Retraction note: Mendoza-Woodman, J. (2022). Microenterprise and applied corporate social responsibility. HUMAN REVIEW. International Humanities Revista Internacional De Humanidades, 14(4), 1–13. https://doi.org/10.37467/revhuman.v11.4142 The Editorial Office of Eurasia Academic Publishing Group has retracted this article. An investigation carried out by our Research Integrity Department has found a group of articles, among which this one is found, that are not within the thematic scope of the journal. We believe that the editorial process was manipulated and, furthermore, acceptance decisions were made under (...) possibly inappropriate peer review. (shrink)

Se reconoce que la responsabilidad social empresarial (RSE) genera un impacto positivo en el desempeño de los negocios, principalmente en la gran empresa, sin embargo, su sostenibilidad en las PYMEs es debatida. Este artículo propone un modelo de RSE para PYMEs desarrollado a partir de una revisión bibliográfica y que luego fue examinado en un grupo de microempresas que practican RSE. A través del análisis narrativo se encontró que es factible realizar acciones de RSE en estos negocios, pero hay que (...) tomar en cuenta la familia, el trabajo colaborativo y el apoyo institucional como factores adicionales que influencian su sostenibilidad. (shrink)

A primary proposal of the Cowan target article is that capacity limits arise in working memory because only 4 chunks of information can be attended at one time. This implies a single, unitary attentional focus or resource; we instead propose that relatively independent attentional mech- anisms operate within different cognitive subsystems depending on the demands of the current stimuli and tasks.

Philosophy & Social Criticism, Volume 48, Issue 4, Page 642-651, May 2022. Academic freedom in China is unquestionably under threat from various quarters. Yet the assumption that only the logics of authoritarian Communist Party power shape the terrain in which scholars operate provides us with a limited perspective on these threats. The Chinese academy has become deeply entangled with transnational forces, and is increasingly driven by similar business logics to those in play in universities around the world. We argue that (...) these forces too contribute to the context for the exercise of academic freedom and its restriction. As is the case elsewhere, discourses around developing the national ‘knowledge economy’ and related logics of securitisation around knowledge production create conditions in which some forms of academic research are prioritised over others. Echoing the ‘culture wars’ plaguing the academy in many other countries, the research agendas most under threat in China are ones that connect to transnational movements and struggles, especially those focussed on labour and class, gender and feminism, race and ethnicity and human rights. In this article, we outline what we see as the key forces shaping the landscape for academic freedom in China, with a concentration on areas of research and teaching in the social sciences and humanities that are most at risk in the current conjuncture. (shrink)

Commentators on the Annals naturally observe that the famous first sentence of Tacitus' preface alludes to the preface of Sallust's Bellum Catilinae . But it seems that none of them has observed a further allusion to Sallust's preface in the last sentence of Tacitus', which is almost equally famous.

While Caesar as man of letters is most famous for his commentarii, it should not be forgotten that he also wrote two volumes on Analogy and was the author of various verses, one set of which, on the comic playwright Terence and his relationship to Menander, runs as follows : tu quoque, tu in summis, o dimidiate Menander,poneris, et merito, puri sermonis amator.lenibus atque utinam scriptis adiuncta foret uis,comica ut aequato uirtus polleret honorecum Graecis neue hac despectus parte iaceres! 5unum (...) hoc maceror ac doleo tibi deesse, Terenti. (shrink)

Academic freedom in China is unquestionably under threat from various quarters. Yet the assumption that only the logics of authoritarian Communist Party power shape the terrain in which scholars operate provides us with a limited perspective on these threats. The Chinese academy has become deeply entangled with transnational forces, and is increasingly driven by similar business logics to those in play in universities around the world. We argue that these forces too contribute to the context for the exercise of academic (...) freedom and its restriction. As is the case elsewhere, discourses around developing the national ‘knowledge economy’ and related logics of securitisation around knowledge production create conditions in which some forms of academic research are prioritised over others. Echoing the ‘culture wars’ plaguing the academy in many other countries, the research agendas most under threat in China are ones that connect to transnational movements and struggles, especially those focussed on labour and class, gender and feminism, race and ethnicity and human rights. In this article, we outline what we see as the key forces shaping the landscape for academic freedom in China, with a concentration on areas of research and teaching in the social sciences and humanities that are most at risk in the current conjuncture. (shrink)

