Ben shu dui Zhongguo zhe xue xue ke ji zhe xue shi yan jiu de fang fa lun deng wen ti jin xing le tan tao yu fen xi.

胡適（1891-1962），安徽績溪人。原名嗣穈，後改名胡適，字適之，曾用筆名希彊、臧暉等。新文化運動的奠基人與領袖之一，倡導約翰・杜威的實用主義。1917年回國任教北大，參與編輯《新青年》《努力周報 》《獨立評論》等雜誌，先後擔任中華民國駐美大使、國立北京大學校長、台北「中央研究院」院長等職，著有《中國哲學史大綱》《嘗試集》《胡適文存》等書，並獲諾貝爾文學獎提名。.

本书是研究马克思主义哲学的成果汇集。这些成果从马克思主义哲学的视域,对当代重大现实问题和理论问题进行了认真的研究.

本卷收入胡适哲学与文化方面的论文、函牍、讲演、札记80余篇。其中包括实验主义、我们对于西洋近代文明的态度等重要文章。所收文章全面反映了胡适哲学思想、学术主张和对于中西文化的态度,对于了解和研究胡适本人 以及现代中国学术史、现代中国启蒙运动等内容。.

本书内容包括20世纪90年代以后的生态社会主义概述, 20世纪90年代以后的生态社会主义的新变化与动因, 20世纪90年代以后的生态社会主义的主要新观点——反思与批判, 生态社会主义的实践和启示等.

Using two national culture dimensions, we show that the influence of firms’ corporate social performance on corporate financial performance hinges on culture. Specifically, CFP is higher in those firms where CSR initiatives are congruent with the cultural environment. CSP has a negative impact on CFP for those firms domiciled in countries which are individualistic and favor flexibility. These findings are amplified for those firms with low levels of foreign influence in terms of institutional ownership and sales. Using a dataset covering (...) 5334 firms from 41 different countries, our results indicate that culture and CSR initiatives have a powerful interaction effect in determining CFP, suggesting that CSP’s impact is dependent upon the culture of the country where the firm resides. (shrink)

Facsimile of miscellaneous Persian and Arabic texts in Mullā Ṣadrā's handwriting.

Conventional Chinese calligraphy criticism displays a tendency toward what in Western art discourse is known as "formalism," an aesthetic doctrine that claims formal properties to be the proper focus of the study of art. Kang Youwei, a noted calligrapher, scholar, and political reformer, writes that "calligraphy is a study that rests on [its] configuration."1 Kang's dictum suggests two interpretations: first, practicing calligraphy should focus on its xing ; second, appreciating and evaluating calligraphy should concentrate on its xing.In classical calligraphy criticism, (...) discourses on xing inevitably involve another important aesthetic term, shi. For... (shrink)

內容簡介 二十世紀的「現象學運動」影響了存在哲學（存在主義）、哲學詮釋學、解構主義、現代美學、藝術哲學等等，以及所謂「後現代的文化思潮」之發展。 二十一世紀的今日，我們對「中華古典哲學」的反思，似乎可以從歐洲的現象學運動之思潮中，找到一些足以對話和互為理解的可能。 本書就試著嘗試這種互為理解與東西文化交涉的努力，希望提供給對這個話題有興趣的讀者們，開顯出一扇觀照內外在的哲學之門，而通過這扇門能夠走向人生的智慧之旅。.

This article examines several aspects of the appreciation of Chinese calligraphy, seeking to address two questions. First, what are the aesthetic objects in its appreciation? And second, how can we characterize the process of coming to understand calligraphic works? The answers, I contend, can be found in classical texts on this art. I hold that the aesthetic objects in the experience of a calligraphic work are twofold: the outer form and the inner qualities. This is analogous to what Noël Carroll (...) understood as the object of aesthetic experience, that is, the formal and/or expressive properties.1 I propose that calligraphy appreciation can be understood as a process of retrieval, a term I take from Richard... (shrink)

This paper introduces the Generalized Argumentation Theory which takes argumentation as a locally rational socio-cultural interaction governed by social norms and carried out through discourse between the members of a socio-cultural community in order to reason things out. Then we bring in the basic structure of generalized argumentation and the localized procedure of Generalized Argumentation Theory for studying the argumentative rules. On the basis of above introduction, we use the localized procedure to analyze a case of political argumentation by reciting (...) poems in ancient China. By doing so, it’s indicated that political argumentation by reciting poems, in essence, takes cultural principle of Li of the Spring and Autumn Period as argumentative rules and uses poems to express ideas, in virtue of which arguments are accepted as locally rational by the politicians at that time. At last, the Little Red Book quotation fight, a similar political activity, is discussed briefly to show the significance that ancient Chinese political argumentation has on contemporary argumentation. (shrink)

This paper combines domestic and international research results to analyze and study the difference between the attribute features of English phrase speech and noise to enhance the short-time energy, which is used to improve the threshold judgment sensitivity; noise addition to the discrepancy data set is used to enhance the recognition robustness. The backpropagation algorithm is improved to constrain the range of weight variation, avoid oscillation phenomenon, and shorten the training time. In the real English phrase sound recognition system, there (...) are problems such as massive training data and low training efficiency caused by the super large-scale model parameters of the convolutional neural network. To address these problems, the NWBP algorithm is based on the oscillation phenomenon that tends to occur when searching for the minimum error value in the late training period of the network parameters, using the K-MEANS algorithm to obtain the seed nodes that approach the minimal error value, and using the boundary value rule to reduce the range of weight change to reduce the oscillation phenomenon so that the network error converges as soon as possible and improve the training efficiency. Through simulation experiments, the NWBP algorithm improves the degree of fitting and convergence speed in the training of complex convolutional neural networks compared with other algorithms, reduces the redundant computation, and shortens the training time to a certain extent, and the algorithm has the advantage of accelerating the convergence of the network compared with simple networks. The word tree constraint and its efficient storage structure are introduced, which improves the storage efficiency of the word tree constraint and the retrieval efficiency in the English phrase recognition search. (shrink)

本书分为神话与诉讼,历史与诉讼,故事与诉讼,制度法理,学术争鸣,法学教育,治学人生等八辑,收录了剧与诉的随想,正义之舞,游戏与诉讼,圣殿骑士的死亡密码,走向刑事宪法,法官权力之源与品格之治,法国法学教 育三题,关问于山水之间等文章.

人人都有一雙藝術家的眼睛。 「不論你曾崇仰何人何物，並以誰為師，最後你必須回到你自己本身。 藝術從未遠人，只是人遠離了他真正的自己。 在都市中，我們先失去了我們的眼睛，然後我們失去了一切。」－史作檉 本書為史作檉談論藝術美學文章集結，強調人人都有藝術家的眼睛，只在於人們失去了觀看的方式與純粹的初衷。 共分四大篇九章節，從藝術本質談起，援引賈克梅第、康丁斯基、蒙德里安、李德等藝術家創作，從繪畫、雕塑、音樂，旁述及顏氏篆書中的圖形特性，進臻至哲學美學、形上美學，淺明清晰，在一本書的閱讀時間裡就可在繁多 的藝術理論中找到自己的「眼睛」與觀看角度。.