À partir d’éléments théoriques situés au fondement de sa conception des atmosphères (espace pensé à partir de la présence charnelle vs conception géométrique de l’espace comme topos ou spatium ; notion de Befindlichkeit ou « disposition affective » ; réflexions sur la perception), le présent texte de Gernot Böhme offre une synthèse tout à fait remarquable de ses réflexions tissées entre architecture et atmosphères. Il s’agit dès lors, pour le philosophe allemand, de chercher tout autant à penser la spécificité (...) esthétique de l’architecture que de permettre de situer celle-ci de manière adéquate face aux enjeux du monde contemporain, ou encore d’inciter les architectes à réfléchir leur pratique dans et par le type de rapport à l’espace, au monde et aux hommes qui se manifeste dans la méditation de la notion d’« atmosphères ». (shrink)

The threat-advantage hypothesis that threatening or negative faces can be discriminated preattentively has often been tested in the visual search paradigm with schematic stimuli. The results have been heterogeneous, suggesting that the choice of particular stimuli have profound effects on search efficiency. Because this conclusion is hampered by differences in experimental procedure, I selected examples from past literature and presented replicas of stimulus pairs (schematic positive and negative faces) in a within-participants design. Although there was a consistent advantage for angry-face (...) targets, search efficiency varied between 8 and 35 ms/item, yielding no clear evidence for the threat-advantage hypothesis. Furthermore, search efficiency for negative- and positive-face targets was highly correlated over stimulus pairs, which implies that whatever complicates the search for the negative face of a pair also complicates the search for the positive face. This results pattern argues against the hypothesised preattentive detector. (shrink)

Recently, there has been renewed interest in so-called evidence-based policy making. Enticed by the grand promises of Big Data, public officials seem increasingly inclined to experiment with more data-driven forms of governance. But while the rise of Big Data and related consequences has been a major issue of concern across different disciplines, attempts to develop a better understanding of the phenomenon's historical foundations have been rare. This short commentary addresses this gap by situating the current push for numerical evidence within (...) a broader socio-political context, demonstrating how the epistemological claims of Big Data science intersect with specific forms of trust, truth, and objectivity. We conclude by arguing that regulators' faith in numbers can be attributed to a distinct political culture, a representative democracy undermined by pervasive public distrust and uncertainty. (shrink)

ABSTRACTTo build a process model of the understanding of conditionals we extract a common core of three semantics of if-then sentences: the conditional event interpretation in the coherencebased probability logic, the discourse processingtheory of Hans Kamp, and the game-theoretical approach of Jaakko Hintikka. The empirical part reports three experiments in which each participant assessed the probability of 52 if-then sentencesin a truth table task. Each experiment included a second task: An n-back task relating the interpretation of conditionals to working memory, (...) a Bayesian bookbag and poker chip task relating the interpretation of conditionals to probability updating, and a probabilistic modus ponens task relating the interpretation of conditionals to a classical inference task. Data analysis shows that the way in which the conditionals are interpreted correlates with each of the supplementary tasks. The results are discussed within the process model proposed in the introduction. (shrink)

1 Atmosfera L’espressione atmosfera non è affatto estranea al discorso estetico. Anzi, essa affiora spesso, e in modo quasi automatico, nei discorsi inaugurali dei vernissages, nei cataloghi d’arte e nelle laudationes. In questi casi si può parlare della potente atmosfera di un’opera, dell’effetto atmosferico o di una forma di rappresentazione dotata di una valenza maggiormente atmosferica. L’impressione è quella di dover indicare con atmosfera qualcosa di indefinito, di difficilmente esprimi...

