I.Esthétique analytique.--II. Le goût, la grâce et le rythme.

, from Stanford Encyclopaedia of Philosophy.

Cornelio Lanci si avvale di sei trattati degli _Esempi della virtù delle donne_ per testimoniare l’_humanitas_ _ante litteram_ di Zenobia, sovrana dell’impero d’Oriente ai tempi di Aureliano. L’articolo si propone di indagare le possibili fonti cui l’urbinate attinse per approntare le sue personali riscritture delle gloriose imprese della regina di Palmira.

The Standard View is that, other things equal, speakers’ judgments about the meanings of sentences of their language are correct. After all, we make the meanings, so how wrong can we be about them? The Standard View underlies the Elicitation Method, a typical method in semantic fieldwork, according to which we should work out the truth-conditions of a sentence by eliciting speakers’ judgments about its truth-value in different situations. I put pressure on the Standard View and therefore on the Elicitation (...) Method: for quite straightforward reasons, speakers can be radically mistaken about meanings. -/- Lewis gave a theory of convention in a game-theoretic framework. He showed how conventions could arise from repeated coordination games, and, as a special case, how meanings could arise from repeated signaling games. I put pressure on the Standard View by building on Lewis’s framework. I construct coordination games in which the players can be wrong about their conventions, and signaling games in which the players can be wrong about their messages’ meanings. The key idea is straightforward: knowing your own strategy and payoff needn’t determine what the others do, so leaves room for false beliefs about the convention and meanings. The examples are simple, explicit, new in kind, and based on an independently plausible meta-semantic story. (shrink)

v. 1 Saggi sulla teoria della conoscenza. t.1.Saggio primo: Sui limiti e l'oggetto della conoscenza a priori.--t.2 Filosofia della metafisica parte prima - La causa efficiente.

All’interno del dialogo _Della Dignità e Nobiltà delle Donne _(1622), Cristoforo Bronzini afferma con decisione che numerose donne nel corso della storia si sono distinte nell’ambito della scrittura, a dispetto di obsoleti pregiudizi: l’articolo si propone di indagare le modalità con le quali Bronzini declina il paradigma della differenza di genere, offrendo nello specifico una breve panoramica sulle scrittrici umanistico-rinascimentali che l’autore propone come massimi _exempla_ _virtutis_.

Tarski asked whether the arithmetic identities taught in high school are complete for showing all arithmetic equations valid for the natural numbers. The answer to this question for the language of arithmetic expressions using a constant for the number one and the operations of product and exponentiation is affirmative, and the complete equational theory also characterises isomorphism in the typed lambda calculus, where the constant for one and the operations of product and exponentiation respectively correspond to the unit type and (...) the product and arrow type constructors. This paper studies isomorphisms in typed lambda calculi with empty and sum types from this viewpoint. Our main contribution is to show that a family of so-called Wilkie–Gurevič identities, that plays a pivotal role in the study of Tarski’s high school algebra problem, arises from type-theoretic isomorphisms. We thus close an open problem by establishing that the theory of type isomorphisms in the presence of product, arrow, and sum types is not finitely axiomatisable. Further, we observe that for type theories with arrow, empty and sum types the correspondence between isomorphism and arithmetic equality generally breaks down, but that it still holds in some particular cases including that of type isomorphism with the empty type and equality with zero. (shrink)

Dans De Caelo III.2 Aristote affirme, en guise de critique, que la description platonicienne des traces dans la chôra implique nécessairement l’existence préalable d’un cosmos avant le cosmos. Dans cet article je me penche sur le passage visé par Aristote (Timée 52d2‑53b5), afin de montrer comment celui‑ci peut être défendu contre l’objection d’Aristote. J’argumente que les traces sont des formes géométriques qui assurent les matériaux au démiurge. Dans ce sens, elles peuvent être considerées comme constitutives potentiellement des quatre corps, et (...) rien de plus. (shrink)

The essay aims to illuminate the current crisis, as it has been diagnosed by important currents of contemporary European thought, from the baroque remarkably the Hispanic perspective. The author argues that one of the fundamental figures of the Baroque is what he calls an infinite aporethic difference. According to this, Baroque understands the world as a set of differences that bind aporethically tending to infinity. This figure is, at the same time, shown as a critical operator with regard to reality, (...) which has lost its pre-modern configuration as Cosmos. The author also holds that in its present projection, the figure of the infinite aporethic difference takes the form of a new normativity, namely, that of the Chaosmos, which is particularly visible in post-structuralism and in the Ibero-American Neo-baroque. By its virtue, it is possible to distinguish two ways of coping with the current crisis. The chaosmotic one would be characteristic of a compromised strong trans-modernity, which contrasts with the evasive weak postmodernity. This problem is finally investigated from the point of view of the subtle baroque heroism and its shadow in the present. (shrink)

