En 1974, Lucille Mathurin Mair soutient sa thèse de doctorat à l’université des Indes occidentales (UWI) de Jamaïque. Son travail sera publié une première fois en 2006 sous le titre A Historical Study of Women in Jamaica, 1655-1844 ; il s’agit du premier long ouvrage d’histoire sur la vie des femmes caribéennes. En 1993, Verene Shepherd organise un colloque, toujours à l’université des Indes occidentales de Jamaïque, qui donnera lieu à une collection d’essais, publiés en 1995 sous le titre Engendering (...) History : Caribbean Women in Historical Perspective. Ces deux événements marquent dès le début des années 1970 l’éclosion d’un ensemble significatif d’ouvrages sur les femmes et le genre dans l’histoire des Caraïbes anglophones ; les travaux de recherche dans ce domaine et leur publication ont connu un essor considérable depuis le milieu des années 1990. Ils se sont appuyés sur des archives administratives et privées mais ont aussi innové en pratiquant l’histoire orale et en enquêtant sur la tradition orale de la Caraïbe. (shrink)

In this essay, I connect my work on Archipelago studies with Édouard Glissant’s notions of relationality and Caribbean confederations to formulate what I denominate as the erotics of archipelagic thinking. My main goal is to share my process of thinking with and through Glissant’s work to focus on a series of theoretical gestures that have allowed me to propose modes of reading literary depictions of Caribbean con/federations that go beyond the binary opposition between colonialism and nationalism. I am (...) performing an exercise that I assign to my students when I teach the “Introduction to Critical Theory” course at the University of Miami. Instead of writing an essay with a short theoretical introduction followed by a detailed close reading of literary and cultural texts that illustrate a keyword or a theoretical insight, I conduct a methodological meditation in which I theorize the archipelagic as a form of relationality that configures an erotic imaginary beyond the nuclear family and towards affective networks. To think about the Caribbean as an archipelagic formation, I use my comparative work on the Antillean Confederation in the Hispanic Caribbean (1860-1898) and the West Indies Federation in the English Caribbean (1958-1962) as a historical context in which the region congealed as a network of locations “act[ing] in concert.". (shrink)

This article presents empirical data on the limited availability of hospice and palliative care to the 6 million people of the English-speaking Caribbean. Ten of the 13 nations therein responded to a survey and reported employing a total of 6 hospice or palliative specialists, and having a total of 15 related facilities. The evolving socioeconomic and cultural context in these nations bears on the availability of such care, and on the willingness to report, assess, and prioritize pain, and (...) to prescribe opiates for pain. Socioeconomics and culture also impinge on what medications and modalities of care are routinely available for pain or other conditions and can challenge professionalism, empathy, and responsiveness to patients’ unrelieved pain. Although all respondents report having a protocol for pain management, hospice, or end-of-life care, their annual medical use of opiates is well below the global mean. The International Narcotics Control Board , which monitors such use, encourages Caribbean and other low- and middle-income countries to increase their use of opiates to treat pain, and to overcome both unfounded fears of addiction and overly restrictive interpretation of related laws and regulations. Contextual considerations like those described here are important to the success of policies and capacity-building programs aiming to increase access to hospice and palliation, and perhaps to improving other aspects of health and healthcare. Exploring and responding to the realities of socioeconomic and cultural conditions will enhance public and policy dialogue and improve the design of interventions to increase access to palliative and hospice care. Improving access to palliative and hospice care in the Caribbean demonstrates beneficence and helps to fulfill human rights conventions. (shrink)

The present essay discusses how women calypsonians in the English-speaking Caribbean use Calypso performances as a theatrical platform to offer a gendered critique of the nation and engage in a dialogue, which despite exhibiting pride in the nation, questions its various exclusions in ways that seek to redefine dominant constructions of the nation as ‘we’. Not only do they offer a vision of the nation and its cultural aspects that is more inclusive, they also speak out against cultural (...) and political oppression. I analyse specific performances by Singing Sandra (Trinidad) and Queen Ivena (Antigua) from my position as an ‘indigenous-outsider’ and ‘outsider within’ in order to demonstrate that Calypso performance is a post-colonial form of theatre in the English-speaking Caribbean that is being used by women as a site for feminist action and agency. (shrink)

