Françoise Dastur describes her efforts to practice history of philosophy in a non-historical fashion. She discusses her concept of the historical, and argues that the only true way to be of one's time is to be against one's time.

Françoise Dastur describes her efforts to practice history of philosophy in a non-historical fashion. She discusses her concept of the historical, and argues that the only true way to be of one's time is to be against one's time.

With the advent of CRISPR gene-editing technology, designer babies have become a reality. Françoise Baylis insists that scientists alone cannot decide the terms of this new era in human evolution. Members of the public, with diverse interests and perspectives, must have a role in determining our future as a species.

oise Baylis, 1234 Le Marchant Street, Halifax, Nova Scotia, Canada B3H 3P7. Tel.: (902)-494–2873; Fax: (902)-494-2924; Email: francoise.baylis{at}dal.ca ' + u + '@' + d + ' '//--> . Abstract Recently, there has been a growing interest in public health and public health ethics. Much of this interest has been tied to efforts to draw up national and international plans to deal with a global pandemic. It is common for these plans to state the importance of drawing upon a well-developed (...) ethics framework and we argue that this framework should reflect the values and insights of feminist relational theory. More specifically, we argue that pandemic planning must be squarely situated in the larger realm of public health and that an ethics framework for public health will be one that recognizes the need to pay particular attention to the vulnerability of subpopulations lacking in social and economic power. We propose an ethics framework for public health that builds on the notions of relational personhood (including relational autonomy and social justice) and relational solidarity. In this way, we aim for a public health ethics that, as appropriate, promotes the public interest and the common good. CiteULike Connotea Del.icio.us What's this? (shrink)

Il pense, donc il est : sérieux, solitaire, méditatif et de noir vêtu, Descartes est depuis des siècles l'incarnation de la raison triomphante et du génie français. Tant de limpidité et d'éclat a éclipsé l'homme même, qui demeure très méconnu : fils d'un temps d'incertitude? père de la philosophie moderne? Qui était vraiment René Descartes et qu'en reste-t-il aujourd'hui, au-delà des idées reçues et de la référence obligée? Mettant en lumière les contradictions du philosophe, Françoise Hildesheimer brosse le portrait (...) d'un homme fort éloigné du mythe officiel. On le veut rationnel, on ne l'imagine pas rêvant ; c'est pourtant sur trois songes que Descartes a fondé son projet d'une science universelle qui devait faire de lui le nouvel Aristote. Il a côtoyé de très près les courants déviants de l'époque, avant de s'établir en Hollande en 1628 pour concevoir son système, dévoilé au fil du Discours de la méthode, des Méditations métaphysiques, des Principes de la philosophie et des Passions de l'âme. Sa vie durant, Descartes a balancé entre désir de reconnaissance officielle et soif d'incognito ; il invitait le monde entier à débattre de ses théories, mais n'aimait guère la contestation ; il affectionnait le repos, et n'a cessé de voyager, sans jamais s'établir durablement ; lui qui se tenait éloigné du pouvoir a fini ses jours, en 1650, à la cour de la reine Christine de Suède. Curieux paradoxe que cet obsédé du secret, ce maniaque du brouillage des pistes, se soit consacré corps et âme à la quête de la Vérité et à l'étude de la lumière... (shrink)

How, asks Françoise Dastur, can philosophy account for the sudden happening and the factuality of the event? Dastur asks how phenomenology, in particular the work of Heidegger, Husserl, and Merleau-Ponty, may be interpreted as offering such an account. She argues that the “paradoxical capacity of expecting surprise is always in question in phenomenology,” and for this reason, she concludes, “We should not oppose phenomenology and the thinking of the event. We should connect them; openness to phenomena must be identified (...) with openness to unpredictability.” The article offers reflections in these terms on a phenomenology of birth. (shrink)

Suddenly, COVID-19 has changed the world and the way people work. Companies had to accelerate something they knew was imminent in the future, but not immediate and extremely humongous. This situation poses a huge challenge for companies to survive and thrive in this complex business environment and for employees, who must adapt to this new way of working. An effective e-leadership, which promotes companies’ adaptability, is needed. This study investigates the existing knowledge on teleworking and e-leadership; and analyzes the supposed (...) challenges. The literature review shows that companies with effective e-leadership can view teleworking as an opportunity. It is advantageous for not only companies’ productivity but also the environment and people who work remotely. However, a traditional or no leadership can result in some risks. Thriving in remote work environments implies that managers must adjust the companies’ structure, making them less hierarchical, and developing new abilities to establish a strong and trustworthy relationship with their employees to maintain their competitiveness, while retaining a genuine concern for their employees’ well-being. Similarly, successful e-leadership must be able to consolidate and lead effective virtual teams to accomplish organizational goals. This study contributes to the literature and leaders during the pandemic. (shrink)

