This chapter contains sections titled: References.

Machine generated contents note: Introduction Henry Somers-Hall; 1. Deleuze and the history of philosophy Daniel W. Smith; 2. Difference and repetition James Williams; 3. The Deleuzian reversal of Platonism Miguel Beistegui; 4. Deleuze and Kant Beth Lord; 5. Phenomenology and metaphysics, and chaos: on the fragility of the event in Deleuze Leonard Lawlor; 6. Deleuze and structuralism François Dosse; 7. Deleuze and Guattari: Guattareuze and Co. Gary Genosko; 8. Nomadic ethics Rosi Braidotti; 9. Deleuze's political philosophy Paul Patton; 10. (...) Deleuze, mathematics, and realist ontology Manuel Delanda; 11. Deleuze and life John Protevi; 12. Gilles Deleuze's aesthetics of sensation Dorothea Olkowski; 13. Deleuze and literature Ronald Bogue; 14. Deleuze and psychoanalysis Eugene Holland; 15. Deleuze's philosophical heritage: unity, difference, and onto-theology Henry Somers-Hall. (shrink)

This volume meets the increasing interest in a range of philosophical issues connected with the nature and significance of life and death, and the ethics of killing. What is it to be alive and to die? What is it to be a person? What must time be like if we are to persist? What makes one life better than another? May death or posthumous events harm the dead? The chapters in this volume address these questions, and also discuss topical issues (...) such as abortion, euthanasia, and suicide. They explore the interrelation between the metaphysics, significance, and ethics of life and death, and they discuss the moral significance of killing both people and animals, and the extent to which death harms them. The volume is for all those studying the philosophy of life and death, for readers taking applied ethics courses, and for those studying ethics and metaphysics more generally. (shrink)

This review has already been published in Theory, Culture and Society, June 17, 2015. We gratefully thank Paola Crespi for the permission to reproduce it. Eleni IKONIADOU, The Rhythmic Event. Art, Media, and the Sonic, Cambridge, MIT Press, 2014, 117 pages. A much-needed contribution to the field of media philosophy, sound and digital studies, this book is petit and extremely dense. Part of Brian Massumi and Erin Manning's Technologies of Livedion series with MIT Press, - Recensions.

The theory and practice of civil disobedience has once again taken on import, given recent events. Considering widespread dissatisfaction with normal political mechanisms, even in well-established liberal democracies, civil disobedience remains hugely important, as a growing number of individuals and groups pursue political action. 'Digital disobedients', Black Lives Matter protestors, Extinction Rebellion climate change activists, Hong Kong activists resisting the PRC's authoritarian clampdown…all have practiced civil disobedience. In this Companion, an interdisciplinary group of scholars reconsiders civil disobedience from many perspectives. (...) Whether or not civil disobedience works, and what is at stake when protestors describe their acts as civil disobedience, is systematically examined, as are the legacies and impact of Henry Thoreau, Mahatma Gandhi, and Martin Luther King. (shrink)

This volume includes nearly everything contained in Cambridge Letters, supplemented by Wittgenstein’s exchanges with Sraffa, by correspondence with many of his students, and by various documents pertaining to his status in the University and to the Moral Sciences meetings. Throughout, there are notes by McGuinness that provide details about persons, places, and events mentioned in the texts. Altogether, the volume offers rich rewards for both students of Wittgenstein and those interested in the interplay of the times.Wittgenstein was Austrian to (...) the core, as is evident in his admiration for such distinctly Viennese cultural icons as Nestroy, Grillparzer, Labor, Weininger, and Kraus—none of whom was familiar in the circles within which he moved in Cambridge. In his introduction, however, McGuinness makes clear that Cambridge, not Vienna, was the place where Wittgenstein could work. There were no roots in Cambridge, compared to those in Vienna, but growth, it seems, had to take place away from the roots. During his first stay in Cambridge Wittgenstein established connections with the giants of the time: Russell, Moore, and Keynes, all of whom had been active members of the Apostles, and who. (shrink)

In this address to the president's plenary at the 2001 annual meeting of the Society for Social Studies of Science in Cambridge, Massachusetts, the author reflected on then recent international events and their possible implications for the research and teaching agendas of the social studies of science, technology, and medicine. He proposed the political engagement of science, technology, and society institutions and individual STS researchers while maintaining a strong commitment to the scholarly studies of science and technology. Drawing on (...) the work of René Gabriëls, the author elaborated a role for STS scholars as the new generation of “public intellectuals.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Wittgenstein in Cambridge: Letters and Documents, 1911–1951Newton GarverBrian McGuinness, editor. Wittgenstein in Cambridge: Letters and Documents, 1911–1951. Malden, MA-Oxford: Blackwell Publishing. Pp. vii + 498. Cloth, $134.95.This volume includes nearly everything contained in Cambridge Letters (Blackwell, 1995), supplemented by Wittgenstein’s exchanges with Sraffa (not available in 1995), by correspondence with many of his students, and by various documents pertaining to his status in the University (...) and to the Moral Sciences meetings. Throughout, there are notes by McGuinness that provide details about persons, places, and events mentioned in the texts. Altogether, the volume offers rich rewards for both students of Wittgenstein and those interested in the interplay of the times.Wittgenstein was Austrian to the core, as is evident in his admiration for such distinctly Viennese cultural icons as Nestroy, Grillparzer, Labor, Weininger, and Kraus—none of whom was familiar in the circles within which he moved in Cambridge. In his introduction, however, McGuinness makes clear that Cambridge, not Vienna, was the place where Wittgenstein could work. There were no roots in Cambridge, compared to those in Vienna, but growth, it seems, had to take place away from the roots. During his first stay in Cambridge (1912–14) Wittgenstein established connections with the giants of the time: Russell, Moore, and Keynes, all of whom had been active members of the Apostles, and who therefore put him in touch with the Bloomsbury-flavored younger elite of the University. Although none of these relationships was smooth, they all served in 1929 to ease Wittgenstein’s re-entry into Cambridge.Once back at Cambridge, and back at work in philosophy, Wittgenstein established his own circle, composed of younger scholars who attended his lectures. The only contact from the early period with whom he remained close through the 1930s and ’40s was Moore, although neither Russell nor Keynes disappeared entirely. Moore attended Wittgenstein’s lectures in 1930–33, and the two met regularly whenever Wittgenstein was in Cambridge. Among his peers, the big addition was Piero Sraffa, the Italian economist who was, as McGuinness puts it, first a protegé and then a successor of Keynes. It is difficult to reconstruct the content of the conversations between these two powerful intellects, but the letters and notes included here make it plain that the conversations were intense and had continuing themes. The Sraffa documents have been available elsewhere, but the chronological order of the documents in this volume means that we can now see them in the wider context of Wittgenstein’s ongoing activity.Wittgenstein and Sraffa were both equals and opposites—equal in genius, in honesty, in forthrightness, in stubbornness, and in commitment to dialogue, but opposite in opinions and convictions. Time and again, the letters and notes show evidence of tough, wrenching discussions, at times suspended because of exhaustion and weariness. Wittgenstein lists Sraffa last (chronologically, we presume) of ten people who influenced his thought. The letters and notes in this volume confirm a powerful influence, but offer scant clues as to the direction of the influence in Wittgenstein’s later thought.One of the younger scholars was the physicist W. H. Watson, who became Distinguished Professor at Queen’s University in Kingston, Ontario. His On Understanding Physics is, [End Page 115] McGuinness reports, a reliable guide of Wittgenstein’s thinking on these matters. In their correspondence we find many instances of what they both regarded as nonsense penned by the great scientists of the day (Jeans, Eddington, and Einstein). The nonsense appears to have presented grand pronouncements in everyday language, concerning mundane rather than distinctively philosophical matters. By providing new insight into how Wittgenstein relished nonsensical items, the correspondence with Watson helps us appreciate Wittgenstein’s nose for nonsense as part of his philosophical genius.For Wittgenstein, happiness depended on work. This is evident in his Notebooks 1914–1916 and again in these documents. For example, on June 17, 1941, he writes to Moore, “About six weeks ago I suddenly... began to be able to write again. Quite possibly this will last only for a very short time; but it feels good while it lasts and has made a great deal of difference to me... (shrink)

