Results for 'Eaton Muelder'

317 found
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  1. Interview with Marcia Eaton.Marcia Muelder Eaton & Clarke A. Chambers - unknown
    Clarke A. Chambers interviews Marcia Eaton, professor in the Department of Philosophy.
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  2.  41
    Aesthetics and Ethics: Essays at the Intersection.Marcia Muelder Eaton - 2000 - Journal of Aesthetics and Art Criticism 58 (1):73-74.
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  3. The Social Construction of Aesthetic Response.Marcia Muelder Eaton - 1995 - British Journal of Aesthetics 35 (2):95-95.
  4. Fact and fiction in the aesthetic appreciation of nature.Marcia Muelder Eaton - 1998 - Journal of Aesthetics and Art Criticism 56 (2):149-156.
  5.  77
    Intention, supervenience, and aesthetic realism.Marcia Muelder Eaton - 1998 - British Journal of Aesthetics 38 (3):279-293.
  6.  13
    Intention, Supervenience, And Aesthetic Realism.Eaton Muelder - 1998 - British Journal of Aesthetics 38 (3):279-293.
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  7. (1 other version)Merit, Aesthetic and Ethical.Marcia Muelder Eaton - 2002 - Philosophical Quarterly 52 (208):425-428.
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  8.  52
    After the End of Art: Contemporary Art and the Pale of History.Marcia Muelder Eaton - 1998 - Journal of Aesthetics and Art Criticism 56 (3):309-311.
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  9.  28
    The Boundaries of Art.Marcia Muelder Eaton - 1994 - Journal of Aesthetics and Art Criticism 52 (2):245-247.
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  10. 156 part one: The multidisciplinary context of environmental ethics.Marcia Muelder Eaton, Robert Elliot, Gerry Ellis, Karen Kane & Natural Aesthetics - 2003 - Environmental Ethics: Divergence and Convergence 35 (4):155.
     
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  11. (1 other version)The role of art in sustaining communities.Marcia Muelder Eaton - 2002 - In Philip Alperson (ed.), Diversity and Community: An Interdisciplinary Reader. Malden, MA: Wiley-Blackwell.
     
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  12.  26
    The Nature of Fiction.Marcia Muelder Eaton - 1992 - Journal of Aesthetics and Art Criticism 50 (1):67-68.
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  13.  11
    Art and Nonart: Reflections on an Orange Crate and a Moose Call.Marcia Muelder Eaton - 1983
    In this contemporary approach to aesthetics, Marcia Eaton presents a theory that provides a method of dealing with skepticism regarding the possibility of distinguishing art from non-art.
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  14.  75
    A Sustainable Definition of “Art”.Marcia Muelder Eaton - unknown
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  15.  74
    Basic issues in aesthetics.Marcia Muelder Eaton - 1987 - Belmont, Calif.: Wadsworth Pub. Co..
    The aesthetic is an important part of human experience. Our responses to music or mountains are not merely leisure time activities; they give meaning to life. Philosophical aesthetics attracts people from different areas of interest including philosophy, art history, music, and theater. In this concise, well-written book, Eaton clearly speaks to readers of varied backgrounds, bringing this mixed audience to a point where they can share their special insights with one another. Presented so that even complex issues in aesthetics (...)
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  16.  92
    Response to Robert Fudge.Marcia Muelder Eaton - 2003 - Journal of Aesthetics and Art Criticism 61 (1):70-71.
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  17.  34
    Ethics, Evil, and Fiction.Marcia Muelder Eaton - 1997 - Journal of Aesthetics and Art Criticism 56 (4):414-415.
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  18. Dangerous Beauties.Marcia Muelder Eaton - 2000 - Philosophic Exchange 30 (1).
    In this paper I argue that many sound ecological practices have a chance of success only if we follow sound aesthetic practices. If we want to produce and maintain sustainable landscapes, we must work to connect aesthetic preferences to what is ecologically sound. We must work against what I shall call “dangerous beauties.”.
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  19. Locating the aesthetic.Marcia Muelder Eaton - 1998 - In Carolyn Korsmeyer (ed.), Aesthetics: The Big Questions. Malden, Mass.: Wiley-Blackwell.
     