Sur quoi aujourd’hui fonder l’autorité des parents? Que transmettre? Et comment exercer cette autorité au temps de l’enfance? Questions cruciales pour le devenir subjectif des nouveaux venus au monde... Car, sans autorité, pas de transmission de la dette de vie, celle qui ouvre à la Loi et au désir, pas d’humanisation et de socialisation des enfants.

On attribue typiquement aux organes des fonctions. La fonction des yeux est de voir, celle du cœur est de faire circuler le sang, celle des reins est de filtrer le sang, et ainsi de suite. On attribue aussi des fonctions à des parties d’organe – la fonction des valves auriculo-ventriculaires est d’empêcher le sang de refluer dans les oreillettes lorsque les ventricules se contractent – ou à des traits biologiques – chez de nombreuses espèces d’oiseaux, la couleur vive du plumage (...) des mâles a p... (shrink)

Aucune discussion d'ensemble des ecrits de Lyotard sur l'art n'avait ete entreprise. Or sa reflexion sur les arts - musique, cinema, peinture surtout - est une part essentielle de son oeuvre, comme en temoignent les analyses proposees dans Discours, figure, Que peindre?, Moralites postmodernes, L'Inhumain et Les Ecrits sur l'art contemporain et les artistes. Moins remarque pourtant est le fait que Lyotard a collabore avec des peintres (Monory, Guiffrey, Adami, Sam Francis, Appel, Buren, etc). Il a ete commissaire d'une exposition (...) en 1985 qui a fait date, " Les Immateriaux ", au Centre Georges-Pompidou. Plusieurs textes du volume ainsi qu'un entretien inedit avec Bernard Blistene sont consacres a cette manifestation. Pour ce livre Francoise Coblence et Michel Enaudeau ont sollicite non seulement des lecteurs avertis de Lyotard (Christine Buci-Glucksmann, Elisabeth de Fontenay, Jean-Michel Rey, Jean-Loup Thebaud, Herman Parret, Anne Cauquelin, Gerald Sfez, Jean-Claude Rolland, Claudine Eizykman et Guy Fihman, Jean-Francois Nordmann, Jean-Patrice Courtois), mais aussi de plus jeunes chercheurs (Gaelle Bernard, Frederic Fruteau de Laclos, Claire Pages, Jerome Glicenstein, Maud Pouradier, Evelyne Toussaint) qui decouvrent pour leur propre compte le travail de Lyotard sur les arts. Les contributions rassemblees analysent les concepts forges par Lyotard, tels que " figural ", "libidinal ", " sublime ", " immateriau ", " matiere ", " impresentable " " affect ", " ecriture ". A travers eux, cette pensee de l'art veut rompre avec l'esthetique au sens academique du terme pour voir ou entendre dans les oeuvres l'evenement de la couleur ou du son. C'est donc bien d'un enjeu " ontologique " qu'il y va : l'art est seul a nous presenter la frappe sensible de l'etre. (shrink)

This work was supported, in part, by a Stem Cell Network grant to Françoise Baylis and Jason Scott Robert and a CIHR grant to Françoise Baylis. We sincerely thank Alan Fine, Rich Campbell, Cynthia Cohen, and Tim Krahn for helpful comments on an earlier draft of this paper. Thanks are also owed to Tim Krahn for his research assistance. An earlier version of this paper was presented to the Department of Bioethics and the Novel Tech Ethics research team. (...) We thank the participants at each of these meetings for their helpful comments. (shrink)

