The first part of the paper examines the significance of shame values in South Asian societies and the implications of this for schools. The second section considers the common anthropological distinction and disjunction between ‘shame culture’ and guilt culture. The third section draws on the recent study of Ancient Greece by Bernard Williams. Williams suggests that the conflict between shame values and autonomy is not inevitable. In fact, shame values may have much to contribute to ethical thought, exposing weaknesses in (...) contemporary Kantian moral outlooks and contributing to fuller conceptions of personal autonomy and personal identity, thus holding, as the final section indicates, important educational implications. (shrink)

In the Doctrine of Right, Kant claims that killings motivated by the fear of disgrace should be punished less severely than other murders. I consider how Kant understands the mitigating force of such motives, and argue that Kant takes agents to have a moral right to defend their honour. Unlike other rights, however, this right of honour can only be defended personally, so that individuals remain in a 'state of nature' with regard to any such rights, regardless of their political (...) situation. According to Kant, we should be lenient in these cases because the malefactors are caught between two kinds of authentic normative demand, at a point where the proper authority of the state collides with a certain authority which individuals must claim for themselves. (shrink)

As costs decline and technology inevitably improves, current trends suggest that artificial intelligence (AI) and a variety of "carebots" will increasingly be adopted in medical care. Medical ethicists have long expressed concerns that such technologies remove the human element from medicine, resulting in dehumanization and depersonalized care. However, we argue that where shame presents a barrier to medical care, it is sometimes ethically permissible and even desirable to deploy AI/carebots because (i) dehumanization in medicine is not always morally wrong, and (...) (ii) dehumanization can sometimes better promote and protect important medical values. Shame is often a consequence of the human-to-human element of medical care and can prevent patients from seeking treatment and from disclosing important information to their healthcare provider. Conditions and treatments that are shame-inducing offer opportunities for introducing AI/carebots in a manner that removes the human element of medicine but does so ethically. We outline numerous examples of shame-inducing interactions and how they are overcome by implementing existing and expected developments of AI/carebot technology that remove the human element from care. (shrink)

This paper argues that existing accounts of shame are incomplete in so far as they don’t take account of the problem of shame. This is the problem concerning the possibility of a primary experience...

The central question addressed in this paper is about the ethics of engaging with educational development in countries perceived as undemocratic or as failing to respect human rights. More particularly, it examines the nature of the arguments that are brought to bear on this issue. It suggests that these are essentially consequentialist in character and hence fall prey to many of the limitations of such consequentialism, including the unpredictability of what will unfold, the indeterminacy of the consequences and the complex (...) balance sheet of benefits and loss that might be anticipated. The paper also suggests some unease about the way judgements of the acceptability or otherwise of political processes are made across international boundaries and the presumptions of a ‘democratic’ western perspective. The observation of these complexities of principle and fact take the argument into the territory of case-based ethical judgement and the world of casuistry. (shrink)

The United States has been waging the “War on Terror” for nearly two decades. Obscured among the more obvious costs of that war is the moral injury borne by many of the soldiers who have fought and participated in it. Unlike post-traumatic stress disorder, which is rooted in fear, moral injury is rooted in shame, shame for having committed a moral transgression, a violation of the moral code. Haunted by the memory of their misdeeds, these soldiers are plagued by all (...) manner of illness and infirmity, from anxiety and depression to substance abuse and suicide. In this article, I explore whether these soldiers have a right to forget, one that would entitle them to use pharmacological or psychological manipulation to cleanse their minds of the memory that they have dirtied their hands, and in that way relieve themselves of the anguish and torment from which they suffer. (shrink)

Till We Have Faces is a retelling of the Cupid/psyche myth with a few twists, namely, a nonstandard narrator and the inability of Psyche’s sister, Orual, to see the palace. Both innovations lead the reader to understand better the dynamics at play in Orual’s effort to disrupt Psyche’s life with her husband/god. The inability to see, on Orual’s part, at first suggests that the nature of the story is primarily epistemological. What is it that can be reasonably known or inferred? (...) Digging deeper, however, reveals that the epistemic elements are actually penultimate, and that instead the book bolsters an ethically robust epistemology. Who we are deeply affects what we can see. Before Orual could apprehend the nature of the gods, she had to be brutally honest about who she herself was. A victim of abuse who was constantly shamed for reasons beyond her control, she is a sympathetic character in several ways, but she gradually moves from being victim to victimizer, treating others as means to ends, and, in the case of Psyche, ‘loving’ her in a way that was more hate than love. Self-knowledge was needed for Orual to apprehend the truth. She comes to realize her treatment of Bardia, Batta, Redival, and especially Psyche was not as pure and altruistic as she had thought. She had to come to terms with the ugliness within herself, and her penchant for consuming others, before she could hope to see the beauty and love of the gods for what they were. (shrink)