The cosmos is filled with evil that seemingly has no redeeming value. Granted, some evils do lead to greater goods, sometimes goods that could not exist without the evils. Thus, the exercise of courage is a good that requires either an actual evil to stand firm in the face of or the illusion of an evil—and an illusion is a kind of evil, too. But many evils appear to serve no such purpose. Philosophers call an evil that a supremely good (...) God would have insufficient reason to permit to exist a gratuitous evil. A particularly powerful form of the argument from evil against the existence of the God of Western monotheism is, thus, that there.. (shrink)

Notions of the cosmos are deep-rooted in human consciousness. They are expressed in our earliest monumental constructions as explanations of the world around us and in the practices of many indigenous peoples. Here we examine the physical cosmos from the perspective of life on Earth. We note a central importance for the Earth in the vastness of space, as a planetary oasis for a highly complex and long-lived biosphere, one now being fundamentally altered by humans. We refer to other notions (...) of the cosmos that may enable us to navigate a better path for life in the Anthropocene. (shrink)

Traditional debates, such as those regarding whether the universe is finite in spatial or temporal extent, exemplified, according to Kant, the inherent tendency of pure reason to lead us astray. Although various aspects of Kant’s arguments fail to find a footing in modern cosmology, Kant’s objections to the search for a complete objective description of the cosmos are related to three intertwined issues that are still of central importance: the applicability of universal laws, the status of distinctively cosmological laws, and (...) the explanatory sufficiency of laws. We will advocate a broadly Kantian position on these three issues as part of a critical response to a prevalent strain of Leibnizian rationalism in contemporary cosmology. (shrink)

I shall defend Augustine’s holistic aesthetic response to the problem of evil by considering the variety of ways in which our vision of the cosmos is limited and how this is similar to the kinds of limitations on viewing a work of art that would make negative criticism unreasonable. At the same time, I identify an interesting asymmetry: we may be justified in making positive, but not negative, judgments about the creator’s skill on the basis of a mere partial perception.

It also has considerable impact on his ethical ideas: the Machiavellian cosmos has no room for a Ruling Mind or for the Sovereignty of the Good, and humans are left to pursue their appetites for riches and glory as best they can.

Cosmos est le premier volume d'une trilogie intitulée "Brève encyclopédie du monde". Il présente une philosophie de la nature. Il sera suivi de "Décadence", qui traitera de l'histoire, puis de "Sagesse", consacré à la question de l'éthique et du bonheur. "Trop de livres se proposent de faire l'économie du monde tout en prétendant nous le décrire. Cet oubli nihiliste du cosmos me semble plus peser que l'oubli de l'être. Les monothéismes ont voulu célébrer un livre qui prétendait dire la totalité (...) du monde. Pour ce faire ils ont écarté des livres qui disaient le monde autrement qu'eux. Une immense bibliothèque s'est installée entre les hommes et le cosmos, et la nature, et le réel". Tel est le point de départ de ce livre, dans lequel Michel Onfray nous propose de renouer avec une méditation philosophique en prise directe avec le cosmos. Contempler le monde, ressaisir les intuitions fondatrices du temps, de la vie, de la nature, comprendre ses mystères et les leçons qu'elle nous livre. Tel est l'ambition de ce livre très personnel, qui renoue avec l'idéal grec et païen d'une sagesse humaine en harmonie avec le monde. (shrink)

Louis Perron Le discours cosmologique actuel permet-il d’affirmer le caractère théophanique du cosmos, au sens où celui-ci pourrait être considéré comme le lieu de la manifestation visible et immédiate de Dieu? Plus généralement : est-il en mesure d’ouvrir un chemin vers la foi? Contrairement à un discours récurrent, l’auteur, s’appuyant sur l’oeuvre de Jean Ladrière, défend la thèse qu’il n’existe pas de voie royale conduisant de la science à la foi. Celle-ci peut cependant recueillir l’image scientifique du monde et lui (...) conférer une signification propre, moyennant un parcours herméneutique s’appuyant sur l’articulation des différents registres de sens et dont la médiation philosophique constitue le passage obligé. (shrink)