The era from the late fifties to the early seventies was marked in Africa and the Caribbean by a rush of newly articulated anticolonial sentiment that was associated with the burgeoning of both international back consciousness and more localized nationalist movements. Between 1957 and 1973 the vast majority of African and the larger Caribbean colonies won their independence; the same period witnessed the Cuban and Algerian revolutions, the latter phase of the Kenyan “Mau Mau” revolt, the Katanga crisis (...) in the Cong, the Trinidadian Black Power uprising and, equally important for the atmosphere of militant defiance, the civil rights movement in the United States, the student revolts of 1968, and the humbling of the United States during the Vietnam War. This period was distinguished, among Caribbean and African intellectuals, by a pervasive mood of optimistic outrage. Frequently graduates of British or French universities, they were the first generation from their regions self-assured and numerous enough to call collectively for a renunciation of Western standards as the political revolts found their cultural counterparts in insurrections against the bequeathed values of the colonial powers.In the context of such challenges to an increasingly discredited European colonialism, a series of dissenting intellectual chose to utilize a European text as a strategy for getting “out from under this ancient mausoleum of [Western] historic achievement.”1 They seized upon The Tempest as a way of amplifying their class for decolonization within the bounds of the dominant cultures. But at the same time these Caribbeans and Africans adopted the play as a founding text in an oppositional lineage which issued from a geopolitically and historically specific set of cultural ambitions. They perceived that the play could contribute to their self-definition during a period of great flux. So, through repeated, reinforcing, transgressive appropriations of The Tempest, a once silenced group generated its own tradition of “error” which in turn served as one component of the grander counterhegemonic nationalist and black internationalist endeavors of the period. Because that era of Caribbean and African history was marked by such extensive, open contestation of cultural values, the destiny of The Tempest at that time throws into uncommonly stark relief the status of value as an unstable social process rather than a static and, in literary terms, merely textual attribute. Rob Nixon is a Ph.D. candidate in English at Columbia University. He is working on the topics of exile and Third World-metropolitan relations in the writing of V. S. and Shiva Naipaul. His previous contribution to Critical Inquiry is “No Names Apart: The Separation of Word and History in Derrida’s ‘Le Dernier Mot du Racisme’ ”. (shrink)

This paper is an attempt to introduce the thought of the Martinican philosopher, René Ménil to the English-speaking world. It suggests that his philosophy can best be characterized as an aesthetic Marxism, which moved through three crucial phases: (1) a surrealist/French communist phase; (2) a Black poeticist/French communist phase; and (3) a critical poeticist/Martinican communist phase. The passage through these three phases was marked by an increasing and more fixed centering of the aesthetic that created very real tensions with (...) its politico-economic base. The paper explores these tensions through a comparative analysis with other Caribbean aesthetic Marxists or aesthetic historicists such as CLR James, Nicolás Guillén, and Kamau Brathwaite. (shrink)

In this paper I explore the emergence of women's organizations and feminist consciousness in the twentieth century in the English-speaking (Commonwealth) Caribbean. The global ideas concerning women's equality from the 1960s onwards clearly informed the initiatives taken by both women and states of the Caribbean. None the less, the paper illustrates, by use of examples, the interlocked nature of women's struggles with the economic, social and political issues which preoccupy the region's population. I examine in greater detail (...) two case studies of women's activism and mobilization around the impact of structural adjustment policies in the two territories of Jamaica and Trinidad and Tobago. By tracing the connections between and among the organizations and initiatives of women in the region, the paper situates the feminist movement in the English-speaking Caribbean as a continuously evolving one, fusing episodic struggles in different territories, engaging women of different classes and groups, and continuously building on past experience. (shrink)