According to John Rawls, self-respect is the most important of the primary goods and is essential for the construction of the just society. Self-respect, however, remains a concept which is inadequately theorised, being closely linked to other concepts such as dignity, shame, pride, autonomy and security. Most usually self-respect is considered to be just the self-reflection of the respect we receive from others. In this paper I argue that self-respect consists of both a self-evaluative and a social reflexive element. Using (...) Darwall’s distinction between two types of respect as a building block, I argue that it is worth considering self-respect as having three dimensions. Broadly these are human recognition, status recognition and appraisal. (shrink)

Because it focuses primarily on the sick body (disease), medicine ignores many of the concerns and needs of sick people. By listening to the stories of patients in the clinic, on the Internet, and in published book form, health care providers could gain a better understanding of the impact of disease on the person (illness), what it means to patients over and above their physical symptoms and what they might require over and above surgery or chemotherapy. Only by familiarizing themselves (...) with the entire emotional landscape of illness, which includes fear, anger, shame, guilt, and above all loneliness, can the healthy—medicine as well as society in general—hope to heal in a comprehensive manner. (shrink)

A critique of mainstream psychology's ineffectiveness, neglect of the personal and social meaning behind people's suffering, lack of diversity-mindedness, and predisposition to shame rather than understand people. It takes Dr. Phil as a representative, a straw man, for this kind of thinking. Discussing sixteen specific episodes of the Dr. Phil show, the book provides alternative perspectives on such topics as lying, judging, labeling, dieting, anger, shame, addictions, relationships, domestic violence, race, and gender.--Publisher.

According to John Rawls, self-respect is the most important of the primary goods and is essential for the construction of the just society. Self-respect, however, remains a concept which is inadequately theorised, being closely linked to other concepts such as dignity, shame, pride, autonomy and security. Most usually self-respect is considered to be just the self-reflection of the respect we receive from others. In this paper I argue that self-respect consists of both a self-evaluative and a social reflexive element. Using (...) Darwall’s distinction between two types of respect as a building block, I argue that it is worth considering self-respect as having three dimensions. Broadly these are human recognition, status recognition and appraisal. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:After the War DAVID GOMES CÁSSERES invocation: athena for PLP Grey-eyed Athena had no childhood. She stepped out of the old god’s terrible skull a grown young goddess and began her apprenticeship: running sex-driven cults among the hunters and gatherers, collecting snakes and owls, her aegis looming behind the altars, over her priestesses, prophetic crones and breathless temple prostitutes, sacrificed animals bleeding and burnt ears of grain She (...) gained a reputation: she liked clever men, not that way, no, but she did them favors, paid attention to their deeds and needs and risks and wounds and wants. Her admiration was something a clever man could count on; she would give protection, opportunities, good luck. There was a catch, of course: you had to be clever again, you had to keep impressing the grey-eyed one, and so men lasted a while but couldn’t keep it up, and fell, and well, she forgot them. She was busy. But Odysseus: He was another kind. One stratagem after another, he built up so much credit that she saved him even when he disgraced himself one time or another. (Olympus might have disapproved if they’d noticed, but she had walked far away from that rabble of archetypes, totems, fertilities, boogeymen and witch-mothers, nightwalkers, netherdwellers, sexpots and satyrs. She owned her firmament.) Odysseus was something new to her in his little flick of mortality. So when she stood alone in Penelope’s bedchamber watching the reunion, the circling dance of man and woman arion 27.2 fall 2019 step by step negotiating what they knew after so many years their carefulness like oil on water, leveling out the fresh reek of murder from the great hall below them the suitors’ teeth driven into the earthen floor Odysseus striped with their blood Penelope before her loom, many-stringed weapon of her own warfare weaving each other in that long rite of recognition: Her grey eyes saw words forming and fading unsaid As they circled in the salt red sunset Ionian air. And saw the end of her story with Odysseus; goddess and all, it took away her breath. In the end she had this much to show for her years with this clever man: He came home from the war alive, with all his teeth. 2 after the war First published as “Athena,” in Arion 21.3, Winter 2014 telemachus 1. It’s like this. I come to manhood at fourteen and my life’s just misery and shame. There’s no King in Ithaka and my mother, the Queen, is like a prisoner. All our warriors are scattered in the sea somewhere by Athena’s great storm. Our home, the palace of godlike Odysseus, is full of parasites and pirates, We live there paralyzed, taunted by those swarming men and the people who cling to them, even some of my mother’s maids, girls my age or a little older— nasty girls who know all the ways to mock and mortify a boy squirming into manhood without a father. Of course I run away, of course I go looking for wily Odysseus, the King, my father. I never find him, it’s for him to find me, later. But I did learn to tie seamen’s knots, and I have a traveler’s tale: One night I was at the house of Menelaus and Helen, drinking good wine late into the night. They sent the servants to bed, and the three of us sat in the red light of the dying fire. Menelaus, still handsome with some grey in his red hair, spoke of my father Odysseus: “Do you know what he said? He said to me, we are better than the gods; we are kings. And kings must die, as the gods cannot. He said it to me when we were striding with our swords in hand through the broken gates of Troy, and as calmly as he might say it to you.” As he spoke, Menelaus of the great war-cry was fondling the arm of his wife, Helen, for whose beauty all that blood was shed. I was sitting with the people the poets sing... (shrink)