The prominence and peculiarity of color in French symbolist verse have often been noted. Yet the dominance of color in symbolism is not the result of aesthetic preference or mere poetic technique, as has been previously argued; rather, color functions, with the synaesthetic poetic context of which it is an integral part, as the direct manifestation of a particular metaphysical stance. Color leads to the heart of what symbolism is, for it is the paradigmatic literary expression of a general spiritual (...) crisis—a crisis in epistemology. The nineteenth century extended seventeenth-century empiricism—an empiricism which had invented mathematical measurement as the gauge of reality and which resulted in a predilection to see most authentic knowledge as quantifiable. The logical corollary of such a predilection is that all sensory experience is regarded as suspect. Newtonian physics had rationalized the laws of the universe in reducing its properties to atomical structures and laws of motion. Nothing, it seemed, was left unexplained. Those areas of perception which remained unquantifiable were dispelled as illusion or attributed to the necessary limitations of the human mind. The theories of John Locke act as a kind of historical watershed in this regard: they are the classic philosophic expression of the disjunction between sensory experience and knowledge which, in its nineteenth-century versions, would lead to the symbolist revolt. Françoise Meltzer is a professor of French literature and of comparative literature at the University of Chicago. Her previous contribution to Critical Inquiry is the translation of Christian Metz's "Trucage and the Film" . She is the author of The Trial of Psychoanalysis, Salome and the Dance of Writing, and Hot Property: The Stakes and Claims of Literary Originality. (shrink)

The primary objective of The Health Care Ethics Con sultant is to focus attention on an immediate practical problem: the role and responsibilities, the education and training, and the certification and accreditation of health care ethics consultants. The principal questions addressed in this book include: Who should be considered health care ethics consultants? Whom should they advise? What should be their responsi bilities and what kind of training should they have? Should there be some kind of accreditation or certification program (...) to ensure that those who call themselves ethics consultants are in fact qualified to advise, consult, research, and write in health care ethics? The distinguished authors ofthese articles are persons with diverse backgrounds, interests, presumptions, and val ues. Not surprisingly, therefore, diverse responses have emerged to the questions posed. Though the book's chapters are individually authored, they are informed by the group discussions that went on during active workshop sessions, and by knowledge of the contributions of others. All of the chapters meaningfully represent their consensus. This is not to say that there were no disagreements regarding specific details, but rather that there were no fundamental objections on the book's basic content among a panel of authors who share basic premises regarding the role, responsibilities, education, and certifica tion of health care ethics consultants. (shrink)

In this article, I argue that there is no compelling therapeutic ‘need’ for human nuclear genome transfer to prevent mitochondrial diseases caused by mtDNA mutations. At most there is a strong interest in this technology on the part of some women and couples at risk of having children with mitochondrial disease, and perhaps also a ‘want’ on the part of some researchers who see the technology as a useful precedent – one that provides them with ‘a quiet way station’ in (...) which to refine the micromanipulations techniques essential for other human germline interventions and human cloning. In advance of this argument, I review basic information about mitochondrial disease and novel genetic strategies to prevent the transmission of mutated mitochondria. Next, I address common features of contemporary debates and discussions about so-called mitochondrial replacement. First, I contest the cliché that science-and-technology is fast outpacing ethics. Second, I dispute the accuracy of the term ‘mitochondrial replacement’. Third, I provide a sustained critique of the purported ‘need’ for genetically-related children. In closing, I call into question the mainly liberal defense of human nuclear genome transfer. I suggest an alternative frame of reference that pays particular attention to issues of social justice. I conclude that our limited resources should be carefully expended in pursuit of the common good, which does not include pandering to acquired desires. (shrink)

In January 2008, the Human Fertilisation and Embryology Authority issued two 1-year licenses for cytoplasmic hybrid embryo research. This article situates the HFEA's decision in its wider scientific and political context in which, until quite recently, the debate about human embryonic stem cell research has focused narrowly on the moral status of the developing human embryo. Next, ethical arguments against crossing species boundaries with humans are canvassed. Finally, a new argument about the risks of harm to women egg providers resulting (...) from research involving the creation of humanesque cytoplasmic hybrid embryos is elaborated. Taken together these ethical concerns about the moral status of the human embryo, about the ethics of crossing species boundaries with humans, and about the potential harms to women, provide good reason to eschew humanesque cytoplasmic hybrid embryo research in favor of less ethically controversial means to the laudable end of successful regenerative medicine. (shrink)

