness in promoting economic change. They explain the growing disenchantment with the Neo-Liberal, anti-interventionist programme--even in Eastern Europe and the former USSR, where the initial optimism in the efficacy of the free market is fading fast. The overall conclusion of the empirical and theoretical analysis is that the simplistic notion of politics fundamental to Neo-Liberal arguments makes them at best misleading and at worst deceitful. Although one can talk of certain general principles, there is no hard and fast rule to determine the optimal degree and the desirable areas of state intervention, which can only be determined in the concrete historical, institutional, and geographical context. The challenge is to form a new synthesis in which the valid insights of Neo-Liberalism are stripped of their ideological baggage and intergrated into a wider and more objective intellectual framework. (shrink)

Historians often feel that standard philosophical doctrines about the nature and development of science are not adequate for representing the real history of science. However, when philosophers of science fail to make sense of certain historical events, it is also possible that there is something wrong with the standard historical descriptions of those events, precluding any sensible explanation. If so, philosophical failure can be useful as a guide for improving historiography, and this constitutes a significant mode of productive interaction between (...) the history and the philosophy of science. I illustrate this methodological claim through the case of the Chemical Revolution. I argue that no standard philosophical theory of scientific method can explain why European chemists made a sudden and nearly unanimous switch of allegiance from the phlogiston theory to Lavoisier's theory. A careful re-examination of the history reveals that the shift was neither so quick nor so unanimous as imagined even by many historians. In closing I offer brief reflections on how best to explain the general drift toward Lavoisier's theory that did take place. (shrink)

This book discusses political change in the view of Confucian thought. This study focuses on the Book of Change, which is one of the nine basic books of Confucius School, and has dominated oriental thought in this field for more than three thousand years.

「現行教育制度的缺點是，教者與被教者間的階級太分明了，種種弊病都隨之而起。現行學校制本專為兒童而設，而教者之權為成人所操，成人與兒童既毫無平等關係之可能，則在學校中自然不能不成為兩種不同的階級。我們總 以為受教者的程度低，教者的程度高，斷沒有平等的可能，殊不知事實上並不是如此。」──常燕生 常燕生是何許人也？他是早已式微的「第三勢力」：中國青年黨在民初的早期領導人，以批判孫中山的《三民主義》著稱。然而在政治之外更不為人知的是，常燕生還是一位教育思想家，對於民初教育環境有著深入觀察。他當年 積極提倡的「社會教育」與「全民教育」，其闡述論述即使放到今天，仍有其遠見與卓識。本書另外還收錄了常燕生當年與陳獨秀透過《新青年》雜誌往來的信函，深入討論了民初教育文化與政治面向。.

The central aim of this book is to answer two questions: Are alternatives for choice ever incomparable? and, In what ways can items be compared? The arguments offered suggest that alternatives for choice no matter how different are never incomparable, and that the ways in which items can be compared are richer and more varied than commonly supposed. This work is the first book length treatment of the topics of incomparability, value, and practical reason.

CONTINUOUS MODEL THEORY CHAPTER I TOPOLOGICAL PRELIMINARIES. Notation Throughout the monograph our mathematical notation does not differ drastically from ...