Etymologies are often entertaining, but it is not always obvious what they mean. Take the case of Old Frankish *sal, meaning a single-roomed dwelling. The word was taken over by speakers of Vulgar Latin as sala, and by 1100 CE it had become a word of Anglo-Norman French, since in The Song of Roland it crops up as sale, meaning the living area of a castle. Some time later, it wandered into Italian. Renaissance architects wanted to make a new word (...) for the increasingly grandiose spaces they were designing, so they added an augmentative suffix, producing salone. In the seventeenth century, French translations of Italian works on architecture reproduced the new term, only dropping the final e so as to keep the masculine gender of the Italian. French salon came into English in the early eighteenth century, initially as a word for a large and lofty room; but as French speakers applied it more and more to social functions occurring in such spaces, English speakers did so too. Then came a fork: a phonological adaptation produced saloon, which drifted off as a fully naturalized word of English toward hotels, carriages, bars, and cars; but salon persisted nonetheless. By retaining the stress pattern and marginally nasal final vowel of its source language, the doublet has remained in use as a xenism—a word of English understood to be not English, but understood in English all the same.How many such words are there? Hundreds, maybe thousands. Coupé, du jour, fuselage, pizza, paparazzi, sauerkraut, Zeitgeist—all signal their foreignness either by nonstandard pronunciation of written consonants (s, g, j, z), the presence of foreign diacritics, or irregular tonic stress. These are the kinds of loanwords that Scholar calls “émigrés,” but he gives us not thousands or hundreds or even a dozen of them: his chapters deal only with four: à la mode, ennui, naïveté, and caprice. The histories of these words do not really teach us any more about the cultural, social, and political relations between England and France than do saloon and salon, which is not much at all, or any other set of loanwords that retain phonetic or orthographic signs of foreignness. Scholar nonetheless does his level best to put his favored four at the heart of early modern English culture. Lengthy accounts of a play by Dryden, a famous work of Schiller's, an essay by Raymond Williams, Caribbean notions of creolization, and a John le Carré novel, learned though they all may be, do not really make the argument more persuasive, or even clear. By the end of this beautifully produced and floridly written book, the reader (or at least this reader) is not quite sure what it was really about. The very title of Émigrés repurposes a xenism which in regular usage is associated with high social status (we never talk of émigré workers, for example), thus exhibiting what I suppose the whole field ought to demonstrate: the ways in which new, hard, or nonnative words are always used to establish pecking orders between speakers, between their interlocutors and between their worlds. In Bourdieusian terms: not to make distinctions, but to create distinction. (shrink)

From 1538 the new Protestant church of Henry VIII provided a system of registration of baptisms, marriages, and burials in all parishes of England and Wales. This chapter re-examines the original motives behind the creation of this system, and explores the reasons for its effectiveness and persistence over the ensuing three centuries in Britain by surveying the comparative history of identity registration systems among the British overseas in the early modern period. A review of the variety of measures for registration (...) set up in the North American and Caribbean colonies during the course of the seventeenth century confirms the importance of the security of property-holding in an increasingly commercial world as a motive for creating such systems. However, this review also indicates the importance of whether or not effective social security systems, giving entitlements to relief, accompanied these early identity registration schemes. (shrink)

Manifestos brings together for the first time in English the manifestos written by Édouard Glissant and Patrick Chamoiseau between 2000 and 2009. Composed in part in the aftermath of Barack Obama's election in 2008, the texts resonate with the current context of divided identities and criticisms of multiculturalism. The individual texts grapple with concrete historical and political moments in France, the Caribbean, and North America. Across the manifestos, as well as two collectively signed op-eds, the authors engage with (...) socio-political aspects of climate catastrophe, resource extraction, toxicity, and neocolonialism. Throughout the collection, Glissant and Chamoiseau engage with key themes articulated through their poetic vocabulary, including Relation, globalization, globality (mondialité), anti-universalism, métissage, the tout-monde ("whole-world") and the tout-vivant ("all-living," including the relationship of humans to each other and "nature"), créolité and the creolization of the world, and the liberation from community assignations in response to individualism and neoliberal societies. Translated as the first volume in the Planetarities series with Goldsmiths Press, the themes of Manifestos resonate with the planetary as they work in response to contemporary forms of (economic) globalization, western capitalism, identity politics, and urban, digital and cosmic ecosystems, as well as the role of the poet-writer. A distinguishing feature of this publication is its interventional aspect, which prioritizes engaged scholarship and practice while demonstrating the relevance of the poetic in response to the urgencies of planetary crisis. (shrink)

This collection of essays marks the fiftieth anniversary of the publication of Frantz Fanon’s classic study of anticolonial struggle, _The Wretched of the Earth_. Scholars explore the relevance of Fanon’s work for current modes of psychoanalysis, postcolonial theory, and political thought. One contributor reposes a classic question of postcolonial scholarship: what does it mean for a colonial Caribbean man to practice a Continental intellectual tradition? Others identify Fanon’s experiences working at a mental institution in colonial French Algeria as a (...) powerful influence on his psychoanalytic perspective. This issue revitalizes Fanon’s canonical status as Third World theorist by asserting that the main imperatives of Fanon’s work remain as urgent as ever: combating the psychic and physical violence of colonialism, achieving real forms of liberation for colonized peoples, and ending the degradation of people of color. Contributors: Matthew Abraham, Gerard Aching, John E. Drabinski, Grant Farred, Nigel C. Gibson, Priyamvada Gopal, Joy James, Ranjana Khanna, Alfred J. López, Miguel Mellino, Simon Morgan Wortham, Richard Pithouse Grant Farred is Professor of Africana Studies and English at Cornell University. He is the former editor of the _South Atlantic Quarterly_ and the author, most recently, of_ Long Distance Love: A Passion for Football_. (shrink)

