English summary: 'Metamorphoses of the holy' denotes the changing aesthetic presentation of the sacred which is connected to the creation and institutionalization of religion as art. The focus of the essays in this volume is the structure and dynamic of this process, something which affects all art genres. The sacralization of aesthetic subjectivity is prerequisite to religion as art as evidenced by the belief in the partaking of the sacred through aesthetic experience. On the basis of aesthetic subjectivity's sacralization, it (...) becomes possible to interpret its various forms of expression as witnesses to the holy and award them a fitting reception. These contributions dedicate themselves to an interdisciplinary scrutiny of religion as art and its cross-points of reference with political and civil religion. German description: 'Metamorphosen des Heiligen' bezeichnen hier den Gestaltwandel asthetischer Vergegenwartigung des Heiligen, der sich mit der Entstehung und Institutionalisierung von Kunstreligion verbindet. Im Zentrum der Beitrage des Bandes stehen Struktur und Dynamik dieses Gestaltwandels, der alle Kunstgattungen betrifft. Kunstreligion hat die Sakralisierung der asthetischen Subjektivitat zur Voraussetzung, erkennbar an der Uberzeugung, der Mensch konne durch das Vermogen asthetischer Erfahrung Anteil am Heiligen haben. Auf der Grundlage der Sakralisierung asthetischer Subjektivitat wird es moglich, auch deren verschiedene Ausdrucksformen als Zeugnisse des Heiligen zu deuten und eine entsprechende Rezeption dieser Zeugnisse anzusinnen. Die Beitrage widmen sich der Kunstreligion sowie ihren Interferenzen mit der politischen Religion und der Zivilreligion in interdisziplinarer Perspektive. Mit Beitragen von: Stefan Alkier, Bernd Auerochs, Manuel Bauer, Wolfgang Braungart, Reinhard Brandt, Heinrich Detering, Hermann Deuser, Carola Groppe, Gunter Hantzschel, Joachim Jacob, Markus Kleinert, Dietrich Korsch, Volkhard Krech, Johann Kreuzer, Dorit Messlin, Jurgen Oelkers, Bernhard Schafers, Magnus Schlette, Peter Steinacker. (shrink)

The Making of Modern Law: Foreign, Comparative and International Law, 1600-1926, brings together foreign, comparative, and international titles in a single resource. Its International Law component features works of some of the great legal theorists, including Gentili, Grotius, Selden, Zouche, Pufendorf, Bijnkershoek, Wolff, Vattel, Martens, Mackintosh, Wheaton, among others. The materials in this archive are drawn from three world-class American law libraries: the Yale Law Library, the George Washington University Law Library, and the Columbia Law Library.Now for the first time, (...) these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.+++++++++++++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: +++++++++++++++Columbia University Law LibraryLP3C001240019060101The Making of Modern Law: Foreign, Comparative, and International Law, 1600-1926Heidelberg: Carl Winter's, 190649, [1] p. 23 cmGermany. (shrink)

Dieses Buch versucht, am Beispiel der Logik der Forschung K. R. Poppers, den Ansatz der modernen Wissenschaftstheorie mit transzendentalphilosophischen Fragestellungen Kants zu vermitteln.

1. T. Kommentar zum 7. Buch der Metaphysik.

This paper proposes a model for implementation of intrinsic natural language sentence meaning in a physical language understanding system, where 'intrinsic' is understood as 'independent of meaning ascription by system-external observers'. The proposal is that intrinsic meaning can be implemented as a point attractor in the state space of a nonlinear dynamical system with feedback which is generated by temporally sequenced inputs. It is motivated by John Searle's well known (Behavioral and Brain Sciences, 3: 417–57, 1980) critique of the then-standard (...) and currently still influential computational theory of mind (CTM), the essence of which was that CTM representations lack intrinsic meaning because that meaning is dependent on ascription by an observer_._ The proposed dynamical model comprises a collection of interacting artificial neural networks, and constitutes a radical simplification of the principle of compositional phrase structure which is at the heart of the current standard view of sentence semantics because it is computationally interpretable as a finite state machine. (shrink)

Unveränderter Nachdruck der Originalausgabe von 1883.