This chapter contains sections titled: The School in the Garden Prehistory and the Rise of Cities The Locus Amoenus and the Origins of Agriculture Diogenes of Oinoanda and the Future Epicurean Golden Age Notes.

This article, finding that the religious paradigm tends to eclipse much of the artistry in The Brothers Karamazov, explores the novel through science and philosophy for Zosima’s “Sermons” and for Ivan’s hallucination of the Devil. It finds that the panspermia theory (“seeds everywhere”), endorsed by William Thomson (Lord Kelvin) and Hermann von Helmholtz in the 1870s, can best explain Zosima’s belief that God planted “seeds from other worlds” on earth (revising both Scripture and Darwinism) and that panspermia, the transportation of (...) cosmic seeds by comets and asteroids, is crucial in the Devil’s discourse to Ivan on palingenesis (eternal recurrence) and evolution. This “repetition” of planet Earth in Ivan’s hallucination links it to “The Dream of the Ridiculous Man”, a scientific narrative of a “twin” of Earth still in its Golden Age of social harmony. The Golden Age, Dostoevsky’s symbol for utopian socialism, is an inherent theme in The Brothers Karamazov through metaphor and metonymy: in Zosima’s creed of the “earthly paradise”, which Alyosha senses in his “Cana of Galilee” epiphany; in Dmitry’s recitations of the poetry of Schiller; and in Ivan’s allusions to the Garden of Eden, a literary metaphor for the Golden Age. The final section outlines the response to the novel of the young neurophysiologist Ivan Pavlov in 1880-81, an insightful perspective on its socialist tendency. (shrink)

This paper examines Cicero’s engagement with the golden age tradition of utopian thinking, which is prominent not only in Greek literature but also in Plato and the Peripatetic and Stoic philosophical traditions. It makes the case that in De re publica and later philosophical works such as the Tusculan Disputations Cicero draws on philosophical accounts of the golden age—most significantly that of the Peripatetic Dicaearchus of Messana (c.350–c.285 BC)—in his analysis of the Roman res publica and the nature (...) of Roman political virtue. In particular, Cicero identifies the characteristics of Dicaearchus’ golden race with the native qualities of the Romans themselves. By emphasising the intrinsic virtues of the Roman people, and the need to ensure the conditions that allow them to find proper expression in political life, he offers an achievable means for the Roman res publica to attain its best state, exemplified by its glorious past: rather than advocate an unworkable and problematic top-down imposition of a utopian model of an ideal state, Cicero has faith that the best state will come to be from the bottom-up, if the superior nature of the Roman people is simply allowed its full natural expression. (shrink)

The Golden Age of Philosophy of Science, 1945 to 2000 offers the reader a guide to the major philosophical approaches to science since World War Two. Considering the bases, arguments and conclusions of the four main movements - Naturalism, Descriptivism, Foundationalism, and Logical Reconstructionism - John P. Losee explores how philosophy has both shaped and expanded our understanding of science. The volume features major figures of twentieth century science, and engages with the work of previous philosophers of science, including (...) Norman Campbell, Ernest Nagel, Rudolf Carnap, Karl Popper, Richard Dawkins, and John Worrall. In particular, The Golden Age of Philosophy of Science, 1945 to 2000 aims to answer the following questions: should philosophy of science be a prescriptive discipline? Can philosophy of science achieve normative status without designating evaluative principles? How should competing philosophies of science be balanced? And finally, how can understanding the history of science aid us in analyzing the philosophy of science? In answering these questions, this book shows us why we understand science the way we do. The Golden Age of Philosophy of Science 1945 to 2000 is essential reading for students and researchers working in the history and philosophy of science. (shrink)

