Steven Z. Levine provides a new understanding of the life and work of Claude Monet and the myth of the modern artist.

From around the year 1900, the ideal of the equivalence of art (form) and nature (animated matter) was challenged when two concurring principles—homogeneous duration and heterogeneous moments—started to manifest themselves in the discrete attempts of artists to integrate being into art. As creative approaches to the perception and representation of nature, these diametrically opposed configurations find expression in the writings of the French philosopher Henri Bergson, mainly between 1889 and 1907. The notion of living forms in permanent transition, informed by (...) evolutionary theory, found its social expression in a growing urban dynamism. Subsequently, the obsolete epistemological Apollonian principle of a central perspective in painting, based on a timeless, static Newtonian space, gave way to the Dionysian ontological principle—radically questioning the unity of being and form in the creative process. Initially, this change was particularly evident in the paintings of Claude Monet and Paul Cézanne. While Monet envisions a homogeneous space of instantaneous time (the separate moment), Cézanne's distinctive Post-Impressionist dynamic representations of continuous becoming can be read as contemporary pictorial counterparts of the Bergsonian concepts of duration, memory, and vital force. Thus, Bergson's psycho-physiological principle of endurance, in which perceptions and memories of distinct physical phenomena interpenetrate multitudinously, gradually becomes a dominant feature in the works of numerous artists who inherit Monet's and, especially, Cézanne's aesthetic notions. (shrink)

Ce texte a été présenté lors de la journée d'études « Diderot – théâtre & philosophie », organisée, à l'occasion du tricentenaire de sa naissance, le 28 mars 2013 au Lycée Claude Monet (Paris 13e), par Stéphane Poliakov. Avant de commencer à vous parler de Diderot, je voudrais vous dire quelques mots concernant la notion de rythme et expliquer, au moins en partie, le titre de mon intervention. Le mot rythme vient du grec rhuthmos. Or, avant que Platon (...) ne lui donne le sens de kineseos taxis, d'« ordre (...) - Philosophie – Nouvel article. (shrink)

This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism" emerged and became increasingly popular among intellectuals, artists, and scientists. Nina Athanassoglou-Kallmyer traces the evolution and impact of this monist thought and its various permutations as a transformative force on certain aspects of French art and culture-from Romanticism to Impressionism-and as a theoretical backdrop that (...) paved the way to as yet unexplored aspects of a modernist aesthetic. Chapters concentrate on three major artists, Théodore Géricault (1791-1824), Eugène Delacroix (1798-1863) and Claude Monet (1840-1926), and their particular approach to and interpretation of this unitarian concept. The book will be of interest to scholars working in art history, philosophy, and cultural history. (shrink)

Merleau-Ponty’s abiding interest in the art and the enigmatic person of Paul Cézanne focuses importantly on both the pictorial expression of space, and on the freedom of artistic creation in the face of adversity. Examining these issues in relation to the art of Claude Monet (whom Merleau-Ponty neglected), together with Monet’s status as a precursor of painterly abstraction, one can follow the Merleau-Pontyan “indirect logic of institution” to confront the work of Joan Mitchell, within the parameters of (...) gestural abstraction, so as to consider both her perspective on spatiality and horizon and her artistic trans-substantiation of adversity, focusing on the almost ecstatic intensity of her 1983-1985 series, La grande vallée. (shrink)

