The present collection of essays is devoted to the Christian philosophy of the most prolific and most speculatively ambitious of the Cambridge Origenists, Henry More. Not only did More revere Origen, whom he extolled as a "holy sage" and "that miracle of the Christian world", but he also developed a philosophical system which hinged upon the Origenian notions of universal divine goodness and libertarian human freedom. Throughout his life, More subscribed to the ancient theology of the pre-existence of (...) souls and took issue with the early modern philosophies of Thomas Hobbes, René Descartes and Baruch de Spinoza. His vision of God's goodness, experienced in his early school years at Eton, became the cornerstone of an Origenist rationalism which envisaged an extended world animated by divine thought and inhabited by self-moving rational agents. More's philosophy is the crowning attainment of the early modern rediscovery of Origen as well as a neglected major rationalist system in its own right which went on to exert decisive influence upon all subsequent western metaphysics. The essays collected in the first part provide a detailed introduction to More's voluminous writings. After a comprehensive general overview of his metaphysical and ethical system, the essays expound More's historical context and his philosophical development from his early poetry in the 1640s to his mature philosophical and theological prose works of the 50s, 60s and 70s. In addition, the reception of More and Origen in the later Cambridge Origenists and in Isaac Newton is outlined. The second part contains several excerpts from More's influential Latin works first translated into English by the editor. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.1 (2003) 125-126 [Access article in PDF] Sextus Empiricus. Against the Grammarians (Adversos Mathematicos I). Introduction, Commentary, and Translation by D. L. Blank. Oxford: Clarendon Press, 1998. Pp. lvi + 436. Cloth, $105.00. Sesto Empirico. Contro gli astrologi. Introduction, Commentary, and Translation by Emidio Spinelli. Naples: Bibliopolis, 2000. Pp. 230. Paper, L. 70.000. No historian of philosophy should be retailing the old canards (...) that the Hellenistic philosopher Sextus Empiricus was silly, wholly confused, or merely a compiler and not a philosopher in his own right. These translations and commentaries, along with the recent work of Richard Bett, James Hankinson, and others, should bury those notions forever.Against the Grammarians is the first and Against the Astrologers is the fifth volume of Sextus's six-volume Against the Teachers of the technai or professional arts and sciences (grammar, rhetoric, geometry, arithmetic, astrology, and music). Sextus is not against all forms of the study of these matters; in fact, one of the skeptic's "rules for living" is that he will engage in an art (techne) to make a living (Outlines of Pyrrhonism, I.24). But he is against the claims of each of them to special technical expertise. He prefers the unpretentious experience of everyday life—living by the phenomena; non-expert, practical forms of grammar, astronomy, music—to fancy theories about the nature of things.Against the Grammarians is Sextus's critique of the interpreters of poetry and prose—today's English professors and historians. Philosophers will be amused by his deconstruction of various sorts of lit crit arrogance and rashness that are still with us. Regrettably, some of us are not immune from the same critiques.Against the Astrologers is Sextus's critique of the Chaldean soothsayers. He is not against the observation of celestial phenomena for agricultural or navigational purposes. His critiques of the astrologers for lack of empirical evidence and promotion of superstition make him sound like a proto-scientist.One originality of Sextus's work was his combination of a dogmatic Epicurean critique of the grammatologists and astrologers with a skeptical aporetic critique. Precisely because he does not hesitate to make use of the arguments of others, some interpreters have decided that Sextus was unoriginal and derivative. But Blank and Spinelli both show that he recombines these arguments in ways that no one else had done. That is one of the ways of being original in philosophy. The upshot is that he is our earliest source of quite a number of critiques of grammarians and astrologers.The use of dogmatic arguments raises the problem of whether Sextus engages in so-called "negative dogmatism" in these volumes. Right at the beginning of Against the Astrologers, Sextus accuses them of violating "right reason." What right does a skeptic have to invoke such a standard? Some have felt that at this stage Sextus was a dogmatic skeptic, invoking one set of truths to tear down another. But that is not necessary. Blank and Spinelli explain this well with a combination of points. One, we can see the dogmatic and Epicurean attacks as clearing the ground for the following skeptical equipollence of arguments. Two, we can follow Jonathan Barnes in assuming that each claim that something has been demolished assumes the counterargument that it has been proven, so that the implied upshot is equipollence. Three, "right reason" can be the sort of unpretentious practical reasoning and living in accord with the appearances that the skeptics often claimed to live by.Spinelli and Blank provide many useful improvements over the previous English translations of these texts by Bury and the Italian translations by Russo. Blank rightly relies on Spinelli's 1995 translation and commentary on Sextus's Against the Ethicists and Spinelli rightly relies on Blank for a number of points. Spinelli supplies the Greek on facing pages of the translation; Blank does not. Spinelli also supplies five Greek zodiac charts and a beautiful print of a fifteenth-century zodiac.Neither Blank nor Spinelli unduly lionizes Sextus. They admit that... (shrink)