AimIn case of extremely rare diseases, case reports are often the only experience to draw from for evidence-based management. Carmi syndrome is a rare, mostly lethal combination of junctional epidermolysis bullosa and pyloric atresia. During an ethical board, there were differences in perception of mortality rate. We tested the hypothesis that the cumulative mortality of single case reports is lower than that of multiple case series.CaseA baby girl was born at 33 weeks gestation with Carmi syndrome. The treatment options discussed (...) in an interdisciplinary ethics board were a palliative approach versus surgical gastrojejunostomy. Because about one third of operated children described in case reports survived, we opted for surgical treatment. The patient died a painful death 4 weeks later.MethodsThe PubMed database was systematically searched for reports of Carmi syndrome. Single case reports were compared to case series in terms of outcome.ResultsA total of 102 cases of Carmi syndrome were identified in the literature. Mortality of single case reports was 17 out of 27 patients (63%), while that of case series was higher at 62 out of 74 patients (84%,p = 0.036).ConclusionsSelection and publication bias may lead to inflation of survival rates in single case reports because successful cases are more likely to be published in the literature. These biases may lead to inappropriately aggressive treatment in futile cases. Clinicians should be cautious when discussing prognosis and making decisions based on the cumulative experience of case reports of extremely rare or novel diseases. (shrink)

In this clear and accessible book, Gernot Bohme places philosophical ethics in the context of our individual and social lives. Arguing against the conception of ethics as a body of knowledge, Bohme defines morality as a matter of 'serious questions'. In the case of an individual, a serious question is one that determines that person's mode of living. In the case of society, a serious question is one that shapes our social norms. In Ethics in Context, Bohme explores the (...) key areas of moral living and moral discourse. He examines some of the urgent issues affecting society today, such as the moral implications of reproductive technology, man's mastery over nature and the right of citizenship. This book is a lucid and engaging guide to ethics, which will be of great interest to students of philosophy and, indeed, to all those interested in the subject. (shrink)

The author reflects on the anthropological role of the “self-cultivation” category in the philosophical system of Immanuel Kant, for whom self-cultivation stood as the central idea of the Enlightenment. Kant believed that it was man alone who created himself to a rational being, that his rationality was not a granted good but something he had to mature to by way of multiple disciplinary, civilizing and moralizing measures. An interesting avenue in Gernot Böhme’s approach is his assumption that this conceptual (...) perspective applied to all three Kantian Critiques, e.g., that Critique of Pure Reason propounds the disciplining of human cognition under the banner of subordinating the sphere of intuition to the categories of intellect. These categories are not inborn in the human mind, but are built by the willful disciplining of the perceptual elements of cognition anchored in the animal fundaments of the humanum. Towards the close of his essay Böhme attempts a critique of Kant’s philosophy, accusing it of reductionism and depreciating many anthropological powers. (shrink)

The author asks about the conceptual tools which would enable a critique of contemporary capitalism without falling back to Utopianism and its historically-discredited theses. With the help of paired categories like community–society, human dignity–self-awareness, need–desire, Gernot Böhme portrays the deficiencies of contemporary Western social reality, e.g. the steadily exhausting reserves of the highly-bureaucratised welfare state system, the rapidly mounting differences in income, or the negative moral and psychological effects of unemployment and the so-called precariat. Böhme presents his critique of (...) “aesthetic capitalism,” which does not satisfy human needs in the Marxist sense but rather the aesthetically-refined consumer desires of today’s affluent societies, in reference to the views of contemporary critical theory authorities. (shrink)

This article charts the emergence since the 1950s of a new value category, staging value, which arises when capitalism moves from addressing people's needs to exploiting their desires. Staging values serve the intensification and heightening of life rather than the satisfaction of primary needs. The article reevaluates successive theories on the relationship between aesthetics and the economy in the light of these changes, and suggests the continued relevance of critical theory in the era of the aesthetic economy.

There is fast-growing awareness of the role atmospheres play in architecture. Of equal interest to contemporary architectural practice as it is to aesthetic theory, this 'atmospheric turn' owes much to the work of the German philosopher Gernot Böhme. Atmospheric Architectures: The Aesthetics of Felt Spaces brings together Böhme's most seminal writings on the subject, through chapters selected from his classic books and articles, many of which have hitherto only been available in German. This is the only translated version authorised (...) by Böhme himself, and is the first coherent collection deploying a consistent terminology. It is a work which will provide rich references and a theoretical framework for ongoing discussions about atmospheres and their relations to architectural and urban spaces. Combining philosophy with architecture, design, landscape design, scenography, music, art criticism, and visual arts, the essays together provide a key to the concepts that motivate the work of some of the best contemporary architects, artists, and theorists: from Peter Zumthor, Herzog & de Meuron and Juhani Pallasmaa to Olafur Eliasson and James Turrell. With a foreword by Professor Mark Dorrian and an afterword by Professor David Leatherbarrow,, the volume also includes a general introduction to the topic, including coverage of it history, development, areas of application and conceptual apparatus. (shrink)

