Results for 'Catharine Cross'

984 found
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  1.  7
    In Memoriam.Catharine Cross - 2017 - Human Nature 28 (3):364-365.
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  2.  17
    (Super-)cultural clustering explains gender differences too.Lynda G. Boothroyd & Catharine P. Cross - 2022 - Behavioral and Brain Sciences 45:e156.
    The target paper shows how cultural adaptations to ecological problems can underpin “paradoxical” patterns of phenotypic variation. We argue: (1) Gendered social learning is a cultural adaptation to an ecological problem. (2) In evolutionarily novel environments, this adaptation generates arbitrary-gendered outcomes, leading to the paradoxical case of larger sex differences in more gender equal societies.
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  3.  32
    Comment: Beyond "Evolutionary versus Social": Moving the Cycle Shift Debate Forward.Gillian R. Brown, Catharine P. Cross, Sally E. Street & Charlotte O. Brand - 2014 - Emotion Review 6 (3):250-251.
    Wood, Kressel, Joshi, and Louie thoroughly evaluate the evidence for menstrual cycle shifts in ratings of several male characteristics and conclude that their analyses fail to provide supportive evidence for consistent cycle effects. The topic of menstrual cycle shifts in mate preferences has been strongly debated, with disagreements over both scientific content and practice. Here, we attempt to take a step back from these acrimonious exchanges and focus instead on how to interpret menstrual cycle shifts in mate preference tasks, independently (...)
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  4.  27
    Varieties of Voluntarism in Medieval and Early Modern Philosophy.Sonja Schierbaum & Jörn Müller (eds.) - 2024 - Routledge.
    This book considers different forms of voluntarism developed from the 13th to 18th centuries. By crossing the conventional dividing line between the medieval and early modern periods, the volume draws important new insights on the historical development of voluntarism. Voluntarism places a special emphasis on the will when it comes to the analysis and explanation of fundamental philosophical questions and problems. Since the Middle Ages, voluntarist considerations and views played an important role in the development of different theories of action, (...)
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  5.  52
    A Distorting Mirror: Educational Trajectory After College Sexual Assault.Claire Raymond & Sarah Corse - 2018 - Feminist Studies 44 (2):464.
    In lieu of an abstract, here is a brief excerpt of the content:464 Feminist Studies 44, no. 2. © 2018 by Feminist Studies, Inc. Claire Raymond and Sarah Corse A Distorting Mirror: Educational Trajectory After College Sexual Assault This article focuses on the broad and specific impacts of college sexual assault on student-survivors’ academic performance, academic trajectory, and their sense of self in relation to the university community. We frame this study with, and relate our findings to, the historic and (...)
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  6.  13
    Hit Me with Your Best Shot.Ummni Khan - 2010 - In Dave Monroe, Porn: Philosophy for Everyone. Wiley-Blackwell. pp. 233–246.
    This chapter contains sections titled: Aisha's Coming Out The Legal Controversy Understanding the Context Violence Physical Violence Phenomenological Violence Epistemic Violence Aisha's Crossing Over Notes.
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  7.  26
    Catharine Trotter Cockburn: Philosophical Writings (1702-1747).Catharine Trotter Cockburn - 2006 - Peterborough, CA: Broadview Press.
    An important thinker who contributed to eighteenth-century debates in epistemology, metaphysics, and ethics, Catharine Trotter Cockburn pursued the life of a dramatist and essayist, despite the prevailing social, cultural, and moral prescriptions of her day. Cockburn’s philosophical writings were polemical pieces in defence of such philosophers as John Locke and Samuel Clarke, in which she grappled with the moral and theological questions that concerned them and produced her own unique answers to those questions. Her works are interesting both for (...)
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  8.  39
    Versteckte Zahlen.Catharine Diehl - 2016 - Zeitschrift für Philosophische Forschung 70 (3):412-418.