The Golden Age of Philosophy of Science, 1945 to 2000 offers the reader a guide to the major philosophical approaches to science since World War Two. Considering the bases, arguments and conclusions of the four main movements - Naturalism, Descriptivism, Foundationalism, and Logical Reconstructionism - John P. Losee explores how philosophy has both shaped and expanded our understanding of science. The volume features major figures of twentieth century science, and engages with the work of previous philosophers of science, including (...) Norman Campbell, Ernest Nagel, Rudolf Carnap, Karl Popper, Richard Dawkins, and John Worrall. In particular, The Golden Age of Philosophy of Science, 1945 to 2000 aims to answer the following questions: should philosophy of science be a prescriptive discipline? Can philosophy of science achieve normative status without designating evaluative principles? How should competing philosophies of science be balanced? And finally, how can understanding the history of science aid us in analyzing the philosophy of science? In answering these questions, this book shows us why we understand science the way we do. The Golden Age of Philosophy of Science 1945 to 2000 is essential reading for students and researchers working in the history and philosophy of science. (shrink)

We would be wrong to state that Plato’s approach to the Golden Age in the Statesman occurs through nostalgia, even if he stresses the immense distance between our world and that blessed time. After evoking the shepherd-god as a ruler, Plato shows that the completely abandoned disposition of the ruled is only justifiable in presence of an unbridgeable chasm between the two, such as that between gods and men, or men and beasts. The real question in the Statesman is (...) how to single out the peculiar form of knowledge possessed by the few men that are truly capable to rule. (shrink)

Was there ever a golden age of academe: a time when academics were able to pursue their own interests, had relatively light and undemanding teaching responsibilities, and enjoyed widespread respect from both the general public and policy makers? This article explores that question, primarily in the context of the United Kingdom, but with some reference to other systems as well. It attempts to separate the mythical elements of the golden age from the reported memories and analyses of both (...) those who were there at the time and subsequent authors. (shrink)

What is the difference between the earthly paradise, the Golden Age and the ideal city? This question is most important for whoever is interested in the various ways human societies have had for imagining an ideal state of perfection or social harmony. If we are not to confuse such different systems of representation as mythical thought, millenarianism and Utopia, it is absolutely necessary that we do not reduce the descriptions of an earthly paradise and a Golden Age to (...) simple precursors of the ideal city of the Utopians. It is especially important not to call “Utopian” every representation of the ideal society, Utopia being only one— and the most, recent—of its modalities. The Utopian dream Translated by Jeanne Ferguson takes up and at the same time alters the paradisiacal and millenarian imagination: it would be difficult to believe that the passage of primitive societies to great urban civilizations, then to modern society occurred without major repercussions on the vision of these societies, that the ideal state of social perfection did not vary from one to the other. (shrink)

This article surveys the discursive turns of a conventional historical trope: the change in the valence of alcohol (and drugs) from happy to miserable. This change is commonly told as the story of a golden age of drinking and a fall into addiction (although there is a confused relationship in many of the stories between a condition called medical alcoholism and the social behavior of drunkenness). This fall is variously dated from the fifteenth to the late nineteenth centuries (both (...) the conceptualization and the fact of alcoholism). Is this real historical change or only nominal change? Was alcoholism unknown in previous ages or has it always been around? Certain material factors (supply, absence of alternative drinks) may have impeded the visibility of alcoholism. The theory of nominal change is involved with factors like conspiratorial behavior, the conditions of scientific knowledge (i.e., the structure of investigation itself ), the baffles of categorization (heavy drinking was hidden within gluttony for most of history). Real change involves various facets of modernity and industrial capitalism: individualism and privacy, temperance, respectability, and rigid class formation, etcetera. But this shift is also a movement across class lines, from middle to lower-class drinkers. (shrink)

Part I. The golden age and primitivism -- The savages -- Prometheus and Orpheus -- Atlantis -- Part II. The blossoming and decline of culture -- The age of blossoming in Athens -- Alexandria -- Part III. The problem of a national golden age -- The Roman model: golden age as a modern disease -- From classicism to romanticism -- Part IV. Kingdom of God -- German tradition of chiliasm -- From eschatology to kairology -- The gospel (...) of nature -- Medievalism as the externalisation of the golden age -- Conclusion. (shrink)

