In this paper I argue that the interpretation of a text by a reader involves a dialectical process that simultaneously perfects both reader and text. The issue of the dialectical relation between text and reader is beautifully embodied in Dante’s Commedia, a text that includes both an account of its subject matter as it develops (in the story of the pilgrim), as well as an account of its own coming-to-be as an interpreted, meaningful account (in the narrative of the poet). (...) Thus there is a necessary relation, though not an identity, between the content of Dante’s text (as shown in the journey of the pilgrim) and the meaningful interpretation of the content of Dante’s text (as shown in the recollective narrative of the poet). The issue of the dialectical relation between interpreter and text is dramatized by the fact that, in his account of the realms of the afterlife, Dante the poet is not merely describing realms that have meaning apart from his own hermeneutic activity. Rather, he is demonstrating that the pilgrim’s journey of interpreting the world within which he finds himself always involves his own self-interpretation, and viceversa. Thus, as the pilgrim/poet’s ability to interpret himself becomes more refined, his very world changes. Dante illustrates this process as a movementthrough the three realms of the afterlife, from the inferno, through purgatory, to paradise. (shrink)

Central to Kierkegaard’s account of religious existence is his critique of speculative reason. This critique begins with the distinction between subjective and objective reflection. Its most radical aspects appear in Kierkegaard’s discussions of the paradox. In spite of Kierkegaard’s frequent comments on this notion, it is not readily understood. I want to argue against a common reading of this notion and propose an alternative reading. This alternative reading allows for a conceptually quite plausible account of the manner in which the (...) paradox presents reason with a boundary, in virtue of its relation to objective reflection and to subjective reflection as well. Because of this boundary, reason points beyond its own achievements to a domain of contemplation and appropriation. This is a domain that reason itself identifies in connection with the paradox. It both surpasses rational achievements and integrates them into itself. (shrink)

Since its origin bioethics has been a specialized, academic discipline, focussing on moral issues, using a vast set of globalized principles and rational techniques to evaluate and guide healthcare practices. With the emergence of a plural society, the loss of faith in experts and authorities and the decline of overarching grand narratives and shared moralities, a new approach to bioethics is needed. This approach implies a shift from an external critique of practices towards embedded ethics and interactive practice improvement, and (...) from a legal defence of rights towards fostering interdependent practices of responsibility. This article describes these transitions within bioethics in relation to the broader societal and cultural dynamics within Western societies, and traces the implications for the methodologies and changing roles of the bioethicist. The bioethicist we foresee is not just a clever expert but also a relationally sensitive person who engages stakeholders in reciprocal dialogues about their practice of responsibility and helps to integrate various sorts of knowledge (embodied, experiential, visual, and cognitive-scientific). In order to illustrate this new approach, we present a case study. It concerns a project focusing on an innovation in elderly care, based on the participation of various stakeholders, especially older people themselves. (shrink)

In this paper I trace the development of one of the central debates of late twentieth-century moral philosophy—the debate between realism and what Rawls called “constructivism.” Realism, I argue, is a reactive position that arises in response to almost every attempt to give a substantive explanation of morality. It results from the realist’s belief that such explanations inevitably reduce moral phenomena to natural phenomena. I trace this belief, and the essence of realism, to a view about the nature of concepts—that (...) it is the function of all concepts to describe reality. Constructivism may be understood as the alternative view that a normative concept refers schematically to the solution to a practical problem. A constructivist account of a concept, unlike a traditional analysis, is an attemptto work out the solution to that problem. I explain how the philosophies of Kant and Rawls can be understood on this model. (shrink)

Then you have a look around, and see that none of the uninitiated are listening to us—I mean the people who think that nothing exists but what they can grasp with both hands; people who refuse to admit that actions and processes and the invisible world in general have any place in reality.

This book should be essential reading for anyone interested in the new reproductive technologies, biomedical ethics, and women's health.

Aristotle believes that an agent lacks virtue unless she enjoys the performance of virtuous actions, while Kant claims that the person who does her duty despite contrary inclinations exhibits a moral worth that the person who acts from inclination lacks. Despite these differences, this chapter argues that Aristotle and Kant share a distinctive view of the object of human choice and locus of moral value: that what we choose, and what has moral value, are not mere acts, but actions: acts (...) done for the sake of ends. Morally good actions embody a kind of intrinsic value that inspires us to do them from duty (in Kant) or for the sake of the noble (in Aristotle). The chapter traces the difference in their attitudes about doing one's duty with pleasure to a difference in their attitudes towards pleasure itself: Aristotle sees it as a perception of the good, while Kant thinks of it as mere feeling. (shrink)

Most legal systems divide the world into persons and property, treating human beings as persons, and pretty much everything else, including non-human animals, as property. Persons are the subjects of both rights and obligations, including the right to own property, while objects of property, being by their very nature for the use of persons, have no rights at all. I will call this the “legal bifurcation.” We might look to Immanuel Kant’s moral and political philosophy to provide a philosophical vindication (...) of the legal bifurcation, for reasons I will lay out in a moment. But in one way, that would be backwards, because Kant, in constructing the metaphysical categories that he used to talk about rights, was following the tradition of Roman law. (shrink)

There has been considerable debate around the ethical issues raised by data-driven technologies such as artificial intelligence. Ethical principles for the field have focused on the need to ensure...