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  9.  14
    King, Queen, Sui-mate: Nabokov’s Defense Against Freud’s “Uncanny”.Catharine Theimer Nepomnyashchy - 2008 - Intertexts 12 (1-2):7-24.
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  10.  31
    A shifting paradigm: histone deacetylases and transcriptional activation.Catharine L. Smith - 2008 - Bioessays 30 (1):15-24.
    Transcriptional repression and silencing have been strongly associated with hypoacetylation of histones. Accordingly, histone deacetylases, which remove acetyl groups from histones, have been shown to participate in mechanisms of transcriptional repression. Therefore, current models of the role of acetylation in transcriptional regulation focus on the acetylation status of histones and designate histone acetyltransferases, which add acetyl groups to histones, as transcriptional coactivators and histone deacetylases as corepressors. In recent years, an accumulation of studies have shown that these enzymes also target (...)
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  11.  9
    The Social, Political And Philosophical Works of Catharine Beecher.Catharine Esther Beecher, Dorothy G. Rogers & Therese Boos Dykeman - 2002 - Thoemmes.
  12. What is Creative Thinking?CATHARINE PATRICK - 1955
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  13.  38
    The Mind, the Body, and Gertrude Stein.Catharine R. Stimpson - 1977 - Critical Inquiry 3 (3):489-506.
    However, Stein's self-images are more than appropriations of a male identity and masculine interests. Several of them are irrelevant to categories of sex and gender. In part, Stein is an obsessive psychologist, a Euclid of behavior, searching for "bottom natures," the substratum of individuality. She also tries to diagram psychic genotypes, patterns into which all individuals might fit. Although she plays with femaleness/maleness as categories, she also investigates an opposition of impetuousness and passivity, fire and phlegm; a variety of regional (...)
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  14. II—Genre, Interpretation and Evaluation.Catharine Abell - 2015 - Proceedings of the Aristotelian Society 115 (1pt1):25-40.
    The genre to which an artwork belongs affects how it is to be interpreted and evaluated. An account of genre and of the criteria for genre membership should explain these interpretative and evaluative effects. Contrary to conceptions of genres as categories distinguished by the features of the works that belong to them, I argue that these effects are to be explained by conceiving of genres as categories distinguished by certain of the purposes that the works belonging to them are intended (...)
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  15.  11
    The Utility of Pain.Catharine C. Braddock - 1919 - International Journal of Ethics 30 (2):213.
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  16. The demand for an end: Kant and the negative conception of history.Catharine Diehl - 2014 - In Anna Glazova & Paul North, Messianic thought outside theology. New York: Fordham University Press.
     
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  17.  20
    Eguaglianza tra i sessi e universalità della morale.Catharine Macaulay - 2017 - Società Degli Individui 58:89-96.
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  18.  38
    Eternal World Television Network: Newman at 2000.Catharine M. Ryan - 2007 - Newman Studies Journal 4 (1):90-91.
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  19. Fiction: A Philosophical Analysis.Catharine Abell - 2020 - Oxford, UK: Oxford University Press.
    The aim of this book is to provide a unified solution to a wide range of philosophical problems raised by fiction. While some of these problems have been the focus of extensive philosophical debate, others have received insufficient attention. In particular, the epistemology of fiction has not yet attracted the philosophical scrutiny it warrants. There has been considerable discussion of what determines the contents of works of fiction, but there have been few attempts to explain how audiences identify their contents, (...)
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  20.  38
    Patients’ Beliefs About Deep Brain Stimulation for Treatment-Resistant Depression.Ryan E. Lawrence, Catharine R. Kaufmann, Ravi B. DeSilva & Paul S. Appelbaum - 2018 - American Journal of Bioethics Neuroscience 9 (4):210-218.
    Deep brain stimulation is an experimental procedure for treatment-resistant depression. Some results show promise, but blinded trials had limited success. Ethical questions center on vulnerability: especially on whether depressed patients can weigh the risks and benefits effectively, whether depression causes “desperation,” and whether media portrayals create unrealistic hopes. We interviewed 24 psychiatric inpatients with treatment-resistant depression, qualitatively analyzing their comments. Most had minimal interest in deep brain stimulators. Some might consider them if their depression worsened, if alternatives were exhausted, or (...)