Cefalu offers the first sustained assessment of the ways in which recent contemporary philosophy and cultural theory -- including the work of Giorgio Agamben, Alain Badiou, Eric Santner, Slavoj Žižek, and Alenka Zupancic -- can illuminate Early Modern literature and culture. The book argues that when selected Early Modern devotional poets set out to represent subject-God relations, they often encounter some sublime aspect of God that, in Slovenian-Lacanian terms, seems "Other" to himself. This divine Other, while sometimes presented directly as (...) a void or empty place, is more often filled in and presented instead as some form of divine excess. While Donne, and to a lesser extent Traherne, disavow those numinous aspects of God that might subsist beneath such excesses, Crashaw, and especially Milton, attempt to represent the intimate relationship between any creature’s and God's intrinsic alterity. Cefalu introduces new ways of theorizing not only seventeenth-century religious ideologies, but also the nature of Early Modern subjectivity. (shrink)

In this essay, a translation into English of Martin Heidegger's paper Hölderlin and the Essence of Poetry, Paul de Man demonstrates his significant engagement with the work of Heidegger. He considers Johann Christian Friedrich Hölderlin's five key-passages on the subject of poetry, suggesting that the order in which these passages appear as well as the inner coherence that links them together will reveal the essence of poetry. He first comments on Hölderlin's claim that poetry is ‘the most innocent (...) of all crafts’ and goes on to discuss the four other key-passages: ‘Therefore, man was given language, the perilous of all blessings... that he bear witness to what he is... ’; ‘There is much that men have experienced. They have called the many of the heavenly by name, since we are an exchange of words, and one can hear from another’; ‘The poets found what will endure’; ‘With merit, and yet poetically, man dwells on this earth’. (shrink)

I want to argue…that to read Rossetti’s religious poetry with understanding requires a more or less conscious investment in the peculiarities of its Christian orientation, in the social and historical particulars which feed and shape the distinctive features of her work. Because John O. Waller’s relatively recent essay on Rossetti, “Christ’s Second Coming: Christina Rossetti and the Premillenarianist William Dodsworth,” focuses on some of the most important of these particulars, it seems to me one of the most useful pieces (...) of scholarship ever written on the poet. The essay locates the special ground of Rossetti’s religious poetry in that peculiar Adventist and premillenarian context which flourished for about fifty years in mid nineteenth-century culture. In point of historical fact—and it is a historical fact which has enormous significance for the aesthetic character of Rossetti’s poetry—her religious verse is intimately meshed with a number of particular, even peculiar, religious ideas.18 From the vantage of her strongest poetry, the most important of these ideas were allied to a once powerful religious movement which later—toward the end of the century—slipped to a marginal position in English culture.The whole question [of premillenarianism] was overshadowed first and last by the Tractarian Movement, Anglo-Catholicism, and the resulting Protestant reaction. And we can see in retrospect that all through the years [1820-1875] the theological future actually belonged to liberal, or Broad Church, principles. By the middle 1870s, apparently [the issues raised through the premillenarian movement] were no longer very alive.19­­In this context we may begin to understand the decline of Rossetti’s reputation after the late nineteenth century, when she was still regarded as one of the most powerful and important contemporary English poets. Her reputation was established in the 1860s and 1870s, when Adventism reached the apogee of its brief but influential career. Thereafter, the availability of religious poetry was mediated either through the Broad Church line or through the High Church and Anglo-Catholic line . The premillenarian and evangelist enthusiasm which supported Rossetti’s religious poetry had been moved to the periphery of English culture when the canon of such verse began to take shape in the modern period.To read Rossetti’s poetry, then, we have to willingly suspend not only our disbelief in her convictions and ideas but also our belief in those expectations and presuppositions about religious poetry which we have inherited from those two dominant ideological lines—Broad Church and High Church and Anglo-Catholic. Waller has drawn our attention to the general premillenarian content of her work, and I should like to follow his lead by emphasizing another crucial and even more particular doctrinal feature of her poetry. 19. Waller, “Christ’s Second Coming,” p. 477. For a general discussion of millenarianism in the early nineteenth century, see J. E. Harrison, The Second Coming, Popular Millenarianism, 1780-1850 . Jerome J. McGann is the Doris and Henry Dreyfuss Professor of Humanities at the California Institute of Technology. His two most recent books are The Romantic Ideology. A Critical Investigation and A Critique of Modern Textual Criticism . His previous contributions to Critical Inquiry are “Formalism, Savagery, and Care; or, The Function of Criticism Once Again” and “The Meaning of the Ancient Mariner”. (shrink)