Analysis of geographical space included under the denomination of "Caribbean". as ~rella s the cartographic representations which have been given to this regard. arid the legendary image of earthly paradise that was known with The differences while including or not part of the continental territory under the Caribbean term. are related with political interests. because the idea of the Caribbean basin with Islands and continental territories is assumed by the Spanishspeaking inhabitants, while among the English-speaking, that (...) is only including the islands Navigation routes are analized together with atlas of the XVlII century,and results of expl-ditionary and scientific activities undertaken by marine and explorers such as Cosme Cliurruca. Vicente Tofiño, Antonio de Ulloa y Jorge Juan, José Mª Mazarredo, Jose Mª Chacón and Joaquín Fidalgo. (shrink)

There is no other published work in English devoted to analyzing the political and intellectual dimensions of black Cuban women’s thought across the island’s history. This text is essential reading for students of Afro-Latin American studies, Caribbean history, or courses focussing on black women in the Atlantic region.

In Spring 2022, the Theory Center Reading Group at Indiana University- Bloomington was devoted to the work of Martinican writer and thinker Édouard Glissant. We focused on his Poetics of Relation (Poétique de la Relation 1990, English tr. 1997), while also engaging with the recently translatedTreatise on the Whole-World (Traité du Tout-Monde, 1996, English tr. 2020). An award-winning fiction and poetry writer, Glissant (1928-2011) is arguably the most influential Caribbean thinker of the 20th century, who over the (...) course of his career developed a unique aesthetic and philosophical lexicon that has shaped the language and perspectives of successive generations of theorists in poststructuralism, postcolonialism, and globalization. His works cover virtually all genres and forms, from lyrical poetry to scholarly studies, from historical and experimental fiction to philosophical essays and political manifestos on topics as enduring and as urgent as slavery, racism, (neo)colonialism, creolization, and the “chaos-world.” Concepts such as opacity, Relation, “archipelagic” and “trembling” thinking, rhizomatic identity, and the “Whole-World” generated conversations with thinkers like Gilles Deleuze, Jacques Derrida, Derek Walcott, Abdelkebir Khatibi, Achille Mbembe and others. Moreover, Glissant and his late idea of the “entour” have also influenced a younger generation of scholars in environmental humanities, intermediality and visual arts, and alter-globalization. In 2020, the Glissant Translation Project started publishing Glissant’s works in English in a comprehensive manner, attesting to the growing interest in his work far beyond the confines of his native Antilles and a Francophone audience to readers across the globe. (shrink)

La langue française se trouve dans une situation ambiguë en Haïti. Isolée par rapport au créole, concurrencée par la montée en puissance de l'anglais, elle fait montre cependant d'une étonnante vitalité caractérisée par la créativité des écrivains haïtiens et l'originalité de leur production par rapport à tout modèle. On assiste depuis une vingtaine d'années à un double mouvement de promotion du créole comme langue officielle et de culture, tandis que le français, longtemps apanage d'une mince élite descend également dans la (...) rue et sert de moyen d'expression à une génération florissante de jeunes talents.French, as a language, is in an ambiguous situation in Haïti. The majority of the population hardly understands it. It is isolated on the island and in the Caribbean because most of the neighbour countries speak English or Spanish. Yet French is part of the national heritage. The new wave of young talented authors use both French and Creole and constitutes a chance for French to become more than a tool for the dictators but a source of inspiration as well. (shrink)

This paper reviews the work on gendered achievement in the English?speaking Caribbean, with its often explicit focus on underachieving males. However, patterns of gendered achievement are more likely region?specific and variegated in some contexts. In Trinidad and Tobago, the full?scale implementation of national assessments in 2004 provided an opportunity to evaluate mathematics and language performance across the entire pupil population at standards 1 (7? to 8?year?olds) and 3 (9? to 10?year?olds). Census data from the high?stakes 2003 Secondary Entrance (...) Assessment (SEA) administered at standard 5 (ages: 10?11+) were also included in the analysis. Therefore the entire dataset consisted of 52,284 primary school students (26,574 males and 25,710 females). The findings confirmed that female pupils had a statistically significant advantage on all assessments. However, in terms of practical significance, most differentials were negligible to small. Medium?sized differentials were obtained for pupils of low ability, living in rural educational districts, and on language arts. Male achievement scores were also more variable for lower grade levels, low ability groups and language arts. Paradoxically, in some educational districts secondary school placement opportunities still favoured males. These variegated patterns of gendered achievement may be associated with differences in institutional effectiveness and variations in male socialization practices that are especially evident across the urban?rural divide. (shrink)

