Topics include sources of schematic effects on memory; the M. Ross and M. Conway model; E. R. Hirt's model of reconstructive memory; and moderators of the relative weighting of expectancy vs memory trace.

The ethical theories employed in health care today assume, in the main, a modern Western philosophical framework. Yet the diversity of cultural and religious assumptions regarding human nature, health and illness, life and death, and the status of the individual suggest that a cross-cultural study of health care ethics is needed. A Cross-Cultural Dialogue on Health Care Ethics provides this study. It shows that ethical questions can be resolved by examining the ethical principles present in each culture, critically assessing each (...) value, and identifying common values found within all traditions, It encourages the development of global awareness and sensitivity to and respect for the diversity of peoples and their values and will advance understanding as well as help to foster a greater balance and a fuller truth in consideration of the human condition and what makes for health and wholeness. (shrink)

This book takes apart and problematises the whole process of identifying and explaining the patterning of words in sentences. It brings together two concepts - syntax and text - that are normally treated separately, and shows how they can best be understood in relation to each other. Part 1, Processing the text, concentrates on getting texts ready for syntactic analysis. Since the data needs to be mediated through the processing of the text, the nature of that processing and its effects (...) on subsequent analysis need to be made explicit. Part 2, Analysing the clause, introduces the relevant syntactic phenomena and the sorts of concepts normally used to explain them. It shows how many of the assumptions of traditional syntactic analysis derive from the languages which form the basis of the European tradition, and that different languages require the so-called basic categories of syntactic analysis to be rethought. Part 3, Theorising syntax, sketches the range of syntactic theories available for the consumer. It gives a sense of developments in the field over the last 50 years not just in terms of the usual schools, but by picking up on concepts such as the key complementarity between syntagmatic and paradigmatic to characterise the emphases and biases of different theories. (shrink)

The paper develops an attack on quasi-realism in ethics, according to which expressivism about ethical discourse—understood as the thesis that the states that discourse expresses are non-representational—is consistent with some of the discourse's familiar surface features, thus ‘saving the ethical appearances’. A dilemma is posed for the quasi-realist. Either ethical discourse appears, thanks to those surface features, to express representational states, or else there is no such thing as its appearing to express such states. If the former then, by expressivism, (...) the appearance presented by ethical discourse is false, so the ethical appearances are not saved. If the latter, it is unintelligible why an appeal to projection should be needed to explain how the surface features come to express non-representational states if no explanation is needed—as evidently none is—to explain how they come to express representational states. The conclusion of this argument is then argued to converge with some other considerations which show that there is no gap between ethical discourse's possessing the surface features in question and its expressing representational states. (shrink)

The method of strong inference, wherein multiple hypotheses are constructed and a crucial experiment is carried out, is said to have special status in science because it guarantees falsifying results. However, the proposition that strong inference is in any way superior to the method of constructing and testing a single hypothesis is contradicted both by close rational analysis and by the empirical evidence. An experiment is reviewed in which subjects who conduct strong tests are much less likely to discover or (...) approximate the truth than subjects who conduct simple tests of a false hypothesis. It is concluded that a potential to falsify is necessary for a test to have corroborative value; however, arguments as to the general superiority of one type of potentially falsifying test over another have no logical basis. Any claim as to a general superiority of strong tests over simple tests would require access to information about the probability of each strategy to produce various relationships between the truth and whatever explanations are most accessible, and such information is not knowable, even in principle. (shrink)

Les recueils des « lois sacrées » effectué par Sokolowski et Lupu sont incontestablement un instrument de travail de premier rang pour l’étude de la religion grecque. Pourtant, les documents dans ces recueils ne sont pas classés sur des critères juridiques. La présente étude vise à proposer une classification de documents en question conformément aux autorités qui les ont émis : conseils fédéraux en charge de sanctuaires panhelléniques, cités, subdivisions du corps civique (dèmes, tribus), associations privées (phratries, génè, orgéônes) et (...) donations à des autorités publiques ou à des associations privées. Il s’intéresse également aux différents moyens de faire respecter les normes concernant les pratiques religieuses, et analyse la signification de l’expression ta patria et sa relation avec les différents niveaux d’autorité religieuse. (shrink)

