v. 1. Presentazione de Biagia Catanzaro Gligora -- v. 2. Logica, totalità-reale e realtà -- v. 3. Anima e coscienza.

Cognitive penetration of perception, broadly understood, is the influence that the cognitive system has on a perceptual system. The paper shows a form of cognitive penetration in the visual system which I call ‘architectural’. Architectural cognitive penetration is the process whereby the behaviour or the structure of the perceptual system is influenced by the cognitive system, which consequently may have an impact on the content of the perceptual experience. I scrutinize a study in perceptual learning that provides empirical evidence that (...) cognitive influences in the visual system produce neural reorganization in the primary visual cortex. The type of cognitive penetration can be synchronic and diachronic. (shrink)

Il volume offre una riflessione sulle forme di esperienza musicale della contemporaneità e di un passato che spazia dalla prima età moderna alla fine del ventesimo secolo. Queste possono essere riportate a un concetto ampliato di mediazione musicale che non si applica soltanto all’esperienza “mediatizzata” della musica, proposta da dischi, film, trasmissioni radio e televisive, piattaforme di archiviazione web e social media, ma anche a un concerto dal vivo, a un’installazione, a una partitura a stampa e a un manoscritto musicale (...) miniato. Saggi di Cecchi, Borio, Albert, Bratus, Borghetti, Garda, Sala, Senici, Calabretto, Varon, Corbella, Soldani, Giuggioli, Meandri e Aldeni. (shrink)

The essay reconsiders Wolfgang Iser’s phenomenology of reading, taken as a possible non reductionist answer to the neuroscientific theories of literature. By emphasizing the aesthetic nature of reading, thanks also to Hans Robert Jauss’ contribution, the idea of a ‘reader’s imagination’ emerges here, as a specific and unique power which allows not only the access to the world of the literary text, but opens also new spheres for the understanding and exploration of the real world. In shorts, it is concerned (...) with the constitution of a special cognitive-emotional pattern, which depends on the building of what Iser considers as the reader’s «artificial habitats», through the interaction with the text. (shrink)

An old and well-known objection to non-classical logics is that they are too weak; in particular, they cannot prove a number of important mathematical results. A promising strategy to deal with this objection consists in proving so-called recapture results. Roughly, these results show that classical logic can be used in mathematics and other unproblematic contexts. However, the strategy faces some potential problems. First, typical recapture results are formulated in a purely logical language, and do not generalize nicely to languages containing (...) the kind of vocabulary that usually motivates non-classical theories—for example, a language containing a naïve truth predicate. Second, proofs of recapture results typically employ classical principles that are not valid in the targeted non-classical system; hence, non-classical theorists do not seem entitled to those results. In this paper, we analyze these problems and provide solutions on behalf of non-classical theorists. To address the first problem, we provide a novel kind of recapture result, which generalizes nicely to a truth-theoretic language. As for the second problem, we argue that it relies on an ambiguity and that, once the ambiguity is removed, there are no reasons to think that non-classical logicians are not entitled to their recapture results. (shrink)

Este artigo tem como objetivo rever a crítica que Peirce faz a uma definição de abdução como uma relação de probabilidade a partir das características. Parece consensual entre seus comentadores que, de fato, essa definição não se adequa ao conceito peirciano. Contudo, este artigo defende que não há uma desarmonia entre abdução e uma relação de probabilidade. Ao contrário, será defendido que, sendo a abdução composta de formação e seleção de hipóteses, essa relação de probabilidade poderia ter uma função na (...) parte de seleção de hipóteses. Para isso, será apresentada uma definição básica de abdução, seguida da proposta de relação de probabilidade entre características. As críticas a essa proposta serão apresentadas e será evidenciado que não se sustentam, abrindo, assim, a possibilidade da permanência dessa característica no conceito de abdução peirciana. (shrink)