Philosophers of social science have emphasized mechanistic approaches to causal inquiry for some time now, showing why focusing on the mechanisms behind correlations is preferable to focusing on correlations alone (cf. Johnson 2006, Little 1991, Reiss 2007, 2009, Steel 2004, see also King, Keohane, and Verba 1994 for an example of purely correlational research). In Process Tracing: from Metaphor to Analytic Tool, political scientists Andrew Bennett and Jeffrey Checkel present a concrete method for finding evidence of causal mechanisms, process tracing. (...) Process tracers give evidence for causal relations in terms of the observable implications of the underlying causal mechanisms through which a putative cause affects some effect of interest. Such observable implications often take the form of a chain of events, or process, which connects cause and effect. Though Process Tracing contains applications of mechanistic reasoning unfamiliar to philosophers, and as such will be of interest to those working in the mechanist tradition, Bennett and Checkel’s own discussion of the philosophical foundations of process tracing is limited. The reader will have to delve deep into the volume’s contributed chapters for links between the literature on causation and this new method. (shrink)

To the recent boom in literature on the character of Thomas Jefferson we may now add Anthony Wallace's fine volume, which undertakes a painstaking analysis of Jefferson's abiding, multifaceted fascination with Native Americans to answer important questions about Jefferson's personality and the origins of America's “love‐hate” relationship with Native peoples. Wallace contends that Jefferson's embodiment of some of the major dilemmas in American culture appeared most conspicuously in his relations with Indians . A pioneer of interdisciplinary scholarship whose publishing career (...) has spanned six decades, Wallace ranges far and wide in his attempt to pin down the sources and ramifications of Jefferson's interactions with Native Americans as scholar, land speculator, mourner, and president. The result is a richly detailed and provocative contribution to historical understanding of this formative era in American Indian policymaking.Wallace is interested in explaining the mental gymnastics that enabled Jefferson to be at once the learned admirer of Native character, language, and artifacts and also the architect of the removal policy: that ostensibly “final solution” to the U.S. “Indian problem.” Those interested in Jefferson's career as an early American ethnologist and practitioner of scientific inquiry into Native American culture will find much to contemplate in this book. Wallace provides, in Chapters 3–5, a compelling study of the ways in which Jefferson's “mordant fascination with the image of the Indian as a conquered and dying race” affected his scholarship. Tying together the various strands of Jefferson's interest in Indians, Wallace documents a series of misrepresentations, falsifications of evidence, and silences in a variety of Jefferson's publications and private writings on Native peoples that all served to justify his own interests in land speculation, national territorial expansion, and, ultimately, the entire program of imposing “civilization” on Indian “savages” that received pivotal emphasis during his presidency.The remainder of the book traces the process by which attitudes originally formed during Jefferson's early academic inquiry into Native history were reinforced by his experiences in national office after 1790 and eventually translated into national policy. Wallace breaks down the essence of Jefferson's Indian policy into seven key elements . Essentially, these involved Jefferson's reliance on the legal authority and administrative mechanisms of the Indian Trade and Intercourse Acts, as well as the presidential power to enter into treaties, to secure Indian land for the future expansion of the white American population while simultaneously seeking to assimilate Native peoples into that population as “civilized” farmers.If Wallace is occasionally prone to indulge in educated guesses about facts, people, or events that Jefferson “must have been” familiar with, if some of his secondary sources are not the most up to date, and if his concluding discussion of Jefferson's legacy is disappointingly brief, he has nevertheless produced a monograph that deserves wide readership and discussion. The consequences of Jefferson's policies, as Wallace explains, are visible today in the bitter struggle Native Americans are currently waging to restore sovereign identities and reclaim lost lands. Yet, as we learn from Wallace, Jefferson has also cast a long shadow in an intellectual sense, insofar as contemporary academic inquiry into American Indian history and culture all too often reflects the values and interests of the dominant culture and fails to seek input or criticism from its Native “subjects.” In seeking improvement in relations between Americans and Native Americans, so long distorted by the paradoxically romantic and racist perception of Indian culture bequeathed by Jefferson and others, we might benefit from shifting our agenda to finding ways to study with Native peoples, rather than remaining content with simply more studies of them. (shrink)

Two books on Whitehead, a major study by the noted philosopher of science, Isabelle Stengers, and a shorter one by Didier Debaise are reviewed, along with two earlier mathematical and scientific works by Whitehead himself, which have been re-issued. This provides the basis for a wide-ranging discussion of the relationships between Whitehead's love of poetry and Heidegger's approach to it, Whitehead's background in mathematics and theoretical physics and his attitude to empirical science and more general problems of the philosophy of (...) the event, in particular how radical change can come about. (shrink)

The philosophic distinction between the human and natural sciences was introduced by the romantics, but no sooner had the distinction been made than experimental psychology sprang into life and demolished it. Though scientific accounts of human events have been present for over a century, philosophers keep trying to exclude human affairs from the purview of science on a priori grounds. This tradition started with Hegel, who, for the duration of his professorship in Berlin, prevented the appointment of a professor of (...) psychology. Philosophers have been introducing conceptual distinctions based either on alleged special methodologies of the human sciences or on some peculiarities of human subject matters. Positivist philosophy of science presented an unrealistic ideal of science that facilitated proving that it is inapplicable to the human or social realm. The demise of positivism left the philosophy of the social sciences in dire need of an explication that is both empirical and based on a contemporary understanding of science. Harold Kincaid goes a long way toward building such a philosophy. (shrink)