Between February of 1797 and July of 1798, Francisco Barrera y Domingo, a Spanish surgeon, wrote an extensive treatise on slave medicine in the Caribbean. Entitled Reflexiones Historico Fisico Naturales Medico Quirurgicas, this 894-page manuscript accounts for eighteen years of its author's professional practice in the region. It provides a clear picture of daily life in the sugar plantations as seen through the eyes of a modest surgeon, thus presenting us with an opportunity to explore the ideological and intellectual (...) universe of this “invisible” category of colonial practitioners. Despite its importance, Barrera's Reflexiones remains almost unknown. Only a handful of scholars have even acknowledged the existence of the volume and no systematic analysis of its content is available in English. (shrink)

Historical interest in the ideologies behind the ‘first’ British empire have tended, for very understandable reasons, to look towards the colonies of the eastern seaboard of North America and the Caribbean. By contrast, this study of the imperial vision held by the English philosopher and politician Francis Bacon (1561–1626) emphasises a different geography of empire. In an investigation of what Bacon took to be the implications of the union of the kingdoms of England and Scotland in the person (...) of King James VI & I, and in the pacification of Ireland following the conclusion of the Nine Years’ War in 1603 and the Flight of Earls in 1607, it argues that Bacon’s own imperial ambitions were ultimately directed towards the annexation of the Low Countries and the founding of a new British imperium in western Europe. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Encounters with Ovid: Gavin Douglas’s The Palis of Honoure and Derek Walcott’s “The Hotel Normandie Pool” CAROLE E. NEWLANDS In sixteenth-century Rome, humanist scholars of ancient material and religious culture were exploring the ruins and inscriptions of ancient Rome with a copy of Ovid’s Fasti in hand.1 In London at the same time, Shakespeare was entertaining audiences and inspiring other poets with plots and characters drawn from Ovid’s Metamorphoses. (...) Reception studies of Ovid often focus on these great metropolitan centers. In this article, however, I will explore transformative encounters with Ovid by two poets living on the geographical margins: Gavin Douglas, the Scottish poet whose major work, the Eneados, completed in 1513, was the first translation of Virgil’s Aeneid in the British Isles, and Derek Walcott, the Caribbean Nobel-prize winning poet best known for his epic poem Omeros, published in 1990. As a poet of a small northern country that had fraught political and cultural relations with its much more populous neighbor, England, Douglas can be considered to some extent, like Walcott, within a postcolonial critical paradigm. For despite their stark differences in geographical locale and in period of time, these poets have significant commonalties. Both men were natives of places geographically distant from the major metropolitan center of London. Both were also classically learned poets. They thus shared anxieties relating to their temporal distance from Graeco-Roman culture as well as to their physical distance from the powerful English-language literary center of their day. And significantly, both Douglas and Walcott present transformative visions of Ovid in indiarion 26.3 winter 2019 vidual, early poems, The Palis of Honoure and “The Hotel Normandie Pool” respectively. These imagined but direct encounters with the Roman poet occur in poems before Douglas and Walcott composed the works for which they are chiefly known, in Douglas’s case the translation of the Aeneid, and in Walcott’s Omeros. Ovid appears in both the Palis of Honoure and “The Hotel Normandie Pool” initially, at least, as an outsider, a poet of exile, but not, however, as a self-pitying poet in decline or, as recent scholarship would have it, as a skilled manipulator of the tropes of poetic decline.2 Rather, in Douglas’s and Walcott’s poems Ovid is a figure who authorizes marginality as a vital source of poetic re-creation. As both insider and outsider Ovid can offer positive redirection to these authors whether within or beyond their geographical boundaries. Through their visions of Ovid, both Douglas and Walcott are offered the possibility of personal change and generic innovation. For each poet the encounter with Ovid is a form of poetic initiation that leads him to his more ambitious work in the heroic genre. gavin douglas’s THE PALIS OF HONOURE i will start with Gavin Douglas (c. 1474–1522). Douglas is generally classed as one of the “Makars,” a term used to refer to a cluster of brilliant, experimental Scottish poets of the late 15th and early 16th century. Among these were Robert Henryson, William Dunbar, and Gavin Douglas, three poets who thrived under the rule of King James IV of Scotland, an active patron of the arts who sought to make his court a center of cultural excellence that would rival the English court.3 Douglas’s Palis of Honoure is a youthful, ambitious poem, composed in 1502, twelve years before his major achievement, his translation of the Aeneid.4 Dedicated to King James, The Palis comprises 2169 decasyllabic lines with several demanding rhyme schemes.5 It is written in a manner that combines the “aureate” style, that is elegant and Latinate, with down-to-earth Scottish vernacular 74 encounters with ovid diction and forms of expression, and it is also suffused with Ovidian myth and concepts.6 Its format derives from the medieval dream vision, a form employed notably, for instance, by Douglas’s famous English predecessor Chaucer.7 Scholars tend to find The Palis of Honoure less polished than Douglas’s mature work, the Eneados. Conor Leahy, however, describes the youthful poem as bold and dynamic: “In the hundred years following the death of Chaucer, no other dream vision... (shrink)