In a recent book, K. Lambert argues that philosophers should adopt Mally's Principle of Independence (the principle that an object can have properties even though it lacks being of any kind) by abandoning a constraint on true predications, namely, that all of the singular terms in a true predication denote objects which have being. The constraint may be abandoned either by supposing there is a true predication in which one of the terms denotes a beingless object (Meinong) or by supposing (...) there is a true predication in which one of the terms denotes nothing at all (free logic). However, Lambert's conclusions can be undermined by showing that the data he produces in support of his position can be explained by either of two recent theories of abstract and nonexistent objects, both of which are couched in languages which conform to the traditional constraint. (shrink)

Cette étude examine cinq principaux changements de méthodologie qui se trouvent dans cinq documents-clé de Vatican II, afin de discerner à quel point ces documents sont cohérents avec ou différents des principales caractéristiques de méthodologie de la période du concile. L'article commence par une introduction à trois approches théologiques en voque dans les écrits catholiques romains au temps du concile: néo-scolastique, transcendantalisme et correlationisme. La conscience historique est aussi examinée comme une note importante de méthode théologique. L'article examine ensuite Sacrosanctum (...) Concilium, Lumen Gentium, Dei Verbum, Dignitatis Huamnae et Gaudium et Spes en vue de ces données. L'étude identifie six changements méthodologiques notoires dans les documents: la mise en sourdine de la néo-scolastique du 19e siècle, la transformation de la néo-scolastique grâce aux ressources bibliques, la montée de questions centrales à la méthode transcendentale, des essais tardifs mais importants de raisonnement transcendental, une corrélation toujours croissante de mode confessionel, une conscience historique en développement. En conclusion, les A. affirment une évolution méthodologique dans Vatican II qui pourrait valider une évolution continue de la méthode théologique aujourd'hui. (shrink)

Accounts of theistic faith according to which it does not involve referring to or believing in God as existing independently of the life of faith are instances of theistic reductionism. Theistic reductionism, in holding that ‘God’ does not refer to reality outside the life of believers, holds thereby that theism is not rightly to be regarded as true or false. Such accounts may be proposed or used as defenses of theistic faith. They ‘defend’ faith insofar as they describe the form (...) of life faith involves and show that the human and cultural functions it performs are valuable. Examining several reductionist accounts, ordered from weaker to stronger, I argue that they fail as defenses of theistic life and language. Whereas the reductionist views claim to leave the practice of theism as it is, I argue that in fact they imply a different form of life from the one theism actually is. Thus reductionist defenses of religious practice fail and fail precisely where they insist on treating God in some way other than as existing outside of religious life. From this I infer that theism as it exists can only be defended in ways that include taking ‘God’ as referring to a God who is real outside the life which recognizes him. The religious reductionists discussed include R.B. Braithwaite, P.F. Schmidt, Paul Holmer, Paul van Buren, Gordon Kaufman, and D.Z. Phillips. (shrink)

It is commonly thought that w v quine's indeterminacy thesis can be devastatingly undercut by a straightforward survey of the details of one's own linguistic capabilities. However, Because any such survey must depend upon a repudiation of the quinean doctrines used to generate his thesis, Objections based upon introspective evidence remain question begging without a critique of those more central doctrines. Since such a critique would be sufficient in itself to undermine quine's thesis, Objections based upon introspective gleanings must be (...) abandoned as either question begging or superfluous. (shrink)

This article and checklist present the contents of the Spencer Album of Marcantonio Raimondi prints, long considered to be lost. By examining its composition and tracing its provenance from the Spencer collection at Althorp House to the John Rylands Library, Manchester, we offer new insight into how attitudes toward Marcantonio Raimondi‘s work evolved during the eighteenth and nineteenth centuries, particularly in Great Britain. Our article also explores Victorian collecting practices and the importance of the graphic arts for Mrs Rylands‘s vision (...) for the Library to be dedicated to her late husband‘s memory. (shrink)

McClennen addresses a fundamental dilemma facing the claim that it is rational to be guided by rules. Either the practical verdict issued by a rule is the same as that favored by the balance of reasons, in which case the rule is redundant or the verdicts differ, in which case the rule should be abandoned. McClennen argues that we can resolve this dilemma by revising our account of practical reasoning to accord with the prescriptions of a resolute choice model. Agents (...) in societies in which people resolutely follow, for example, a rule to keep their commitments to return favors fare better than agents in societies that lack a commitment mechanism or in which costs are incurred to enforce it. (shrink)