It is understandable that Ewen Whitaker developed an interest in the history of mapping and naming the moon. As a participant in the Apollo missions and a member of the Task Group of Lunar Nomenclature of the International Astronomical Union, he was himself directly involved in conflicts between representatives of different countries over naming newly discovered lunar features. In an effort to understand the passions surrounding current controversies more completely, his book examines their origin and development from the seventeenth century (...) to the present.Whitaker's account, written without footnotes for the general reader, proceeds in a strictly chronological fashion. As he makes clear, the key event in the history of lunar mapping and nomenclature was the discovery and application of the telescope to increasing knowledge of the moon's features. Mapping and naming thus became important issues in the wake of Galileo's observations. Accordingly, the first part of Whitaker's study, which deals with the period from prehistory to 1651, is the longest and most important of its four sections. By 1651, with the publication of Francesco Grimaldi's map and the application of Giovanni Riccioli's nomenclature, a fairly detailed and accurate picture of the moon's surface features had become available.The second part of Whitaker's account carries the story to the beginning of the Victorian period and features the creation of a new lunar map based on the work of Johann Mädler and Wilhelm Beer. In Parts 3 and 4, which together are shorter than either of the first two sections, Whitaker focuses on such key developments as the emergence of photography and the creation of international organizations to settle disputes over nomenclature. By 1935, a committee of the International Astronomical Union had reached agreement on a map and the naming of surface features. However, the further explorations of the space age dramatically increased the work of mappers by providing the first photographs of the far side of the moon and revealing new features on the near side.The most compelling facet of Whitaker's study are the 112 reproductions of drawings and photographs of the moon from the seventeenth century to the present, which, taken together, constitute a rich visual history of efforts to portray lunar features for the public and for scientists. In addition, detailed appendixes, arranged in chronological order, provide lists of new names of lunar features as assigned by the most influential mappers of the lunar surface from Michiel Van Langren to the NASA Catalogue of Lunar Nomenclature.While Whitaker limits himself strictly to matters of mapping and nomenclature, his study has already been useful to other historians of lunar exploration, including Scott Montgomery and William Sheehan and Thomas Dobbins . Montgomery seeks to explain how political and aesthetic factors shaped the portrayal of lunar features and thus the drawing of maps and the naming of surface features up to 1651, while Sheehan and Dobbins move beyond mapping and nomenclature to consider controversies over the possible existence of life on the moon and the conflict surrounding the origin of lunar craters by volcanic activity or meteor impact. Whitaker's study, however, provides a unique record of the development of our image of the moon's surface over a period of more than three centuries. (shrink)

This Review Essay examines Mark Freeman’s thoughtful book, Necessary Evils: Amnesties and the Search for Justice. One of the book’s core arguments is that amnesties from criminal prosecution, however unpalatable to liberal legalist sensibilities, should not be entirely purged from the toolbox of post-conflict transitions. Although advancing this argument, Freeman also struggles with it, and ultimately builds a very restrained and heavily technocratic defense of the amnesty. This Review Essay weighs this argument, among others, on its own terms and also (...) within the context of recent events that post-date the book’s publication. The result is a vibrant exposition of the limits of law, and the limits of politics, in transcending episodes of massive human rights violations. (shrink)

RESUMEN Largamente desatendida o malinterpretada, la noción de caos en la filosofía de Nietzsche es una pieza constitutiva de la particular concepción del ser que este autor habría dejado apenas esbozada. El artículo se propone elaborar este concepto en la obra nietzscheana, siguiendo algunas de las metáforas que lo iluminan. Desde allí se busca plantear los rasgos centrales de una ontologia del caos, de sesgo no metafísico, que, al afirmar el carácter acontecimental de la realidad, puede verse como precursora de (...) la ontología hermenéutica contemporánea. ABSTRACT The notion of chaos, which has long been neglected or misinterpreted, is a constitutive element of a peculiar conception of being that the philosopher only had time to outline. The objective of this article is to elaborate on this concept in Nietzschean philosophy, guided by some of the metaphors that shed light on it. This serves as the basis to set forth the main characteristics of a non-metaphysical ontology of chaos that asserts the eventful nature of reality and can thus be seen as a precursor of contemporary hermeneutic ontology. (shrink)

In this paper, I intend to introduce what I think is a novel proposal in the metaphysics of action: one-particularism. In order to do so, I must first explain two ideas: a concept in the semantics of English that many philosophers of action take to be of great importance in action theory, causative alternation; and the idea of an intrinsic event. By attempting to understand the role that intrinsic events are meant to play in action theory, I then introduce (...) my proposal. Getting clear on what is an intrinsic event is a key, I think, to producing a viable theory of action, or, to be more precise, part of such a general theory, since it is limited to actions whose descriptions employ gerunds or perfect nominals formed from ergative verbs. I conclude by replying to two arguments that would be advanced against my proposal, both found in Alvin Goldman’s A Theory of Action. (shrink)

Stereotypically, computation involves intrinsic changes to the medium of representation: writing new symbols, erasing old symbols, turning gears, flipping switches, sliding abacus beads. Perspectival computation leaves the original inscriptions untouched. The problem solver obtains the output by merely alters his orientation toward the input. There is no rewriting or copying of the input inscriptions; the output inscriptions are numerically identical to the input inscriptions. This suggests a loophole through some of the computational limits apparently imposed by physics. There can be (...) symbol manipulation without inscription manipulation because symbols are complex objects that have manipulatable elements besides their inscriptions. Since a written symbol is an ordered pair of consisting of a shape and the reader's orientation to that inscription, the symbol can be changed by changing the orientation rather than inscription. Although there are the usual physical limits associated with reading the answer, the computation is itself instantaneous. This is true even when the sub-calculations are algorithmically complex, exponentially increasing or even infinite. (shrink)

This examination considers the influence of the seventeenth century Cambridge Platonist Cudworth upon the thought of the late eighteenth century German thinker Herder. It focuses upon Herder's use of Cudworth's philosophy to create a revised version of Spinoza's metaphysics. Both Cudworth and Herder were concerned with the problem of determinism. Cudworth outlined a number of difficulties relating to this problem in the thought of Spinoza and proposed amendments, particularly the introduction of the middle principle of plastik, which would mediate (...) between the Ideas of transcendent reason and mechanical materialism. We find these amendments to Spinoza's philosophy also employed in Herder's contribution to the Pantheism Controversy, in which he too offers a revised Spinozism and introduces his own middle principle of Kraft. This demonstrates an important but under-explored English contribution to a key development in German intellectual history. The Pantheism Controversy was an epoch-making event, helping to bring an end to the German Enlightenment and to inaugurate the Romantic movement. Herder's version of Spinoza's thought revived the philosopher's fortunes, and Herder's notion of Kraft became central to Romantic aesthetics. Finally, Herder's use of Cudworth demonstrates the important but overlooked source of Platonic realism in German Romantic thought. (shrink)

Simon Conway Morris, noted Cambridge University paleontologist, argues that in evolutionary natural history humans (or beings rather like humans) are an inevitable outcome of the developing speciating processes over millennia; humans are “inherent” in the system. This claim, in marked contrast to claims about contingency made by other prominent paleontologists, is based on numerous remarkable convergences—similar trends found repeatedly in evolutionary history. Conway Morris concludes approaching a natural theology. His argument is powerful and informed. But does it face adequately (...) the surprising events in such history, particularly notable in unexpected co‐options that redirect the course of life? The challenge to understand how humans are both on a continuum with other species and also utterly different remains a central puzzle in paleontology. (shrink)