Book 4 of the Annals, covering the years A.D. 23–8, traces the turning-point in the story of Tiberius' reign. Tacitus prepares us for disaster from the start. After a reference to fortuna in suitably Sallustian language and the deum ira in rem Romanam , we are told that the year A.D. 23 ‘initiated the deterioration in Tiberius’ principate .1 Modern historians are agreed that a decisive factor in this’ deterioration was the emperor's determination to leave Rome in A.D. 26, a (...) move which Tacitus gloomily portends in chapter 41 and eventually records, in due chronological sequence, at 57. 1. Suetonius is our other main source for this momentous event, and it is instructive to compare his treatment of it with that of Tacitus. (shrink)

Research has shown that paternal involvement positively impacts on child health and development. We aimed to develop a conceptual model of dimensions of fatherhood, identify and categorise methods used for linking fathers with their children in administrative data, and map these methods onto the dimensions of fatherhood. We carried out a systematic scoping review to create a conceptual framework of paternal involvement and identify studies exploring the impact of paternal exposures on child health and development outcomes using administrative data. We (...) identified four methods that have been used globally to link fathers and children in administrative data based on family or household identifiers using address data, identifiable information about the father on the child's birth registration, health claims data, and Personal Identification Numbers. We did not identify direct measures of paternal involvement but mapping linkage methods to the framework highlighted possible proxies. The addition of paternal National Health Service numbers to birth notifications presents a way forward in the advancement of fatherhood research using administrative data sources. (shrink)

The poets and prose-writers of Greece and Rome were acutely conscious of their literary heritage. They expressed this consciousness in the regularity with which, in their writings, they imitated and alluded to the great authors who had preceded them. Such imitation was generally not regarded as plagiarism but as essential to the creation of a new literary work: imitating one's predecessors was in no way incompatible with originality or progress. These views were not peculiar to the writers of Greece and (...) Rome but were adopted by many others who have written in the 'classical tradition' right up to modern times. Creative Imitation and Latin Literature is an exploration of this concept of imitation. The contributors analyse selected passages from various authors - Greek, Latin and English - in order to demonstrate how Latin authors created new works of art by imitating earlier passages of literature. (shrink)

There has been no major critical edition of Velleius with commentary since that of Kritz in 1840. Kritz, who took into account Sauppe's long essay on Velleius of three years earlier, was preceded by Ruhnken, whose commentary appeared in 1779. During the century which followed Kritz's work several valuable editions without commentary were produced, the last of which, by Stegmann de Pritzwald , almost coincided with the essay and bibliography devoted to Velleius in Schanz-Hosius . These two contributions of the (...) thirties remain standard to the present day. (shrink)

Fraenkel dismissed Epode 11 with the statement that it ‘is an elegant piece of writing, but there is little real life in it’. By this ambiguously expressed comment he did not mean that the poem fails to ‘come alive’, but that it is artificial: he saw the poem as little more than an assembly of themes and motifs which recur in other genres, especially epigram and elegy. This has also been the perspective of some other twentieth-century scholars: Georg Luck's self-styled (...) ‘interpretation’ of the poem consists largely of a numbered list of thirteen motifs which the epode has in common with elegy and which in Luck's opinion were derived by Horace from Gallus. Alessandro Barchiesi, on the other hand, capitalizes on the perceived elegiac motifs in order to see the poem as a dynamic fusion of elegy and iambus. As for commentators, although older representatives seem to have regarded Epode 11 as generally self-explanatory, the poem receives increasing attention from Cavarzere, Mankin and Watson, the last of whom originally discussed some of its problems in a paper published twenty years earlier. Yet various problems still remain, and in this paper I propose to re-examine lines 1–6 and 15–18 in the hope that a clearer view of the epode as a whole may emerge. (shrink)

One of Sallust's main points in this preface is that individuals should strive to attaingloria, i.e. should be spoken highly of by others. With this in mind, the commentators seem agreed thatsilentioin the opening sentence must be taken in a passive sense: ‘silentioexpresses not a state in which one says nothing, but a state in which nothing is said about one, i.e. “obscurity”’. The sequence of ideas in the first chapter makes this interpretation seem certain.