English and Portuguese Between the 5 th and the 6 th centuries A. D., the Neoplatonic school of Alexandria, where the philosophical didactic follows a specific cursus studiorum , is opened also to the Christian students. D espite some divergences of religious (but also of economical and of political) natures, and after some violent events which occur in the Egyptian city, the Alexandrian school is linked to its contemporary Neoplatonic school in Athens. And indeed t he Prolegomena to Platonic Philosophy, (...) i.e. t he introductory lectures discussed by an Anonymous professor in order to present the characteristic of Platonic philosophy, show that the method of teaching Plato is still the same. According to the Neoplatonic exegetical tradition, the text emphasizes that the dialogical artefact fashioned as a cosmos by Plato is a paideutic instrument with a purpose to look away from the sensible and to guide towards the intelligible. Plato, through dialogues, eikones of the invisible, does not create illusions, but contributes to the practice of ‘assimilation’ by filling the writings with greater contents. KEY-WORDS : Plato, Prolegomena , analogy, visible cosmos, invisible cosmos. Entre os século V e VI d.C., a escola neoplatônica de Alexandria, onde a didática filosófica segue um preciso cursus studiorum , é aberta também aos estudantes cristãos. Não obstante algumas diferenças de natureza religiosa (mas também econômica e política), e em seguida a alguns violentos acontecimentos que golpeiam a cidade egípcia, a escola de Alexandria permanece ligada à contemporânea escola neoplatônica ateniense. E, de fato, os Prolegomena à filosofia de Platão, isto é as lições introdutórias dadas por um professor anônimo para apresentar as características da filosofia platônica, mostram que o método de ensinar Platão é ainda o mesmo. Seguindo a tradição exegética neoplatônica, o texto sublinha que o artefato dialógico, plasmado como um cosmo por Platão, é um instrumento paidêutico que tem o objetivo desviar o olhar do sensível e guiar rumo ao inteligível. Platão, através dos diálogos, eikones do invisível, não cria ilusões, mas contribui para a prática da “assimilação” preenchendo os escritos de maiores conteúdos. PALAVRAS CHAVES: Platão, Prolegomena , analogia, cosmo visível, cosmo invisível. (shrink)

Viruses and pandemics are part of an overarching ecological theme that encompasses not only climate and plants, but all forms and conditions of life. This requires a far-reaching change in perspective. Not only does biodiversity, following Alexander von Humboldt, form a common “cosmos” across the globe, but we humans are also part of it. This natural sphere corresponds to Arendt’s concept of the “world” on the social and political sphere. Cosmos and world take the place of the old irreconcilable separation (...) of nature/barbarism and culture/civilization. Consequently, the threat to cosmos and world does not come from nature but from man-made devastation. Biodiversity and human plurality can only thrive with the principles of environmental/political sustainability. (shrink)

The article aims to highlight that the conceptual apparatus of the contemporary science (not only the problem-solving techniques but also the type of the raised issues) testify the shift of the paradigm, namely, the passage from the Cosmos paradigm to the Chaos paradigm. The significance of the old paradigm, especially considering its astonishing longevity, is related not only with its explanatory potential but also with the innate strife of humans to dwell in the aesthetically and ethically attractive and unconditionally intelligible (...) world. Reductionist methodology became established in the framework of the mechanistic worldview. In this case, simplicity is seen as the main measure of intelligibility; however, the important detail of the elasticity (or, in other words, vagueness) of the simplicity concept is insufficiently considered. The shift towards the new paradigm of chaos is presented as a well-grounded effort of liberation from the universe of anthropocentrism and apriority. (shrink)

The knots of images in Aeschylus’ Septem with their exuberant and powerful vocabulary give the play the aura that prompted Gorgias and Aristophanes to proclaim it “full of Ares”. The ferocity of the ancient siege is brought to life in the destruction of the city the chorus imagines and in the duels at the seven gates that achieve epic proportions through the dueling speeches of Eteocles and his scout. The play’s transparent dependence on language for its emotive effect readily invites (...) close examination. Aeschylus’ Septem abounds with contemporary cosmological and mathematical ideas and images. The poet uses them consistently throughout the play, I suggest, to make of Thebes a seven-sided, shield-shaped cosmos, ruled over by the seven-month lord of sevens (heptamagetes), Apollo, and the completion of whose circumference seals the unified fate of Polynices and Eteocles. (shrink)