This chapter aims to direct attention to the political dimension of the social media age. Although current events like the Cambridge Analytica data breach managed to raise awareness for the issue, the systematically organized and orchestrated mechanisms at play still remain oblivious to most. Next to dangerous monopoly-tendencies among the powerful players on the market, reliance on automated algorithms in dealing with content seems to enable large-scale manipulation that is applied for economical and political purposes alike. The successful replacement (...) of traditional parties by movements based on personality cults around marketable young faces like Emmanuel Macron or Austria’s Sebastian Kurz is strongly linked to products and services offered by an industry that simply provides likes and followers for cash. Inspired by Trump’s monopolization of the Twitter-channel, these new political acteurs use the potential of social media for effective message control, allowing them to avoid confrontations with professional journalists. In addition, an extremely active minority of organized agitators relies on the viral potential of the web to strongly influence and dictate public discourse – suggesting a shift from the Spiral of Silence to the dangerous illusion of a Nexus of Noise. (shrink)

A symposium was held at the Centre for Research in the Arts, Social Sciences and Humanities at the University of Cambridge on June 12th 2019, ‘Rethinking Repetition in a Digital Age’, at which Geoff Stead, a leading mobile tech designer, was a keynote speaker. The focus of the Cambridge UK event was on how the potentials of digital technologies—whose harms have received widespread attention—could be redirected for the social good. For Stead, this is precisely what Babbel are (...) doing in their approach to commercial digital language learning. Stead spoke to the idea of reversing our personal relationships to mechanical affordances, and finding empowerment in understanding their designed logics. The transcript of the interview below, made in October 2021, revisits some of the main points he raised at that event. (shrink)

In the mid-nineteenth century George Boole formulated his ‘conditions of possible experience’. These are equations and ineqaulities that the relative frequencies of events must satisfy. Some of Boole's conditions have been rediscovered in more recent years by physicists, including Bell inequalities, Clauser Horne inequalities, and many others. In this paper, the nature of Boole's conditions and their relation to propositional logic is explained, and the puzzle associated with their violation by quantum frequencies is investigated in relation to a variety of (...) approaches to the interpretation of quantum mechanics. * While preparing this paper for publication I have learnt of the untimely death of Professor J. S. Bell, and I wish to dedicate the paper to his memory. This research was undertaken while I spent a sabbatical leave at Wolfson College, and the History and Philosophy of Science Department at the University of Cambridge. I would like to thank Michael Redhead and Jeremy Butterfield for their hospitality and for helpful discussions. A first draft of this paper has been distributed among the participants of the conference 'Einstein in Context' which was held in Israel, in April 1990.1 have benefited from the comments of many colleagues. I would like to thank in particular Arthur Fine who enlightened me on the prism models, David Albert. Maya Bar-Hillel. Yemima Ben-Menachem, Mara Beller. Simon Saunders, and Mark Steiner. This research is partially supported by the Edelstein Center for the History and Philosophy of Science at the Hebrew University. (shrink)

For many years G. E. Moore asked himself what was wrong with sentences like ‘I went to the pictures last Tuesday, but I don't believe that I did’, or ‘I believe that he has gone out, but he has not’. He discussed the problem in 1912 in his Ethics , and was still discussing it in 1944 in a paper to the Moral Sciences Club at Cambridge—an event we know about from a letter of Wittgenstein that I shall (...) quote in a moment. Throughout these years of pondering, Moore retained a remarkably stable vocabulary for setting out his solution. Briefly, he held this: saying ‘I went to the pictures last Tuesday, but I don't believe that I did’ is absurd, but not self-contradictory. Not self-contradictory, because ‘it may quite well be true’; yet absurd, because the speaker expressly repudiates, in the second part of the sentence, a belief which he implies by uttering the first part. The panoply of distinctions which subtends this doctrine—sentence v. utterance of sentence, saying v. implying, contradiction v. absurdity—was subjected to keen scrutiny a generation or so ago, and much of it has now passed into philosophical lore as a discussion of ‘Moore's Paradox’. (shrink)

In 1991, Darwin College Cambridge was given a substantial bequest to fund a research post in parapsychology. The event became something of a cause célebre. Various Cambridge University academics objected to accepting this money: the professor of philosophy, D.H. Mellor, said on BBC radio that funding such a position would be like funding a research post to determine whether the earth is round. Other members of Darwin College were (understandably, perhaps) reluctant to turn down any offer of (...) money for research. In the end the situation was resolved to the satisfaction of the sceptics: Nicholas Humphrey, psychologist and broadcaster, was given the post to research into the reasons why people believe in parapsychology. The present book is one result. (shrink)

The 2015 Varsity Medical Ethics debate convened upon the motion: “This house believes nootropic drugs should be available under prescription”. This annual debate between students from the Universities of Oxford and Cambridge, now in its seventh year, provided the starting point for arguments on the subject. The present article brings together and extends many of the arguments put forward during the debate. We explore the current usage of nootropic drugs, their safety and whether it would be beneficial to individuals (...) and society as a whole for them to be available under prescription. The Varsity Medical Debate was first held in 2008 with the aim of allowing students to engage in discussion about ethics and policy within healthcare. The event is held annually and it is hoped that this will allow future leaders to voice a perspective on the arguments behind topics that will feature heavily in future healthcare and science policy. This year the Oxford University Medical Society at the Oxford Union hosted the debate. (shrink)

According to one large family of views, scientific explanations explain a phenomenon (such as an event or a regularity) by subsuming it under a general representation, model, prototype, or schema (see Bechtel, W., & Abrahamsen, A. (2005). Explanation: A mechanist alternative. Studies in History and Philosophy of Biological and Biomedical Sciences, 36(2), 421–441; Churchland, P. M. (1989). A neurocomputational perspective: The nature of mind and the structure of science. Cambridge: MIT Press; Darden (2006); Hempel, C. G. (1965). Aspects (...) of scientific explanation. In C. G. Hempel (Ed.), Aspects of scientific explanation (pp. 331–496). New York: Free Press; Kitcher (1989); Machamer, P., Darden, L., & Craver, C. F. (2000). Thinking about mechanisms. Philosophy of Science, 67(1), 1–25). My concern is with the minimal suggestion that an adequate philosophical theory of scientific explanation can limit its attention to the format or structure with which theories are represented. The representational subsumption view is a plausible hypothesis about the psychology of understanding. It is also a plausible claim about how scientists present their knowledge to the world. However, one cannot address the central questions for a philosophical theory of scientific explanation without turning one’s attention from the structure of representations to the basic commitments about the worldly structures that plausibly count as explanatory. A philosophical theory of scientific explanation should achieve two goals. The first is explanatory demarcation. It should show how explanation relates with other scientific achievements, such as control, description, measurement, prediction, and taxonomy. The second is explanatory normativity. It should say when putative explanations succeed and fail. One cannot achieve these goals without undertaking commitments about the kinds of ontic structures that plausibly count as explanatory. Representations convey explanatory information about a phenomenon when and only when they describe the ontic explanations for those phenomena. (shrink)

