Benedetto Croce’s influence pervades Anglo-Saxon culture, but, ironically, before Giovanni Gullace heeded the call of his colleagues and provided this urgently needed translation of _La Poesia, _speakers of English had no access to Croce’s major work and final rendering of his esthetic theory.__ __ _Aesthetic, _published in 1902 and translated in 1909, represents most of what the English-speaking world knows about Croce’s theory. It is, asserts Gullace, “no more than a first sketch of a thought that developed, clarified, and (...) corrected itself through new literary experience and more mature reflection.” During the 34 years between _Aesthetic _and _La Poesia _, for example, Croce added a striking new element to his thought: the analysis of prose literature. Gullace’s introduction to _La Poesia _constitutes a major under­taking in its own right. It is aimed at acquainting the reader with the evolution of Croce’s thought and at explaining the relation­ship between this final work and the philosopher’s previous work in esthetic theory and literary criticism. __ _La Poesia _is divided into two parts, text and postscripts. The text consists of four chapters: Poetry and Literature; The Life of Poetry; Criticism and History of Poetry; and The Formation of the Poet and the Precepts. Croce saw the postscripts “as a re­laxed conversation after the tension of theoretical exposition. In Gullace’s translation the text and relevant postscripts appear conveniently side by side in a double column. Gullace has anno­tated both text and postscripts. (shrink)

Unlike in the phrase “Virtual Reality,” in the phrase “Augmented Reality” the stress is put on the word “reality.” It seems, though, that we still lack a concept of reality which can fit the world of both humans and computers. In connection with this philosophical issue, this paper aims to provide the background for a better insight into the meaning of Augmented Reality and its impact on human behavior. My thesis is that an ecological version of direct perception’s realism constitutes (...) the most natural framework from which to start. The ecological approach to perception – namely, the Gibsonian theory of affordances – together with a non-dualistic, pragmatist and evolutionist notion of reality, perfectly fits this purpose. Thus, after a brief survey of the present state of AR technologies, it should become natural to interpret AR digital contents as implementations of affordances. (shrink)

David Harvey : On peut difficilement imaginer vérification plus spectaculaire de ce que tu prédis depuis très longtemps dans tes théories que l’actuelle crise du système financier mondial. Y a-t-il des aspects de la crise qui t’ont surpris? Giovanni Arrighi : Ma prédiction était très simple. Dans The Long Twentieth Century, je qualifiais de crise annonciatrice d’un régime d’accumulation le début de la financiarisation et je faisais remarquer qu’après un certain temps – en général environ un demi-siècle – la (...) crise terminale suivait. L’hypothèse fondamentale est que toutes ces expansions financières ne pouvaient pas tenir parce qu’elles amenaient à la spéculation plus de capital qu’il n’était possible d’en gérer – en d’autres termes, ces expansions financières avaient tendance à créer des bulles de différentes sortes. Je prévoyais que cette expansion financière mènerait à une crise terminale parce que, aujourd’hui comme dans le passé, les bulles ne peuvent pas tenir. (shrink)