This sequel to the highly acclaimed "Cosmos and Anthropos" demonstrates the impact on social, ethical, and theological doctrines of the twentieth-century scientific revolution, particularly the Anthropic Principle. Harris reviews the main arguments put forward in the Western philosophical tradition for the existence of God, as well as the critique of those arguments, and shows that the conflict between religion and science since the seventeenth century has resulted more from the implications of the Copernican-Newtonian scientific paradigm than from any insuperable divergence (...) of dogma or ultimate aim. (shrink)

Christopher Southgate has been the editor of the textbook God, Humanity and the Cosmos. I consider this textbook fair on science and wise in intertwining issues in theology and science with ecology, climate change, and technology. It might also be challenging for students, as it introduces them to a variety of perspectives and a rich palette of literature. I wonder whether such a book, with its strong theological, “cognitive,” orientation will remain relevant in European contexts, given shifts in society away (...) from Christianity and changes in understanding what it is to be religious. (shrink)

This volume contains essays by some of the leading scholars in the study of the Jewish religious ideas in the Second Temple period, that led up to the development of early forms of Rabbinic Judaism and Christianity. Close attention is paid to the cosmological ideas to be found in the Ancient Near East and in the Hebrew Bible and to the manner in which the translators of the Hebrew Bible into Greek reflected the creativity with which Judaism engaged Hellenistic ideas (...) about the cosmos and the creation. The concepts of heaven and divine power, human mortality, the forces of nature, combat myths, and the philosophy of wisdom, as they occur in 2 Maccabees, Ben Sira, Wisdom of Solomon and Tobit, are carefully analysed and compared with Greek and Roman world-views. There are also critical examinations of Dead Sea scroll texts, early Jewish prayers and Hebrew liturgical poetry and how they these adopt, adapt and alter earlier ideas. The editors have included appreciations of two major figures who played important roles in the study of the Second Temple period and in the history and development of the ISDCL, namely, Otto Kaiser and Alexander Di Lella, who died recently and are greatly missed by those in the field."--Provided by publisher. (shrink)

Ce livre propose de relire la philosophie de Walter Benjamin à partir de sa cosmologie. Le cosmos de Benjamin n'est pas un univers ordonné, composé de corps célestes identifiables, mais l'occasion d'une expérience fulgurante: dans l'univers post-copernicien de Benjamin, l'intériorité du désir et l'extériorité des étoiles, le politique et le théologique, le présent et le distant passé se rencontrent sans fusionner. Situant Benjamin dans la tradition philosophique (G. W. Leibniz, K. Marx, F. Hegel) tout en s'appuyant sur des pensées contemporaines (...) (J. Butler, S. Hartmann, M. Löwy), ce livre crée une 'correspondance' entre Benjamin et notre actualité. Dans un monde soumis aux replis nationalistes, aux virus destructeurs d'altérité et à l'intrusion technologique, le lointain semble s'évanouir. En prise avec l'histoire la plus récente, celle du New Space et de la Sixième Extinction, de Black Lives Matter et des Communes éphémères, ce livre soutient qu'aucune transformation politique radicale, aucune émancipation, aucun communisme n'est possible, et souhaitable, sans relation avec un lointain telle l'Étoile du Nord que les esclaves en fuite suivaient dans le ciel nocturne pour les guider vers la liberté."--Page 4 of cover. (shrink)

Over the last two decades, many philosophers have been increasingly inclined to consider science fiction films as philosophical exercises that center on the nature of human consciousness and existence. Albert Camus' philosophy of the absurd, however, has almost never been employed as a constructive perspective that can illumine unexplored aspects of these films. This is surprising, since science fiction films seem to be packed with visions and dialogues that echo the Sisyphean universe. Cosmos and Camus endeavors to set foot on (...) this uncharted terrain. Its first part aims to introduce the main components of Camus' absurdity in such a way that it can be easily applied to the analysis of the films later. Equipped with these Camusean essentials, it delves into an in-depth analysis of two first-encounter films (Contact and Arrival) and two AI films (A.I. and Her). These analyses yield more than an insightful reflection of the absurd contents in science-fiction film. Indeed, imaginative collisions with nonhumans seem to tell us a lot about the nature of the absurd in the human condition, as well as raising the question of whether absurdity is exclusively a human matter. Ultimately, the interpretation of the films illuminates the films themselves just as much as it illuminates, challenges, and expands Camus' concept of absurdity, thus contributing to our current understanding of what the absurd reality is and how we can either live with it or transcend it. (shrink)