In Losing Our Virtue: Why the Church Must Recover Its Moral Vision, theologian David Wells argues that the Church is in danger of losing its moral authority to speak to a culture whose moral fabric is torn. Although much of the Church has enjoyed success and growth over the past years, Wells laments a "hollowing out of evangelical conviction, a loss of the biblical word in its authoritative function, and an erosion of character to the point that today, no (...) discernible ethical differences are evident in behavior when those claiming to have been reborn and secularists are compared." The assurance of the Good News of the gospel has been traded for mere good feelings, truth has given way to perception, and morality has slid into personal preference. Losing Our Virtue is about the disintegrating moral culture that is contemporary society and what this disturbing loss means for the church. Wells covers the following in this bold critique: how the theologically emptied spirituality of the church is causing it to lose its moral bearings; an exploration of the wider dynamic at work in contemporary society between license and law; an exposition of the secular notion of salvation as heralded by our most trusted gurus -- advertisers and psychotherapists; a discussion of the contemporary view of the self; how guilt and sin have been replaced by empty psychological shame; an examination of the contradiction between the way we view ourselves in the midst of our own culture and the biblical view of persons as created, moral beings. Can the church still speak effectively to a culture that has become morally unraveled? Wells believes it can. In fact, says Wells, no time in this century has been more opportune for the Christian faith -- if the church can muster the courage to regain its moral weight and become a missionary of truth once more to a foundering world. - Publisher. (shrink)

A provocative history of the changing values that have given rise to our present discontents. We pursue power, pleasure, and profit. We want as much as we can get, and we deploy instrumental reasoning—cost-benefit analysis—to get it. We judge ourselves and others by how well we succeed. It is a way of life and thought that seems natural, inevitable, and inescapable. As David Wootton shows, it is anything but. In Power, Pleasure, and Profit, he traces an intellectual and cultural (...) revolution that replaced the older systems of Aristotelian ethics and Christian morality with the iron cage of instrumental reasoning that now gives shape and purpose to our lives. Wootton guides us through four centuries of Western thought—from Machiavelli to Madison—to show how new ideas about politics, ethics, and economics stepped into a gap opened up by religious conflict and the Scientific Revolution. As ideas about godliness and Aristotelian virtue faded, theories about the rational pursuit of power, pleasure, and profit moved to the fore in the work of writers both obscure and as famous as Hobbes, Locke, and Adam Smith. The new instrumental reasoning cut through old codes of status and rank, enabling the emergence of movements for liberty and equality. But it also helped to create a world in which virtue, honor, shame, and guilt count for almost nothing, and what matters is success. Is our world better for the rise of instrumental reasoning? To answer that question, Wootton writes, we must first recognize that we live in its grip. (shrink)

Aristotle’s conception of vice is notoriously problematic. On the one hand, it appears as the antithesis of virtue; as such, it may seem, like virtue, to rest on principles, except that in the case of vice the principles are bad ones. On the other hand, vice may be something more like the privation or absence of virtue: not the negative pole or opposite of virtue but the condition of not being at all guided by rational principles or logos. As a (...) way of approaching Aristotle’s notion of vice, I propose to examine two disapproved qualities that Aristotle mentions briefly in his Rhetoric, and which are adduced as the opposites of emotions. The two qualities are ingratitude, which is represented as the opposite of feeling grateful, and shamelessness, the opposite of the emotion shame. Both ingratitude and shamelessness have the appearance of vices, even though they are contrasted here not with virtues but with passions or pathê. Examining the logic of these pairings will, I hope, shed light not only on ingratitude and shamelessness but also on the complex and unstable nature of vice itself. (shrink)

