This article examines specific celebration rituals of two groups of Russian émigrés during the period of the mid-1950s to early 1960s. The groups, comprised of former officers of the Russian imperial army and of graduates of schools for noble girls, often situated their festivities within a Russian Orthodox Church building located at Madison Avenue and 121st Street in Manhattan. The celebrations, spatially enclosed and separated from the outside world within this structure,suggest their privileged and exclusive nature. The staging and performance (...) of the celebration, while acknowledging displacement and exile, re-inscribed the spatial enclosure with the Russian past through the reenactment of Russian cultural traditions and social hierarchies, thereby validating the lives and identities of the celebrants. (shrink)

It has long been accepted that participating in music, either as a performer, listener, and/or composer can contribute to human flourishing. This volume explores a fourth musical activity, the act of music scholarship, and reveals how engagement with the cultural, social, and political practices surrounding music contributes to human flourishing in a way that listening, performing, and even composing alone cannot. Music and Human Flourishing contains chapters by eleven prominent scholars representing the fields of musicology, ethnomusicology, and music theory. The (...) chapters are divided into three general categories—Contemplation, Critique, and Communication—and cover a broad range of topics and music traditions. In Part I, Contemplation, contributors explore a specific facet of music’s connection to human flourishing and contemplate new approaches for future action. Part II, Critique, contains chapters that challenge past assumptions of the various roles of music in society and highlight the effects that unconscious bias and stereotyping have had on music’s effectiveness to facilitate human flourishing. Part III interacts broadly with the concept of Communication and features chapters that explore how ethnicity, gender, religion, and technology influence one’s ability to connect with others through music. Collectively, the chapters demonstrate how the process of thinking and writing about music and human flourishing can lead to revelations about cultural identity, social rituals, political ideologies, and even spiritual transcendence. (shrink)