Cosmology has undergone a revolution in recent years. The exciting interplay between astronomy and fundamental physics has led to dramatic revelations, including the existence of the dark matter and the dark energy that appear to dominate our cosmos. But these discoveries only reveal themselves through small effects in noisy experimental data. Dealing with such observations requires the careful application of probability and statistics. But it is not only in the arcane world of fundamental physics that probability theory plays such an (...) important role. It has an impact in many aspects of our everyday life, from the law courts to the lottery. Why then do so few people understand probability? And why do so few people understand why it is so important for science? Why do so many people think that science is about absolute certainty when, at its core, it is actually dominated by uncertainty? This book attempts to explain the basics of probability theory, and illustrate their application across the entire spectrum of science. (shrink)

L'expérience esthétique est la voie de la phénoménologie ; c'est du moins ce qu'établit Dufrenne avec une profondeur inégalée. Cette expérience est décrite de façon novatrice selon une phénoménologie du sentiment, qui est le fil conducteur de cette philosophie. La réduction - devenue dès lors réduction esthétique - conduit à l'essence de la manifestation et se prolonge en une réduction cosmologique : le monde se trouve conquis en sa figure originaire, la Nature, qui est pensée comme source ou matrice universelle. (...) L'esthétique enveloppe en outre une réflexion sur l'imagination, l'image et l'imaginaire, comme sur la beauté, marquant l'une des originalités de la perspective dufrennienne. Les percées ontologiques réalisées débouchent alors sur une cosmo-esthétique qui se prolonge en une cosmopoétique. Il s'agit à la fois de concevoir l'appartenance de l'homme au monde, qui le précède et l'excède, ainsi que la différence subjective, puisqu'il est capable de le percevoir. Cette philosophie définit la Nature comme Infini expressif - esthétique et poétique -, et montre que l'homme est appelé à vivre poétiquement, les exigences éthiques et politiques étant nouées à l'esthétique, où le sens de l'humain s'atteste."--Page 4 of cover. (shrink)

Ante la fragmentariedad de las ciencias particulares desarrolladas por el hombre en vísperas del siglo XXI, la obra Cosmos de Humboldt tiene dos puntos interesantes: (a) la sinopsis de los variados y nuevos conocimientos de entonces, y (b) la intención de definir el lugar del hombre en el Cosmos. Una relectura de Humboldt se hace necesaria para conocer su actitud frente a la dispersión del saber, la cual evitaría tener una visión de conjunto del sentido del todo. La tesis de (...) la autora en la primera parte es que dicha concepción se inscribe en el paradigma científico elaborado en la tradición del llamado neovitalismo. Con base en lo anterior, la segunda parte se centra en la relación entre naturaleza y espíritu. (shrink)

This essay compares Greek and Chinese conceptions of the origin of the world based on the concept of cosmo-metaphysics, by which I mean a philosophical scheme that addresses at once the law of the universe and the primary cause of substance or being. In regarding God or the first mover as both the cosmic and substantial principle of unity, Aristotle spells out a cosmo-metaphysics in his On the Universe and the Metaphysics. Aristotle’s cosmo-metaphysics, I propose, finds a (...) close parallel in the metaphysical system represented in the Laozi 老子, the Daoist classic, and “The Great Commentary” on the Yijing 易經. Both texts articulate a cosmo-metaphysics that integrates the cosmic and substantial principles of unity through the two concepts of the Dao 道 and being versus nonbeing, the Chinese counterparts of Aristotle’s prime mover and being qua being. Chinese and Western metaphysics share not only a fundamental assumption about the origin of the world but also the hypothesis of an ineffable and inactive first mover. Where Aristotle resorts to analogy and metaphor to name and characterize this elusive and passive mover, Chinese philosophers prefer to leave it unnamed and use natural images to illustrate its nature. Despite the different approaches, however, the fundamental assumption about the prime mover as both a substantial and cosmic principle lies at the root of both Chinese and Western metaphysics. The comparative lens centered on the concept of cosmo-metaphysics thus uncovers a distinctive Chinese metaphysics that corresponds closely to that in the West, a correspondence that calls into question some prevailing presumptions about Chinese philosophy. (shrink)