Ursula K. Le Guin’s classic work of anarchist literature, _The Dispossessed_ (1974), is preoccupied with the issue of imprisonment. This is hardly surprising given anarchism’s longstanding critical engagement with the prison as state apparatus. For classical anarchists, the prison represents one of the most vile and visible examples of state repression. However, while the abolition of prisons constitutes one of the fundamental goals of anarchism, the alternatives put forth by classical anarchist thinkers risk perpetuating the underlying power relations of carceral (...) justice by encouraging social shaming and the policing of norms. The anarchist society of _The Dispossessed_ uses these techniques to discourage the accumulation of power in order to create an egalitarian society. Unfortunately, these same techniques encourage a conformity that hinders other anarchist values, such as creativity and individual self-determination. In essence, the anarchist society depicted in the novel replaces the literal prison with a different form of imprisonment—the social prison, which continues the repressive function of the state through different means. By creating an “ambiguous” anarchist utopia, Le Guin anticipates the critiques of classical anarchism formulated by poststructural and postmodern anarchist theorists. These critiques are most evident in the theme of imprisonment that threads throughout the novel. (shrink)

Technological innovations and scientific discoveries do not occur in a vacuum but instead leave us needing to reimagine what we thought we knew about the human condition.

Biblical Christianity should be a powerful, life-forming, paradigm-shifting experience leading to increasing levels of Christlikeness. Unfortunately, the experience of many Christians today is far short of the transformation described in Scripture. This article reports on a portion of mixed-methods research examining the transformative learning reported by alumni of a 22-lesson discipleship process called the Immersion Experience by Aphesis Group Ministries. Holistic spiritual health involves listening to our emotions, confronting toxic shame, addressing childhood defenses, and untangling our distorted spirituality.

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.2 (2002) 239-259 [Access article in PDF] Love Against Revenge in Shelley's Prometheus David Bromwich I THE MODERNIST PREJUDICE AGAINST SHELLEY has almost disappeared, but when I talk to friends I discover that few have ever cared for his poetry, and if they go back now to read him sometimes they reinvent the prejudice. This resistance is not indifference. Shelley can disturb one's self-knowledge and (...) even one's idea of what self-knowledge may be; and in reaction against the unheard-of demand he routinely makes, one is apt to dismiss him as extravagant. Much of Shelley continues to be outside my range, and occasionally I feel him pulling farther away, as if his starting point were my outermost limit. The fact is shaming enough to prompt a decorous defensiveness. Yet in many of his most far-fetched poems, it seems to me, he justifies his procedures as one looks for a great artist to do. The main reason we find his poetry difficult is its difficulty.Shelley was a member of the first generation to accept the French Revolution as an accomplished change in the world. It was, he thought, a change for the better; he considered himself a revolutionary, though the Terror and the Napoleonic wars left their chastening mark on him. A sentence from the Preface to The Revolt of Islam, of 1817, states most clearly an intuition he held as deeply a year later when he wrote the first act of Prometheus Unbound: "There is a reflux in the tide of human things which bears the shipwrecked hopes of men into a secure haven after the storms are past." 1 Humanity, by the adaptive work of thoughts and feelings, will prove to have readied itself for any great mutation that occurs in society; so that the violence of a revolution is likely to be [End Page 239] extrinsic and unnecessary. The reasons for the assurance implicit here are brought forward in the two great prose works of his last years, A Defence of Poetry and A Philosophical View of Reform. By the time any revolution happens in life, Shelley believes, it has already happened in language, with causes that are as visible as the difference between a living and a dead metaphor. Poetry—by which he means anything imaginative and man-made whose good survives the defects of its maker—"redeems from decay the visitations of the divinity in man." He thinks that poets (including some lawgivers and social critics) are "the mirrors of the gigantic shadows which futurity casts upon the present." The last phrase, from the closing paragraph of A Defence of Poetry, seemed to Shelley important enough to be used also in A Philosophical View of Reform. For him, the principle of reform in language is identical with the principle of reform in thought and action.His doctrine belongs to the high Enlightenment, and he had accepted, more complacently, I believe, in his poetry than in his prose, the idea of the poet or thinker or man-of-mind as a bringer of light to humanity. That ideal was strong in Wordsworth too, with his conception of the poet as "the rock of defence for human nature," but in Shelley it exists in tension with another belief: that the instinct for acting and suffering at the bidding of a nature "not our own" may become as general as the appeal of the revolution now accomplished. Only in having a language for thoughts and feelings does the poet differ from other men and women. This, for Shelley, is a difference not (as it was for Wordsworth) between a speaker and a listener, but rather like that between a translator and a reader. If the poet were unique in the way a revolutionary leader is unique, he would be the protagonist of a fable of revenge that needs likewise its antagonist. Our thoughts about change go along these lines because they tend to be thoughts about contest. But in his later poetry, and in Prometheus Unbound above all, Shelley was looking at... (shrink)