Now that stem cell scientists are clamouring for human eggs for cloning-based stem cell research, there is vigorous debate about the ethics of paying women for their eggs. Generally speaking, some claim that women should be paid a fair wage for their reproductive labour or tissues, while others argue against the further commodification of reproductive labour or tissues and worry about voluntariness among potential egg providers. Siding mainly with those who believe that women should be financially compensated for providing eggs (...) for research, the new stem cell guidelines of the International Society for Stem Cell Research (ISSCR) legitimise both reimbursement of direct expenses and financial compensation for many women who supply eggs for research. In this paper, the authors do not attempt to resolve the thorny issue of whether payment for eggs used in human embryonic stem cell research is ethically legitimate. Rather, they want to show specifically that the ISSCR recommended payment practices are deeply flawed and, more generally, that all payment schemes that aim to avoid undue inducement of women risk the global exploitation of economically disadvantaged women. (shrink)

Chronique/critique de Françoise Favretto parue dans la revue L'intranquille. Revue de littérature, n° 20, St-Quentin-de-Caplong, L'Atelier de l'Agneau, 2021, p. 83. - Recensions.

L'ordre matériel du savoir Comment les savants travaillent | XVIe-XXIe siècles L'article, le graphique, la fiche, le poster, le cahier de laboratoire sont quelques-uns des nombreux outils du travail scientifique étudiés dans cet ouvrage qui offre une histoire matérielle de la culture savante entre le XVIe et le XXIe siècle. Il rend manifeste, de la médecine à l'archéologie, de la géographie à la chirurgie, ce que l'on ne voit pas ou plus dans les résultats : la masse imposante de l'outillage (...) à disposition, sa grande diversité, son accroissement constant. S'y ajoutent les ressources des savants eux-mêmes, celles de leurs sens éduqués ou amplifiés par de multiples instruments. Les configurations fascinantes que ces outils et leur emploi créent entre écrit, image, parole, regard et geste révèlent le caractère composite, multimédia et multisensoriel, de l'ordre raisonné du savoir. Explorer la science dans sa matérialité éclaire d'un jour nouveau des pans entiers de l'histoire intellectuelle. Les outils de travail ne sont pas de simples à-côtés des idées. Ils participent étroitement à la connaissance, entre objectivité scientifique et éléments empruntés à l'expérience des sens. Un essai d'anthropologie des savoirs qui porte un regard original sur l'ordinaire de la science. (shrink)

The role of the reader is central to the epistolary genre because the letters anticipate a reader within the novel's framework. There is the letter's intended recipient , the occasional interceptor, the invented publisher and/or editor who organize the collected correspondence, and the extrafictional reader who reads the collection in its entirety, including the disclaiming or condemning prefaces which precede it. The epistolary form, however, with so many layers of readers, considerably complicates the issue of reader response. If we share, (...) for example, Stanley Fish's assumption that "literature is in the reader," the epistolary novel apparently reverses the formula: the reader is in the literature.And yet it is in the novel of letters that the reader, the fictional reader, most clearly creates the text. Let us return to Merteuil's admonishment to Cécile: "Voyez donc à soigner davantage votre style…. Vous voyez bien que, quand vous écrivez à quelqu'un, c'est pur lui et non pas pour vous: vous devez donc moins chercher à lui dire ce que vous pensez, que ce qui lui plaît davantage."2 If a reader's response to a given sentence is colored by the previous one, the epistolary novel achieves the same effect within a larger unit: each letter is determined by the one which precedes it. In this sense the letter is a grammatical unit, a larger sentence. Moreover, a letter-novel presents the possibility of an architectural as well as conceptual interruption. That is, whereas insufficiencies in a first-or third-person narrative must consist of circumlocutions, repetitions, and exclusions of information, the letter-novel can create a concrete insufficiency by a lost, suppressed, stolen, or interrupted letter. In such cases the letter must function without its precedent since the destinataire remains empty-handed. Thus, the epistolary novel has a great capacity for mise en abîme.Both inside and outside the narrative, there always is a destinataire; and even if he is the wrong one in the context of the récit he is the intended one for the histoire.3 In any case, the extrafictional reader is the final destinataire and holds a privileged position. And yet, he too is subject to interruptions: here the editor rears his head by claiming in footnotes that a letter is lost, too damaged to decipher, or so boring or obscene that he has seen fit to exclude it; these footnotes are the only "letters" addressed to and meant for us. At this point the editor removes his mask but remains on stage. Apart from such tricks, however, we do read every letter available, each of which is addressed to another reader, a system of the once removed or of the "letter in suffrance." Or, loosely interpreting Jacques Lacan, a purloined letter means that a letter always arrives at its destination.42. Choderlos de Laclos, Les Liasons dangereuses , letter 105, p. 247; all subsequent quotations are taken from this edition and will be identified by letter and page number in the text. "Therefore attend more to your style....You must well know that, when you write to someone, it is for him and not for you: you must therefore seek less to tell him what you think, than what pleases him more"; here and elsewhere my translation.3. I am using the French terms of Gérard Genette to avoid confusion caused by English equivalents. "Récit is often translated as discourse, plot, narrative, subject, narration; histoire as story, events, myth, and so forth.4. See Jacques Lacan, "Seminar on'The Purloined Letter,'" trans. Jeffrey Mehlman, Yale French Studies 48 : 38-72; all further references to this work, abbreviated as "SPL," will be included in the text. The final sentence reads as follows: "Thus it is that what the 'purloined letter,' nay, the 'letter in suffrance' means is that a letter always arrives at its destination." What Lacan means by this statement has to do with the language of the unconscious, or of unconscious Desire. Each individual sends his own message of "truth" of identity. Earlier in this passage Lacan says: "The sender, we tell you , receives from the receiver his own message in reverse form." Françoise Meltzer is an associate professor of Romance language and literatures and of comparative literature at the University of Chicago. Her previous contributions to Critical Inquiry are "Color as Cognition in Symbolist Verse" and the translation of Christian Metz's "Trucage and the Film" . She is presently working on the relationship between rhetoric and psychoanalytic terminology. (shrink)