The virtual is just the latest expansion of human craving for meaning and it is brimming with opportunities: mostly symbolic, nonetheless, real. Thinking, presenting ormanipulating a situation has always been dependent on the symbolic operations (Mircea Eliade, Raoul Girardet, Lucian Blaga, Camil Petrescu, Ernst Cassirer), on the uses andabuses of the referential and condensed symbols (Murray Edelman). At the same time, such operations are not reserved entirely to politics. In our virtually expanded contemporarylives, we relate to symbolic meanings, either consciously (...) or not. As Slavoj Zizek noticed: “Behind the realities there are phantasies and behind the phantasies, realities.” Baudrillard’s ecstasy of communication and simulacra present the offer of a golden ageopen for individuals and politicians alike. The enemies are clear and the saviours, too. Justlike decorations hanging in the virtual window here there are the (slightly) cosmeticized images of ourselves carved as individual persona representations, or, as the solution messages for the current problems, prompt as a soft form of political management. All these symbolic décors in the virtual malls that we visit and consolidate are symbolic attemptsto approximate the golden age as we can “see” it, in our human everlasting aspirationsfor success and prosperity, for stability, communion and, possibly, peace. (shrink)

Fear, sadness, surprise, anger, lust and love - virtually nothing was more important in the paintings ofthe Golden Age than convincingly depicting human emotions. In this publication, the Frans Hals Museum and Rembrandt expert Gary Schwartz present a selection of masterpieces in which these emotions are sublimely portrayed. According to seventeenth-century connoisseurs, the beauty of a painting was not even half as important as the passions that could be seen in that painting; they formed the soul of the work. (...) Painters such as Rembrandt, Frans Hals, Maerten van Heemskerck and Cornelis van Haarlem were masters at depicting a range of emotions. Their works are presented in a new context - the emotional life - and with a focus on the flourishing scientific study of emotions in our own time. Emotions will be published in conjunction with the first exhibition in the Netherlands to present this essential component of painting. Exhibition: Frans Hals Museum, Haarlem, the Netherlands (11.10.2014-15.02.2015). (shrink)

The geographical Utopias that present a New World, from classical Antiquity and the Middle Ages to the exploration and conquest of American territories by Spain, give a two-fold vision of the myth of gold. On the one hand, the legendary lands in which were found the wealth and power generated by the coveted metal—El Dorado, El Paititi, the City of the Caesars—establish the direction of a venture toward the unknown, and a geography of the imaginary marked the ubiquitous sign of (...) the mythical gold. But at the same time, America permitted the felicitous re-encounter in its territory of the Golden Age that had been lost in the Old World. The first steps of Western man toward the American adventure wavered contradictorily between these extremes, in that gold was at the same time “booty and marvel.”. (shrink)

The idea of a returning golden age is widely understood and commonly presented both as a staple of Augustan propaganda and as a pervasive aspiration of Augustan society. TheCarmen Saeculare—an official commission for a public festival—is presented as a means by which the regime proclaimed to an enthusiastic populace the imminent renascence of the golden race. The aim of this article is to draw attention both to thefailureof theCarmen Saeculareexplicitly to proclaim the renascence of the race, and to (...) the critique implicit in the poem of the very idea of a renascence. The golden race, according to this reading, might be undesirable on account of its very goldenness. The golden race was the subject of a complex myth at the centre of a complex discourse: neither the ‘official’ nor the popular response to the idea of its return can have been as simple as they are frequently portrayed. (shrink)

In his book The Ethical Project Philip Kitcher presents an ‘analytical history’ of the development of human ethical practice. According to this history the first ethical norms were launched in the ancient world of the hunters and gatherers and their initial function was to remedy altruism failures. Kitcher wants to show that the emergence of ethical norms can in this case and in general be explained without referring to supernatural causes or philosophical revelation. Furthermore, he claims that the first manifestation (...) of the ethical project still serves as an ideal. In my comment I will contest the plausibility of Kitcher’s analytical history and question whether the presumed characteristics of ethics in prehistoric times could still be binding for us today. (shrink)

Jan Westerhoff unfolds the story of one of the richest episodes in the history of Indian thought, the development of Buddhist philosophy during the first millennium CE. He aims to offer the reader a systematic grasp of key Buddhist concepts such as non-self, suffering, reincarnation, karma, and nirvana.