Love, fear, hope, calculus, and game shows-how do all these spring from a few delicate pounds of meat? Neurophysiologist Ian Glynn lays the foundation for answering this question in his expansive An Anatomy of Thought, but stops short of committing to one particular theory. The book is a pleasant challenge, presenting the reader with the latest research and thinking about neuroscience and how it relates to various models of consciousness. Combining the aim of a textbook with the style of a (...) popularization, it provides all the lay reader needs to know to participate in the philosophical debate that is redefining our attitudes about our minds. Drawing on the rich history of neurological case studies, Glynn picks through the building blocks of our nervous system, examines our visual and linguistic systems, and probes deeply into our higher thought processes. The stories of great scientists, like Ramon y Cajal, and famous patients, like Sperry's split-brained epileptics, illuminate the scientific issues Glynn selects as essential for understanding consciousness. Some might argue that his lengthy explorations of natural selection overemphasize evolutionary explanations of psychological phenomena, but they must also agree that evolutionary psychology has distanced itself mightily from social Darwinism in recent years and merits a reappraisal. The great consciousness debate may form the core of the 21st-century Zeitgeist; get ready for it with An Anatomy of Thought. -Rob Lightner From Publishers Weekly How do we know? What do we think? How could a philosophical problem-'the mind-body problem,' say-induce a headache? What can evolutionary theory, molecular biology, the history of medicine and experimental psychology tell us about the features of human consciousness, and (once again) how do we know? Glynn, a physician and Cambridge University professor, meticulously attempts to answer these questions and more, setting forth the results of all sorts of research relevant to our brains-from 19th-century dissections to Oliver Sacks-like case studies, work with monkeys and supercomputers, and the enduring puzzles of philosophy, which he rightly saves for near the end. After explaining evolution by natural selection and 'clearing away much dross,' Glynn lays out the experiments and theories that have shown 'how nerve cells can carry information about the body, how they can interact' and how sense organs work; demonstrates the 'mixture of parallel and hierarchical organization' in our brains and 'the striking localization of function within it'; considers where neuroscience is likely to go; and admits that, among the many fields of exciting research just ahead, 'we can be least confident of progress toward a complete, scientific explanation of our sensations and thoughts and feelings.' Other recent explaining-the-brain books have sometimes advanced simplistic, or implausibly grand, claims about the nature and features of consciousness in general. Instead, Glynn offers a patient, informative, well-laid-out researcher's-eye view of what we have learned, how we figured it out and what we still don't know about neurons, senses, feelings, brains and minds. (Apr.) Copyright 2000 Reed Business Information, Inc. From Library Journal The nature of consciousness, which perennially troubles the minds of scientists and philosophers, is the subject of an ever-growing body of literature. Two of the latest entries approach the topic from different perspectives. Glynn, a professor of physiology and head of the Physiological Laboratory at Cambridge, offers a comprehensive summary of what we know about the brain-both its evolution and its mechanisms. Among the topics he covers are natural selection, molecular evolution, nerves and the nervous system, sensory perception, and the specific structures responsible for our intellect. Using the mechanisms involved in vision and speech as models, Glynn skillfully describes various neurological deficiencies that can lead to 'disordered seeing' and problems with the use of language. He carefully distinguishes what we know through experimental evidence from what we know through the observation of patients with neurological damage. He also describes some of the major theories that attempt to explain why these structures arose. While his book concentrates on the structures that make up the mind, Glynn is well aware that some physical events appear explicable only in terms of conscious mental events-a situation that conflicts with the laws of modern physics. Only briefly, however, does he consider the various approaches that have been taken to deal with the issues of mind/body and free will. In contrast, this is the primary focus of The Physics of Consciousness. After reviewing the fundamentals of classic physics, Walker (who has a Ph.D. in physics) summarizes elements of the new physics in which our knowledge of space, time, matter, and energy are all dependent on the moment of observation. Walker explores the meaning of consciousness as a characteristic of the observer. In this context both the observer and the act of measurement are critical. In essence, Walker leads his reader on a journey through his concept of a 'quantum mind,' which can both affect matter (including other minds) and can be affected by other distant matter/minds. To break up what would otherwise be an extremely dense text, Walker also relates the very touching story of the loss of his high-school sweetheart to leukemia. Indeed, it is his memory of their relationship that drives Walker to seek an understanding of ultimate reality. At times, he has a tendency to be dogmatic-as when he concludes, 'our consciousness, our mind, and the will of God are the same mind.' While An Anatomy of Thought is appropriate for most academic libraries, the Physics of Consciousness will be most accessible to readers with some knowledge of advanced physics. -Laurie Bartolini, Illinois State Lib., Springfield Copyright 2000 Reed Business Information, Inc. From Booklist The codiscoverers of natural selection-Charles Darwin and Alfred Wallace-disagreed over the possibility of finding an evolutionary explanation for the human mind. Glynn here argues Darwin's side of the debate, tracing an eons-long path of development starting from simple amino acids floating in primal seas and extending through the erect hominids in which the powers of a massive brain first manifest themselves. Patiently adducing evidence of an evolutionary origin for the underlying molecular machinery, Glynn dissects the nerve centers that make possible speech and hearing, sight, and reading. Pressing deeper, he lays bare the cortical foundations of personality. But those who deal with the mind must attend also to the arguments advanced by philosophers. And it is when he turns from dendrites to syllogisms (especially the vexing mind-body paradox) that Glynn's empirical reasoning fails him. In the end, he concedes his perplexity in trying to conceive of an evolutionary origin for human consciousness. This concession may set the shade of Alfred Wallace to chortling, but it will draw readers into an honest confrontation with a profound enigma. Bryce Christensen. (shrink)