John Dewey puts aesthetic experience at the center of his reflection on art and beauty, reconsidering it dynamically. Nowadays, this view opened the path to somaesthetics, a term coined by Richard Shusterman, and aesthetic anthropology. Here, it is argued that the contribution of pragmatist aesthetics could be further developed by exploring its analogies with techno-aesthetics, a paradigm proposed by French philosopher Gilbert Simondon in the early 1980s. Art occupies accordingly a special place within the different forms of aesthetic experience, being (...) considered as a way of experimenting the impact of new technologies in the human experience. It is a process by which technologies create ‘devices’ for experimenting perception and reflection: namely, ways of reconstructing the nature of the human mind in-between body and technology, and by means of their interaction. Cinema reconsidered after Dewey’s fellow George H. Mead, offers an exemplary case as both artistic and technological devices. (shrink)

We introduce a suitable notion of eight-shaped curve in the product S × ℝ of a Suslin line S for the real line ℝ, and we prove that if S is dense in itself, then every collection of pairwise disjoint eight-shaped curves in S × ℝ is countable. This parallels a folklore result which holds for the real plane.

When logicians work with multiple-conclusion systems, they use a metalinguistic comma ‘,’ to aggregate premises and/or conclusions. In this note, I present an analogy between this comma and Prior’s infamous connective tonk. The analogy reveals that these expressions have much in common. I argue that, indeed, the comma can be seen as a structural incarnation of tonk. The upshot is that, whatever story one has to tell about tonk, there are good reasons to tell a similar story about the comma (...) in typical multiple-conclusion systems, and vice versa. (shrink)

Aristóteles comparte con Platón la concepción de la forma como causa del ser y del conocimiento de las cosas. Sin embargo, un análisis de sus críticas a las Ideas muestra que encuentra en la separación de las Ideas y las cosas sensibles la aporía fundamental de la teoría platónica. Con el propósito de circunscribir el significado de “separación” aplicable a las Ideas, concentraremos nuestro estudio en dos objeciones: 1) el argumento que conduce al tercer hombre y 2) la inutilidad de (...) las Ideas como causas. En el primer caso, creemos que la separación entraña homonimia, por lo que la solución aristotélica implicará la comunidad de naturaleza entre el individuo y su esencia. En el segundo, la separación implica trascendencia o falta de contacto entre generante y generado, por lo que la solución aristotélica apuntará a concebir la forma de las entidades naturales como un principio inmanente, inseparable de la materia y del movimiento, pero a la vez eterno a través de su reproducción en otros individuos de la misma especie. Creemos que en ambas soluciones opera un principio de sinonimia, que constituye su propia contribución al problema de la separación. (shrink)

The article focuses on the possibility of reconsidering the relationship existing between monstrosity and sublime in the light of Jean-François Lyotard’s interpretation of the Kantian sublime. Sublime and monstrosity unveil a system of analogies and differences, which can depict the aesthetic experience mediated by mass media, rather than by art. The lack of form and the sometimes obscene drift, which are typical of media experience, configure indeed a sensibility that oscillates between the ascension to sublime heights and the emergence of (...) monsters. (shrink)

This collection of essays explores the history of the book in pre-modern South Asia looking at the production, circulation, fruition and preservation of manuscripts in different areas and across time. Edited by the team of the Cambridge-based Sanskrit Manuscripts Project and including contributions of the researchers who collaborated with it, it covers a wide range of topics related to South Asian manuscript culture: from the material dimension and the complicated interactions of manuscripts with printing in late medieval Tibet and in (...) modern Tamil Nadu, to reading, writing, editing and educational practices, from manuscripts as sources for the study of religious, literary and intellectual traditions, to the creation of collections in medieval India and Cambodia, and the formation of the Cambridge collections in the colonial period. The contributions reflect the variety of idioms, literary genres, religious movements, and social actors of ancient South Asia, as well as the variety of approaches, interests and specialisms of the authors, and their impassionate engagement with manuscripts. (shrink)