Most of us came into ecology with memories of special personal places. A cliff top that Claude Monet might have painted. Allen as a youth spent his holidays on the Dorset Coast near Swanage; he can still smell the sea breeze of his childhood. Curtin grow up on a farm in southwestern Wisconsin, the dew of the grass and the bright green on a June morning remains vivid. The catching of reptiles and insects for him awakened a curiosity (...) about the natural world that has remained to this day. But once into the field there came the scholarship. With ever tighter grant monies, the pressure to publish takes so much of the fun out of it. A climate of unbridled careerism prevails and shows itself in the incremental state of the literature: little things to list on this year's activities report. There are now even predatory journals that cynically do not seriously review submissions, and only collect page charges. As journal editors have a desperate time getting reviews done by mature scholars, instead of a hand off to their overworked graduate students. So what is to be done - how can we bring the joy and importance of discovery back into it all? After all ecology is done by human beings. Mostly it is a personal mission, for what great ecologists write is frequently personal and life changing. So an undercurrent of this book is to remind and reveal the original purpose of science. Not professional advancement, but the genuine search for novel ideas and the imperative to share hard won insights and personal passions. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Educational Imperative: A Defense of Socratic and Aesthetic LearningMark StockerThe Educational Imperative: A Defense of Socratic and Aesthetic Learning, by Peter Abbs; x & 250 pp. Bristol, Pennsylvania: Taylor & Francis, 1994, $29.00 paper.O tempora! o mores! Peter Abbs begins by deploring “the cultural catastrophe” of British education in the mid-1990s. He states in his always lucid and accessible prose: “I want to come clean; I want (...) to place the general argument of the book in the current arena of public debate, and to do so without apology and without equivocation.” He bemoans today’s massive denial of spiritual energy, of intellectual enquiry, of aesthetic beauty and public virtue. In a better world, he says, education would serve, “willingly and lovingly... the transcendent ends” of culture and society. Abbs decisively rejects the “Cato” model where teachers are unquestioning skill-based technicians who employ [End Page 393] “managerial” language. Instead, he advocates a Socratic view, which is “to reaffirm that education should be primarily concerned with critical reflection, with personal development and with the sustained enquiry into the various forms of meaning.”Subsequent chapters apply this approach to the arts curriculum. Its failure to gain proper recognition and the absurd and continued conflation of Dance and Physical Education are indicted. Abbs convincingly attacks the notion of “self-expression” in art and language long upheld by educationalists. Its application at the expense of reason, abstract thinking, and the study of “the truly significant writers through the centuries” has in his view helped to trivialize and to marginalize the arts. Nowhere is this more apparent than in so-called “educational drama.” For three generations it has denied “the aesthetic field of drama, the symbolic field of its own form,” and has elevated one genre, improvisation, and made it the totality.Abbs is committed to reconciling “the creative energies of the individual and the creative energies of the culture.” Who would argue with that? And who could deny the value of critical reflection or indeed public virtue? He declares, rather ponderously: “The vested interests of Coca-Cola manufacturers or political missionaries have to be seen as too ‘recent and relevant’ to be allowed” to shape education. The Abbs academy requires “a formally protected place, an institutional space more like the theatre than Tesco [a supermarket chain], more like the cathedral than the Stock Exchange.” For all this patent seriousness and sincerity, here is an educationalist irrevocably and irreconcilably out of joint with the present. The austere modernism of Herbert Read profoundly influenced Abbs in his teens; he also admires F. R. Leavis, Richard Hoggart, and David Holbrook, whose writing at its most influential spans the 1930s and the 1960s. Abbs’s most recent source of inspiration is the art critic Peter Fuller, whose abiding legacy was a romantic nationalism that eloquently celebrated an “essentially symbolic and figurative” tradition in British art from J. M. W. Turner to Henry Moore.Modern Painters, which Fuller edited, could afford to eschew popular culture and its connections with “higher” arts. Fine for a periodical, but how could such a fastidious approach be applied to the classroom experience? Abbs describes an experiment that he performed on student-teachers at the University of Sussex to understand their aesthetic responses. Among the events and objects that the students were asked to consider were John Constable’s The Haywain, Richard Strauss’s The Four Last Songs, a visit to Claude Monet’s garden and a performance of Coriolanus. Abbs’s list does not, however, contain Pulp Fiction, a Courtney Love concert, or an S. E. Hinton novel. What place, if any, do the latter have in the arts curriculum? Must they be ruled out for being too “recent and relevant”? Can student responses to them be brought to bear on their comprehension of higher culture? Or is there a great and ultimately irreconcilable divide? Abbs never faces these issues and instead, in his fogyish [End Page 394] coda, denounces once more “the consumer society” which has “trivialized on an unprecedented scale” and has “tarnished whatever it has touched.”Mark StockerUniversity of Canterbury, New ZealandCopyright © 1995 The Johns Hopkins University Press... (shrink)

The concept of resistance in nursing has been garnering more interest in the last few years, with emerging focus on working conditions, power differentials in clinical settings, health inequities, and planetary health concerns. As a result, it's important to identify what is being resisted, and what is the purpose of the resistance carried out. In whatever way resistance is referenced in nursing, outright or not, it is our contention that it's in response to the same underlying cause, barring some local (...) and contextual variations, which we refer to as ‘the Beast’, where the real catastrophe is societal, and is ‘existential, affective and metaphysical’. It therefore seems coherent to consider this macro catastrophe from an ontological point of view, that is, from the standpoints of ‘being’ in relation to the world, which necessarily refers to specific ways of apprehending reality. In this article, we therefore present two ontologies ‐ antagonistic in every respect, to better situate resistance in nursing in a larger ecosystem. Using the Invisible Committee's book and call to actionTo our friends, this is our modest contribution to celebrate resistance, to help equip fellow nurses to better organise and strategize in the face of incessant growth and too often undesirable change in healthcare. (shrink)