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  21.  36
    Richard Cross’s Response to Brian Davies.Richard Cross - 2018 - American Catholic Philosophical Quarterly 92 (2):329-331.
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  22.  77
    Reply to Currie’s and Gilmore’s comments on Abell’s Fiction: A Philosophical Analysis.Catharine Abell - 2022 - British Journal of Aesthetics 62 (2):195-204.
    The metaphysical question of what determines the contents of fictive utterances is closely related to the epistemological question of how audiences identify the.
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  23.  35
    Critical realism in nursing: an emerging approach.Catharine J. Schiller - 2016 - Nursing Philosophy 17 (2):88-102.
    Critical realism, a philosophical framework originally developed by Roy Bhaskar in the 1970s, represents a relatively new approach to research generally and to nursing research in particular. This article explores the ontological and epistemological tenets of critical realism and examines the application of critical realist principles to nursing research and practice through a review of the literature. It is evident that few published nursing research studies have, as of yet, utilized critical realism as their paradigm of choice. Both the strengths (...)
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  24. Canny resemblance.Catharine Abell - 2009 - Philosophical Review 118 (2):183-223.
    Depiction is the form of representation distinctive of figurative paintings, drawings, and photographs. Accounts of depiction attempt to specify the relation something must bear to an object in order to depict it. Resemblance accounts hold that the notion of resemblance is necessary to the specification of this relation. Several difficulties with such analyses have led many philosophers to reject the possibility of an adequate resemblance account of depiction. This essay outlines these difficulties and argues that current resemblance accounts succumb to (...)
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  25.  93
    John Dewey and the philosophy and practice of hope.Catharine D. Bell - 2009 - Education and Culture 25 (1):pp. 66-70.
  26. Art: What it Is and Why it Matters.Catharine Abell - 2011 - Philosophy and Phenomenological Research 85 (3):671-691.
    In this paper, I provide a descriptive definition of art that is able to accommodate the existence of bad art, while illuminating the value of good art. This, I argue, is something that existing definitions of art fail to do. I approach this task by providing an account according to which what makes something an artwork is the institutional process by which it is made. I argue that Searle’s account of institutions and institutional facts shows that the existence of all (...)
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  27.  17
    Innocence Revisited.Catharine Hughes - 1959 - Renascence 12 (1):29-34.
  28. The Epistemic Value of Photographs.Catharine Abell - 2010 - In Catharine Abell & Katerina Bantinaki, Philosophical Perspectives on Depiction. Oxford, GB: Oxford University Press.
    There is a variety of epistemic roles to which photographs are better suited than non-photographic pictures. Photographs provide more compelling evidence of the existence of the scenes they depict than non-photographic pictures. They are also better sources of information about features of those scenes that are easily overlooked. This chapter examines several different attempts to explain the distinctive epistemic value of photographs, and argues that none is adequate. It then proposes an alternative explanation of their epistemic value. The chapter argues (...)
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  29. A Language for Ontological Nihilism.Catharine Diehl - 2018 - Ergo: An Open Access Journal of Philosophy 5:971-996.
    According to ontological nihilism there are, fundamentally, no individuals. Both natural languages and standard predicate logic, however, appear to be committed to a picture of the world as containing individual objects. This leads to what I call the \emph{expressibility challenge} for ontological nihilism: what language can the ontological nihilist use to express her account of how matters fundamentally stand? One promising suggestion is for the nihilist to use a form of \emph{predicate functorese}, a language developed by Quine. This proposal faces (...)
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  30. Self-scrutiny and Self-transformation in Seneca's Letters.Catharine Edwards - 2008 - In John G. Fitch, Seneca. New York: Oxford University Press.