This edition offers you the first Modern English version of Chaucer's only previously untranslated major work, Boece. Boece is Chaucer's Middle English translation of the 6th-century CE philosopher Boethius's The Consolation of Philosophy. For over a thousand years,,The Consolation underpinned Christian understanding of Fate, Fortune, Free Will, and Divine Providence, and its ideas influenced Chaucer's major works. While many editions offer a Modern English translation from the original Latin, this edition gives you an approachable version of (...) Chaucer's translation and puts you face-to-face with his phrasings and emendations. Here, the father of English poetry's voice finally speaks up, so you can enjoy his poetic turns and even track where the language from Boece echoes in The Canterbury Tales and Troilus and Criseyde. (shrink)

In this essay, a translation into English of Martin Heidegger's paper Hölderlin and the Essence of Poetry, Paul de Man demonstrates his significant engagement with the work of Heidegger. He considers Johann Christian Friedrich Hölderlin's five key-passages on the subject of poetry, suggesting that the order in which these passages appear as well as the inner coherence that links them together will reveal the essence of poetry. He first comments on Hölderlin's claim that poetry is ‘the most innocent (...) of all crafts’ and goes on to discuss the four other key-passages: ‘Therefore, man was given language, the perilous of all blessings... that he bear witness to what he is... ’; ‘There is much that men have experienced. They have called the many of the heavenly by name, since we are an exchange of words, and one can hear from another’; ‘The poets found what will endure’; ‘With merit, and yet poetically, man dwells on this earth’. (shrink)

An analysis of two major religiously inspired writers from a Kierkegaardian perspective. _Writing the Incommensurable_ studies how the threat posed by the absence of an immanent God is explored in the works of Søren Kierkegaard, Christina Rossetti, and Gerard Manley Hopkins. Mary Finn erects a theoretical framework in each chapter based on a pseudonymous work of Kierkegaard. In these pseudonymous works, Kierkegaard uses the discourses of philosophy, theology, and literature to plot the complicated path of a religious writer whose own (...) impulse to write complicates—if it does not compromise—the religious vision she or he wants to communicate. The book is organized according to four Kierkegaardian categories: anxiety, lyric voice, repetition, and radical choice. All four are responses to what Kierkegaard calls the incommensurable, the unnegotiable gap between subjectivity on the one hand and "actuality" on the other. This gap plagues the writer-believer while also enabling writing. In what dilemma, then, does a religious poet find herself or himself when out of the depths of personal doubt, lack of understanding, and religious inadequacy comes a literary success? Or is this dilemma avoided by paradoxically refiguring failure as a measure of success, and if so, can such a refiguring ever be fully trusted? As the notion of the subjective "self" acquires preeminence in the nineteenth century, the particularized "writing self" is the entity Kierkegaard, Hopkins, and Rossetti fight to get beyond as religious believers. The futility of such an attempt nonetheless results in a peculiar success: there is the writing itself, material evidence that the fight occurred, imbued with the pathos and beauty of all monuments erected to lost causes. (shrink)

We began with the observation that language is often held to enact the world. We have examined several instances of this notion, beginning with a discussion of the folk etymology of certain words, moving through an example of Freud, to Morgenstern, Lettvin, and Stevens. The method shared by these examples assumes that words are literally saturated with meaning; that what appears arbitrary or senseless in them can be made to render up its sense and its motivation through a kind of (...) inspired analysis. Our intent has been to show how this principle of folk etymology lies behind some sophisticated creative thinking. In Freud, it is hypothesized to be a psychological mechanism of some depth. In Morgenstern and Lettvin, it forms the basis for a resonant poetic joke, while in Stevens it appears to have the same major status as the mythic principle of creation-through-language illustrated in our first examples from Egyptian mythology and from Genesis. Stevens, of course, uses the principle to create poetry, not religion; for as he says in section 5 of "The Man with the Blue Guitar": Poetry Exceeding music must take the placeOf empty heaven and its hymns . . . Samuel Jay Keyser, head of the department of linguistics and philosophy at the Massachusetts Institute of Technology and editor of Linguistic Inquiry, is the coauthor of English Stress: Its Form, Its Growth and Its Role in Verse and of Beginning English Grammar. Alan Prince, an assistant professor of linguistics at the University of Massachusetts at Amherst, has written on stress and linguistic rhythm and is currently working, with Keyser, on the poetry of Wallace Stevens. (shrink)

A study of the effect of mysticism & theology on the philosophy & the works of three noteworthy 17th century poets: Donne, Browne & Vaughan.