The demand for a concept—for a definition specifying what one means by a term (or, for a thing, what it actually consists of)—is a classical requirement of philosophy. As a rule, however, this demand can scarcely be satisfied, and there are good reasons for not wanting to satisfy it. For a definition is always a way of fixing something, and a concept is an intervention in the manifold diversity of things and phenomena that freezes them. The defense of the diversity (...) of the particular and, to speak with Adorno, of the nonidentical is also an aim of phenomenology. The demand for a concept and the preservation of phenomena therefore appear to be in conflict with one another. The idea of formulating a concept .. (shrink)

Interest in sensory atmospheres and architectural and urban ambiances has been growing for over 30 years. A key figure in this field is acclaimed German philosopher Gernot Böhme whose influential conception of what atmospheres are and how they function has been only partially available to the English-speaking public. This translation of key essays along with an original introduction charts the development of Gernot Böhme's philosophy of atmospheres and how it can be applied in various contexts such as scenography, (...) commodity aesthetics, advertising, architecture, design, and art. The phenomenological analysis of atmospheres has proved very fruitful and its most important, and successful, application has been within aesthetics. The material background of this success may be seen in the ubiquitous aestheticization of our lifeworld, or from another perspective, of the staging of everything, every event and performance. The theory of atmospheres becoming an aesthetic theory thus reveals the theatrical, not to say manipulative, character of politics, commerce, of the event-society. But, taken as a positive theory of certain phenomena, it offers new perspectives on architecture, design, and art. It made the spatial and the experience of space and places a central subject and hence rehabilitated the ephemeral in the arts. Taking its numerous impacts in many fields together, it initiated a new humanism: the individual as a living person and his or her perspective are taken seriously, and this fosters the ongoing democratization of culture, in particular the possibility for everybody to participate in art and its works. (shrink)

This article deals with the question of what type of ethics may be efficient to cope with actual problems in advanced societies, i.e. environmental problems, social conflicts, the usage of new technologies. The answer given is that it is not morality or ethical decisions that count but the customary (das Übliche). But the customary is a rather precarious resource. This is not only because it may turn out to be the particularistic orientation of social groups, like those of companies, political (...) parties, or even peer groups but also because it is eaten up by the progress of modernity. This is shown by comparison with the historical forerunner of the customary, namely what has been called ethical life (substantielle Sittlichkeit) by Hegel. (shrink)

Goethe's theory of colours is here revisited within the context of the question whether ‚alternatives’ to modern natural science are possible. To ensure comparability a rather weak criterion for scientificity is taken as a point of departure : science is systematic knowledge. Goethe's theory of colours is a systématisation of the domain of colour phenomena, including ‚structural laws’ and the principles governing the appearance of colours. The difference between Goethe's science and modern natural science is investigated through a direct confrontation (...) of Goethe's polemics against Newton and Newton's Opticks, In particular the questions are treated, why Goethe's science does not include the idea of an endless progress of knowledge and how intersubjectivity is warranted in a „perceptionscience” like Goethe's. The conclusion of the paper is, that Goethe's science contains a functional equivalent at each point where it deviates from modern natural science. So it is rather a question of social interest whether a science of this type will be developed in areas other than colour phenomena. (shrink)

In this essay about the philosophy of human corporeality Böhme asks about the sense of the I—body relation. He enters a polemic with Hegel, who wrote about the self-appropriation of the own body in acts of will, and points to passive acts of bodily sensing like experiencing pain or fear as that which builds an awareness of the own body’s “mineness.” Böhme calls this awareness affected self-givenness, linguistically articulated by the pronouns “mine” and “me,” which are genetically precedent to awareness (...) and the pronoun “I”. Against this categorial background Böhme considers the argumentative role both these philosophical models of the I—body relation could play in contemporary debates on the diverse cultural forms in which the human body has been commercialised. (shrink)