This chapter focuses on the spreading of Husserlian Phenomenology to the United States by the community of scholars who taught and studied at the New School for Social Research from 1954 through 1973. The protagonists of this phase, Thomas Dorion Cairns, American-born, Alfred Schutz, and Aron Gurwitsch, critically and creatively followed the mature Edmund Husserl even if in different ways and years. Their link is represented by the fact that they were part of the department of Philosophy of the New (...) School for Social Research to create the first group of scholars in Husserlian Phenomenology in the country. The Husserlian Phenomenology that they brought to the New School has subsequently spread through the Anglophone world. (shrink)

The article is devoted to the problem of changing stylistic paradigm in the Persian poetry of XVI-XVII centuries and reflection of this process in self-consciousness of outstanding authors of the period. Parallel with preserving stable norms of traditional poetics literary practice demonstrates flexibility and forms new range of popular poetic strategies. New aesthetic criteria if ideal poetic language, expressed with epithet ‘colourful’, appears alongside with criteria of previous period, expressed with epithet ‘sweet’ and step by step gets leadership. Lyric poetry (...) of three famous authors of the period of formation and golden age of Indian style served the object of analyses. The phenomena of visualization of imagery connected with perfect poetic language illustrated by examples of ‘Poet and Poetry’ motifs located in ‘frame text’ in end of the qhazal. These motifs serve one of the regular contexts of author’s name and show author’s attitude to his creation, including stylistic preferences. Refinement of poetic fantasy being declared basic condition of creating perfect poetry described visually as coiling lasso, poetry itself as flourishing garden, fountain or European house decorated with painting. Such characteristic of word creation has analogies in the works of Baroque style theorist Giambattista Marino. (shrink)

In this paper, I try to outline what I take to be Naming and Necessity’s fundamental legacy to my generation and those that follow, and the new perspectives it has opened up for twenty-first century philosophy. The discussion is subdivided into three sections, concerning respectively philosophy of language, metaphysics, and metaphilosophy. The general unifying theme is that Naming and Necessity is helping philosophy to recover a Golden Age, by freeing it from the strictures coming from the empiricist and Kantian (...) traditions and reconnecting it to the world and the objects that populate it. Because of this, in the concluding paragraph I tentatively suggest that Kripke’s philosophy may be seen as a sui generis form of naturalism. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Medicine is increasingly subject to various forms of criticism. This paper focuses on dominant forms of criticism and offers a better account of their normative character. It is argued that together, these forms of criticism are comprehensive, raising questions about both medical science and medical practice. Furthermore, it is shown that these forms of criticism mainly rely on standards of evaluation that are assumed to be internal to medicine and converge on a broader question about the aim of medicine. Further (...) work making medicine’s internal norms explicit and determining the aim of medicine would not only help to clarify to what extent the criticism is justified, but also assist an informed deliberation about the future of medicine. To illustrate some of the general difficulties associated with such a task, the paper concludes by critically engaging Edmund Pellegrino’s account of the aim of medicine as well as the Hastings Center’s consensus report. (shrink)

Farrington has written a fascinating and provocative introduction to fourth-century Greece in the form of a cultural dispute between the Garden, the Academy, and the Lyceum. In the political and religious chaos of the late fourth century, Epicurus appears as a radical social reformer, not the recluse of earlier interpreters, bent on returning Greek society to its primitive ideal of friendship. While in agreement with Plato that Greek society was desperately sick, his remedy was antithetical to Plato's and heavily dependent (...) on the later Aristotle. Friendship not justice, freedom not authority, individuality not universality, sensory experience not a priori axioms--these were the hallmarks of Epicurus' desired reform. The practical, almost prophetic direction of Epicurus' philosophy emerges most clearly in his bitter opposition to political religion, used by the ruling class to keep the people in line and typified by Plato's insistence on religious orthodoxy in his republic. Against this background, Epicurus' theology, as well as his physics, serves as a polemical thrust designed to release men from superstition and irrational fear of would-be gods. Farrington's obvious delight in Epicurus, together with his desire to set right past misinterpretations of his thought, make the account all the more interesting to read. The final chapter traces Epicurean influence in later Roman thought, notably in the Platonist Cicero and the Stoic Seneca, its decline in the Middle Ages, and its rebirth in the Renaissance. The book concludes with a brief but adequate bibliography of ancient and modern works.--J. G. G. (shrink)

