The authors present their experience and practices of introducing cloud services, as a means to simplify the adoption of ICT in education, using Free/Open Source Software. The solution creates a hybrid cloud infrastructure, in order to provide a pre-installed virtual machine, acting as a server inside the school, providing desktop environment based on the Software as a Service cloud model, where legacy PCs act as stateless devices. Classroom management is accomplished using the application “Epoptes.” To minimize administration tasks, educational software (...) is provided accordingly, either on-line or through repositories to automate software installation. The advantages of the hybrid cloud implementation, include services that are not completely dependent on broadband connections’ state, minimal cost, reusability of obsolete equipment, ease of administration, centralized management, patches and educational software provisioning and, above all, facilitation of the educational procedure. (shrink)

The French philosopher Renaud Barbaras remarked that late in Maurice Merleau-Ponty’s career, “The phenomenology of perception fulfills itself as a philosophy of expression.” In _Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology, _Véronique M. Fóti_ _addresses the guiding yet neglected theme of expression in Merleau-Ponty’s thought. She traces Merleau-Ponty’s ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the “new biology” in the second of his lecture courses (...) on nature of 1957–58, and in his late ontology, articulated in 1964 in the fragmentary text of _Le visible et l’invisible _. With the exception of a discussion of Merleau-Ponty’s 1945 essay “Cezanne’s Doubt,” Fóti engages with Merleau-Ponty’s late and final thought, with close attention to both his scientific and philosophical interlocutors, especially the continental rationalists. Expression shows itself, in Merleau-Ponty’s thought, to be primordial, and this innate and fundamental nature of expression has implications for his understanding of artistic creation, science, and philosophy. (shrink)

Veronique Foti delves into the full range of Heideggerian texts to elaborate the problematics of historicity, language, and the structure of disclosure or "manifestation" in connection with the Herman poets whom Heidegger invoked along his path of thinking. Foti's reading of these ports is a probing inquiry into the aesthetic, ethical, and political implications of Heidegger's thought. She knows how technicity and poetizing are opposed yet brought together in Heidegger's hermeneutic phenomenology, how they are both politicized and linked with ethical (...) praxis, and how technicity, poetizing, and praxis cannot be dissevered from Heidegger's essential thinking. (shrink)

This volume is a Festschrift in honor of Jacques Taminiaux and examines the primacy of the political within phenomenology. These objectives support each other, in that Taminiaux's own intellectual itinerary brought him increasingly to an affirmation of the importance of the political. Divided into four sections, the essays contained in this volume engage with different aspects of the political dimension of phenomenology: its dialogue with classic texts of political philosophy, the political facets of phenomenological praxis, phenomenology’s contribution to actual political (...) debates, and the impact of Taminiaux’s work in the shaping of phenomenology’s notion of politics. The phrase “the primacy of the political” echoes the “primacy of perception” as it was famously defined by Merleau-Ponty. This book emphasizes, however, the inescapability of the political rather than its “foundational” character, i.e. the fact that various itineraries of thought, explored in different fields of phenomenological research, give rise to politically relevant reflections. It points out and elucidates political connotations that haunt phenomenological concepts, such as ‘world’, ‘self’, ‘nature’, ‘intersubjectivity, or ‘language’, and traces them to a broad range of approaches, concepts, and methods. In its explorations, the book discusses a broad range of thinkers, including, but not limited to, Aristotle and Kant, Bergson, Husserl, Heidegger, Merleau-Ponty, Gadamer, Ricoeur, and Arendt. (shrink)

John Moschos includes the story of a female filicide in his Spiritual Meadow. After exploring the authorial self of Moschos, this article discusses the relation between this beneficial story and the biblical book of Jonah on the one hand, and Euripides’ Iphigenia at Aulis and Medea on the other. Finally, the story is examined in the wider framework of the seventh century, in an attempt to understand John Moschos’ viewpoint on his own time.