The question of the oeuvre -- The concept of Machiavellianism -- Reading The prince. First signs -- The logic of force -- The social abyss and attachment to power -- Good and evil, the stable and the unstable, the real and the imaginary -- The present and the possible -- Reading The discourses. From The prince to The discourses -- Rome and the "historical" society -- Class difference -- War, and the difference of times -- Authority and the political subject (...) -- The oeuvre, ideology, and interpretation. (shrink)

Taking the problem of perception and illusion as a leading clue, this article presents a new phenomenological approach to perception and the world: holism of experience. It challenges not only Husserl’s transcendentalism, but also what remains of it in Heidegger’s early thought, on the grounds that it is committed to the skeptical inference: Since we can always doubt any perception, we can always doubt perception as a whole. The rejection of such an implicit inference leads to a relational paradigm of (...) Being-in-the-World that differs from Heidegger’s on many points. (shrink)

Companies that are serious about corporate governance and business ethics are turning their attention to gender diversity at the most senior levels of business . Board gender diversity has been the subject of several studies carried out by international organizations such as Catalyst , the World Economic Forum , and the European Board Diversity Analysis . They all lead to reports confirming the overall relatively low proportion of women on boards and the slow pace at which more women are being (...) appointed. Furthermore, the proportion of women on corporate boards varies much across countries. Based on institutional theory, this study hypothesizes and tests whether this variation can be attributed to differences in cultural settings across countries. Our analysis of the representation of women on boards for 32 countries during 2010 reveals that two cultural characteristics are indeed associated with the observed differences. We use the cultural dimensions proposed by Hofstede to measure this construct. Results show that countries which have the greatest tolerance for inequalities in the distribution of power and those that tend to value the role of men generally exhibit lower representations of women on boards. (shrink)

This paper studies the doctrinal and historical relations between the augustinian theme of the inner word as it was understood in Thirteenth-century thought --especially by Thomas Aquinas -- and William of Ockham's idea of mental discourse. The differences are shown to be deeply significant and are replaced in the context of a crucial shift that occurred in the decades between Aquinas and Ockham: the shift from theology to logic as providing the main inputs and stimulations for the development, on an (...) aristotelian basis, of a radically new sort of philosophy of mind. (shrink)

OverviewEn 1979, la revue Meta publiait, sous la direction de Jean-Claude Gémar, un numéro spécial consacré, pour une première fois, à la traduction juridique comme activité et discipline autonomes au sein de la jeune traductologie [8]. Ce numéro reste une référence devant la persévérance et la rigueur manifestées par le Bureau des traductions d’alors et l’action, inspirée et audacieuse, du ministère de la Justice du Canada , qui laissaient entrevoir l’avènement d’une «jurilinguistique» en gestation. Cette tentative de refrancisation du (...) langage du droit canadien par le biais de lois bilingues, corédigées et non plus traduites, allait connaître une fortune peu commune. L’exemple canadien et son modèle de «lisibilité» de la loi se sont en effet répandus, inspirant de nombreux États aux quatre coins du monde. Quelques années plus tard, en 1982, le Conseil de la langue française du Québec publiait, sous la direction de J-C Gémar, un ouvrage collectif bilingue trai .. (shrink)

This paper tries to explore the legitimacy of applying the phenomenological approach to poems, novels, to all that we classify, too conveniently, under the term “literature.” Such an approach is grounded in one claim: the literary text opens up to a world that is its “thing itself”. The thing of the text is not the text as a thing, in its linguistic and formal properties, no more than the thing of the painting is the canvas coated with pigments. However, what (...) is the status of such a “world”? Is this “opening of a world” only a metaphor? Is the world of the literary work only an imaginary one? In order to answer these questions, it is necessary, first of all, to understand the limits of the structuralist claim that the object of literature is only literature as an object, that is as a linguistic construction and, secondly, to be aware of what is specific to the phenomenological account of the imaginary, in contrast with alternative accounts, such as the one grounded in the theory of speech acts and developed, among others, by Searle. (shrink)