This article challenges scholarly understanding of an 1837 mutiny in the First West India Regiment. In the Anglo-Trinidadian narrative, African-born soldiers acted out of blind rage, failing in their rebellion because they lacked skill with rifles and bayonets and did not understand either the terrain of Trinidad or its location in the Atlantic littoral. This article’s counterargument is that the rebels, led by a former slave-trader, Dâaga, who had been kidnaped by Portuguese traders at either Grand-Popo or Little Popo, was, (...) with other African-born soldiers, well familiar with military weapons and, after time in the Caribbean, the ecosystem, society, and topography of Trinidad. Dâaga aimed at escape from eastern Trinidad for either Tobago or nearby South America, but was thwarted after English officers captured some mutineers, while the soldiers who remained on the run clashed with a mixed-race Spanish-speaking militia on the only road to an east-coast point of escape. (shrink)

This article uncovers a hitherto underappreciated aspect of transatlantic cultural history: Moravian late humanism, and its relationship to contemporary intellectual currents in the Americas and the broader Republic of Letters in the age of Benjamin Franklin. To date, the Moravians have attracted the attention of scholars for their novel theological views on gender and sexuality, their unique approach to reconciling piety with profit, their missionary efforts among native populations, their musical culture and their rejection of slavery. Their interactions with the (...) world of transatlantic and global late humanism, however, have not been studied in any systematic way. The present analysis opens and closes with a remarkable but almost unknown Latin oration, delivered in Philadelphia in 1742 by Nicolaus Ludwig von Zinzendorf, to an audience provided with printed copies commissioned from the Franklin Press. A critical edition and an English translation of this work are provided in an appendix. In our article we examine the original European genesis and subsequent transatlantic context of Zinzendorf’s oration, tracing its development from a formal theological apologia into a quasi-legal statement of the count’s commitment to Moravian values, expressed in an erudite allusory language which left its listeners bemused. As our investigation shows, however, the confusion of the Philadelphia worthies who gathered to hear Zinzendorf ’s oration cannot be put down to a lack of cultural awareness among the leading missionaries and settlers from Germany and Denmark, many of whom partook fully in the contemporary culture of late humanism, both before and after they crossed the Atlantic. Through detailed reconstructions of their educations, correspondence networks, reading habits and note-taking practices, we show the richness of the Moravians’ transatlantic culture of late humanism, which ran the gamut from Ciceronian oratory to pious poetry in learned languages. Basing our argument on a little-known body of archival and printed sources in Latin, German, English and indigenous languages, we argue that Moravian late humanism had a significant impact on the development and expression of the Moravian church’s unique theology, its missionaries’ study of native languages and their interactions with other groups in the Atlantic world. In so doing, we also place the Moravians in the context of contemporary intellectual life in New England, the Caribbean, Europe and the Catholic world. (shrink)