In a well-known parable, told by Xenophon but credited by him to the sophist Prodicus, the young Heracles setting out on the road meets two women whose appearance turns out to be in accord with their characters and names, which are soon proclaimed by each to be Virtue and Vice. The former comports herself as a proper Greek woman should, ‘becoming to look at and freeborn by nature, her body (σῶμα) adorned with purity, her eyes with shame, her stature with (...) moderation (τὸ δὲ σχῆμα σωφροσύνῃ), dressed in white’ (transl. Mayhew). Vice, on the other hand, is self-absorbed and slutty: ‘well nourished to the point of fleshiness and softness, made up to appear whiter and redder than she was in fact’, τὸ δὲ σχῆμα ὥστε δοκεῖν ὀρθοτέραν τῆς φύσεως εἶναι, ‘with wide-open eyes, dressed to show off her ripeness, often checking herself out and seeing whether anyone was looking at her, often even looking at her own shadow’. (shrink)

In this chapter, we argue that it’s possible to lose your faith in God by the actions of other people. In particular, we argue that spiritually violent religious trauma, where religious texts are used to shame a person into thinking themselves unworthy of God’s love, can cause a person to stop engaging in activities that sustain their faith in God, such as engaging in the worship of God. To do this, we provide an analysis of faith, worship, and love on (...) which to have faith in God is to have an attitude of worship to him; to have such an attitude of worship to God is to love him; and to love God is to desire union with him. We apply this analysis particularly to the case of LGBT Christians and their experience in the church today. (shrink)

My bedroom window is a part of my house, but it is not a partial house. A half-built house is a partial house, but there is no house it is a part of. Being a part of something—parthood—is a familiar topic of philosophical inquiry. Being a partial something—partialhood—is not. The neglect of partialhood is a shame because it is intrinsically interesting as well as metaphysically and semantically important. After using fractions and counting constructions to identify partialhood in §1, I give (...) a theory of the relation in §2-§4. Armed with this theory I turn to applications both in the domain of objects and object-related constructions as well as the domain of events and event-related constructions. In §5 I argue that partialhood allows us to identify a notion of distributivity that helps pinpoint the metaphysical basis of the mass/count distinction. In §6 I argue that the progressive morpheme expresses partialhood; in metaphysical terms, what it is for something to be happening is for there to be a partial event. (shrink)

Emotion is always someone's. An emotion is also, at least typically, about something and witnesses the value, or lack of value, in it. Some emotions, such as shame and pride, are actually about the self that has them. But self-concern can insinuate itself into every corner of the emotional life. This occurs when the centre of concern in emotion drifts from the ostensible objects of focus (I was sorry to hear your bad news) to the emotion itself, to the drama (...) of it, to its feel, to the fact that one is having it. In an unobvious way, the world becomes backdrop, the self the omnipresent protagonist. The apparent ordering, the natural ordering of subject and object in emotion, is inverted. Emotion undergoes a kind of commodification. Yet this is paradoxical. For it isolates the self and subverts the communication and uptake of emotion by others. Narcissism is inimical to the social character of emotion. (shrink)

The common or lay view of the contribution of Freudian and psychoanalytic theory to our understanding of human sexual conduct seems to be that it is essentially subversive of traditional or conventional sexual morality. For does not the psychoanalytic discovery of psychological causes over which we have no direct control reveal that whatever we may be inclined to do from sexual motives is not a matterfor guilt or shame? Does it not show that much of the sexual guilt and shame (...) that we do experience is merely the product of inhibitions and repressions which are the result of dubiously rational social taboos and parental prohibitions? The main impact of Freudian or psychoanalytic views on modern popular thought about sexual morality andconduct would appear to amount to little more than a collection of such vague beliefs. (shrink)