Verges' manifesto argues that feminists should no longer be accomplices of capitalism, racism, colonialism and imperialism: it is time to fight the system that created the boss, built the prisons and polices women's bodies. The author grapples with the central issues in feminist debates today: from Eurocentrism and whiteness, to power, inclusion and exclusion. Delving into feminist and anti-racist histories, Verges also assesses contemporary activism, movements and struggles, including #MeToo and the Women's Strike. Centering anticolonialism and anti-racism within an intersectional (...) Marxist feminism, the book puts forward an urgent demand to free ourselves from the capitalist, imperialist forces that oppress us. --From publisher description. (shrink)

Cette édition numérique a été réalisée à partir d'un support physique, parfois ancien, conservé au sein du dépôt légal de la Bibliothèque nationale de France, conformément à la loi n° 2012-287 du 1er mars 2012 relative à l'exploitation des Livres indisponibles du XXe siècle. Pages de début Introduction I - La métaphore aussi mérite qu'on se batte pour elle Présentation 1. Ligne droite, pendules, spirales... 2. La formation des langues nationales 3. L'anthropologie linguistique entre le Droit et la Vie 4. (...) Les hommes fous de leur langue 5. Le réel de la langue, c'est l'impossible 6. Deux Saussure? 7. L'irruption de l'équivoque dans le réel 8. Octobre 17 et la force des mots 9. Les protagonistes de l'Octobre linguistique et littéraire 10. Les paysans de l'intelligentsia 11. La double face du géant Maïakovski 12. Le grand nettoyage commence 13. L'humour perdu dans la Grande Méthode 14. Le double langage 15. La « linguistique marxiste » 16. De Cercle en Cercle 17. Le dernier des Cercles 18. La linguistique devient sérieuse II - Nous sommes d'une génération qui a tué ses poètes Présentation 1. La grande traversée 2. La langue : modèle logique ou réalité physique? 3. Popper dans Chomsky 4. Dieu infini a créé le monde fini 5. L'ambiguïté comme parodie de l'équivoque 6. Le système mis à nu par ses failles 7. Quelle est la couleur des idées vertes? 8. Nous sommes de la génération qui fait de la linguistique 9. Jamais le singe le plus intelligent... 10. Stratégies phagocytaires 11. Deux Chomsky? 12. Enseigner la grammaire ou pas? 13. Droit continental européen et droit anglo-saxon 14. Énigme, Witz et joke 15. Le langage humain vu par un Martien 16. Les failles d'une raison sans faille 17. Dans les têtes, la machine d'État Conclusion :La langue perdue? Bibliographie Pages de fin. (shrink)

Philosophe, l'auteur tente de resituer le mouvement de la pensée d'Hannah Arendt, ses grandes articulations et ce qui fait d'elle un auteur majeur et précurseur.