Context: Comparing the Covid-19 related experiences of vulnerable groups can help to improve public health.?The United States and the United Kingdom are both characterized by underfunded public health in the context of racist systems. We reviewed differences in Covid-19 outcomes between groups in the US and UK and compared intergroup differences between the two countries. Methods: The scoping review analyzed articles published in English during the Covid-19 pandemic focusing on the US or the UK. Using Scopus and PubMed, research (...) articles were chosen based on titles, abstracts, and relevance to the research question. Certain demographic groups known to be differentially affected by Covid-19 were chosen a priori for inclusion. Data was extracted by the first author and reviewed by senior authors. 63 studies met the inclusion criteria. Results: Two studies compared the US and UK. One found that minority status is an important social determinant of health (SDOH) of Covid-19 related health outcomes in both countries, likely through association with other SDOH. Another found that the risk of confirmed infection was higher in African-Americans, Hispanic Americans, and Asian Americans in the US and in African-Caribbean/Black-Africans, South-Asians, and Mixed-race people in the UK, compared with their respective White peers. Asian ethnicity is subject to different definitions in the US and the UK. Individual articles focusing on either the US or the UK also found that, in both countries, essential workers were impacted; those with disabilities were more often affected by Covid-19 related comorbidities in both countries. In addition, in both the US and the UK, people living in multigenerational families were more susceptible to Covid-19. Misclassification of causes of morbidity and mortality was noted in both countries. Discussion and conclusion: A limited literature indicates that, in both the US and UK, non-White populations were more affected by the Covid-19 pandemic, possibly due to association of SDOH with racist systems. Racial definitions differ between these countries and this needs further research. In both countries, data focused on LGBTQ+ groups and people with disabilities is lacking. (shrink)

Widely regarded as one of the most important and influential sports books of all time, C. L. R. James's _Beyond a Boundary_ is—among other things—a pioneering study of popular culture, an analysis of resistance to empire and racism, and a personal reflection on the history of colonialism and its effects in the Caribbean. More than fifty years after the publication of James's classic text, the contributors to _Marxism, Colonialism, and Cricket_ investigate _Beyond a Boundary_'s production and reception and its (...) implication for debates about sports, gender, aesthetics, race, popular culture, politics, imperialism, and English and Caribbean identity. Including a previously unseen first draft of _Beyond a Boundary_'s conclusion alongside contributions from James's key collaborator Selma James and from Michael Brearley, former captain of the English Test cricket team, _Marxism, Colonialism, and Cricket_ provides a thorough and nuanced examination of James's groundbreaking work and its lasting impact. Contributors. Anima Adjepong, David Austin, Hilary McD. Beckles, Michael Brearley, Selwyn R. Cudjoe, David Featherstone, Christopher Gair, Paget Henry, Christian Høgsbjerg, C. L. R. James, Selma James, Roy McCree, Minkah Makalani, Clem Seecharan, Andrew Smith, Neil Washbourne, Claire Westall. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Gilgamesh among Us: Modern Encounters with the Ancient Epic by Theodore ZiolkowskiJohannes HauboldTheodore Ziolkowski. Gilgamesh among Us: Modern Encounters with the Ancient Epic. Ithaca, N.Y.: Cornell University Press, 2011. xvi + 226 pp. 3 black-and-white ills. Cloth, $35.This book surveys modern receptions of the Gilgamesh Epic from the earliest lectures and publications of George Smith to recent reworkings of the epic in Western literature and art. The argument (...) is divided into five chapters. After an introduction which outlines the contents of the poem and tells the story of its rediscovery, chapter 1, “The Initial Reception (1884–1935),” takes us from Leonidas Le Cenci Hamilton’s Ishtar and Izdubar of 1884 via the “Babel and Bible” controversy of the early twentieth century to the predominantly German reception prior to World War II. Several major figures make an appearance here, including Freud, Jung, Rilke, Hesse, Mann, Döblin, Canetti, and Pannwitz. Chapter 2, “Representative Beginnings (1941–1958),” takes up the thread of German engagement with the towering achievements of Hermann Kasack’s Die Stadt hinter dem Strom (61–64) and, especially, Hans Henny Jahnn’s Fluß ohne Ufer (67–74), an enigmatic re-imagining of the Gilgamesh story on a scale that deserves a monograph study of its own. Elsewhere, the reception of Gilgamesh continues with “four poets in English” (Lucas and Bridson in Britain; Olson and Corso in the United States; 48–59) and with the first musical settings, among them Martinů’s oratorio The Epic of Gilgamesh (75–77). Chapter 3, “The Popularization of Gilgamesh (1959–1978),” surveys new translations into the major European languages (79–80), and with them a range of popular responses. Ziolkowski notes a surge in adaptations for children, as well as other initiatives aimed at a wider public (81–82). It is against this background, he argues, that we need to see more ambitious experiments in musical and literary reception, including Per Nørgård’s opera Gilgamesh (105–7); Louis Zukofsky’s “canto 23” (which forms part of his larger poetic cycle entitled “A,” 85–88); Stanisław Lem’s review of an imaginary Gilgamesh adaptation in his A Perfect Vacuum (Doskonała Próżnia, 97–99); and the “fictional exuberances” of John Gardner’s The Sunlight Dialogues, Philip Roth’s The Great American Novel, and Rhoda Lerman’s Call Me Ishtar (99–105). Ziolkowski also draws attention to what he argues was the first overtly gay reworking of Gilgamesh, in Guido Bachmann’s novel of the same name (91–94). Chapter 4, “The Contemporization of Gilgamesh (1979–1999),” continues the theme of popularization in a political key: Ziolkowski takes us on a whistle-stop tour of late twentieth-century preoccupations, from successive crises in the Near East (109) to post-colonialism (109–10); the spread of psychoanalysis, both in a Freudian and a Jungian key (112–19); deconstruction (118–19); the rise of ecologism [End Page 669] (110, 123–35); and minority politics in the USA (135–38). Chapter 5, “Gilgamesh in the Twenty-First Century (2000–2009),” sets out to show that “Gilgamesh, who was born and flourished in the mid-third millennium b.c.e., is alive and well” (154). Ziolkowski identifies “a new focus” (167) on cultural and religious conflict in the wake of Samuel Huntington and the events of 9/11, although it must be said that the responses of Schrott and Begrich (171–78) do not fit this framework particularly well, and in practice much of the chapter seems designed to tie up loose ends. The book is equipped with a timeline of works discussed (199–205), end notes (207–20), and an index (221–26), but no bibliography.In lucid and unpretentious prose, Ziolkowski sets out what he sees as the most significant “Western” responses to the epic of Gilgamesh. He leaves the Near and Far East to “appropriately qualified scholars” (x): one hopes that others will take up the invitation, and that they will make connections with the materials explored in this book. Ziolkowski also passes over Latin America and the Caribbean—perhaps he felt there was nothing to say (for a possible starting point, see C... (shrink)