This article examines Macrina’s ascetic identity and Gregory of Nyssa’s intentions in writing the Life of his sister. Macrina’s highly complicated profile is constructed on the basis of two identities: a public one that displays the conservative life of an obedient daughter and/or a grieving wife, and a secret one that allowed her to lead the life of a virgin, who challenged and revised the traditional role of women in late antique family. This secrecy, though not attributed to Macrina alone, (...) but almost to every character in the Life, is one of Gregory’s key patterns. As argued, this was his way to create an exemplum of asceticism, parallel to that developed in the Life of Anthony, but which instead would be accessible to laymen and would not contradict directly the ideals and norms of the Greco-Roman city. (shrink)

With the emergence of service provisioning environments and new networking capabilities, antagonistic businesses have been able to collaborate securely by sharing information in order to have a beneficial result for all. This collaboration has sometimes been imposed by state legislation and sometimes been desirable by the firms themselves so as to resolve frequently occurring abnormalities. In any case, as information exchange takes place between antagonistic firms, security and privacy issues arise. In the context of this paper, a collaborative environment has (...) been analyzed for enterprises that set out in the banking sector. A Grid-based Anti-Money Laundering (AML) system has been developed in an effort to take advantage of the Grid infrastructure, supporting the secure and trustful exchange of information between financial institutions and ensuring the confidentiality of the data transferred and the authentication of the users to whom they are available. Special emphasis is put on security mechanisms for supporting identity and privacy management as well as in Service Level Agreements (SLA) enforcement for enabling a trust enforcement platform in a collaboration business model. (shrink)

Relate to Heidegger On the Essence of Truth Relate to Merleau-Ponty The Visible and the Invisible.

'Bedeutung' ist ein Grundbegriff literaturwissenschaftlichen Arbeitens. Jede interpretierende Aussage über einen literarischen Text setzt Annahmen darüber voraus, auf welche Weise literarische Texte Bedeutung erzeugen, vermitteln oder veranlassen können. In der Literaturtheorie und Ästhetik der letzten Jahrzehnte wurden verschiedene Bedeutungskonzeptionen entwickelt. Eine allgemein akzeptierte Klärung des Begriffs steht bislang aus. Der Band soll zu einer solchen Klärung führen. Seine internationalen Beiträger nehmen die ältere Diskussion auf und suchen nach interdisziplinären Integrationsmöglichkeiten für eine Präzisierung des Begriffs. Ansätze zur Bestimmung des Bedeutungsbegriffs aus (...) Psychologie und Linguistik, Philosophie und Soziologie sowie aus musikwissenschaftlicher, filmhermeneutischer und medientheoretischer Sicht werden mit verschiedenen literaturwissenschaftlichen Perspektiven verbunden. Aus dem Inhalt: I. Sprachliche und sprachanalytische Aspekte der 'Bedeutung' II. Literatur- und kulturwissenschaftliche Konzepte von 'Bedeutung' III. Mediale Konstitution von 'Bedeutung' IV. Historische Aspekte literarischer 'Bedeutung'. (shrink)

In den letzten zehn Jahren sind die digitalen Geisteswissenschaften von einem Randphänomen zu einem der sichtbareren Felder kultur- und geisteswissenschaftlicher Forschung geworden. Dieser Erfolg ist von Kritik begleitet und Fotis Jannidis identifiziert drei Topoi der Kritik an den Digital Humanities, die oft vorgebracht und wiederholt werden: 1. ›Das wussten wir schon vorher‹ 2. ›Die Themen der Digital Humanities sind veraltet‹ 3. Es handle sich bei den Digital Humanities um eine neue Form des Positivismus, der geisteswissenschaftliche Gegenstände nicht adäquat beschreibt. (...) Diese drei Vorwürfe gegen die Digital Humanities werden von Jannidis aufgegriffen und auf ihren argumentativen und wissenschaftspolitischen Gehalt befragt und hinterfragt. Der Beitrag schließt mit einem Plädoyer für das Ausprobieren, Basteln und für die Neugierde auf die neu entstehenden Datensammlungen in den Bibliotheken und Archiven. Markus Krajewski hält die Erwartungen an das Innovationspotenzial der Digital Humanities dagegen für überzogen, die aus seiner Perspektive bisher über den Status einer Hilfswissenschaft nicht hinausgekommen sind. So wie die Diplomatik um die Analyse von Urkunden oder die Numismatik um die Einordnung von Münzen oder die Paläographie um die Analyse von Handschriften besorgt ist, so kümmern sich die Digital Humanities bisher lediglich um die Nahtstelle von geisteswissenschaftlichen Forschungsfragen mit computergestützten Methoden. Die eigentliche Aufgabe der Digital Humanities bestünde aber darin, die Kulturtechnik Codieren in den Vordergrund zu rücken. Denn Programmcodes lesen und schreiben zu können, seien auch für Geisteswissenschaftler eine Schlüsselkompetenz, damit die Schrift der Zukunft – die von Softwareentwicklern, Computeringenieuren und selbstlernenden Maschinen entworfenen Algorithmen – weiterhin kritisch kommentiert und interpretiert (und nicht bloß passiv angewandt) werden kann. During the last ten years, the so-called digital humanities have developed from a footnote to being a major player in the academic field of cultural studies and humanities alike. However, success goes hand in hand with increasing criticism, and Fotis Jannidis identifies three topoi of critique digital humanities repeatedly have to face. 1. ›We already knew that‹ 2. ›The topics of digital humanities are outdated‹ 3. Digital humanities are said to be a new form of positivism not adequately describing humanities related issues. Jannides takes up these accusations against digital humanities by scrutinizing and questioning their argumentative and scientific- political substance. The article closes with a speech promoting of a phase of trial and error, of tinkering and of curiosity for the subject at hand while analyzing newly originated data collections from libraries or archives. In Markus Krajewski’s opinion, however, the expectations placed in the potential of innovation of digital humanities are exaggerated which subsequently leads him to label them an ancillary discipline. The usefulness of digital humanities is entirely limited to providing the link between humanities-related research questions and computer-based methods in the same way diplomatics relies on the analysis of records, numismatics on the process of categorizing coins or paleography on the analysis of historical manuscripts. Krajewski sees the real task of digital humanities in bringing the cultural technology of coding into the spotlight. He describes the ability to write and read source code as a key competence every modern humanities scholar needs in order to be able to critically comment and interpret the script of the future: algorithms designed by software developers, computer engineers, and auto-didactic machines. (shrink)