In June 1909, scientists and dignitaries from 167 different countries gathered in Cambridge to celebrate the hundredth anniversary of Charles Darwin’s birth and the fiftieth anniversary of the publication of Origin of Species. The event was one of the most magnificent commemorations in the annals of science. Delegates gathered within the cloisters of Cambridge University not only to honor the “hero” of evolution but also to reassess the underpinnings of Darwinism at a critical juncture. With the mechanism (...) of natural selection increasingly under attack, evolutionary theory was in disarray. Against this backdrop, biologists weighed the impact of several new developments—the rediscovery of Mendel’s laws of heredity, de Vriesian mutation theory, and the linkage of sex‐cell division to the mechanism of heredity. The 1909 Darwin celebration thus represents a significant watershed in the history of modern biology that allows historians to assess the status of evolution prior to the advent of the chromosome theory of genetics. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Painting Outside the Lines: Patterns of Creativity in Modern ArtMatthew ZiffPainting Outside the Lines: Patterns of Creativity in Modern Art, by David W. Galenson. Cambridge: Harvard University Press, 2001, 272 pp., $29.95.The relationship between the market value of paintings and the chronological point in an artist's working life when the paintings were produced is the driving mechanism for exploring creativity and innovation in David W. Galenson's book (...) "Painting Outside the Lines: Patterns of Creativity in Modern Art. The working thesis of this book is that Modern artists have worked creatively and innovatively in one of two distinctly different manners. The terminology Galenson uses to describe these distinct ways of working are "finders" and "seekers." Finders are artists like Pablo Picasso, who at age 26, make startling and important innovations with little advance indication that such a burst is about to take place. Seekers are artists like Paul Cezanne, whospend their entire working lives engaged in the pursuit of a singular approach or achievement. The differences between these methodologies are carefully presented through the details of the working lives of a variety of Modern artists. French nineteenth century and early twentieth-century artists and mid-twentieth-century American artists are used as the source data for these comparisons.Early in the book Galenson presents lists of chronological events within the lives of artists and market valuation of their work within this chronology. The dramatic clarity of the relationships presented in this data sets the stage for the detailed information that follows. Factors that in some cases only partly, and in others nearly completely, explain an artist's way of working are offered through biographic information, information about the aesthetic and cultural milieu, and about the economic and educational structures that are predominant during the relevant time in the life of the artist.The relationship between the aesthetic and cultural milieu surrounding an artist and the capacity or inclination of an artist to be innovative is an important aspect of the book's analysis. The scope of the book is limited to Modern artists because of the shift that took place at the outset of Modern art, during the mid 1860s, that brought a strong emphasis on innovation and change for their own sake as an important characteristic within a work of art. This emphasis "created incentives for painters to produce new approaches to art" (p. 111). Prior to the time of Modern art, innovation and change were often unnecessary for an artist to be successful. Modern art introduced the demand that innovation and change be necessary ingredients in art, and therefore the search for innovation became a significant element within the work of many artists. The manner in which this search took place, as presented through the data at hand, reveals how individual artists viewed the need for innovation and change within their own [End Page 123] work. Paul Cezanne, for example, was aware of the impact that his painting was having on the art world, but he insisted that he was not yet finished with discoveries that would reveal the truest expression of his beliefs about aesthetic expression.In the American movement, "Abstract Expressionism," Galenson finds a useful counter example to the art scene in Paris. In the United States, especially during the 1940s and 1950s — the peak years of creative output by Abstract Expressionist artists — the demand for their work was quite low. There were few economically viable outlets for the work of de Kooning, Pollack, Rothko, and the others of this group. Consequently there is a shift in the chronological point at which these artists achieve market value success. Nearly all of these artists receivedrecognition at an older age than the French artists of the late nineteenth and early twentieth centuries.The thesis of the book, that there are two fundamentally different ways of working to produce works of art, is directly applicable to, and useful in, exploring issues of teaching and learning in design education. As a teacher of interior architecture I was interested to follow the details that Galenson presented in support of his analysis of the careers of numerous Modern artists. The methodological differences between seeking and... (shrink)

Comprehending the origin of marine invertebrate larvae remains a key domain of research for evolutionary biologists, including the repeated origin of direct developmental modes in echinoids. In order to address the latter question, we surveyed existing evidence on relationships of homology between the ectoderm territories of two closely related sea urchin species in the genus Heliocidaris that differ in their developmental mode. Additionally, we explored a recently articulated idea about homology called ‘organizational homology’ (Muller 2003. In: Muller GB, Newman SA, (...) editors. Origination of organismal form: beyond the gene in developmental and evolutionary biology. Cambridge, MA: A Bradford Book, The MIT Press. p 51–69. ) in the context of this specific empirical case study. Applying the perspective of organizational homology to our experimental system of congeneric echinoids has led us to a new hypothesis concerning the ectoderm evolution in these species. The extravestibular ectoderm of the direct developer Heliocidaris erythrogramma is a novel developmental territory that arose as a fusion of the oral and aboral ectoderm territories found in indirect developing echinoids such as Heliocidaris tuberculata. This hypothesis instantiates a theoretical principle concerning the origin of developmental modules, ‘integration’, which has been neglected because the opposite theoretical principle, ‘parcellation’, is more readily observable in events such as gene duplication and divergence (Wagner 1996. Am Zool 36:36–43). J. Exp. Zool. (Mol. Dev. Evol.) 306B:18– 34, 2006. (shrink)

The Defender of the Peace of Marsilius of Padua is a massively influential text in the history of western political thought. Marsilius offers a detailed analysis and explanation of human political communities, before going on to attack what he sees as the obstacles to peaceful human coexistence - principally the contemporary papacy. Annabel Brett's authoritative rendition of the Defensor Pacis was the first new translation in English for fifty years, and a major contribution to the series of Cambridge Texts: (...) all of the usual series features are provided, included chronology, notes for further reading, and up-to-date annotation aimed at the student reader encountering this classic of medieval thought for the first time. This edition of The Defender of the Peace is a scholarly and a pedagogic event of great importance, of interest to historians, political theorists, theologians and philosophers at all levels from second-year undergraduate upwards. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.4 (2003) 565-566 [Access article in PDF] Kai Hammermeister. The German Aesthetic Tradition. New York: Cambridge University Press, 2002. Pp. xv + 259. Cloth, $60.00. Paper, $22.00. This history of German (or more accurately, Germanic) aesthetics surveys the tradition stretching from Alexander Baumgarten to Theodor Adorno. The author has divided his survey into three thematic parts. In the first, "The Age of (...) Paradigms," Baumgarten, Mendelssohn, Kant, Schiller, Schelling, and Hegel establish the principal approaches to aesthetics and the philosophy of art that will structure the tradition. In the second part, "Challenging the Paradigms," Schopenhauer, Kierkegaard, and Nietzsche raise critical problems with the positions of their forebears. In the final part, "Renewing the Paradigms," Cassirer, Lukács, Heidegger, Gadamer, Marcuse, and Adorno revive elements of the classical tradition for twentieth-century purposes. As one might expect, covering fifteen complex figures in a relatively short book makes for a survey primarily of the surfaces of their thought. Even so, the exercise may be useful for those with no knowledge of German aesthetics who would like a quick introduction.From the outset the author establishes a plan to consider each philosopher's work in terms of his ontological treatment of art, the epistemic role he attributes to art and beauty, and the practical functions he assigns art. In the early chapters the author dutifully addresses these matters at the end of each chapter, but from Hegel on, the author's commitment to this structure seems to wane. It becomes more difficult to discern these assessments of each philosopher as the book progresses. It is an odd feature of the book that its [End Page 565] author announces these "principles of comparison" so explicitly in the introduction, but does not consistently apply them.There is also inconsistency in the author's choices regarding whose theories to directly criticize. In some cases (with Hegel, Schopenhauer, Nietzsche, and Cassirer, for example), Hammermeister offers quite global criticisms of the philosophers' views, while in other cases (with Kant, Schiller, Schelling, Heidegger, and Gadamer) he provides very little criticism. The book does not advance a philosophical position from which to understand why some figures in this tradition, but not others, warrant sharp criticisms that on occasion (with Kierkegaard, for example) amount to blanket dismissals.The second part of the book, "Challenging the Paradigms," stands in an uncertain relationship to the first part, "The Age of Paradigms." Hammermeister advertises Schopenhauer, Kierkegaard, and Nietzsche as thinkers intent on dismantling the aesthetic-theoretical systems of their predecessors, and there is no doubt much truth in this assertion. Yet these chapters offer little in the way of explicit elaboration of precisely which views of which prior thinkers each of these rebels seeks to undermine. Schopenhauer, for example, is presented as a champion of Kantian aesthetic disinterestedness, while his delirious antipathy for Hegel is hardly discussed. Kierkegaard's famous disagreements with Hegel receive little attention, either.The third part, "Renewing the Paradigms," advances one of the author's principal claims in the book: that twentieth-century German(ic) philosophers recapitulate the sequence of positions in the classical Kant-Schiller-Schelling-Hegel development. Cassirer revives Kant; Lukács and other neo-Marxist thinkers revive Schiller; Heidegger is far more indebted to Schelling than he acknowledges. To some extent the author's proposal is a useful heuristic, especially regarding Cassirer and Lukács. With Heidegger problems begin to arise. Hammermeister argues that Heidegger shares with Schelling a view of art as a "truth-event," but this, of course, would be a view that Heidegger also shares with Hegel. When Hammermeister notes (189) that for Heidegger truth can happen in practices other than art, this strengthens a comparison to Hegel (despite the profound differences between Heidegger and Hegel), rather than to Schelling (for whom art alone is the organon of truth, at least in the System of Transcendental Idealism that Hammermeister treats as the most Schellingian of Schelling's texts).As with the author's other overarching structures for the book, the paradigm-renewal claim also loses momentum halfway through. Hammermeister appropriately presents... (shrink)