  31.  83
    Haecceitism without individuals.Catharine Diehl - 2025 - Inquiry: An Interdisciplinary Journal of Philosophy 68 (2):909-935.
    According to anti-individualism, the basic building blocks of the world are not individuals. The anti-individualist argues that standard, individual-entailing claims–for instance, that Theia is a cat–are mistaken in presupposing that there are individuals, but that such claims correspond to statements in a feature-placing language devoid of these presuppositions. Instead, the world is entirely made up of non-individualistic features–structurally akin to familiar examples such as it's raining or it's snowing–that are arranged in particular ways. Since features do not carve out individual (...)
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  32. The Expression of Emotion: Philosophical, Psychological and Legal Perspectives.Catharine Abell & Joel Smith (eds.) - 2016 - New York: Cambridge University Press.
    The Expression of Emotion collects cutting-edge essays on emotional expression written by leading philosophers, psychologists, and legal theorists. It highlights areas of interdisciplinary research interest, including facial expression, expressive action, and the role of both normativity and context in emotion perception. Whilst philosophical discussion of emotional expression has addressed the nature of expression and its relation to action theory, psychological work on the topic has focused on the specific mechanisms underpinning different facial expressions and their recognition. Further, work in both (...)
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  33. Pictorial implicature.Catharine Abell - 2005 - Journal of Aesthetics and Art Criticism 63 (1):55–66.
    It is generally recognised that an adequate resemblance-based account of depiction must specify some standard of correctness which explains how a picture’s content differs from the content we would attribute to it purely on the basis of resemblance. For example, an adequate standard should explain why stick figure drawings do not depict emaciated beings with gargantuan heads. Most attempts to specify a standard of correctness appeal to the intentions of the picture’s maker. However, I argue that the most detailed such (...)
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  34.  39
    The Empty Space in Structure: Theories of the Zero from Gauthiot to Deleuze.Catharine Diehl - 2008 - Diacritics 38 (3):93-119.
    Through an historical investigation of the concept of the zero from Gauthiot to Deleuze, this paper examines a peculiar object, the signifying nothing. Saussure founds his science of linguistics on the claim that the opposition between something and nothing provides the minimal condition for the existence of language. What is this nothing and how can it be recognized? What can account for the zero—as structuralist linguists call a marked nothing—in language? The essay first considers linguists’ responses to these problems, before (...)
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  35. Cinema as a representational art.Catharine Abell - 2010 - British Journal of Aesthetics 50 (3):273-286.
    In this paper, I develop a unified account of cinematic representation as primary depiction. On this account, cinematic representation is a distinctive form of depiction, unique in its capacity to depict temporal properties. I then explore the consequences of this account for the much-contested question of whether cinema is an independent representational art form. I show that it is, and that Scruton’s argument to the contrary relies on an erroneous conception of cinematic representation. CiteULike Connotea Del.icio.us What's this?
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  36. Free yourself! : slavery, freedom and the self in Seneca's letters.Catharine Edwards - 2009 - In Shadi Bartsch & David Wray, Seneca and the self. New York: Cambridge University Press.
  37.  43
    From Republic to Principate.Catharine Edwards - 1993 - The Classical Review 43 (01):112-.
  38. Pictorial realism.Catharine Abell - 2007 - Australasian Journal of Philosophy 85 (1):1 – 17.
    I propose a number of criteria for the adequacy of an account of pictorial realism. Such an account must: explain the epistemic significance of realistic pictures; explain why accuracy and detail are salient to realism; be consistent with an accurate account of depiction; and explain the features of pictorial realism. I identify six features of pictorial realism. I then propose an account of realism as a measure of the information pictures provide about how their objects would look, were one to (...)
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  39.  34
    Nancy Reagan Wears a Hat: Feminism and Its Cultural Consensus.Catharine R. Stimpson - 1988 - Critical Inquiry 14 (2):223-243.
