L'arte è l'espressione intima--ma concepita per essere condivisa--della sensibilità di alcuni individui che avvertono l'urgenza di manifestare il proprio sentire rispetto al reale, o al non-reale. Gli artisti e, di conseguenza, le loro opere non possono non accogliere le sollecitazioni provenienti dall'attualità che li anima elaborando le complessità del mondo contemporaneo. È quindi necessario intrecciare come in una mappa neuronale lo studio delle opere d'arte con altre discipline, come antropologia, filosofia, biologia, perché una più ampia libertà di indagine consente di (...) strutturare con maggiore armonia la storia e la critica d'arte. Realizzare dialoghi plurimi permetterà così una visione più piena e approfondita dell'arte stessa."--Back cover. (shrink)

Psychopathy is a personality disorder frequently associated with immoral behaviors. Previous behavioral studies on the influence of psychopathy on moral decision have yielded contradictory results, possibly because they focused either on judgment (abstract evaluation) or on choice of hypothetical action, two processes that may rely on different mechanisms. In this study, we explored the influence of the level of psychopathic traits on judgment and choice of hypothetical action during moral dilemma evaluation. A population of 102 students completed a questionnaire with (...) ten moral dilemmas and nine non-moral dilemmas. The task included questions targeting both judgment (“Is it acceptable to … in order to …?”) and choice of hypothetical action (“Would you … in order to …?”). The level of psychopathic traits of each participant was evaluated with the Levenson Self-Report Psychopathy (LSRP) scale. Logistic regression fitted with the generalized estimating equations method analyses were conducted using responses to the judgment and choice tasks as the dependent variables and psychopathy scores as predictor. Results show that a high level of psychopathic traits, and more specifically those related to affective deficit, predicted a greater proportion of utilitarian responses for the choice but not for the judgment question. There was no first-order interaction between the level of psychopathic traits and other potential predictors. The relation between a high level of psychopathic traits and increased utilitarianism in choice of action but not in moral judgment may explain the contradictory results of previous studies where these two processes were not contrasted. It also gives further support to the hypothesis that choice of action endorsement and abstract judgment during moral dilemma evaluation are partially distinct neural and psychological processes. We propose that this distinction should be better taken into account in the evaluation of psychopathic behaviors. (shrink)

What characterizes the 'modern' view of things is the fundamental belief that things are to be dealt with only in terms of their reference to human projects. This stands in marked contrast to the belief which constitutes the pre-Modern view: namely, That things possess a nature of their own which establishes the terms in which man is to deal with them. The transition from the latter to the former is marked by a shift from a concern for truth to a (...) concern for meaning. The ideal of doing justice to things on "their own" terms is replaced by the ideal of achieving coherence with regard to the terms to which we (in our projects) subject things. The article discusses how hume and kant play a decisive role in this transition. (shrink)

Enrico Berti has had a profound influence on the birth and development of Italian studies in ancient philosophy. His sizable work has shaped a great part of Italian studies on Aristotle and other ancient philosophers. To celebrate him and express their gratitude for his work, some of his disciples, under the impulse of the late Franco Volpi, have brought together a volume in his honour, requesting the participation of some foreign scholars particularly close to him. The volume comprises essays (...) by Pierre Aubenque, Jonathan Barnes, Terence H. Irwin, Tomás Calvo-Martínez, Jaap Mansfeld, Pierre Pellegrin, Gerhard Seel and Alejandro G. Vigo. The main themes are Aristotle's metaphysics and practical philosophy. A Selected Bibliography by E. Berti himself completes the volume."--Publisher's website. (shrink)

Physicians frequently face ethical dilemmas when caring for patients. To help them to cope with these, biomedical ethics aims to implement moral norms for particular problems and contexts. As a means of studying the cognitive and neurobiological features underlying the respect for these norms, moral cognitive neuroscience could help us to understand and improve ethical questioning. The article reviews recent developments in the field and presents neurobiological arguments to highlight why some moral rules are universally shared and why some ethical (...) responses are very dependent on context. (shrink)

Emotional content has complex effects on false memory. Under certain circumstances, emotional material may reduce the likelihood of false memory, a phenomenon that some consider related to it being...

. “The Notebook Corner,” edited by Enrico Pattaro, makes its first appearance here as a new section of Ratio Juris. This new section can be described in a sense as an offshoot of the project for A Treatise of Legal Philosophy and General Jurisprudence, a work still in progress composed of five theoretical volumes and six historical ones. The theoretical volumes receive a brief presentation in the paper immediately below, with a specific focus on Volume 1, entitled The Law (...) and the Right: A Reappraisal of the Reality That Ought to Be. This volume is then discussed as well by Rosaria Conte and Cristiano Castelfronchi in the second paper of this “Notebook Corner”. (shrink)

v. 1. Demoniaco e problema del male. Umanesimo e pensiero simbolico. Tempo e temporalità -- v. 2. Ermeneutica e demitizzazione. Storia della filosofia. Filosofia della religione.