The article is devoted to the four principle realization in the creative work of two poets, namely the English literature classic T.S. Eliot (1888-1965) and a representative of the Russian poetry Elena Swarz (1948-2010). Number four is a structural principle in their works composition and crucifix of Christ. On the example of the two poets the author shows that on the one hand, the symbol of four is a cosmic transversalism of being and the cross image, on the other. (...) Thus, two contradictory meanings are combined here: harmony and drama as truly Christian forms of dialectics. (shrink)

Steadman suggests that these poets, along with most other Renaissance poets, did not actually regard themselves as divinely inspired but, rather, resorted to a common fiction to create the appearance of having special insight into the truth.

This paper finds its origin in a debate between Georges Bataille (1897-1962) and Octavio Paz (1914-1998) on what is central to the idea of eroticism. Bataille posits that violence and transgression are fundamental to eroticism, and without prohibition, eroticism would cease to exist. Paz, however, views violence and transgression as merely intersecting with, rather than being intrinsic to, eroticism. Paz places focus on imagination, and transforms eroticism from a transgressive, to a ritualistic act. Eroticism thus functions as an intermediary, turning (...) animal sexuality into ceremony and rite. In this paper, I argue that Paz and Bataille are not fundamentally at odds in their conceptualisation of eroticism. Instead, Paz redefines the locus of eroticism by subverting its unsettling aspects. His conception of eroticism gives precedence to the imagination, which in itself is an act of violation. Imagination transgresses normal life, but this transgression – the violation of the habitual world – also introduces a glimpse of the numinous that Paz associates with belongingness. The paper further explores eroticism, as this is perceived today, and argues that it ultimately eliminates the threshold marked by transgression. The rise of the contemporary pornographic society is marked by a loss of imagination and transcendence, which ultimately reduces the subject into a mere automaton that demands instant gratification. (shrink)

Is poetry a topic for philosophical reflection? This paper seeks to argue that it is by exhibiting poetry as a form of knowledge. What the claim that poetry is a form of knowledge amounts to is that something can be knowledge in virtue of being poetical and poetical in virtue of being the (kind of) knowledge it is. Various kinds of skeptical doubt about this claim are considered. It is argued that such doubts are based on distorting pictures of poetry. (...) Two strategies to justify the claim that poetry is a form of knowledge shall be explored. The first strategy is a broadly Wittgensteinian one, relying on grammatical reminders. The second strategy is a broadly Hegelian one, exhibiting poetry as a form of knowledge by showing that the concepts of two other forms of knowledge – practical and second-person knowledge – due to internal incoherences, point beyond themselves towards the concept of poetry. (shrink)

Natural scientific psychology grew out of an effort to objectify language. The ultimate effect of its methodological innovations was to distance the reader from a primordial poetic experience of the world and from a cultural heritage whose primary task it was to cultivate that experience. We make use of the poetics and the phenomenological thought of Gaston Bachelard in order to place poetry and literature in a more fruitful relationship to psychology.

From philosophy to theology -- Structure -- Mystery -- Power.

The Israelite Samaritan Version of the Torah: First English Translation Compared with the Masoretic Version. Edited by Benyamim Tsedaka and Sharon Sullivan. Grand Rapids, Mich.: William B. Eerdmans Publishing Co., 2013. Pp. xxxvii + 522, illus. $26.

From 1968 to 1991 the acclaimed film theorist Christian Metz wrote several remarkable books on film theory. These books set the agenda of academic film studies during its formative period. Metz's ideas were taken up, digested, refined, reinterpreted, criticized and sometimes dismissed, but rarely ignored. This volume collects and translates into English a series of interviews with Metz, who offers readable summaries, elaborations, and explanations of his sometimes complex and demanding theories of film. We also discover the contents (...) of his unpublished manuscript on jokes, his relation to Roland Barthes, and the social networks operative in the French intellectual community during the 1970s and 1980s."--Back cover. (shrink)

_Political Poetry across the Centuries_ aims to give a concise yet wide ranging overview of political poetry from antiquity to the immediate past spanning from Europe to East Asia.