The text of the treatise “The Propositional Logic of Boethius” was finished in 1939. Prof. Jan Lukasiewicz wished at that time to issue it in the second volume of “Collectanea Logica”; as a result of political events, he was not able to carry out his plan. In 1938, I published an article in “Erkenntnis” entitled “AUS- sagenlogik im Mittelalter”; this article included the contents of a paper which I read to the International Congress for the Unity of Science in (...) class='Hi'>Cambridge, England, in 1938 (Cf. Erkenntnis, vol. 7, pp. 160-168). The subject matter of this paper touched upon that of the above-mentioned treatise. Recently an article of Mr. Rend van den Driessche, “Sur le ‘de syllogismo hypothetico’ de Boece”, was published in the journal “methodos” (vol. I, no. 3). Mr. van den Driessche referred in this article to the article on propositional logic in the middle ages, which had appeared in “Erkenntnis”. This reminded me of my yet-unpublished treatise on the propositional logic of Boethius. (shrink)

In lieu of an abstract, here is a brief excerpt of the content: Classical Art: A Life History DAVID CAST This is a wonderful book, rich in its purposes, wide in its range and, thanks to the author’s home institution, Christ’s College, Cambridge, lavishly illustrated with images of objects, many familiar, some less so. And it is written with an elegance and clarity that belies the depths of scholarship in its history. The first letter of the subtitle suggests the (...) tenor of Vout’s account, that since every age has conjured up a different idea of the classical, what is here is yet one more such history, a modest if particular account of what was and is still there in the records made of the Greek and Roman past. The basic metaphor Vout uses to define the focus of this history is that of conversation, whether such conversing is seen to exist between the objects themselves or between the past and the present, between those objects that have outgrown their intended functions to become part of a canon that has dictated taste over the ages, as she puts it, shaping culture and culture’s questions. Thus conversation is here, plus also what Vout is not afraid, when necessary, to call the misappropriations and translocations of the Greek and Roman objects she takes note of. Yet another contribution she adds to the idea of the classical comes from what she calls, perhaps a little awkwardly, the long durée approach to its subjects, seen first when these objects were produced, then as they survived Christianity and the fall of Rome and Byzantium, the French Revolution, modernism and fascism, to live Caroline Vout, Classical Art: A Life History from Antiquity to the Present, Princeton University Press, 2018. xi + 376 pages; 80 color + 132 b/w illustrations. $39.50. ISBN 9780691177038; E-book ISBN9781400890279. arion 27.1 spring/summer 2019 on in galleries and auction rooms, making the heart soar and the blood boil, as Vout claims, even today. It is a complex story she has to tell, difficult yet valuable, and its method is nicely exemplified by the first example considered, the two statues, known as the Tyrannicides, dated to 477–476 BCE, and located now in the National Archaeological Museum in Naples, attributed on the museum caption to the sculptors Kritios and Nesiotes, and dated to 477–476 BCE. The details here are crucial for, on investigation, it is clear these are not the statues that were erected in the Athenian agora to honor the men, Harmodius and Aristogeiton, who, by tradition, had killed the tyrant’s brother Hipparchus. Yet even this second group, as she notes, had been a stand-in, since the first piece to honor these men, made by the sculptor Antenor, had been stolen by the Persians in the sack of Athens in 480–479 BCE. Nor is this group here the actual second group but rather a copy, made by an unknown copyist working under the Roman Empire. What we have here are what might be called pretenders—yet ones, despite doubts about their authenticity, that have long been taken to mark a particular moment in the formal history of Greek art, the advent of the so-called Severe style in Athens and the birth of the classical moment of sculpture. Any full account of these statues depends then on a rich history, plus a range of other events; the existence of ancient casts of the Tyrannicides during the Roman Empire, marking out such statues as art, rather than having still their first meaning; the prior history in the Renaissance of the acquisition of ancient sculpture as a sign of power; the sight of the figure of Aristogeiton, then in the Palazzo Farnese in Rome, by Johann Joachim Winckelmann; the building up of these statues from fragments of other statues; in 1859 the identification of these figures as the Tyrannicides; and finally a reading of classical texts, those of Pausanias, Pliny and Lucian, that spoke, even if in contradictory ways, of all the actors here, Antenor, Kritios and Aristogeiton. To which should be added the recent accounts of these pieces, provided by schol172 classical art: a life history ars of classical art like Brunilde Ridgway, R. T... (shrink)