Merleau-Ponty’s abiding interest in the art and the enigmatic person of Paul Cézanne focuses importantly on both the pictorial expression of space, and on the freedom of artistic creation in the face of adversity. Examining these issues in relation to the art of Claude Monet (whom Merleau-Ponty neglected), together with Monet’s status as a precursor of painterly abstraction, one can follow the Merleau-Pontyan “indirect logic of institution” to confront the work of Joan Mitchell, within the parameters of gestural abstraction, so (...) as to consider both her perspective on spatiality and horizon and her artistic trans-substantiation of adversity, focusing on the almost ecstatic intensity of her 1983-1985 series, La grande vallée. (shrink)

In much of his later work, such as Le théâtre des philosophes of 1995, and perhaps most succinctly in his essay “Was Merleau-Ponty on the Move from Husserl to Heidegger?” of 2008, Taminiaux acknowledges the inspiration of Hannah Arendt’s concern for the lifeworld as a realm of shifting appearances and of human heterogeneous plurality and interlocutory political praxis. He traces Arendt’s insights back to Husserl’s late concern for the lifeworld, as well as to Aristotle, insofar as the Stagirite, in disagreement (...) with Plato, recognizes the autonomous intellectual excellence of phronêsis, and also understands tragic drama in its political importance as a mimêsis of action itself and as accomplishing an intrinsic purification of the powerful passions that it arouses, such as pity and terror. As the title of the 2008 essay indicates, and as Taminiaux acknowledges, however, Merleau-Ponty’s thought also plays a major role in this intellectual nexus. (shrink)

Examines the construction of vision in the works of Heraclitus, Plato, Descartes, Heidegger, Merleau-Ponty, Foucault, Nancy, and Derrida.

This paper interrogates Hölderlin's effort to deconstruct the speculative matrix of tragedy, with a particular focus on his "Remarks on Antigone," which are appended to his translation of the Sophoclean tragedy. In focus are, firstly, the separative force of the caesura, which stems tragic transport and is here analyzed, in terms of Hölderlin's understanding of Greece in relation to "Hesperia," as an incipiently Hesperian poetic gesture. Secondly, Hölderlin's key thought of the mutual "unfaithfulness" of God and man is at issue: (...) the god here is revealed as sheer time, while man is thrown back upon the bare moment. This "unfaithfulness" must be tempered by a striving that turns back from the quest for transcendence to the measures of fmitude and to this world. By attentiveness to the singular (which is not the particular), the tragic poet, unlike the speculative philosopher, reveals time's agonal spacing. (shrink)

Although the three sections contain essays written from a wide spectrum of viewpoints, they emphasize, respectively, the important connections of Merleau-Ponty's thought to that of Derrida and Levinas, the Husserlian heritage and complex implications of his philosophy of material existence, and the relation of his philosophy of painting to contemporary abstract art. A distinguishing feature of this collection is its emphasis on contemporaneity.