Biblical Exegesis and Mystical Theology in the Venerable Bede brings together seventeen essays by Arthur Holder exploring the theology and spirituality found in Bede's biblical commentaries and homilies. The volume shows that Bede was both a masterful student of received tradition and a creative thinker concerned to address the needs and concerns of his audience of Christian pastors and teachers in the eighth-century Northumbrian church. Although Bede is best known as the author of The Ecclesiastical History of the (...) class='Hi'>English People, the last half-century of scholarship has demonstrated the sophistication and vast influence of his work in the fields of grammar, biblical interpretation, hagiography, poetry, computus, natural science, and theology. The chapters in this volume show how Bede's exegesis was integrally connected with his work in all those genres and with the monumental artistic productions of his monastery such as the illuminated bible manuscript known as the Codex Amiatinus. The five parts of the book deal with Bede as teacher and biblical scholar, his interpretations of the tabernacle and the temple, his commentary on the Song of Songs, his attitudes toward philosophy and heresy, and his mystical theology. This book will be of interest to students of Christian theology, mysticism, the development of biblical interpretation, and the history of early medieval England. (shrink)

Ancient Poetry in general makes the claim of divine inspiration, thus deriving authority from a supernatural source. Accordingly, it bases the validity of its message on a foundation beyond argument, which has consequences both for the relationship between poets and their poems, as well as between poems and their readers. In Christian Late Antiquity the divine foundation of poetry had to be renegotiated, and as a consequence authorities and arguments had to be given a new role in the (...) class='Hi'>Christian poetic discourse. This paper will analyse the various possibilities and their consequences, also looking at the issue in terms of how far pagan poetry already foreshadowed such a development. The poets taken into consideration include Commodianus, Prudentius, the Carmen adversus Marcionitas, Prosper of Aquitaine, and Venantius Fortunatus. (shrink)

Between 1934 and 1937 Maurice Blondel, the French Roman Catholic philosopher best known for his 1893 work, Action, published a trilogy of writings. Out of these writings came a theological ontology of tremendous force, creativity, and coherence. The purpose of the present dissertation is to reassess the viability of Blondel's ontology for contemporary theology. The retrieval begins with John Milbank's 1990 investigation of Blondel's early philosophy. While Milbank focuses on the strengths of Blondel, he also highlights some critical weaknesses. The (...) dissertation argues that Blondel later came to recognize and correct these weaknesses in his trilogy. ;La pensee, the first volume of the trilogy, discusses the nature and development of thought. Recognizing the ontological structure of thought leads Blondel to present his doctrine of the transnatural elan for assimilation to God. The transnatural desire for God is compared with Henri de Lubac's notion of naturae desiderium and then applied to the modern problem of the relationship between nature and supernature. ;The second installment of the trilogy, L'etre et les etres , explores the mysterious relation of Being and beings. Blondel situates the discussion within the language of creation, identifying Being as Creator and beings as creatures. The analogy of creation allows him to forge the proper relationship between Being and beings. After Blondel's death, two different schools of thought emerged on the mystery of being: Karl Rahner's Thomism and Jean-Luc Marion's new phenomenology. Each school is reviewed and critiqued from a Blondelian perspective. ;The trilogy concludes with a long-awaited revision of L'action . It begins by distinguishing the idea of action from action itself and establishing the ontological difference of action. Action is presented ontologically as enacted power, which is investigated in its individual, social, and metaphysical forms. Individual action is identified as making, practicing, and contemplating. Social action is studied next, with the conclusion that the social being of enacted power is determined by either a philosophy of peace or violence. Finally, divine action is evaluated with regards to the language of causality and absolute power. Blondel proposes instead to describe God's activity in terms of pure action. (shrink)

English summary: During his time inWurzburg from 1803 to 1806 Schelling read his lectures on the System der gesammten Philosophie und der Naturphilosophie insbesondere several times. They are the only complete exposition of Schellings identity philosophy, which comprises the philosophy of nature and the philosophy of mind. The articles discuss the Wurzburger System in the context of problem history and in light of the history of Schellings works and of the history of debates concerning them. With contributions by Christopher (...) Arnold, Ulrich Barth, Christoph Binkelmann, Christian Danz, Georg Essen, Michael Hackl, Patrick Leistner, Jan Rohls, Alexander Schuhbach, Sebastian Schwenzfeuer, Clemens Tangerding and Paul Ziche. German description: In seiner Wurzburger Zeit von 1803 bis 1806 hat Schelling mehrfach sein System der gesammten Philosophie und der Naturphilosophie insbesondere vorgetragen. Hierbei handelt es sich um die einzige Gesamtdarstellung der identitatsphilosophischen Konzeption, welche sowohl Natur- als auch Geistphilosophie umfasst. Die Beitrage des Bandes thematisieren das Wurzburger System vor seinem werk- und problemgeschichtlichen Hintergrund sowie in seinem debattengeschichtlichen Kontext. Mit Beitragen von Christopher Arnold, Ulrich Barth, Christoph Binkelmann, Christian Danz, Georg Essen, Michael Hackl, Patrick Leistner, Jan Rohls, Alexander Schubach, Sebastian Schwenzfeuer, Clemens Tangerding und Paul Ziche.Mit Beitragen von Christopher Arnold, Ulrich Barth, Christoph Binkelmann, Christian Danz, Georg Essen, Michael Hackl, Patrick Leistner, Jan Rohls, Alexander Schuhbach, Sebastian Schwenzfeuer, Clemens Tangerding und Paul Ziche. (shrink)