Christine Buci-Glucksmann’s The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material (...) world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image—Arabic script, Bettini’s “The Eye of Cardinal Colonna,” Bernini’s Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio’s Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer’s selfportrait, among others—and deftly crosses historical, national, and artistic boundaries to address Gracián’s El Criticón; Monteverdi’s opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer’s Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts. (shrink)

This paper replies to an argument due to Greenspan (1980) and to Morton (2002) against the view that emotions are perceptions of values. The argument holds that this view cannot make room for ambivalent emotions both of which are appropriate, such as when it is appropriate to feel fear and attraction towards something. This would make for a contradiction, for appropriate emotions are supposed to present things as they are. The problem, I argue, is that this line of thoughts forgets (...) that things can have positive and negative aspects: something can both be dangerous and attractive, for instance. (shrink)

When women work in male-dominated professions, they encounter a “glass ceiling” that prevents their ascension into the top jobs. Twenty years ago, I introduced the concept of the “glass escalator,” my term for the advantages that men receive in the so-called women’s professions, including the assumption that they are better suited than women for leadership positions. In this article, I revisit my original analysis and identify two major limitations of the concept: it fails to adequately address intersectionality; in particular, it (...) fails to theorize race, sexuality, and class; and it was based on the assumptions of traditional work organizations, which are undergoing rapid transformation in our neoliberal era. The glass escalator assumes stable employment, career ladders, and widespread support for public institutions —which no longer characterize the job market today. Drawing on my studies of the oil and gas industry and the retail industry, I argue that new concepts are needed to understand workplace gender inequality in the 21st century. (shrink)

As highlighted by Pavarini et al., researchers in the field of bioethics have to remain critical and reflexive on the methodology and on the tools they use for their research purpose because...

Feedback such as backchannels and clarification requests often occurs subsententially, demonstrating the incremental nature of grounding in dialogue. However, although such feedback can occur at any point within an utterance, it typically does not do so, tending to occur at Feedback Relevance Spaces. We present a corpus study of acknowledgements and clarification requests in British English, and describe how our low-level, semantic processing model in Dynamic Syntax accounts for this feedback. The model trivially accounts for the 85% of cases where (...) feedback occurs at FRSs, but we also describe how it can be integrated or interpreted at non-FRSs using the predictive, incremental and interactive nature of the formalism. This model shows how feedback serves to continually realign processing contexts and thus manage the characteristic divergence and convergence that is key to moving dialogue forward. (shrink)

Environmental ethics is apparently caught in a dilemma. We believe in human species partiality as a way of making sense of many of our practices. However as part of our commitment to impartialism in ethics, we arguably should extend the principle of impartiality to other species, in a version of biocentric egalitarianism of the kind advocated by Paul Taylor. According to this view, not only do all entities that possess a good have inherent worth, but they have equal inherent worth, (...) and in particular no species is superior to any other. In this paper, I elaborate a Heideggerian environmental virtue ethics that slips between the horns of the dilemma. Central to this ethics is the relation of “dwelling” and the many virtues of dwelling, according to which the world is seen as “holy” in a variety of ways. This ethics is importantly local in respect of time and place, but also has universalistic aspects. To understand such an ethics, it is necessary to grasp Heidegger’s notion of truth as “aleithia” or opening, which enables us to escape the metaphysical dilemmas besetting ethics in the analytic tradition, including standard virtue ethics. Elaborating this notion occupies a large part of the paper. (shrink)

In einer präzisen Rekonstruktion des Kantischen Begriffs des Erhabenen wird gegen das metaphysische Verständnis der Tradition eine kritische Lesart des Erhabenen geltend gemacht, die jedem Aktualisierungsversuch heute zugrundeliegen muss und gleichzeitig das Kantische System neu beleuchtet.