As James Chapman has famously put it in National Identity and the British Historical Film, historical films are “as much about the present in which they are made as they are about [the] past in which they are set.” This article discusses Shekhar Kapur’s aesthetically ground-breaking Elizabeth and its sequel Elizabeth: The Golden Age focusing on two main aspects, namely national identity issues and the representation of the enemy. Kapur’s Elizabeth films will first be placed within the larger context (...) of Elizabeth’s film and television appearances. Informed by Giroux’s critical methodology guidelines, in an attempt to “historize” the films under scrutiny and so foster “sane historical sense,” a se­miotic analysis will then be offered. Largely inspired by the tenets of Fairclough’s critical discourse analysis and Kress and Leeuwen’s visual grammar, this will draw a parallel between the verbal and visual discourses in both films. Data will finally be discussed and the contention will be made that England’s religious heritage has left indelible traces which remain latent in the English imagination, for which historical evi­dence will be presented. The article’s ultimate aim will be to provide evidence suggesting that, in the English case, religious and national discourses merged from the late 16th century onwards, clearly influ­en­cing not only the perception that the English had of themselves but also and crucially the image they may still have of “Other” nations. (shrink)

These features are often reflected in the images in this heavily illustrated book, which depicts the spare but strong pioneering spirit of the enterprise.

Kierkegaard has no comprehensive or systematic aesthetics of his own. Despite this, his work contains numerous and abundant references to the aesthetics of his time; namely, the Hegelian inspired aesthetics of Johan Ludvig Heiberg. As a one‐time adherent of Heiberg, Kierkegaard was thoroughly steeped in Heiberg's philosophy of art, and often merely applies such aesthetics to his selected objects of interest, echoing the philosophy of art of his day. There are, however, other instances where Kierkegaard carries out a sometimes overt (...) and sometimes covert critique of Heibergian aesthetics, especially after Either/Or, challenging his predecessor's views and the dominant aesthetics of the day. (shrink)

"An immensely valuable and detailed analysis of foreign, mainly American, assistance to Latin American higher education, To Export Progress provides an understanding of the 'what' and the 'why' of foreign aid to a key sector. This book will be a classic in its field." —Philip G. Altbach, Monan Professor of Higher Education, Boston College "Professor Daniel C. Levy, a leading authority in the field of higher education and the nonprofit sector in Latin America, once again has opened an otherwise neglected (...) field through his carefully researched and reported study of philanthropic support for university reform in the region. Drawing on a wealth of archival material, documentary evidence, interviews, and first hand experience with the actors and agencies involved, To Export Progress illuminates the vision and ideals inspiring international agencies, as much as the realities they confronted in deciding on grants and loans policy, from the 1960s to the 1980s. The book is strongly recommended for scholars and students of international education, for Latin American experts, and for philanthropic managers and educational administrators in the developing world." —Jorge Balan, Senior Program Officer for Higher Education, The Ford Foundation. In this study of the attempts to export the modern Western university, its ideas, and its form to the Third World, Daniel C. Levy examines the development assistance provided by the Ford Foundation, the U.S. Agency for International Development, and the Inter-American Development Bank and their relations with local partners in Latin America in the 1960s and 1970s. Levy considers the funders, how they selected partners, which countries and institutions were favored, and to what effect. Based on meticulous research and careful analysis, the book provides a detailed look at philanthropic assistance to the region during the era of modernization and development in Latin America. (shrink)

This chapter examines the role of Soren Kierkegaard in the so-called Danish Golden Age from 1800 to 1850, which was marked by a remarkable outpouring of artistic, scientific, literary, philosophical, and theological productivity. It explains that Kierkegaard, together with Hans Christian Andersen, belongs to the third generation of this Golden Age. The chapter considers the major works of Kierkegaard and Andersen, who were the two most prominent figures of the Golden Age both in and outside Denmark.