One of the most famous inscriptions to have survived from ancient Rome is the acta of the Ludi Saeculares of 17 b.c., and one of the most evocative of all epigraphic sentences occupies a line to itself : Carmen composuit Q. Horatius Flaccus. This reference to the author of the Carmen Saeculare, says Fraenkel, ‘was the result of a carefully considered decision of the highest authorities’. The degree of careful consideration is initially evident from the prominent positioning of the poet's (...) name directly above those of Augustus and Agrippa in the following line. It will also be noticed that the sentence concludes with a clausula which is one of Cicero's favourites. A further refinement emerges, however, if the poet's name is spelled out in full, something precluded by the naming conventions of the inscription:Cārmēn cōmpŏsŭīt ´ Quīntŭs Hŏrātĭūs | Flaccus.The inscribed sentence incorporates an Asclepiad line, the ‘signature’ metre of Odes 1–3, which are framed by Horace's only two poems in stichic Asclepiads. In identifying the author of the Carmen Saeculare, the sentence also acknowledges the collection of poems which won him the commission. (shrink)

‘Who wrote the scurrilous iambic poems of the first stanza?’, asks David West at the start of his commentary on the ode. ‘The culprit’, he declares, ‘must be Horace.’ This answer accords with that to be found in other commentaries: ‘my scurrilous verses’, ‘my scandalous lines’, ‘my scurrilous iambics’, ‘my abusive iambics’, ‘miei ingiuriosi giambi’, ‘my libellous iambics’, ‘my libellous iambic verses’, ‘miei giambi ingiuriosi’. What, then, are these iambic verses? Some earlier scholars suggested that Horace is referring to various (...) of his epodes, such as those addressed to Canidia ; but our knowledge of Canidia indicates that she would scarcely make plausible the accent on beauty in the first line of the ode. Most commentators, at least since the latter half of the nineteenth century, have believed that Horace is referring to some iambics which he had targeted at the ode's addressee but of which we now have no further knowledge: Kiessling and Heinze, for example, refer to ‘the satirical poems which Horace … has levelled at her’, while in the most recent commentary in 2012 Mayer says that Horace ‘assures an unnamed young woman that it rests with her to put an end to his vituperative attacks’. (shrink)

Towards the start of the elegy which prefaces his third book, Propertius rejects lengthy, martial epic in favour of slender poetry : it is on account of the latter that fame elevates him above the earth, his Muse triumphant ; accompanying him in the triumphal chariot are his Amores , and following the wheels is a crowd of writers . The latter, in the race for glory, rival the poet to no purpose . Many writers will praise Rome and sing (...) of future conquests , but Propertius’ pages, a special delivery from the Muses' mount, are the perfect peace-time reading. (shrink)

Although modern scholars have expressed in various ways the view that the Gallus passage is unusual in its context,1 no editor or commentator during the past quarter of a century has questioned the ordering of the lines in which the Gallus passage occurs.2.

Since a problematic passage in Virgil'sAeneid(10.366–7) shows the same influence of Sallust (Cat.58–60) as do the dozen lines preceding and following, it should not be deleted, as has been suggested.

The widespread effects of the coronavirus disease 2019 (COVID-19) pandemic have negatively impacted upon many athletes’ mental health and increased reports of depression as well as symptoms of anxiety. Disruptions to training and competition schedules can induce athletes’ emotional distress, while concomitant government-imposed restrictions (e.g., social isolation, quarantines) reduce the availability of athletes’ social and emotional support. Written Emotional Disclosure (WED) has been used extensively in a variety of settings with diverse populations as a means to promote emotional processing. The (...) expressive writing protocol has been used to a limited extent in the context of sport and predominantly in support of athletes’ emotional processing during injury rehabilitation. We propose that WED offers an evidence-based treatment that can promote athletes’ mental health and support their return to competition. Research exploring the efficacy of the expressive writing protocol highlights a number of theoretical models underpinning the positive effects of WED; we outline how each of these potential mechanisms can address the multidimensional complexity of the challenging circumstances arising from the COVID-19 pandemic (e.g., loss of earnings, returning to training and competition). Considerations and strategies for using WED to support athletes during the COVID-19 pandemic are presented. (shrink)