While the French phenomenologist Maurice Merleau-Ponty remained engaged with artistic creation throughout his entire work, which continues to inspire artists today in manifold ways, no systematic and artistically inclusive study of this dimension of his thought has existed so far. Du sensible à l’œuvre fills this gap by offering not only an in-depth study of Merleau-Ponty’s aesthesiology and aesthetics by international Merleau-Ponty scholars spanning three generations, but also a rich selection of essays by art critics and theorists who assess the (...) impact of Merleau-Ponty’s philosophy on their own artistic fields, including cinema, music, literature, film, dance, and installation art. (shrink)

Examines the German poet Hölderlin’s philosophical insights into tragedy.

Background In the wake of mandates for biomedical research to increase participation by members of historically underrepresented populations, community engagement (CE) has emerged as a key intervention to help achieve this goal.Methods Using interviews, observations, and document analysis, we examine how stakeholders in precision medicine research understand and seek to put into practice ideas about who to engage, how engagement should be conducted, and what engagement is for.Results We find that ad hoc, opportunistic, and instrumental approaches to CE exacted significant (...) consequences for the time and resources devoted to engagement and the ultimate impacts it has on research. Critical differences emerged when engagement and research decisionmaking were integrated with each other versus occurring in parallel, separate parts of the study organization, and whether community members had the ability to determine which issues would be brought to them for consideration or to revise or even veto proposals made upstream based on criteria that mattered to them. CE was understood to have a range of purposes, from instrumentally facilitating recruitment and data collection, to advancing community priorities and concerns, to furthering long-term investments in relationships with and changes in communities. These choices about who to engage, what engagement activities to support, how to solicit and integrate community input into the workflow of the study, and what CE was for were often conditioned upon preexisting perceptions and upstream decisions about study goals, competing priorities, and resource availability.Conclusions Upstream choices about CE and constraints of time and resources cascade into tradeoffs that often culminated in “pantomime community engagement.” This approach can create downstream costs when engagement is experienced as improvised and sporadic. Transformations are needed for CE to be seen as a necessary scientific investment and part of the scientific process. (shrink)

Background Over the last decade, the return of results (ROR) in precision medicine research (PMR) has become increasingly routine. Calls for individual rights to research results have extended the “duty to report” from clinically useful genetic information to traits and ancestry results. ROR has thus been reframed as inherently beneficial to research participants, without a needed focus on who benefits and how. This paper addresses this gap, particularly in the context of PMR aimed at increasing participant diversity, by providing investigator (...) and researcher perspectives on and questions about the assumed value of ROR in PMR.Methods Semi-structured interviews with a purposive sample of investigators and researchers across federally funded PMR studies in three national consortia, as well as observations of study activities, focused on how PM researchers conceptualize diversity and implement inclusive practices across research stages, including navigating ROR.Results Interviewees (1) validated the value of ROR as a benefit of PMR, while others (2) questioned the benefit of clinically actionable results to individuals in the absence of sufficient resources for translating findings into health care for diverse and disadvantaged populations; (3) expressed uncertainties in applying the presumed value of ROR as a benefit for non-clinical results; and (4) and debated when the promise of the value of ROR may undermine trust in PMR, and divert efforts to return value beyond ROR.Conclusions Conceptualizations of diversity and inclusion among PM researchers and investigators raise unique ethical questions where unexamined assumptions of the value of ROR inform study recruitment efforts to enroll minoritized and under-represented populations. A lack of consideration for resources and infrastructure necessary to translate ROR into actionable information may hinder trustworthy community-research relationships. Thus, we argue for a more intentional interrogation of ROR practices as an offer of benefit and for whom. (shrink)

With a focus on the question of visuality in Heidegger's sustained involvement with Daoist and Zen thought, this paper discusses the interchange between Heidegger and Hisamatsu at a 1958 colloquium. In light of the key concerns – visuality, art, and the empty origin of manifestation – it interrogates three texts,“The Origin of the Work of Art,”Parmenides, and“Art and Space,”concerning visuality, the play of the glance, writing, space and place, and the Graeco-Asian though of phainesthai. In conclusion, it addresses the opening (...) for a philosophical consideration of abstract painting that these analyses provide. (shrink)