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  20. Merit, aesthetic and ethical.Marcia Muelder Eaton - 2001 - New York: Oxford University Press.
    To "look good" and to "be good" have traditionally been considered two very different notions. Indeed, philosophers have seen aesthetic and ethical values as fundamentally separate. Now, at the crossroads of a new wave of aesthetic theory, Marcia Muelder Eaton introduces this groundbreaking work, in which a bold new concept of merit where being good and looking good are integrated into one.
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  21. Aesthetic obligations.Marcia Muelder Eaton - 2008 - Journal of Aesthetics and Art Criticism 66 (1):1–9.
  22. Integrating the aesthetic and the moral.Marcia Muelder Eaton - 1992 - Philosophical Studies 67 (3):219 - 240.
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  23.  56
    Aesthetics and the Good Life.Marcia Muelder Eaton - 1991 - Journal of Aesthetics and Art Criticism 49 (2):175-177.
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  24. Aesthetics: The mother of ethics?Marcia Muelder Eaton - 1997 - Journal of Aesthetics and Art Criticism 55 (4):355-364.
  25.  35
    Anthony Powell and the Aesthetic Life.Marcia Muelder Eaton - 1985 - Philosophy and Literature 9 (2):166-183.
    In lieu of an abstract, here is a brief excerpt of the content:Marcia Muelder Eaton ANTHONY POWELL AND THE AESTHETIC LIFE Anthony POWELL'S work has been looked at carefully by relatively few critical scholars, in spite of the fact that he has been called "the most elegant writer presently working in the English language." ' I am surprised at how little he is read — at least in the United States. He is a splendid writer, often entertaining, always (...)
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  26.  28
    Art and the aesthetic.Marcia Muelder Eaton - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Malden, MA: Wiley-Blackwell. pp. 63–77.
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  27.  79
    (1 other version)Good and correct interpretations of literature.Marcia Muelder Eaton - 1970 - Journal of Aesthetics and Art Criticism 29 (2):227-233.
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  28. (1 other version)Kantian and contextual beauty.Marcia Muelder Eaton - 1999 - Journal of Aesthetics and Art Criticism 57 (1):11-15.
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  29. Aesthetic pleasure and pain.Marcia Muelder Eaton - 1973 - Journal of Aesthetics and Art Criticism 31 (4):481-485.
  30.  41
    Discussion.Robert Fudge & Marcia Muelder Eaton - 2003 - Journal of Aesthetics and Art Criticism 61 (1):67–71.
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  31.  27
    Aesthetic Experience: Its Revival and Its Relevance to Aesthetic Education.Marcia Muelder Eaton & Ronald Moore - 2002 - The Journal of Aesthetic Education 36 (2):9.
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  32.  23
    Context, Criticism, and Art Education: Putting Meaning into the Life of Sisyphus.Marcia Muelder Eaton - 1990 - The Journal of Aesthetic Education 24 (1):97.
  33.  20
    Aesthetic Quality and Aesthetic Experience.Marcia Muelder Eaton - 1991 - Journal of Aesthetic Education 25 (4):143.
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  34.  18
    Philosophical Aesthetics: A Way of Knowing and Its Limits.Marcia Muelder Eaton - 1994 - The Journal of Aesthetic Education 28 (3):19.
  35.  37
    Reply to Symposiasts.Marcia Muelder Eaton - 1995 - The Journal of Aesthetic Education 29 (2):29.
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  36.  40
    The mother metaphor.Marcia Muelder Eaton - 1999 - Journal of Aesthetics and Art Criticism 57 (3):365-366.
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  37.  56
    About Beauty. [REVIEW]Marcia Muelder Eaton - 1986 - Idealistic Studies 16 (2):173-173.
    Armand A. Maurer begins by pointing out that for St. Thomas Aquinas beauty, like truth and goodness, is one of the primary transcendental modes of being. But unlike truth and goodness, beauty is actually discussed very little by him. Remarks on it are scattered throughout his works. Maurer wants to show that, “A careful reading of his comments on beauty reveal that, in his view, beauty, no less than truth and goodness, is ultimately grounded, not on the forms or essences (...)
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  38.  16
    Eaton, Marcia Muelder. Aesthetics and The Good Life.David Novitz - 1991 - Journal of Aesthetics and Art Criticism 49 (2):175-176.
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  39. "Aesthetics and the Good Life": Marcia Muelder Eaton[REVIEW]K. Jones - 1990 - British Journal of Aesthetics 30 (4):368.
     
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  40. "Art and Non-Art: Reflections on an Orange Crate and a Moose Call": Marcia Muelder Eaton[REVIEW]Graham Mcfee - 1984 - British Journal of Aesthetics 24 (4):372.
     