Some concepts, such as colour concepts or value concepts, seem to bear traces of the mind's own make-up. For instance, the character of perceptually-determined colour concepts seems in some sense derivative from the character of the visual system. Thus, it has seemed plausible to claim that the corresponding colour properties are dispositions to elicit certain visual experiences in normal observers under suitable conditions. Much the same has been suggested for value concepts. An extreme position would be that colours and values (...) therefore are not in the world at all, they instead are mere projections that tell us more about the users of response-dependent concepts than about the world they inhabit. But even setting aside such extreme views, a number of important philosophical and psychological questions remain open. What exactly is response-dependence, and does any concept have this feature? What is the appropriate metaphysics for properties represented by response-dependent concepts, and for these concepts themselves? What determines the extension of such properties? How are we to account for knowledge expressed in terms of response-dependent concepts? What mechanisms correctly explain the origins of response-dependent concepts, and their role in representation? This volume brings together a wide range of views on these questions. (shrink)

Das Nachdenken über Beziehungen zwischen Bildern ist ein kunsthistorisches Kerngeschäft. Zugleich ist es jedoch auch eine Herausforderung für die Theorien und Methoden des Faches. Was bedeutet es daher, im Rückgriff auf die Literaturtheorie von der Intertextualität der Bilder zu sprechen? Worin besteht der Unterschied zur Rede von Bildzitaten, vom Bezug auf Quellen oder die ikonografische Tradition? Seit den 1960er Jahren wird dies lebhaft diskutiert. Elisabeth-Christine Gamer zeichnet in ihrem Buch die Geschichte des Diskurses über fünf Dekaden nach und berücksichtigt (...) dabei unterschiedliche Fächer und Sprachen. Zugleich arbeitet sie seine Merkmale heraus und liefert damit eine Basis für die weitere kunsthistorische Beschäftigung mit dem Modell Intertextualität"--Back cover. (shrink)

This article argues that the condition of women in Third World societies cannot be separated from the colonial experience since the power relationships that were established during the colonial era between Europe and its territories, and between women and men, have not varied significantly and are still recreated through contemporary mechanisms. For example, development projects promoted by Western countries to modernize the Third World have, in the long run, better served their own interests than those of their intended beneficiaries. As (...) a result and contrary to expectations, growth and prosperity still elude the Third World. We also show that during the current international economic crisis, women's unpaid or underpaid labor has become the basis of new development programs and policies and is crucial to the recent phase of capitalist development. We discuss how the structural position and status of women and colonies closely resemble each other and have served as the foundations of the capital accumulation process and the development of industrial nations. The concept of women as a last colony thus becomes a compelling metaphor of liberation and leads us to stress the need for a worldwide process of gender decolonization, entailing the reformulation of power relations between women and men. (shrink)

Les premières années du XXe siècle ont vu en France un essor de la presse féminine et de la production littéraire des femmes, marquées par une vogue de la poésie d’autant plus frappante qu’elle reste sans équivalent dans d’autres périodes. On ne saurait y voir un mouvement littéraire cohérent ni concerté – quoique certains commentateurs aient parfois, à la suite de Charles Maurras, parlé à ce propos de « romantisme féminin » –, et cette étonnante reconnaissance publique d’une poésie écrite (...) pa... (shrink)

Le E dit muet, ou encore féminin, caduc, instable, concentre régulièrement l’attention dans les discours tenus sur la langue française, du XVIe siècle à nos jours. Parce qu’il sert à la formation du féminin et qu’il caractérise les rimes dites féminines, parce qu’il relève d’un traitement particulier dans la métrique française classique, et ne trouve pas son équivalent dans le système phonétique d’autres langues, il s’est peu à peu vu investi par écrivains et théoriciens des deux sexes de valeurs de (...) féminité, puis de poéticité et de francité. Le parcours chronologique proposé éclaire les idéologies de la langue française en montrant combien elles sont profondément associées, de façon explicite ou non, à une conception de la place des femmes dans la société et la culture. (shrink)

Futurism is famous for promoting “the art of noise” in its manifestos, serate (theatrical evenings), poetry, music, and visual art. Noise appears in Futurism as an avatar of the machine age, as a means of assaulting the senses of complacent audiences, and as a sign of the conflict inherent in matter. Beginning with the “Founding and Manifesto of Futurism” of 1909, where the noises of the street galvanize Marinetti and his friends to break out of a prison-like domestic space, to (...) early paintings representing the vibrations of music/noise by Balla, Severini, Carr , and Russolo, to Russolo's 1913 manifesto “The Art of Noises” and his invention of a series of “noise tuners,” discordant sound played a vital role in Futurist art and politics. Often it was associated with moments of rebirth or awakening to new forms of consciousness, as in Russolo's noise score “Awakening of the City,” but it could also signify the destruction of life, as in Marinetti's Zang Tumb Tuuum . It served both to shatter older forms of perception based on notions of order and harmony, and to instantiate the violence the Futurists believed was inherent in matter as well as in social life. It allowed repressed energies to be released, but also sought to re-channel these energies towards the integration of man and machine, flesh and metal, war and the universe of matter. (shrink)