Nick Dyer-Witheford and Greig de Peuter. Games of Empire: Global Capitalism and Video Games . Minneapolis: University of Minnesota Press. 2009. 320pp. pbk. $19.95 ISBN-13: 978-0816666119. In Games of Empire , Nick Dyer-Witheford and Greig de Peuter expand an earlier study of “the video game industry as an aspect of an emerging postindustrial, post-Fordist capitalism” (xxix) to argue that videogames are “exemplary media of Empire” (xxix). Their notion of “Empire” is based on Michael Hardt and Antonio Negri’s Empire (2000), which (...) characterizes the contemporary world order as a decentralized system of global economic, political, and economic power that transcends national boundaries. In the view of the authors, Hardt and Negri’s account sets itself apart from other analyses of international politics by offering a “comprehensive account of conditions of work, forms of subjectivity, and types of struggle in contemporary capital” (xx). Dyer-Witheford and de Peuter thus divide Games of Empire into three sections to reflect each of these aspects of Empire ’s argument, seeing their work as the first account to explore “virtual games within a system of global ownership, privatized property, coercive class relations, military operations, and radical struggle” (xxix). Books in the University of Minnesota Press’s Electronic Mediations series “explore the humanistic and social implications” of new technologies that spark “significant changes in society and culture, politics and economics, thinking and being.” That’s an abstract goal, and one that Games of Empire surely meets. Yet at times it can be difficult to understand exactly which specific intervention this book seeks to make. It is unclear whether the authors of Games of Empire see their work as an indictment of game scholars’ lack of attention to political economy, or whether it’s a work of political theory hoping to show that other disciplines should be paying more attention to the production and play of videogames. Because Dyer-Witheford and de Peuter don’t directly criticize previous political critiques of gaming—such as Edward Castronova’s exploration of the “porous membrane” allowing two-way traffic between virtual economies and those of the real world, or Alexander Galloway’s unraveling of control protocols in algorithmic design, or Ian Bogost’s idea of political procedural rhetoric—they sometimes leave the reader wondering how to situate the book in the broader discourse on games and politics, either separately or together. Thus, Games of Empire might best be seen as an introduction to the writings of Hardt and Negri for game players and designers, rather than as a text for communicating the basic concepts of game studies and design. It is neither a truly new theory of games or digital media, nor is it a new theory of Empire—and that’s not a criticism. It is instead an introduction to Empire through popular culture, as Zizek does for Lacan in Looking Awry . If one were teaching an introductory course on contemporary political theory, this book would offer obvious inroads into Negri and Hardt’s thinking for a number of reasons. Despite its radical ideological bent, the book isn’t off-putting to readers who don’t necessarily share the authors’ politics. It synthesizes complex ideas from difficult thinkers like Marx, Foucault, and Guattari while integrating modifications and critiques of Empire theory itself. And although the book is dense, sometimes feeling longer than it actually is (just over 200 pages), Games of Empire maintains a breezy readability by tightly coupling core concepts of Empire theory to well-known games and widely-publicized conflicts within the videogame industry. The first section of the book focuses on immaterial labor, the accumulation of “cognitive capital,” and the global process of manufacturing videogame consoles. It is significant for the authors that videogames began as hacker experiments within research institutes of the military industrial complex, programmed on stolen time, before becoming a commodity (7). This is the first in a string of examples showing how creative dissidence and conflict fuel the continuing evolution of Empire’s control. Dyer-Witheford and de Peuter explain that the videogame industry now constitutes an international production apparatus dominating both creative work in developed nations and manual labor in developing ones. Because game industries in the United States, Western Europe, and Japan are predominately non-unionized, they serve as an exemplary system for analyzing how global capital exploits contemporary intellectual work—including an excellent analysis of the “EA Spouse” scandal of 2004. On the side of the consumer, the authors argue that rabid “console races” that drive the industry forward from a technological perspective serve to structure gamer identity and combat piracy; later in the book, these machines offer a window into the worlds of Congolese coltan mining and electronic waste (222-224). In the second section, Dyer-Witheford and de Peuter move on to deep case studies of individual games to show how the most popular game genres embed imperial assumptions about conflict, exchange, and urban life. First they argue that military training games such as Full Spectrum Warrior —co-developed by university researchers, industry developers, and military contractors—contribute to the “banalization” of war, a subjective state wherein perpetual preparedness for war is accepted as a part of everyday life (100). Chapter five covers Michel Foucalt’s notion of “biopower,” the extension of capital accumulation to life itself. The authors argue that virtual worlds such as World of Warcraft , which take market capitalism as a given and force players into essentialist roles and racial antagonisms, are organized to maximize control and profit (often on the backs of virtual currency “farmers” in China and southeast Asia). Finally, they criticize the naïve assumption that humor and cynicism in the popular sandbox game franchise Grand Theft Auto offer any remedy to its racialized, violent content. Instead, such games indulge and normalize the fantasy of getting rich at any cost by keeping the