The Callicles colloquy of Plato’s Gorgias features both examination and ridicule. Insofar as Socrates’ examination of Callicles proceeds via the elenchus, the presence of ridicule requires explanation. This essay seeks to provide that explanation by placing the effort to ridicule within the effort to examine; that is, the judgment/pronouncement that something/ someone is worthy of ridicule is a proper part of the elenchic examination. Standard accounts of the Socratic elenchus do not include this component. Hence, the argument of this essay (...) suggests a need to revise the standard account of the elenchus, at least as it relates to the use of that method within the Gorgias. Insofar as a revised account of the elenchus has implications for our understanding of Socratic moral psychology, the argument of this essay also suggests a need to reconsider the moral psychological framework within which Socrates operates in the Gorgias. (shrink)

A predominant assumption in studies of deliberative democracy is that stakeholder engagements will lead to rational consensus and to a common discourse on corporate social and environmental responsibilities. Challenging this assumption, we show that conflict is ineradicable and important and that affects constitute the dynamics of change of the discourses of responsibilities. On the basis of an analysis of social media engagements in the context of the grand challenge of plastic pollution, we argue that civil society actors use mobilization strategies (...) with their peers and inclusive-dissensus strategies with corporations to convert them to a new discourse. These strategies use moral affects to blame and shame corporations and solidarity affects to create feelings of identification with the group and to avoid disengagement and polarization. Our research contributes to the literature on deliberative democracy and stakeholder engagement in social media in the collective constructions of discourses on grand challenges. (shrink)

Treatments for students with problematic levels of music performance anxiety commonly rely on approaches in which students are referred to psychotherapists or other clinical professionals for individual care that falls outside of their music training experience. However, a more transdisciplinary approach in which MPA treatment is effectively integrated into students’ training in music/performing arts colleges by teachers who work in consultation with clinical psychologists may prove more beneficial, given the resistance students often experience toward psychotherapy. Training singing teachers, and perhaps (...) music teachers at large, to use an evidence-based coaching strategy like Acceptance and Commitment Coaching to directly manage students’ MPA is one such approach. Building on the work of a previous study in which ACC was administered by a singing teacher to a musical theatre student with problematic MPA, we piloted the effectiveness of a six-session, group ACC course for a sample of performing arts students with MPA related to vocal performances, using a mixed-methods design. The coach here was also a singing teacher without a clinical background, and her training in ACC by a clinical psychologist was of a similar duration as the previous teacher’s. Similar to the musical theatre student, the students reported being significantly less fused with their MPA-related cognitions, more accepting of their MPA-related physiological symptoms, and more psychologically flexible while performing in general, and these improvements were maintained after 3 months. Furthermore, they appeared to lower their shame over having MPA and change how they thought in relation to one another. Of note, these improvements were similar to those shown by seven vocal students with MPA after they received Acceptance and Commitment Therapy from a clinical psychologist, but with larger reductions in shame and better acceptance of MPA, which suggests a non-clinical, group ACC intervention that includes supportive discussions to normalize MPA and challenges attempts to control it may be more helpful than individual psychotherapy. These results are promising and indicate a brief training in ACC may be sufficient for singing teachers to provide significant benefit for students with problematic MPA. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Personality in Greek Epic, Tragedy, and Philosophy: The Self in DialogueDavid M. JohnsonChristopher Gill. Personality in Greek Epic, Tragedy, and Philosophy: The Self in Dialogue. Oxford: Clarendon Press, 1996. vii 1 510 pp. Cloth, $85.Gill’s book is a wide-ranging attempt to improve our understanding of Greek poetic and philosophical thinking about the self and its role in ethics. His thesis is that the Greeks had an “objective-participant” model (...) of personality which is different in important ways from the various “subjective” and/or “individualist” models which have often formed the basis of modern interpretations. While the subjective understanding of the person privileges a unitary first-person perspective in a Cartesian way, Gill argues that the Greeks—as do some modern thinkers—speak of an interplay between parts that is best studied from the outside. The individualist strand of thought makes individual autonomy a keystone of morality in a way indebted to Kant; Gill argues that the more communal mode of ethics advocated recently by Williams and MacIntyre is closer to the Greek ideal. Gill is surely right that Cartesian and Kantian assumptions have had a distorting effect on some readings of Greek texts, and he has made important progress by presenting a different framework based on modern work touching on Greek thought about ethics and the self.After an introduction spelling out his objective-participant framework Gill devotes his first chapter to Homeric decision-making and a critique of the interpretations of Snell and Adkins. It is a mistake, he argues, to make self-consciousness the criterion for a full-blown concept of the self or for what counts as moral decision making. Homeric deliberations are closer in form to Aristotle’s thinking about decision making and the modern action theory which has reasons (whether conscious or not) replace the will as the basis for action. Nor are the Homeric heroes rightly criticized for allowing shame and their status to be considerations in their decision making; as Williams has argued, internalized shame can be a rather effective ethical motivator, and as both he and MacIntyre have argued, there is much to be said for allowing one’s place in society to inform one’s decision making. Gill’s argument here does not seem particularly novel, as his frequent citation of Williams and MacIntyre makes clear, but he does apply it thoroughly to four important Iliadic monologues in a way which clarifies these ideas and confirms their relevance for Homer.The second chapter provides an analysis of why we feel sympathy for the problematic heroes of Greek epic and tragedy, particularly Achilles and Medea, despite their controversial deeds. Here Gill rejects the views of Bradley and Butcher, who argued that it was the power of the character’s self-conscious personality that won us over, and the structuralist view of Redfield, who made [End Page 119] Achilles a mediator between the need to protect society and the desire for personal glory. Gill interestingly—and originally, as far as I know—argues that it is rather the hero’s acting out of an ethically exemplary gesture, based on implied or explicit second-order reasoning about the best sort of human life, that gains our interest and sympathy. For Gill it is important that the hero’s ethical position fall within the communal framework of his or her society: Achilles’ refusal to return to the fight is his way of showing how Agamemnon has undermined the code of heroic reciprocity; Medea’s murder of her children is, even more paradoxically, her means of showing Jason the importance of the bonds of philia.Taking Achilles as our example, Gill rejects the view of Parry and Whitman that Achilles’ heroism is deeply subjective. Gill argues that Achilles, in his great speech of book 9, is not rejecting the heroic code itself but only Agamemnon’s perversion of it. While this reading makes good sense of much of Achilles’ speech in Iliad 9, it is difficult to square with the end of the speech, in which Agamemnon seems to have faded from view, leaving Achilles to question the heroic code itself. This is not to say that Achilles puts... (shrink)