Saul Kripke proposed a skeptical challenge that Romina Padró defended and popularized by the name of the Adoption Problem. The challenge is that, given a certain definition of adoption, there are some logical principles that cannot be adopted—paradigmatic cases being Universal Instantiation and Modus Ponens. Kripke has used the Adoption Problem to argue that there is an important sense in which logic is not revisable. In this essay, I defend two independent claims. First, that the Adoption Problem does not entail (...) that logic is never revisable in the sense that Kripke addresses. Second, that, to assess whether an agent can revise their logic in the sense that Kripke addresses, it is best to consider a different definition of adoption, according to which Universal Instantiation and Modus Ponens are sometimes adoptable. (shrink)

Narrative medicine explores the stories that patients tell; this paper, conversely, looks at some of the stories that patients are told. The paper starts by examining the ‘story’ told by the Shambaa people of Tanzania to explain the bubonic plague and contrasts this with the stories told by Ghanaian communities to explain lymphatic filariasis. By harnessing insights from memory studies, these stories’ memorability is claimed to be due to their use mnemonic devices woven into stories. The paper suggests that stories (...) can be unpatronising, informative, and appropriate vehicles for communicating medical information to all age groups across all cultures. (shrink)

Il saggio propone una lettura estetica del documentario contemporaneo, considerato dal punto di vista delle pratiche intermediali.

The article aims at showing how far the technologies of audiovisual registration affect not only the ontology of images but also our sense of realism in politics and history. As argue Jacques Derrida and Bernard Stiegler, historical events have become “tele-events” after the birth of these technologies. Our handling with images has changed accordingly. As argues Pietro Montani, we no longer consider them as “copies” of real objects but rather as “occasions” for initiating processes of “validation” of history. Hannah Arendt’s (...) opposition between the ancient concept of history being based on praxis and the modern concept of history as “fabrication” (poiesis) of the humankind must be therefore reconsidered. History is rather the negotiation between these two attitudes (praxis and poiesis): cinema might be one of the exemplary sources of this negotiation, as epitomized by the documentary work in the audiovisual archives conducted by Esfir Shub (1927) and Harun Farocki (1992). Representation (Louis Martin) becomes thus a dynamical power of imagination dealing with historical and political reality; consequently, the “ideal spectator”, just as the “ideal reader” for novels (Umberto Eco), is charged with a new task of actualizing the sense of images with regard to their historical and political references. (shrink)

The infinitary function of the truth predicate consists in its ability to express infinite conjunctions and disjunctions. A transparency principle for truth states the equivalence between a sentence and its truth predication; it requires an introduction principle—which allows the inference from “snow is white” to “the sentence ‘snow is white’ is true”—and an elimination principle—which allows the inference from “the sentence ‘snow is white’ is true” to “snow is white”. It is commonly assumed that a theory of truth needs to (...) satisfy a transparency principle to fulfil the infinitary function. Picollo and Schindler (Erkenntnis 83:899–928, 2017) argue against this idea. They prove that, given certain assumptions, an elimination principle is sufficient for the purpose. Then, they pose a challenge: to show why we should incorporate introduction principles to our theory of truth. In this essay I take on the challenge. I show that, given the authors’ assumptions, an introduction principle is also sufficient to perform the infinitary function. (shrink)

Connexive logics are based on two ideas: that no statement entails or is entailed by its own negation (this is Aristotle’s thesis) and that no statement entails both something and the negation of this very thing (this is Boethius' thesis). Usually, connexive logics are contra-classical. In this note, I introduce a reading of the connexive theses that makes them compatible with classical logic. According to this reading, the theses in question do not talk about validity alone; rather, they talk in (...) part about (a property related to) the soundness of arguments. (shrink)

The Supreme Court’s decision in the Dobb’s case has given rise to confusion in the medical community, mostly concerning the specific definition of an abortion and what procedures are acceptable. Catholic bioethics has a long history of examining the ethical issues surrounding procedures used in vital conflict situations and other instances where direct or indirect abortion may be the preferred treatment. This article lays out the important points and ethical dimensions surrounding some of the most common pregnancy related interventions and (...) provides guidance to physicians seeking to treat both patients in a manner that acknowledges their value as human beings. (shrink)

In [8] it is proved that all the intermediate logics axiomatizable by formulas in one variable, except four of them, are not strongly complete. We considerably improve this result by showing that all the intermediate logics axiomatizable by formulas in one variable, except eight of them, are not strongly ω-complete. Thus, a definitive classification of such logics with respect to the notions of canonicity, strong completeness, ω-canonicity and strong ω-completeness is given.