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  41.  52
    Furthering Interpretivism’s Integrity: Bringing Together Ethics and Aesthetics.Cesar R. Torres - 2012 - Journal of the Philosophy of Sport 39 (2):299-319.
    One important limitation of the current renditions of interpretivism is that its emphasis on the moral dimension of sport has overlooked the aesthetic dimension lying at the core of this account of sport. The interpretivist’s failure to acknowledge and consider the aesthetic implicitly distances this realm from the moral. Marcia Muelder Eaton calls this distancing the separatist mistake. This paper argues that interpretivism presupposes not only moral but also aesthetic principles and values. What it sets out to demonstrate (...)
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  42. (1 other version)Aesthetic Supererogation.Alfred Archer & Lauren Ware - 2017 - Estetika: The European Journal of Aesthetics 54 (1):102-116.
    Many aestheticians and ethicists are interested in the similarities and connections between aesthetics and ethics (Nussbaum 1990; Foot 2002; Gaut 2007). One way in which some have suggested the two domains are different is that in ethics there exist obligations while in aesthetics there do not (Hampshire 1954). However, Marcia Muelder Eaton has argued that there is good reason to think that aesthetic obligations do exist (Eaton 2008). We will explore the nature of these obligations by asking (...)
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  43. Symposium: Beauty Matters.Peg Zeglin Brand - 1999 - Journal of Aesthetics and Art Criticism 57 (1):1-10.
    The "Introduction" to "Symposium: Beauty Matters" in the Journal of Aesthetics and Art Criticism, Vol. 57, No. 1 (Winter 1999), pages 1-10, is presented here. Abstract: The point of this symposium is to locate one trajectory of the new wave of discussions about beauty beyond the customary confines of analytic aesthetics and to situate it at the intersection of aesthetics, ethics, social-political philosophy, and cultural criticism. The three essays that follow, authored by Marcia Muelder Eaton, Paul C. Taylor, (...)
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  44.  15
    The Deliberative Practices of Aesthetic Experience.Ki Joo Choi - 2009 - Journal of the Society of Christian Ethics 29 (1):193-218.
    THIS ESSAY PROPOSES A CONCEPTION OF THE RELATIONSHIP BETWEEN art and ethics that moves away from popular causative understandings. Turning to select themes treated in the work of the literary theorist Elaine Scarry, the moral and aesthetical theology of Jonathan Edwards, and finally the philosophical reflections of Marcia Muelder Eaton, a more positive theoretical account of the moral relevance of art and various aesthetic experiences emerge. Central to this account is the observation that art objects, specifically those objects (...)
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  45.  14
    Communitarian ethics: later writings of Walter G. Muelder.Walter George Muelder - 2007 - North Berwick, ME: Preachers Aid Society of New England / BW Press. Edited by J. Philip Wogaman.
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  46. Artifacts and Their Functions.A. W. Eaton - 2020 - In Ivan Gaskell & Sarah Anne Carter (eds.), The Oxford Handbook of History and Material Culture. Oxford University Press.
    How do artifacts get their functions? It is typically thought that an artifact’s function depends on its maker’s intentions. This chapter argues that this common understanding is fatally flawed. Nor can artifact function be understood in terms of current uses or capacities. Instead, it proposes that we understand artifact function on the etiological model that Ruth Millikan and others have proposed for the biological realm. This model offers a robustly normative conception of function, but it does so naturalistically by employing (...)
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  47. Where Ethics and Aesthetics Meet: Titian's Rape of Europa.A. W. Eaton - 2003 - Hypatia 18 (4):159 - 188.
    Titian's Rape of Europa is highly praised for its luminous colors and sensual textures. But the painting has an overlooked dark side, namely that it eroticizes rape. I argue that this is an ethical defect that diminishes the painting aesthetically. This argument-that an artwork can be worse off qua work of art precisely because it is somehow ethically problematic-demonstrates that feminist concerns about art can play a legitimate role in art criticism and aesthetic appreciation.
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  48.  14
    Ethics and the business of bioscience.Margaret L. Eaton - 2004 - Stanford, Calif.: Stanford Business Books.
    Businesses that produce bioscience products—gene tests and therapies, pharmaceuticals, vaccines, and medical devices—are regularly confronted with ethical issues concerning these technologies. Conflicts exist between those who support advancements in bioscience and those who fear the consequences of unfettered scientific license. As the debate surrounding bioscience grows, it will be increasingly important for business managers to consider the larger consequences of their work. This groundbreaking book follows industry research, development, and marketing of medical and bioscience products across a variety of fields, (...)
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  49. Taste in Bodies and Fat Oppression.A. W. Eaton - 2016 - In Sherri Irvin (ed.), Body Aesthetics. Oxford, GB: Oxford University Press.
  50. Intention, supervenience, and aesthetic realism.E. Marcia Muelder - 1998 - British Journal of Aesthetics 38 (3):279-293.
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