This chapter contains sections titled: Conscription and Combat Violence Corporal Punishment Sexual Assault Circumcision Education Family and Other Relationships Bodily Privacy Life Expectancy Imprisonment and Capital Punishment Conclusion.

The word person is Latin: . . . which signifies the face, as persona in Latin signifies the disguise, or outward appearance of a man, counterfeited on the stage; and sometimes more particularly that part of it, which disguiseth the face, as a mask or vizard:. . . . So that a person, is the same that an actor is, both on the stage and in common conversation; and to personate, is to act, or represent himself, or another;. . . (...) . (Hobbes, L, 1, 16, p. 147)Whatever is profound loves masks; what is most profound even hates image and parable. Might not nothing less than the opposite be the proper disguise for the shame of a god? . . .Every profound spirit needs a mask: even more, around every profound spirit a mask is growing continually, owing to the constantly false, namely shallow, interpretation of every word, every step, every sign of life he gives. (Nietzsche, BGE, #40)we are difference, . . . our history the difference of times, our selves the difference of masks.1 (Foucault, AK, 131)The image, at first sight, does not resemble the cadaver, but it is possible that the rotting, decaying, cadaverous strangeness might also be from the image.2 (Blanchot, TVI, 256)the eternal return is said only of the theatrical world of the metamorphosesand masks of the Will to power,. . . . (Deleuze, DR, 40–1). (shrink)

George Harris argues that human frailty, indeed vulnerability to utter and complete psychological breakdown in the form “a loss of the will to live, deep clinical depression, insanity, hysteria, debilitating shame, [and] pervasive self-deception,” is a source of our special dignity as persons. This type of fragility is a sign of a higher quality of character, he argues; a quality that is lacking in anyone who has the inner strength to survive the worst of life’s hardships without suffering “a form (...) of personal disintegration that renders the person dysfunctional as an agent”. This is a striking and extreme thesis. It is not the less controversial and more plausible thesis that virtue involves a capacity to experience, in the right way and at the right time, a broad range of feelings and emotions. An investigation of the psychological traits and vulnerabilities that are connected to virtue is a very interesting topic worthy of extensive discussion. Although this book contributes to this worthwhile discussion, the argument for the book’s controversial thesis is not convincing. (shrink)