    Like every great word, “representation/s “ is a stew. A scrambled menu, it serves up several meanings at once. For a representation can be an image—visual, verbal, or aural. Think of a picture of a hat. A representation can also be a narrative, a sequence of images and ideas. Think of the sentence, “Nancy Reagan wore a hat when she visited a detoxification clinic in Florida.” Or, a representation can be the product of ideology, that vast scheme for showing forth (...)
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  40. (1 other version)Comics and Genre.Catharine Abell - 2011 - In Aaron Meskin, Roy T. Cook & Warren Ellis, The Art of Comics: A Philosophical Approach. Wiley-Blackwell. pp. 68--84.
    An adequate account of the nature of genre and of the criteria for genre membership is essential to understanding the nature of the various categories into which comics can be classified. Because they fail adequately to distinguish genre categories from other ways of categorizing works, including categorizations according to medium or according to style, previous accounts of genre fail to illuminate the nature of comics categories. I argue that genres are sets of conventions that have developed as means of addressing (...)
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  41. Of mice and men: A feminist fragment on animal rights.Catharine A. MacKinnon - 2004 - In Cass R. Sunstein & Martha Craven Nussbaum, Animal rights: current debates and new directions. New York: Oxford University Press. pp. 263--76.
     
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  42.  33
    Texts in the Wind.Catharine R. Stimpson - 2004 - Critical Inquiry 30 (2):434.
  43. Philosophical Perspectives on Depiction.Catharine Abell & Katerina Bantinaki (eds.) - 2010 - Oxford, GB: Oxford University Press.
    This volume of specially written essays by leading philosophers offers to set the agenda for the philosophy of depiction.
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  44.  80
    Printmaking as an Art.Catharine Abell - 2015 - Journal of Aesthetics and Art Criticism 73 (1):23-30.
    Many forms of printmaking involve drawing or painting onto a plate to produce a matrix and then producing prints from that matrix by mechanical processes. One might be skeptical about the artistic significance of such prints, on the basis that only the process of drawing or painting the matrix enables printmakers to exercise intentional control over the features of the resultant prints. This might lead one to think that such forms of printmaking lack artistic significance independent of drawing and painting. (...)
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  45. Against Depictive Conventionalism.Catharine Abell - 2005 - American Philosophical Quarterly 42 (3):185 - 197.
    In this paper, I discuss the influential view that depiction, like language, depends on arbitrary conventions. I argue that this view, however it is elaborated, is false. Any adequate account of depiction must be consistent with the distinctive features of depiction. One such feature is depictive generativity. I argue that, to be consistent with depictive generativity, conventionalism must hold that depiction depends on conventions for the depiction of basic properties of a picture’s object. I then argue that two considerations jointly (...)
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  46. On outlining the shape of depiction.Catharine Abell - 2005 - Ratio 18 (1):27–38.
    In this paper, I discuss the account of depiction proposed by Robert Hopkins in his book Picture, Image and Experience. I first briefly summarise Hopkins’s account, according to which we experience depictions as resembling their objects in respect of outline shape. I then ask whether Hopkins’s account can perform the explanatory tasks required of an adequate account of depiction. I argue that there are at least two reasons for which Hopkins’s account of depiction is inadequate. Firstly, the notion of outline (...)
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  47.  64
    66. Only Words.Catharine MacKinnon - 2014 - In Bernard Williams, Essays and Reviews: 1959-2002. Princeton: Princeton University Press. pp. 345-352.
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  48.  11
    Osip Mandelstam, Seamus Heaney and the Language of Place.Catharine Malloy - 1997 - In Phyllis Carey, Wagering on transcendence: the search for meaning in literature. Kansas City, Mo.: Sheed & Ward. pp. 115.
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  49.  28
    A perceptually-based model of children's earliest productions.Catharine H. Echols - 1993 - Cognition 46 (3):245-296.
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  50.  26
    : DSM: A History of Psychiatry’s Bible.Catharine Coleborne - 2024 - Isis 115 (2):442-443.
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