Two welcome extensions of evolutionary thinking have come to prominence over the last thirty years: the so-called ’extended evolutionary synthesis’ (EES) and debate about biological kinds and individuals. These two agendas have, however, remained orthogonal to one another. The EES has mostly restricted itself to widening the explanations of adaptation offered by the preceding ’modern evolutionary synthesis’ by including additional mechanisms of inheritance and variation; while discussion of biological kinds has turned toward philosophical questions of essential vs. contingent properties of (...) life forms and realist vs. epistemological approaches to categorization and classification. Here we attempt to broaden the explanatory scope of evolutionary theory by linking these two agendas. We expand on the mechanistic orientation of the EES, using new understandings of networked systems of components in order to engage the distinct intellectual challenge of the origination of “historical kinds”. With this phrase we designate a subset of natural kinds that acquires, through evolutionary processes, a quasi-independent lineage-history. Such kinds emerge in both biology and culture, and we enlarge the limited number of historical kinds that have thus far been recognized in evolutionary biology in a series of paradigmatic exemplars, from genes and cell types to rituals and music. For each exemplar we discern specific mechanisms by which it arose and persists; comparing these, we suggest a general unity in the ways in which diverse historical kinds originate. (shrink)

"--Lydia Goehr, Columbia University "This extraordinary book offers us an 'alternative story' of the history of opera. . . . [It] will have an important . . . effect on the way we think about opera."--Roger Parker, Oxford University.

This chapter picks up on what Heidegger in his 1949 ‘Letter on ‘Humanism’’ calls ‘the historical in being’, that dimension of being within which, for Heidegger, a ‘productive dialogue’ between phenomenology and existentialism, on the one hand, and Marxism, on the other, ‘first becomes possible.’ It introduces the possibility of this dialogue through a particular, and particularly revealing, problem with The German Ideology: namely, Marx and Engels offer no analysis of the relationship between time, temporality and their materialist concept of (...) history. (shrink)

Three recently published books, by Stavros Tombazos, Jonathan Martineau, and Harry Harootunian, join a now established body of literature that highlights the temporal aspects of Marx’s work. Their differences notwithstanding, these books are united by the conviction that, at its core, capitalism is an immense and complex organisation of time, and thus that the importance of Marx’s work is realised by its singular contribution to our understanding of this. Each book is centrally concerned with the historically specific character of capital’s (...) temporal order, such that each presents a new reading of the relationship between capitalism and historical time. (shrink)

This chapter reviews three of the most consequential works in modern European philosophy published in 2017: Étienne Balibar’s Citizen Subject, Nick Nesbitt’s edited volume The Concept in Crisis, and William Clare Roberts’s Marx’s Inferno. These works reflect the fact that 2017 witnessed an upsurge of philosophical publications on Marx and Marxism. On one level, this is because 2017 was simultaneously the 150-year anniversary of the publication of the first volume of Marx’s Capital and the 100-year anniversary of the Russian Revolution. (...) Yet on another, more substantial, level, these works point to the enduring question of the meaning of ‘Marxist philosophy’ in its dual, and disputed, relationship to transformative political practice, on the one hand, and to the history of philosophy on the other. There are different threads that tie these works together, but two concepts, coming out of Louis Althusser’s work, stand out: those of ‘conjuncture’ and ‘symptomatic reading’. In short, this chapter suggests that the importance of modern European philosophy is in large part attributable to the theoretical and political problems that Marxism constitutes for it, problems which, at the same time, Marxism cannot articulate without this philosophy. The chapter is divided into five sections: 1. Introduction; 2. Writing and Conjuncture: Citizen Subject; 3. A Symptomatic Reading: The Concept in Crisis; 4. A Symptomatic Reading? Marx’s Inferno; 5. Conclusion. (shrink)

The composer of vocal music writes as poet and scholiast. His message is autonomous but not wholly his own. He sets to work with a preexistent artwork before him—a poem or passage of prose, often written without thought of musical setting—and fashions his song under its constraints. He welcomes to his work a second, distinct language, one which corresponds to his own at most only partially in syntax and significance.The composer's unique act of accommodation, structuring his setting after certain requisites (...) of his text, may have far-reaching implications for his musical style—implications too often ignored in today's musical analysis and criticism. Which particular textual characteristics the composer chooses to emphasize will depend on much beyond the text itself: on his view of the nature and capabilities of musical discourse, shaped internally by musical procedures developed from the canon of his predecessors, externally by general expectations and aspirations of his culture; and on his equally rich conception of the tradition behind his text. The text-music interface is therefore a provocative area of exploration for critic and historian alike. It points to the expressive aims of a composer in a given work, and it elucidates broader cultural assumptions concerning the nature of musical and poetic discourse.Gary Tomlinson, assistant professor of music history at the University of Pennsylvania, is the author of articles on Monteverdi, early opera, and Verdi. He is currently writing a book on Monteverdi and late-Renaissance culture. (shrink)

The guiding premise of this thesis is that the concept of historical time constitutes a distinct philosophical problem for Karl Marx’s work. Marx does not examine the relationship between time and history in his work, rendering the historicist framework of linear, progressive time the overriding framework through which he understands this relationship. However, the larger problem is that, despite this lack, the philosophical originality and critical function of Marx’s work is in no small measure defined by the contribution it makes (...) towards our understanding of this relationship. Therefore, this thesis argues that it is necessary to construct a concept of historical time out of Marx’s work. Methodologically, this begins with an outline of the broad contours of the materialist concept of history in 'The German Ideology', and a temporal reading of the historical act – the creation of the means of human life – on which this concept is based. This reading is then ontologically grounded, first by Martin Heidegger’s 'Being and Time', in order to establish how the act as such temporalises, and then by Jean-Paul Sartre’s 'Critique of Dialectical Reason', in order to grasp how this temporalisation can be thought in relation to the movement of historical totalisation, which is to say the ongoing totalisation of the time of all human lives. In short, Heidegger and Sartre enable us to secure labour and need – the two concepts upon which the materialist concept of history depends – as the two basic forces upon which historical temporalisation depends. Yet if, as Marx’s 'Capital' reveals, the specifically capitalist category of ‘abstract labour’ is the condition of thinking the transhistorical category of ‘labour in general’, and if abstract labour exists to satisfy capital’s need to self-expand, not the human’s need to live, then capital – not the human – is the condition of thinking history. Capital and its times give history its intelligibility, such that capitalism is the only standpoint from which ‘history as such’, ‘history itself’, can be conceived. However, the concept of historical time cannot simply register that capital makes the category of history possible. It must also account for the historically changing character of the relationship between time and history, and hence the possibility of social and historical time after capitalism. (shrink)

Merging recent evolutionary thought, theories of information and signs, and new findings in animal studies, Gary Tomlinson's The Machines of Evolution and the Scope of Meaning offers a groundbreaking account of meaning in our world.

Review Essay of G. A. Cohen, Karl Marx’s Theory of History: A Defence (1978, 2000).

Review of Kostas Axelos, 'Introduction to a Future Way of Thought: On Marx and Heidegger' Translated by Kenneth Mills, Edited and Introduced by Stuart Elden Meson Press, Luneburg, 2015. 180 pp., £10.60 / $16.70 pb. 9783957960054.

Review of Frank Ruda, 'For Badiou: Idealism without Idealism', Northwestern University Press, Evanston IL, 2015. xxiv + 200pp., £32.50 pb., 9780810130975.

Review of Fred Moseley and Tony Smith, eds, Marx’s Capital and Hegel’s Logic: A Reexamination, Brill, Leiden and Boston MA, 2014. vii + 336 pp., £98.00 hb., 9789004209527.