ABSTRACTThis is the first English translation of Pierre Bayle’s political pamphlet, Réponse d’un nouveau converti à la Lettre d’un refugié of 1689. It may be one of the most critical attacks on a writer’s own side in the history of political ideas. It is a stinging rebuke of Bayle’s own party, the Protestants, for their incoherence, hypocrisy, and violence. It came three years after his similarly savage refutation of the Catholics in The Condition of Wholly Catholic France, also recently (...) published in its first English translation in this journal. A substantial introduction explains some of the context, explores the political theology of this pamphlet, and reviews scholarly interpretations. (shrink)

This article presents two cases of women doing development work for civil society organizations in the Global South. The author uses the cases to explicate the relationship of global civil society, development work, feminism, and Christianity. The case studies were collected through life history interviews with the participants. The cases, interpreted in light of the ‘third space’ cultural theory of Homi Bhabha, destabilize the fixed identity of these women as ‘development workers’, ‘feminists’, ‘Western’, and ‘Christian’.

The following interview was conducted by Christian Diehm in the home of Arne Naess near Oslo, Norway, in December of 2001. At eighty-nine years of age, Naess was preparing for the English-language release of his latest book, Life’s Philosophy. We are pleased to provide a transcript of a large part of the conversations that spanned two afternoon dialogues.

Christian Marazzi's first book: a post-Fordist classic on the roots to economic crises in the contemporary age. Communication as work: we have recently experienced a profound transformation in the processes of production. While the assembly line excluded any form of linguistic productivity, today, there is no production without communication. The new technologies are linguistic machines. This revolution has produced a new kind of worker who is not a specialist but is versatile and infinitely adaptable. If standardized mass production was (...) dominant in the past, today we produce an array of different goods corresponding to specific consumer niches. This is the post-Fordist model described by Christian Marazzi in Capital and Affects. Tracing the development of this new model of labor from Toyota plants in Japan to the most recent innovations, Marazzi's critique goes beyond political economy to encompass issues related to social life, political engagement, democratic institutions, interpersonal relations, and the role of language in liberal democracies. This translation at long last makes Marazzi's first book available to English readers. Capital and Affects stands not only as the foundation to Marazzi's subsequent work, but as foundational work in post-Fordist literature, with an analysis startlingly relevant to today's troubled economic times. This Semiotext edition includes the afterword Marazzi wrote for the 1999 Italian edition. (shrink)

I argue from a hermeneutic point of view that formal elements of poetry can only be identified because poetry is based on both the phenomenon and the conception of poetry, both of which precede the attempt to identify formal elements as the defining moment of poetry. Furthermore, I argue with Gadamer that poetry is based on a rupture with and an epoche of our non-poetic use of language in such a way that it liberates “fixed” universal aspects of everyday language, (...) and that through establishing itself in a new, self-referential and monologue unity, it individualizes speech . From the hermeneutic position, poetry is a form of speaking rather than a “fixed” object. As such, I will try to make sense of what Paul Celan said in his famous “Meridian” speech: namely, that the poem is “actualized language, set free under the sign of a radical individuation, which at the same time stays mindful of the limits drawn by language, the possibilities opened by language.”. (shrink)

Asked to define poetry, one is likely to reply with a sigh, a shrug, a look of exasperation or even one of contempt, indicating not only that the question is oppressive but that anyone who asks it must be something of a fool, a pest, or a vulgarian. Though these uncongenial reactions may be interpreted as the signs of intellectual embarrassment, they are, I think, quite justified. For the nature of definition and the particular historical fortunes of the term poetry (...) conjoin to this effect: that a definition of the term will either be a total chronicle of those fortunes or will constitute merely one more episode in them. In other words, a definition of poetry is bound to be either inadequate to the job or, if adequate, then both unmanageable and uninteresting for any other purpose. Barbara Herrnstein Smith, professor of English and communications at the University of Pennsylvania, is the author of Poetic Closure: A Study of How Poems End, for which she received the Christian Gauss and Explicator awards, and the editor of Shakespeare's Sonnets. This article will be part of a book, Fictive Discourse. She has also contributed "Narrative Versions, Narrative Theories" to Critical Inquiry. (shrink)