realities of contemporary urban life and corporate greed at a safe distance (181). Part three of Games of Empire focuses on “games of multitude,” a preliminary attempt to escape from Empire’s order through alternate modes of videogame development and play. Multitude is defined dialectically, as “the engine and the enemy” of Empire (187). This is the most important, yet also most contradictory section of the text. It lays bare the process by which Empire and its media feed our creative and intellectual development to overabundance. At a certain point, the force of the multitude reaches such a level that it threatens the stability of Empire; however, instead of following Hardt and Negri’s utopian assumptions about the radical potential of the multitude, the authors here follow Paolo Virno’s warning that Empire is “very good at adopting apparently iconoclastic practices and utopian ideas as management techniques and revenue sources” (188). At every turn, advances in player configurative power provide new sources of revenue and advertising angles for the game industry. A disappointing shortcoming of these latter pages is the lack of truly new examples for radical resistance within game development. Instead, it turns out that the radical left seems satisfied with the same mild successes that the left-of-center also has celebrated: artist’s mods, virtual world activism, and critical counterplay within strategy- and wargames. Having been frequently cited by many authors before Dyer-Witheford and de Peuter, this idea of subversion or resistance through play feels tired and unpersuasive. It is unclear if the authors believe it is possible to embrace game design itself as a way of pursuing what they call “exodus” from Empire, or if an all-too-fashionable subversion is the only workable strategy. While the book does explore how the earliest independent game studios were eventually subverted and incorporated into the game industry proper, it doesn’t affirm or critique more recent non-commercial, DIY game development projects such as Klik-of-the-Month Club and Ludum Dare. Dyer-Witheford and de Peuter’s analysis of so-called “tactical games,” including the editorial works of La Molleindustria, leads to an even more ambivalent take on the contemporary design ecology. At the conclusion of his essay on “Countergaming,” Galloway asserts that avant-garde videogame artists “should create new grammars of action […] should create alternative algorithms” (Galloway 125). Yet Dyer-Witheford and de Peuter characterize works such as McDonald’s Video Game and Oiligarchy as didactic, suggesting that the role of radical political games might be “limited to that of agitprop” (199). They are concerned that games like those of Molleindustria rigidly structure the activities of their players in order to prove a point. Yet, despite their repeated assertion that the equation of greater interactivity with democratic digital liberation is flawed, the authors see potential in policy simulators that “allow players to edit or tweak” (202) their parameters in response to what Bogost has called simulation fever , the simultaneous drive toward and fear of simulation (Bogost 108). The possibility of practicing radical design is bucked, and early attempts at critical game development like those of Molleindustria’s seem to be relegated to the status of exceptions that prove the rule for player-centered exodus. Overall, there is one glaring question Games of Empire leaves unanswered: how exactly are videogames the “exemplary media” of Empire, and what are the implications of videogames being exemplary in this way? Presumably Dyer-Witheford and de Peuter want to avoid essentialist claims, so they’re not keen on following Wark’s desire to mark “the game’s difference from [legacy media] as something that speaks to changes in the overall structure of social and technical relations” (Wark 225). It is also unclear how the production apparatuses, labor standards, and subjectivizing processes involved in the creation and use of other any other kind of digital media would fail to justify their equally exemplary status. Even the book’s concluding paragraph holds that virtual games “are one molecular component of this undecidable collective mutation” (Dyer-Witheford and de Peuter 229) of intellect, labor, and daily life. In the end, the authors seem to back away from their focus on games as exemplary to bring their work in line with broader theories of the gradual digitization of the everyday, in line with Galloway and Manovich. Despite these flaws, there is an undeniable elegance to Games of Empire ’s contrasting of gaming’s overwhelmingly imperial content with its multitudinous form . And its ambivalence about the potential of independent or political game development might be seen by scholars of Empire as a strength rather than a weakness, an acceptance that every new expression of multitude offers another opportunity for the expansion of Empire. The book also functions as a strong, all-encompassing call to greater responsibility on the part of mainstream game developers to be more conscious of the ideologies they embed in their work, of the way their intellectual property is used and manipulated by those who employ them, and of the material impact their industry has on the world at large. For players it offers a toolbox of concepts for radical examinations of their own play activities, asking them to be more cognizant of the consequences of their consumption of digital media and the ways in which their virtual lives interface with the real. REFERENCES Bogost, Ian. Unit Operations: An Approach to Videogame Criticism . Cambridge, Mass.: MIT Press, 2006. Castranova, Edward. Synthetic Worlds: The Business and Culture of Online Games . Chicago, Illinois: University of Chicago Press, 2006. Dyer-Witheford, Nick and de Peuter, Greig. Games of Empire: Global Capitalism and Video Games . Minneapolis, Minnesota: University of Minnesota Press, 2009. Galloway, Alexander. Gaming: Essays on Algorithmic Culture . Minneapolis, Minnesota: University of Minnesota Press, 2006). Wark, McKenzie. Gamer Theory . Cambridge, Mass.: Harvard University Press, 2007. (shrink)