Guillaume d'Ockham fut l'initiateur principal d'une approche sémantique aux phénomènes cognitifs: la pensée, pour lui, est un discours intérieur et il propose de l'analyser systématiquement à travers les catégories de la grammaire et celles — surtout — de la théorie nouvelle des « propriétés des termes » . On examine ici comment cette suggestion fut reçue chez les philosophes anglais du temps d'Ockham, en particulier: Gauthier Chatton, Hugues Lawton, le Pseudo-Campsall, Crathorn, Robert Holkot et Adam Wodeham. William of Ockham initiated (...) a semantical approach to cognitive phenomena: thought, for him, is a mental discourse and he proposes to analyse this discourse systematically with the help of the categories of grammar and that of the relatively new theory of « the properties of terms » . What is studied here is the reception of this suggestion among English philosophers in Ockham's own time, notably: Walter Chatton, Hugh Lawton, the Pseudo-Campsall, Crathorn, Robert Holcot and Adam Wodeham. (shrink)

Translating is often discussed in scholarly circles. Writers talk about it as, obviously, professional translators also do. Even linguists have something to say about this activity, as old as the oldest civilizations. We should like to offer some ideas here on a subject that is so frequently considered. While the ideas are not entirely new, they are results drawn from a lengthy reflection and from the no less lengthy experience of translators. We hope they will indicate some directions that would (...) be fruitful for a continuation of the discussion. (shrink)

It is well known that, in France, this important movement, which originated in Port-Royal, did not remain exactly on the same basis during its development. In this paper we attempt to show how a new concept was proposed by Du Marsais, Beauzée and, finally, Letellier.

Le présent article se propose de montrer en quoi l'argument transcendantal (Strawson) peut modifier notre compréhension de certains débats en économie. Pour donner corps à cette hypothèse, l'article recense tout d'abord les principaux écueils épistémologiques auxquels se heurte l'économiste ; il propose ensuite une nouvelle version de l'argument transcendantal ; il montre, enfin, en quoi cet argument transcendantal permet à la fois de dépasser certaines apones rencontrées et d'ouvrir des perspectives sur la question de la rationalité des agents.

La première partie de la grande étude de Husserl sur le thème de la Krisis a pour titre «La crise des sciences comme expression de la crise radicale de la vie de l'humanité européenne». Par cette formulation, on pourrait être porté à croire que Husserl voit dans la crise de la science la simple conséquence secondaire d'une crise beaucoup plus profonde se situant à l'échelle de l'humanité européenne entière. Et pourtant il n'en est rien. Dans la suite du texte, Husserl (...) s'applique à démontrer que le rapport d'implication entre l'humanité en crise et les sciences doit plutôt être considéré à l'inverse. Le problème de l'humanité européenne réside au premier chef dans cette crise des sciences; si bien qu'il est sans doute possible, dans un premier temps, de voir dans la crise des sciences une simple «expression » de la détresse de l'Europe, mais à y regarder de plus près, c'est celle-là qui est cause de la crise radicale de la vie de l'humanité européenne. (shrink)

In this article I consider the Kantian preference for natural beauty from a socio-political point of view. Instead of only regarding the significance of beauty in nature as a symbol of morality, I show that the aesthetic appreciation of natural beauty must also be understood in its dialectical relation to society as By highlighting this dialectical understanding, I point out the socio-political contribution of aesthetic experience for the cultural progress of humanity. The fragility of beauty in the context of culture (...) can be further interpreted as a symbol of the temporality of the project of perpetual peace in politics. (shrink)

ABSTRACT: The following paper is not a literal exegesis of Hegel's æsthetics, but rather the attempt to encounter his æstheticsfrom a philosophical perspective which considers the æsthetic experience as intuition offinitude. From this perspective our purpose is to indicate the contemporary philosophical relevance of Hegel's æsthetics by underscoring some elements of it which can help us to rethink the relation between æsthetic experience and the subject in his interaction with his world. The question of this essay is: how can æsthetic (...) experience be a substantial experience for the modern subject? (shrink)

Dossier consacré à ce Florentin de la Renaissance défiant toutes les traditions et tous les savoirs établis, conseiller du prince ou défenseur des libertés du peuple, revendiqué par certains dictateurs comme Mussolini, étudié par des penseurs aussi opposés qu'Aron et Althusser.