English summary: The contributions to this volume discuss the philosophical development of Friedrich Wilhelm Joseph Schelling (1775-1854) in the first half of the 19th century. In 1801, Schelling presented a broad concept for a systematic philosophy in which all of Nature and the whole spiritual world are understood as phenomena of one and the same principle. In 1809, he presented his Philosophical Inquiries into the Essence of Human Freedom, a conception that appears to contradict the system drafted in 1801. (...) Schelling scholars fiercely dispute over this phase between his philosophy of identity and his treatise on freedom. The contributions to this volume clearly show for the first time the development of Schelling's philosophy leading up to his treatise on freedom as a continuation of his earlier work. In this way, important issues concerning the development of Schelling's philosophy are clarified, and are of interest far beyond the narrower field of Schelling scholarship. German text. German description: Die Beitrage thematisieren die philosophische Entwicklung Friedrich Wilhelm Joseph Schellings (1775-1854) im ersten Jahrzehnt des 19. Jahrhunderts. Schelling hatte 1801 einen umfassenden Entwurf einer systematischen Philosophie vorgelegt, in dem die gesamte Natur und die gesamte Geisteswelt als Erscheinungen ein und desselben Prinzips verstanden werden. Im Jahre 1809 legte er mit der Schrift Philosophische Untersuchungen uber das Wesen der menschlichen Freiheit eine Konzeption vor, die dem Systementwurf von 1801 scheinbar widerspricht. In der Schelling-Forschung ist diese Entwicklungsphase zwischen Identitatsphilosophie und Freiheitsschrift heftig umstritten. Die Beitrage des Bandes machen nun erstmals die Entwicklung der Philosophie Schellings hin zur Freiheitsschrift als eine kontinuierliche Weiterentwicklung seines Ansatzes von 1801 deutlich. Damit kommt es zu einer Klarung wichtiger werkgeschichtlicher Entwicklungsprobleme in der Philosophie Schellings, die weit uber den engeren Bereich der Schelling-Forschung von Interesse sind. (shrink)

English summary: In this volume, the Munich and Vienna-based theologian Falk Wagner's work in the fields of philosophical theology, sociology and lived religion is taken up for the first time against the backdrop of current theological and philosophical controversies. The essays integrate Wagner's thinking into the history of theology and philosophy in the twentieth century, reconstruct fundamental elements of his philosophical theology between the poles of speculative theology and lived religion, while also highlighting the constellations and context wherein his (...) theology is situated. The authors explore from a work- and problem-historical perspective the contribution of the systematic theologian to the relevant twenty first century debates. German description: Der vorliegende Band thematisiert erstmals vor dem Hintergrund der gegenwartigen theologischen und philosophischen Kontroversen das Gesamtwerk des Munchener und Wiener Theologen Falk Wagner im Spannungsfeld von philosophischer Theologie, Sozialwissenschaften und gelebter Religion. Die einzelnen Beitrage ordnen dessen Denken in die theologie- und philosophiegeschichtliche Entwicklung des 20. Jahrhunderts ein, rekonstruieren grundlegende Aufbauelemente seiner philosophischen Theologie und beleuchten die Konstellationen, in denen seine Theologie steht. Dabei loten die Autoren sowohl in werkgeschichtlicher als auch in problemgeschichtlicher Perspektive den Beitrag des systematischen Theologen fur die theologischen Debatten im 21. Jahrhundert aus. Mit Beitragen von: Christine Axt-Piscalar, Ulrich Barth, Christian Danz, Wilhelm Grab, Kathrin Mette, Michael Murrmann-Kahl, Jan Rohls, Ewald Stubinger, Folkart Wittekind, Kurt Walter Zeidler, Manuel Zelger. (shrink)

The detailed interpretation and translation of Nietzsche’s early Latin odes clearly show that Horace’s lyric poetry has an exemplary function for the development of Nietzsche’s own poetic language. Even in his later works, such as Twilight of the Idols and the Dionysos-Dithyrambs, Nietzsche’s poetic style and rhetorical strategies remain indebted to his early attempts to emulate classical Latin poetry when he was a pupil at the Pforta boarding school.