"Pioneers of Evolution" is a 1896 treatise by English Edward Clodd within which he explores the early proponents of evolution and the scientific answers to the origin of humankind. Looking at the world of such notable figures as Charles Darwin and Gerbert Spencer, this fascinating volume is not to be missed by those with an interest in evolution and the history of related ideas. Contents include: "Pioneers of Evolution From Thales to Lucretius," "The Arrest of Enquiry," "From the Early (...) Christian Period to the Time of Augustine," "From Augustine to Bacon," "The Renascence of Science," "Modern Evolution," "Darwinism and Wallace," "Herbert Spencer," "Thomas Henry Huxley," etc. Edward Clodd (1840 - 1930) was an English writer, banker, and anthropologist famous for his various and notable literary and scientific friends, including the likes of Edward Fitzgerald, Samuel Butler, Andrew Lang, and others. Other notable works by author include: "The Childhood of the World" (1872), "Jesus of Nazareth" (1880), and "Nature Studies" (1882). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author. (shrink)

Government can control conflicts of interest in business firms by either issuing obligatory commands to behave in a specified way or by creating incentives to alter private behavior. In order to choose between these two approaches, we also need to know something about the nature of the subject firms and the way that they are likely to respond to particular stimuli. Legislators and legal scholars often rely on intuition to predict the behavior of firms, but this will not suffice for (...) such a complex situation. Fortunately, there is a well-developed body of scholarship that addresses organizational behavior; unfortunately, like many bodies of scholarship, it contains rival and conflicting approaches. This article discusses four of these approaches to organizational behavior: the nexus of contracts theory, an application of rational choice theory to corporations; decision theory; general systems theory and its recent autopoetic variants; and new institutionalism. It then uses each of these approaches to predict the way that firms will respond to obligatory commands and behavior incentives. The specific cases it discusses are the U.S. Sentencing Commission’s Organizational Sentencing Guidelines, the Sarbanes-Oxley Act, and contemporary compliance theory’s idea of reasonable, responsive, or cooperative enforcement. (shrink)

Morality is not declining in the modern world. Instead, a new morality is replacing the previous one. Centered on individual self-fulfillment, and linked to administrative government, it permits things the old morality forbid, like sex for pleasure, but forbids things the old morality allowed, like intolerance and equality of opportunity.

Museums influence society’s ideas about canons in relation to art and the aesthetic. Such canons, as represented in museum exhibitions and collections, have sometimes been criticized for exclusion of artists from some groups. These artists include members of racial minorities, women, and others. It may be objected that there is a danger in some such criticism. Group membership might, it may be said, come to matter too much in choices by museums, rather than what should matter, producing and appreciating work (...) of the highest artistic or aesthetic value. (shrink)