Contemporary art was born out of the radicalization of a crisis begun by modern art , concerning the twofold sensible identity of art, which involves both its image-form and its aesthetic-form. This crisis led Matisse and Duchamp to « undo the image » inasmuch as it is defined by Form, in a kind of phenomenology of the visible and the invisible . Matisse responds to this with a vitalist energeticism which brings about an expansive constructivism of color-forces which replaces aesthetics (...) with an aesthesis. Duchamp enacts a constructivism of the signifier, in which nominalism and bachelor machinism abolish all effects of being of the sign-image and thus all aesthetic sign-making of the world. (shrink)

In reviewing the Belgian policy towards Zaïre for the last two decades, one is struck by a certain politica! as well as economic withdrawal which has become more obvious since the end of the sixties. In the context of the «Mobutu Plan», the Marshall Plan for Zaïre, or in that of the two Shaba upheavals, Belgium, unlike France with respect to its former colonies, has choosen to align itself with big powers policies and international organizations, and to avoid taking too (...) strong stands in the rather confuse situation which prevails in Zaïre today. Although unanimity does no langer exist among the various Belgian pressures groups about what is tobe done in Zaïre, the official policy of the government is entrenched in a «wait and see» attitude which points to the deepening contradictions within Western states towards Africa in general and Zaïre in particular. (shrink)

This paper reports the text of the intervention pronounced by Claude Lévi-Strauss for the 60th anniversary of Unesco in 2006. Lévi-Strauss recalls the intersections between his activity in the field of anthropology and ethnology and Unesco since its foundation, and the role Unesco can play nowadays in the preservation of cultural diversity and biodiversity.

This study draws on theory of dyadic morality and categorization to disentangle opportunistic behaviors from the perception by their victim that leads to the moral categorization of the perpetrator as an opportunist. We show that it is this moral categorization, not the behaviors, that determines the trust beliefs of the victim. Further, the effect of psychic distance on the process of perpetrator moral categorization as an opportunist depends on the form of opportunistic behaviors. Finally, this study questions the cultural universality (...) of opportunism by showing that effects of opportunistic behaviors on categorization vary across national cultures—based on data sets of French and Slovene exporters. (shrink)

The Tindemans report on the European union and the decision to organize direct elections for the European Parliament have been two important events in European afjairs in 1976. This article analyses the origins, developments and bearing of these two events.Although his mandate was initiated and encouraged at the highest level - that of the European heads of state -, Mr. Tindemans' attempt to propose concrete steps in order to achieve a real political union in Europe did not get through. It (...) received a rather cold reception from several states who opposed some of his proposals on different grounds.At the Conference of The Hague, Mr. Tindemans was able to get a formal support to his ideas, but no decision was taken to implement any of them.The decision to organize direct elections for the European Parliament, which can be seen as a concrete step toward the implementation of the long awaited European union, is facing the same kind of resistance at the national level. Although the Nine have all agreed to do everything possible to organize these elections in the spring of 1978, there are still unsolved problems which are both technical and political. Moreover, even if they are taking place, it is not at all sure that they will bring about substantive changes in the role and functions of the European Parliament. (shrink)

Even though the 3Rs are widely accepted as ethical standards when evaluating research projects using animals as experimental subjects, the ethical status of the 3Rs still remains to be clarified. The 3Rs were not derived from any ethical theory, but they represented an attempt to increase humanity to animal experimentation and at the same time to improve validity of scientific data . The aim of the present article was to provide an ethical analysis of the 3Rs through Engelhardt's bioethics theory (...) . The analysis revealed the 3Rs fitted to some extent Engelhardt ethical values. But the analysis also revealed some internal contradictions between the 3Rs and Engelhardt's ethical vaules. Although the 3Rs are still valuable tools in animal ethical evaluation, the present analysis suggests that some ethical issues still remain to be clarified. (shrink)

Claude Mediavilla brings to the Greek text his training as both a painter and calligrapher, marrying modern variants of both medium and style with classical forms in a way that brings Epictetus’ words to life with beauty and startling immediacy. Calligraphy (from the Greek for "beautiful writing") is an art where word and image meet, where the artist strives to give visual expression to the meaning of words in a way that transcends the text while remaining completely faithful to (...) it. It is a discipline that has been invested with spiritual significance wherever it has arisen--and it has arisen throughout the world in every age, in virtually every language, culture, and religion. The Shambhala Calligraphy series is a collection of books devoted to contemporary expressions of this "art of the word," featuring contemporary calligraphers' striking new interpretations of texts that have been traditional subjects for calligraphic interpretation. Whether in Arabic, Greek, Hebrew, Latin, or Chinese pictographs, the characters, words, and sentences are brought to life anew here in a choreography of mind, hand, and heart by which letter and spirit fuse in a single stroke. (shrink)