BackgroundPublic Safety Personnel are routinely exposed to human suffering and need to make quick, morally challenging decisions. Such decisions can affect their psychological wellbeing. Participating in or observing an event or situation that conflicts with personal values can potentially lead to the development of moral injury. Common stressors associated with moral injury include betrayal, inability to prevent death or harm, and ethical dilemmas. Potentially psychologically traumatic event exposures and post-traumatic stress disorder can be comorbid with moral injury; however, moral injury (...) extends beyond fear to include spiritual, cognitive, emotional or existential struggles, which can produce feelings of severe shame, guilt, and anger.ObjectiveThis scoping review was designed to identify the extant empirical research regarding the construct of moral injury, its associated constructs, and how it relates to moral distress in firefighters, paramedics, and police officers.MethodsA systematic literature search of peer-reviewed research was conducted using databases MEDLINE, EMBASE, APA PsychInfo, CINHAL PLUS, Web of Science, SCOPUS, and Google Scholar. Included studies were selected based on the inclusion criteria before being manually extracted and independently screened by two reviewers.ResultsThe initial database search returned 777 articles, 506 of which remained after removal of duplicates. Following review of titles, abstracts, and full texts, 32 studies were included in the current review. Participants in the articles were primarily police officers, with fewer articles focusing on paramedics and firefighters. There were two studies that included mixed populations. Most studies were qualitative and focused on four topics: values, ethical decision-making, organizational betrayal, and spirituality.ConclusionPublic safety organizations appear to recognize the experience of moral distress or moral injury among public safety personnel that results from disconnects between personal core values, formal and informal organizational values, vocational duties, and expectations. Further research is needed to better understand moral distress or moral injury specific to public safety personnel and inform training and treatment in support of public safety personnel mental health. (shrink)

Seventeen transgressive behaviors were studied in the context of six personality variables using survey methods. The personality variables were impulsivity, sensation seeking, empathetic perspective taking, guilt, and shame, with social desirability used as a control. Confirmatory factor analysis indicated a five-factor model as having the best fit. Those five factors are competitive cheating, self-cheating, school cheating, relationship cheating, and breaking a social contract. A structural equation model indicated that only impulsivity, sensation seeking, and empathetic perspective taking were related to frequency (...) of transgressive behaviors, thus supporting the hypothesis that moral decision making has a critical automatic component. (shrink)

David Hume is famous for developing a ‘science of man’ based on a thorough investigation of passions and sentiments. What is most surprising is that, in his sentimental geography, shame appears to play a rather marginal role. In this essay, I shall maintain that it is nonetheless possible to find room for shame in Hume, and that the most promising way to do so is to consider it in the light of a different passion on which Hume dwells at (...) length, the passion of humility. I shall thus examine where Hume explicitly refers to shame and how it relates to humility. By comparing Hume’s reflections with those of some more recent philosophers such as Gabriele Taylor, Bernard Williams, and Richard Wollheim, I shall argue that, as in the case of humility, so with shame Hume considers it to be a negative and vicious passion. That is because, like humility, shame as well produces a distorted and repressed conception of the self, with the consequence of leading to an oppressive and suffocating ethical perspective that is ultimately immoral. On the contrary, ‘a due degree of pride’ is the passion that, for Hume, allows us to give stability to our practical self, enabling us to establish ourselves as proper moral agents. (shrink)

David Hume is famous for developing a ‘science of man’ based on a thorough investigation of passions and sentiments. What is most surprising is that, in his sentimental geography, shame appears to play a rather marginal role. In this essay, I shall maintain that it is nonetheless possible to find room for shame in Hume, and that the most promising way to do so is to consider it in the light of a different passion on which Hume dwells at (...) length, the passion of humility. I shall thus examine where Hume explicitly refers to shame and how it relates to humility. By comparing Hume’s reflections with those of some more recent philosophers such as Gabriele Taylor, Bernard Williams, and Richard Wollheim, I shall argue that, as in the case of humility, so with shame Hume considers it to be a negative and vicious passion. That is because, like humility, shame as well produces a distorted and repressed conception of the self, with the consequence of leading to an oppressive and suffocating ethical perspective that is ultimately immoral. On the contrary, ‘a due degree of pride’ is the passion that, for Hume, allows us to give stability to our practical self, enabling us to establish ourselves as proper moral agents. (shrink)

On most accounts present in the literature, the complex experience of shame has the injury to self-esteem as its main component. A rival view, originally propounded by St Augustine, relates shame to the structure of human agency, and more specifically, to the conflict between will and desire. A recent version of this view developed by David Velleman relates shame to the capacity of self-presentation and the need for privacy. I examine two different interpretations of Velleman's theory and argue that (...) neither suggests a credible alternative to the received view. (shrink)