If patriotism can thus be seen as an incentive or as an instigation even in such a recondite science as epistemology, how much more readily can it be seen to perform such functions in other studies more immediately or inextricably bound up with communal human life? I pass over instances that occur to me—for instance, the Victorian Jesuit, Father Hopkins, declaring that every good poem written by an Englishman was a blow struck for England--and profit instead, if I may, by (...) the presence among us of Edward Said. I do not know, and it is none of my business to know, what passport Said presents at the international frontier. But it is surely common knowledge among us that he has deep and feelingful and intimate allegiances to the state of Lebanon. Who of us has failed to connect this with his books Orientalism and The Question of Palestine? The point is that, having made this connection, none of us thinks the worse of Said. On the contrary, we recognize that he has a special stake in such topics and therefore speaks on them with a special authority. Unless I am mistaken, that stake and that authority are, in a perhaps extended sense, patriotic. And whatever our speculative objections to the idea and the principle of patriotism, in practice we recognize it and we honour it.What I am questioning, it will now be plain, is the principle of "disinterest." "The disinterested pursuit of knowledge"—it is what in our distinct disciplines all of us have paid lip-service to, and perhaps more than lip-service. But when we come right down to it, is it what we believe? The honest patriot declares an interest; and if we are wise, we take note of the declaration, making allowances and reserving doubts accordingly. But what are we to make of the scholar who declares no interest, who claims implicitly to be truly disinterested. Can we believe him? And if we cannot, what guidance do we have as to what reservations to make, what doubts to entertain? I am of one mind with my Marxist colleagues who, from a political position very far from mine, warn us to be especially suspicious of the scholar who claims to have no axe to grind. We, all of us, have axes to grind; the crucial distinction is between those who know this about themselves and those who don't.Let me make myself clear. When I urge that the terms "patriotism" and "patriotic" be reinstated in our discourse, and particularly in those forms of our discourse that may be called "interpretation," I do not imply that patriotism is a nobler, a more elevated instigation than sundry others, mostly ideological, of which we are more aware. The point is precisely that of these others we are aware because we share a vocabulary which acknowledges them, whereas "patriotic" has been banished from our vocabulary, and so the reality which the word represents is left out of our calculations. Let me admit for the sake of argument what I do not in fact believe-- that patriotism is a concept and a sentiment so besmirched by the unholy uses made of it that, if mankind is to survive, patriotism will have to be eradicated. Even if that were the case, it remains true that patriotic interest and incitement are very far from having been eradicated from the world that we in fact inhabit, and try to interpret, here and now; and if we try to work within a vocabulary that pretends otherwise, we condemn ourselves to producing interpretations that are drastically partial and perhaps disastrously misleading. The point is not whether patriotism is a good thing or a bad thing but simply that it is; it exists, as powerful factor which we all in our hearts acknowledge even as our vocabulary refuses to. And when we speak in this context of "the world," we certainly include in that world ourselves, who offer to interpret it. Every one of our interpretations is coloured by the fact that we, the several interpreters, are British or American, French or Italian or Russian or whatever. If we think otherwise, we deceive ourselves; and yet where, in any of our currently acceptable vocabularies, determined as all of them are by the glib rationalism of the Enlightenment, do we find that momentous fact about ourselves acknowledged? Where is it acknowledged, for instance, in the vocabulary of feminism that "woman," as conceived by an American writing about Italians, cannot help but be significantly different from "woman" as conceived by an Italian looking at Americans? Or again, an Italian woman may well, we must suppose, be an Italian patriot; but where, in the current vocabulary of feminists, is that dimension of her "woman-ness" allowed for? Let it be acknowledged only so as to be deplored; but let it in any event be acknowledged. At the moment, it isn't.Donald A. Davie, the distinguished poet, is Andrew W. Mellon Professor of the Humanities at Vanderbilt University and honorary fellow of Saint Catharine's College, Cambridge and of Trinity College, Dublin. He has edited The New Oxford Book of Christian Verse, and his Collected Poems 1950-1970 appeared in 1972. His latest publications are Dissentient Voice and These the Companions; Recollections. (shrink)

Claude Lefort is one of the leading social and political theorists in France today. This anthology of his most important work published over the last four decades makes his writing widely accessible to an English-speaking audience for the first time.With exceptional skill Lefort combines the analysis of contemporary political events with a sensitivity to the history of political thought. His critical account of the development of bureaucracy and totalitarianism in the Soviet Union and Eastern Europe is a timely contribution to (...) current debates about the nature and shortcomings of these societies. His incisive analyses of Marx's theory of history and concept of ideology provide the backdrop for a highly original account of the role of symbolism in modern societies. While critical of many traditional assumptions and doctrines, Lefort develops a political position based on a reappraisal of the idea of human rights and a reconsideration of what "democracy" means today.The Political Forms of Modern Society is a major contribution to contemporary social and political theory. The volume includes a substantial introduction that describes the context of Lefort's writings and highlights the central themes of his work.Claude Lefort teaches social and political theory at the Ecole des Hautes Etudes en Sciences Sociales, Paris. He was a founder, with Cornelius Castoriadis, of the influential independent journal of the left, Socialisme ou Barbarie. John B. Thompson is Lecturer in Sociology at the University of Cambridge. (shrink)

The recognition of Gregor Mendel's achievement in his study of hybridization was signalled by the ‘rediscovery’ papers of Hugo de Vries, Carl Correns and Erich Tschermak. The dates on which these papers were published are given in Table 1. The first of these—De Vries ‘Comptes renduspaper—was in French and made no mention of Mendel or his paper. The rest, led by De Vries’Berichtepaper, were in German and mentioned Mendel, giving the location of his paper. It has long been accepted that (...) the first account of Mendel's work in English was given by the Cambridge zoologist, William Bateson, to an audience of Fellows of the Royal Horticultural Society in London on 8 May, 1900. This is based on two sources: the paper ‘Problems of Heredity as a Subject for Horticultural Investigation’, published in the Society's journal later that year and stated as ‘Read 8 May, 1900’, and Beatrice Bateson's account of the event over a quarter of a century later. Of the paper which her husband gave on that occasion she wrote:He had already prepared this paper, but in the train on his way to town to deliver it, he read Mendel's actual paper on peas for the first time. As a lecturer he was always cautious, suggesting rather than affirming his own convictions. So ready was he however for the simple Mendelian law that he at once incorporated it into his lecture. (shrink)

Some recent discussions of narrative structure consider the narrative as a sequence of events, and assume that the structure is what is manifested by the relation between any given event and the event 1, or perhaps the whole sequence from the first event up to the th event in the book. In the present discussion this approach will be modified in two ways. It will be modified, later on, by considering what would be happening if the (...) writer were revising his work into the final version, out of a penultimate version which was, as it were, a next-most complex version: one to which some final "complexifying" process had not yet been applied. The other way in which the present discussion will modify that approach is that it will consider narrative not as one sequence of events but as an interrelated set of sequences. · 1. E.g., R. Barthes, "Introduction à l'analyse structurale du récit," Communications, no. 8 , pp.1-27. John Holloway, professor of Modern English at the University of Cambridge, has written The Victorian Sage, The Charted Mirror, The Story of the Night, Blake: The Lyric Poetry, and five volumes of verse, such as New Poems. He is presently completing a book on poetic modes from Milton to Hardy and coediting a four-volume series on English and Irish street ballads. His other contribution to Critical Inquiry," Supposition and Supersession: A Model of Analysis for Narrative Structure" appeared in the Autumn 1976 issue. (shrink)