Les premières mythographies de l’Europe néo-latine, depuis la Genealogia deorum de Boccace, considèrent l’histoire des dieux sur le modèle des généalogies humaines, en cherchant à recomposer « la lignée de Saturne ». Les premiers historiens de la Grèce, comme les poètes, inventèrent des généalogies mythiques pour inscrire l’origine des hommes dans l’histoire de leur relation aux dieux. Que fondent les généalogies divines ? Non seulement des structures religieuses, non seulement la raison même des sociétés humaines, mais encore la préhistoire de (...) l’humanité. Mais si les engendrements divins donnent sens aux relations entre les hommes et les dieux, c’est l’histoire des commencements du monde que les mythographes cherchent à comprendre en interrogeant l’articulation des généalogies divines et humaines. Depuis que, dans le Timée, Platon a associé mythologia et genealogia comme deux modes de discours « archéologiques », les mythographes ont ouvertement revendiqué un savoir sur le monde qui se définit comme une synthèse des « sciences de la nature ».Mythologia, Genealogia, Archaiologia:A Paleontological Scope for Mythography. The first European mythographical treatises in the Middle Ages and Renaissance, since Boccaccio’s Genealogia deorum, were determined by a genealogical method, looking at the history of the gods with human patterns and seeking the reconstruction of “Saturn’s lineage”. The early Greek mythographers, like the poets, imagined various genealogies for seeking out the origins of humanity through their relationships with gods. What is founded on divine genealogies? Not only religious structures, nor only the true ratio of human sociability, but a human paleon­tology too. By interpreting filiations as a system of connexions between gods and humans, the mythographers aimed at understanding the protohistory of the universe. Since Plato’s Timaeus associated mythologia and genealogia as two modes of “archaeological” discourse, mythographers have wanted to assert their own “physical science” as a whole synthetic perception of the natural world. (shrink)

Mercedes Pinto, cuya trayectoria se desarrolló desde Canarias, su tierra de nacimiento, hasta México, pasando por Uruguay, conoció el éxito por sus escritos y actividades culturales y luego quedó sumida en el olvido. Sin embargo, la adaptación de su “novela” autobiográfica Él (Montevideo, 1926) a la gran pantalla por Luis Buñuel en 1952, le deparó otra vida al libro. Si en la obra literaria prevalece la autoficción y su claro compromiso feminista a favor del divorcio, adquiere nueva complejidad en la (...) película mexicana de Buñuel el estudio del caso clínico de la paranoia. Al ataque a una burguesía parasitaria se une una subversión del género del melodrama, cuyo falso final feliz pervierte los códigos establecidos, dejando que se imponga el principio de duda. Asimismo, la exploración de los roles sexuales, heredera de la corriente surrealista, rehúye toda simplificación maniquea y se afirma como objeto fascinante para toda labor hermenéutica. (shrink)

This surprising selection of photographs by Ansel Adams, Eugène Atget, Alfred Stieglitz, Carleton Watkins, and others, focuses on the tree as subject matter.

The principle of democracy is one of equal dignity for all cultures. But today the relationship between culture and politics, though close, often appears tense and occasionally contradictory. The introduction to this issue of Diogenes sketches the work done by UNESCO in the frame of the 'Pathways of Thought' Programme, particularly relating to the way in which a pluralist identity is created in multicultural nations, and to the relationship between non-material heritage, democracy and the quest for new forms of governance.

Beyond simple verbal or technical strategies aimed at extending man’s physical capacities and range of action, our modern times provide unusual means of emancipating ourselves from the limitations and imperfections of the body. Science and the arts inspire each other when they discuss the new possibilities offered by chemistry, genetics, devices, cybertechnologies (A.I.), scientific achievements in the field of transsexuality, developments in digital imaging and immersive 3D virtual experiences, and speculation on the potential of so-called quantum therapies, which most scientists (...) scoff at—while other therapeutic avenues based on the use of certain frequencies are being opened up by neuroscience. Some performances are veritable medical experiments, turning the strangely metamorphosed body into an object of art, another mutant. Recent discoveries are multiplying ordinary capacities tenfold, sometimes raising the question of the unity of mind and body, undermined by the cybernetic development of the human being. The arts seek to be pioneers in addressing these issues, as does speculative science fiction, which attempts to anticipate the risks created by these innovations. (shrink)