In 1815, two benevolent organizations commenced operation in Antigua, the Female Refuge Society based in English Harbour and the Distressed Females’ Friend Society based in St John's. The driving force behind the establishment of the Female Refuge Society, on which the Distressed Females’ Friend Society was modelled, was Anne Hart Gilbert (1768–1834), the earliest known published African-Caribbean woman writer, the agent of the Female Refuge Society. The organizations were run on principle by women and the executive committees were (...) multi-racial. They accepted female subscribers only, but donations from women and men. For Gilbert, an affective poetics of life story and writing is crucial to the formation of an ethical community that she situates as an emerging and modernizing counter-culture to plantation slavery. Her civic ethic of caring centres on development and engagement of the ‘finer sensibilities’ in creating ‘bands of amity and love that are the ornament and glory of our nature’ (Female Refuge Society, 1822: 12). The annual reports of the Female Refuge Society had a profound impact on the direction of female anti-slavery activism in Britain. In this essay, I analyse the inscription of affect in extant letters, annual reports and published material about the work of the Female Refuge Society and Distressed Females’ Friend Society. I am interested in how the women in the Creole organizations and their male supporters represent their affective relations to the objects of their benevolence and appeals for funding, and how these relations are racialized, gendered and classed in the grounding of activism. I draw out the local and British affective reception of these relations. In the field of affect studies, the essay might be compared with projects that address ‘the cultural and historical contingency of emotions, and … emotions and emotion cultures as contingent technologies of subjects’ (Koivunen, 2010: 19). (shrink)

An emerging view of science rejects an infallible observational given and takes consensus as the starting point for confirmation. Theory and Observation are seen as mutually correcting. I argue that the same is true of ethics, such as Rawls' "reflective equilibrium." Though epistemologically similar, their truth conditions may differ. Ethics may be reducible to physics; but even if it is not, that does not imply that it has no truth conditions. The options for truth in ethics are the same as (...) those of other abstract fields such as mathematics. (shrink)

In What We Say, Who We Are, Parker English explores the commonality between Leopold Senghor's concept of "negritude" and Zora Neale Hurston's view of "Negro expression." For English, these two concepts emphasize that a person's view of herself is above all dictated by the way in which she talks about herself. Focusing on "performism," English discusses the presentational/representational and externalistic/internalistic facets of this concept and how they relate to the ideas of Senghor and Hurston.

Hard direction, e.g.: Universalese to Organicese. Suggestion: ‘Some chairs wobble’ should become something like ‘If composition were universal, some chairs wobble’ or ‘Assuming that composition is universal, some chairs wobble’ or ‘According to the fiction that composition is universal, some chairs wobble’.

v. 1. The scientific basis for reading character ...

From philosophy to theology -- Structure -- Mystery -- Power.