Abstract“The singular state of the ice”. The Cartographic Knowledge of the Whaler William Scoresby. The English whaler William Scoresby, Jr. (1790–1857) made use of his annual voyages to the Greenland Sea for distinguished scientific work, detailed records and the production of amazing maps. Due to his intensive contacts to scientists as Robert Jameson and politicians as Joseph Banks and John Barrow his research achieved a great deal of attention and set a benchmark for at least half a century. Scoresby (...) combined the adventurous world of Arctic fishery with academic sciences. He attained the northernmost point anybody reached in his time, he extended the cartographic knowledge and forced the conquest and utilisation of the oceans for commercial fishing. But his biography enquires also about who got an opportunity for research and for what. Especially it demonstrates the strong impact practical knowledge of a whaler could have on geographic research and Arctic cartography. (shrink)

English summary: Was Paul of Tarsus a philosopher? Does he even rank amongst those philosophers who influenced occidental live and thought? The Italian philosopher Giorgio Agamben says, that the Epistle to the Romans is the fundamental messianic text of the western culture. The Jewish scholars Jacob Taubes and Daniel Boyarin insist on the philosophical and political Force of Pauline thinking. Long before that, Friedrich Nietzsche and Martin Heidegger dealt intently with the Epistle. Was Paul a Philosopher? In any case (...) he received a lot of attention from the modern philosophers. The collection of contributions by theologians and philosophers gives profound insights into his thinking. German description: War Paulus aus Tarsus ein Philosoph? Zahlt er gar zu jenen bedeutenden Philosophen, die das abendlandische Leben und Denken massgeblich mit pragten? Der italienische Philosoph Giorgio Agamben bezeichnet jedenfalls den Romerbrief des Apostels als "grundlegenden messianischen Text der westlichen Kultur". Nachdrucklich weisen auch judische Gelehrte wie Jacob Taubes und Daniel Boyarin auf die philosophisch-politische Sprengkraft paulinischen Denkens hin. Lange zuvor setzten sich bereits Friedrich Nietzsche und Martin Heidegger intensiv mit den Briefen des Apostels auseinander. War Paulus ein Philosoph? In jedem Fall geniesst er unter den Philosophen der Moderne und Spatmoderne eine bemerkenswert grosse Aufmerksamkeit. Die hier versammelten Beitrage von Philosophen und Theologen geben einen profunden Einblick in sein denkerisches Potential. (shrink)

Accession Number: ATLA0001788511; Hosting Book Page Citation: p 292-317.; Language(s): English; Issued by ATLA: 20130825; Publication Type: Essay.

The ArgumentThis essay describes the emergence and stabilization in French and English experimental accounts, in second half of the seventeenth century, of the narrative sequence: X did (some process in the laboratory) and X saw (something happen), where X stands for a pronoun, I or we in English,je, nousoronin French. Focussing on the French case, it shows how the use of the collective pronounonin the experimental accounts registered in the files of the Académie des Sciences is directly related (...) to the will of this newly created institution to assert a collective authority on the production and legitimization of experimental matters-of-fact produced in the laboratory. It is argued, through the case of the discovery of the blind spot in the eye by Mariotte, that this new narrative form imbeds a construal of the experiment as a public spectacle, and of the proof as a witnessing event, which eludes the Academy's attempts to monopolize the process of fact validation and favors the diffusion and display of experiments in front of larger audiences. The question of whether a privileged witness such as the King of France who patronized the Academy could not have constituted by himself a suitable audience to ensure a full legitimization of experimental matters-of-fact while remaning within the bounds of academic practices is addressed. It is answered in the negative by providing evidence for the lack of interest of the absolute monarch in experiments. On the other hand, the outdoor practices of observation and measurement are shown to interfere in a constructive manner with the absolutist power and to capture the attention of the absolutist monarch, where laboratory experiments had failed. It is proposed that natural philosophers in the early modern period bear the burden of proof in buying credibility for the phenomena they try, by paying a tribute to the standing of the patrician elites that witness their experiments. This makes sense in a straightforward manner of the lack of interest of the King of France in a practice which exalts the power of the very group he is trying hard to control through the absolutist structure of power. (shrink)

This study represents a comparison between two radical gestures of literary self-reflexivity: romantic irony and postmodernist metafiction. It examines the impact of early German romantic theory and its central concept of irony on German and English romantic narrative fiction and relates the same to postmodernist self-reflexive novels, including its British and American variants. A primary objective of this comparison is to account for the radical skepticism that postmodernist metafiction voices with respect to the paramount philosophical question of truth and (...) reality. The immanent tension between an absolute idealistic and a radically skeptic position which romantic irony articulates and enacts is conceived of as an important and instructive link to the understanding of postmodernism. (shrink)