The article presents a preliminary survey of textual reuse in Nepalese collections of j?takas and avad?nas, focusing in particular on three works: the Avad?na?ataka, the Divy?vad?na, and the Dv?vi??atyavad?nakath?. The reassessment of the manuscript tradition of these three Sanskrit collections, based on Nepalese manuscripts and Tibetan translations, sheds more light on the role of scribes in the creation of these collections and of the Nepalese avad?nam?l? literature. In particular, the great role played in the 17th century by the Nepalese scribe (...) and scholar Jayamuni in shaping the text of the Avad?na?ataka, the Divy?vad?na, and many other Buddhist narrative works is brought to light. The result of this preliminary survey shows that a study of this type of collections based on the available critical editions should be rethought in the light of the specific character of their manuscript and textual transmission in medieval and early modern Nepal. (shrink)

In philosophical logic and proof theory, we often find multiple-conclusion systems that induce a conjunctive reading of premises and a disjunctive reading of conclusions. In mathematical logic, in contrast, we often find multiple-conclusion systems that induce a conjunctive reading of both premises and conclusions. This paper studies some technical and philosophical aspects of this latter approach to multiple-conclusion consequence. The takeaway is that, while the importance of disjunctive multiple conclusions is beyond doubt, conjunctive multiple conclusions also have philosophical interest. First, (...) because there is some evidence that there are arguments with conjunctive multiple conclusions in natural language. Second, because conjunctive multiple conclusions are compatible with the reflexivity and transitivity of logical consequence, and this allows them to cohere better with some of our best accounts of what logical consequence is. (shrink)

A metainference is usually understood as a pair consisting of a collection of inferences, called premises, and a single inference, called conclusion. In the last few years, much attention has been paid to the study of metainferences—and, in particular, to the question of what are the valid metainferences of a given logic. So far, however, this study has been done in quite a poor language. Our usual sequent calculi have no way to represent, e.g. negations, disjunctions or conjunctions of inferences. (...) In this paper we tackle this expressive issue. We assume some background sentential language as given and define what we call an inferential language, that is, a language whose atomic formulas are inferences. We provide a model-theoretic characterization of validity for this language—relative to some given characterization of validity for the background sentential language—and provide a proof-theoretic analysis of validity. We argue that our novel language has fruitful philosophical applications. Lastly, we generalize some of our definitions and results to arbitrary metainferential levels. (shrink)

Il saggio tratta dell'estetica di John Dewey dal punto di vista della sua teoria dell'esperienza, mettendola in relazione con la filosofia critica di Kant.

Il saggio propone una ricognizione nell'estetica dei media contemporanei.

The article examines the use of the concept of mimesis in Adorno’s notes towards a theory of musical performance. In trying to idiosyncratically define the latter as “reproduction”, Adorno relied on a framework elaborating on concepts introduced by Arnold Schoenberg, Hugo Riemann and Walter Benjamin – a framework that the article discusses insofar as it deals with the problem of mimesis. Specific attention is devoted to the relation between Benjamin’s essays on language and translation and Adorno’s theory of notation, that (...) soon became the crucial aspect of his theory of reproduction. Given the shortcomings of Adorno’s theory, which in the end did not achieve its goals, the article proposes to capitalize on his terminology while at the same time rethinking his framework in the light of recent musicological paradigms for the study of musical performance. On the whole, the article shows that it was Adorno’s philosophical assumptions – in particular the theses of music’s non-intentionality and of its non-similarity to language – that prevented him from convincingly theorizing musical performance, and suggests an alternative framework for future research. (shrink)

In this essay I will discuss the therapeutic application of philosophy in treating what I term “the moral casualties of war.” In doing so, I will develop an etiology of moral injury and focus upon the philosophical reasoning and insights that may be applied in an individual or group setting to foster an understanding of the warexperience as the first treatment step in a long and complex journey to healing.