The myth in Plotinus is a constitutive element of his metaphysics, as it is present in several treatises of the Enneads as an element aimed at justifying certain metaphysical theses through recourse to an analogy with the ancient tradition. In the case of the divine triad Ouranos‑Kronos‑Zeus, the relationship is extremely problematic since, from a Platonic perspective, these figures relate to two dialogues in particular : the Cratylus and the Timaeus. Regarding the Cratylus, the greatest difficulty for Plotinus lies in (...) matching the Socratic etymological method with the actual nature of the hypostases. From this point of view, the role of Ouranos appears particularly problematic since the very nature of the first principle is incompatible with Platonic etymology. As far as the Timaeus is concerned, a fundamental role is that of Zeus as demiurge, which respects all the problematic nature of the Plotinian perspective, which is unable to precisely delineate the role of the demiurge, for which Zeus is twofold : Intellect and Soul. It thus emerges how the role of the Cratylus and Timaeus are merely strategic for Plotinus, called upon only to justify his metaphysical theses. The myth thus has the role of justifying an analogy between the metaphysics of hypostasis and the archaic tradition, but it presents problems of interpretative oscillation that Plotinus himself does not seem able to resolve. (shrink)

The idea of an ?inversion principle?, and the name itself, originated in the work of Paul Lorenzen in the 1950s, as a method to generate new admissible rules within a certain syntactic context. Some fifteen years later, the idea was taken up by Dag Prawitz to devise a strategy of normalization for natural deduction calculi (this being an analogue of Gentzen's cut-elimination theorem for sequent calculi). Later, Prawitz used the inversion principle again, attributing it with a semantic role. Still working (...) in natural deduction calculi, he formulated a general type of schematic introduction rules to be matched ? thanks to the idea supporting the inversion principle ? by a corresponding general schematic Elimination rule. This was an attempt to provide a solution to the problem suggested by the often quoted note of Gentzen. According to Gentzen ?it should be possible to display the elimination rules as unique functions of the corresponding introduction rules on the basis of certain requirements?. Many people have since worked on this topic, which can be appropriately seen as the birthplace of what are now referred to as ?general elimination rules?, recently studied thoroughly by Sara Negri and Jan von Plato. In this study, we retrace the main threads of this chapter of proof-theoretical investigation, using Lorenzen's original framework as a general guide. (shrink)

In section 1 we argue that the adoption of a tenseless notion of truth entails a realistic view of propositions and provability. This view, in turn, opens the way to the intelligibility of theclassical meaning of the logical constants, and consequently is incompatible with the antirealism of orthodox intuitionism. In section 2 we show how what we call the potential intuitionistic meaning of the logical constants can be defined, on the one hand, by means of the notion of atemporal provability (...) and, on the other, by means of the operator K of epistemic logic. Intuitionistic logic, as reconstructed within this perspective, turns out to be a part of epistemic logic, so that it loses its traditional foundational role, antithetic to that of classical logic. In section 3 we uphold the view that certain consequences of the adoption of atemporal notion of truth, despite their apparent oddity, are quite acceptable from an antirealist point of view. (shrink)

Works of art are usually meant to elicit psychological effects from their audiences whereas paradigmatic technical artifacts such as hammers or cars are rather meant to produce physical effects when used. This suggests that works of art and technical artifacts are sharply different entities. However, recent developments in the cognitive sciences and the philosophy of technology have individuated special artifacts, namely cognitive and affective artifacts, which also generate psychological effects. In particular, affective artifacts, which have the capacity to alter the (...) affective condition of agents, seem to share crucial features with works of art. Can we subsume works of art under that kind? I will argue that we cannot. Still, comparing art with affective artifacts will help us to clarify the relationship between art and technology, and to introduce a new category, namely the experiential artifact, which can properly encompass works of art. (shrink)

After slipping away from Athens about evening , Theseus on his journey to Marathon runs into a violent rainstorm, which breaks out suddenly after a warm and brilliant afternoon, so that he has to take refuge in Hecale's poor cottage. We owe to P. Oxy. 2216 fr. 1 as well as to some Testimonia the following text of the tempest, fr. 238.15–32 Pfeiffer = 18 Hollis.

The metaphysical system of Numenius of Apamea is structured according to an onto-theological hierarchy, which presents three levels of reality that Numenius calls “Gods”. Even though the role of the first and the second God is of paramount importance in the metaphysics of Numenius, the third God, which is also defined “cosmos”, has a troublesome ontological status. According to Numenius, the cosmos has “dianoetic thought” since his nature derives from the “encounter” of two metaphysical principles: the demiurge and the matter. (...) My investigation starts from the testimony of Proclus and then it focuses on Eusebius’ Praeparatio Evangelica, in which he quotes directly some passages from the work of Numenius On the Good. My goal in this article is to show that Numenius conceives the third God not as the cosmos in a material sense, but rather as the rational principle which rules the universe. In this respect, the discursive intellect and the divine nature of the cos- mos seem to fit well together. The main question, however, concerns the possibility that Numenius understands the presence (or the identification) of the cosmos with a World Soul. My purpose is to show that even though Numenius does not define the third God explicitly as a “Soul”, its rational principle works as a Soul. Finally, I try to show that this conception of third God by Numenius lays the ground for the Plotinian concept of the Third Hypostasis. (shrink)

Esta traducción al español corresponde a la intervención oral del Profesor Enrico Berti en el Istituto Italiano per gli Studi Filosofici el 13 junio de 2017. Berti es profesor emérito de la Universidad de Padua, con ocasión de la publicación de su traducción de la Metafísica de Aristóteles en el 2017, en el encuentro de estudio La metafísica de Aristóteles, en el Instituto de Estudios Filosóficos de Nápoles. Considero que al hacerlo se contribuye a la divulgación de esta nueva (...) traducción entre la comunidad hispanohablante. (shrink)

Our usual method" is an expression that Aristotle uses in a passage of the Politics (I.1, 1252a17-20) to describe the technique of subdividing a composite object of study into the elements that make it up, in order to study the possible combinations. What theory is the basis for this method? Is it really a usual method for Aristotle? Enrico Rini responds to these questions, starting with the analysis of some passages of the Aristotelian corpus that refer to concepts of (...) the part and the whole. From these passages, Rini attempts to extrapolate a theory that Aristotle states explicitly only on occasion. The mereology that emerges from this study is not a formal theory, unlike the logical mereology present today, and therefore takes into account different types of the whole and the part, with a scope that has applications for the field of biology. (shrink)