Les combats actuels contre des projets d’infrastructures écocides, des mégabassines aux autoroutes, s’inspirent directement de l’expérience, longue, emblématique et… victorieuse forgée dans la mobilisation contre le projet d’aéroport à Notre-Dame-des-Landes. Ils reprennent et actualisent ses acquis : la diversité des modes d’actions et l’unité des composantes de la lutte, l’auto-organisation et la démocratie, la créativité et la recherche de cohérence entre les buts et les moyens. Dans un moment politique et social différent, avec de nouvelles générations, les luttes d’aujourd’hui sont (...) aussi le produit des difficultés et contradictions du mouvement pour le climat et plus généralement du mouvement social. Par leurs pratiques concrètes, ils apportent de nouvelles pièces à la réflexion stratégique indispensable à la reconstruction des outils et des perspectives pour l’émancipation. (shrink)

The technoscientific consequences of both the human drives for glory on the one hand and a comfortable life on the other potentially threaten human existence. R.U.R., a science fiction play by Karel Čapek, bridges ancient writers and contemporary technoscientific endeavors, encouraging us to consider these issues in light of persistent human nature.

This article explores the meanings of social class for American women who have experienced downward mobility after divorce. These women experienced social class as a process of negotiation, and subjective elements often predominated over objective criteria. However, serious changes in their material reality subsequently forced redefinition of class identity. While divorced women sometimes identify with other women in the same situation, this identification is often mitigated by the effects of stigma and cognitive processes of differentiation, inhibiting the development of a (...) collective group identity. Theoretically, the study showed that social class identity needs to be seen as changing over time, at times existing in a state of conflict between subjective identification and objective economic status, rather than as a neatly resolved or static social identity. (shrink)

Goethe’s studies of natural form have occupied generations of scholars and the discussion on the relationship between Goethe’s thought and evolutionary theory has never ceased since Haeckel’s claims in the late nineteenth century. In scholarship which has aimed to address the question of change in Goethe’s concept of nature, the focus has been primarily on his scientific writings. Aiming for a comprehensive understanding of Goethe’s thought on reproduction, this article sets out to contribute to the ongoing debate by focusing on (...) his literary text The New Melusine, a story centred on a dwarf figure. Examining texts by naturalists such as Buffon, Humboldt, and Darwin, the article demonstrates how Goethe, in the speculative framework of a literary text, explores patterns of transformation by means of sexual reproduction which did not make it into his better known scientific writings on plant morphology and comparative anatomy. I argue that the Melusine story becomes for Goethe a space to consider a new understanding of reproduction, its transformative power, and biopolitical possibilities, while at the same time providing an opportunity to reflect critically on its consequences for the individual. (shrink)

This article explores the reasons some pregnant women enter maternity homes with the plan to place their babies for adoption. The authors discuss changes in maternity homes over the twentieth century and report on findings from a survey of currently licensed homes in Texas. Next, the authors discuss the findings from fieldwork and in-depth interviews with residents of two maternity homes. They identify three major reasons why birth mothers enter maternity homes: the desire to escape abusive or stressful family lives, (...) the desire to avoid the stigma of placing a child for adoption, and the desire to provide their children, and in some cases themselves, with a stable and loving family life. The authors contend that entering a maternity home with the intention of placing their babies for adoption represents an effort on the part of birth mothers to reconfigure their own, often impoverished family lives. (shrink)

What is cognition? Despite the existence of a science of cognition there is no clear agreement on what makes certain phenomena cognitive, and others not. Within cognitivism the issue was neglected. Human intelligence was used as a standard, and any process—natural or artificial—that fitted this standard sufficiently could be considered ‘cognitive’. For post-cognitivist psychology the situation is different. It cannot rely on the ‘human standard’ in the same way. One might even say that the need for a post-cognitivist psychology arose (...) because cognitivism began with this most complex of all cognitive systems without a good understanding and appreciation of more basic, biological cases. Embodied cognition approaches remedy this anthropocentric bias by addressing a more varied set of processes that are not strictly limited to humans. Under these circumstances the question what we take cognition to be is more urgent. Are phenomena like insect walking (Brooks) and goal-seeking missiles (O’Regan and Noë) examples of cognition or not? What criteria do we use to answer such questions? Given this problem, the notion of perception-action coupling (or sensorimotor contingencies) becomes an important and fairly obvious option to provide a foundation for the notion of cognition. However, and intriguingly, the same problem occurs again: What are perception-action couplings? What would make something an example of perception-action coupling? Where are we to draw a line, if anywhere? It is self-evident that O’Regan and Noë’s (2001) example of a goal-seeking missile is controversial, but why exactly? What is missing? Can we ever do more than making intuitive judgments here? A way out of this dilemma may be found by developing the claim that perception-action coupling must be grounded in a biological context (Keijzer, 2001), and following what Lyon (2005) calls a biogenic approach. This option raises a whole new field of issues and topics that is of central concern for a postcognitivist psychology. (shrink)