Sledging, or ‘trash talk’ or ‘chirping’, as it’s known in other parts of the world, has long been part of competitive sport. However, more recent times have seen the issue of sledging, and its place in sport, debated with many athletes, fans and academics arguing that sledging has moved outside the notion of ‘sportsmanship’ and gone beyond light hearted, good natured banter. They argue it is now characterized as hurtful, insulting, offensive and intimidating – a tactic that has moved (...) beyond fair play and, in many instances, no longer acceptable. This paper seeks to explore this issue in greater depth. In particular, this paper seeks to ask, ‘is sledging part of play, or is it a characteristic of play’s corruption?’ The argument proceeds by adopting a conception of play grounded in the work of Johan Huizinga. Play may be understood as a core component of even professional sport, not least in that play lies at the moral core of the ‘spirit of sport’ in fairplay and respect for one’s opponents. Using... (shrink)

This paper investigates the relationship between the 2004 film Iron Jawed Angels and the historic events and figures it purports to represent. As a major film on the national women’s suffrage movement in the US, Iron Jawed Angels had great potential in terms of educating viewers on the lives and accomplishments of America’s suffragists. However, this paper argues that in modifying the character and story of activist Alice Paul to appeal to female, conservative, and American audiences, the movie diminishes Paul’s (...) achievements and assumes that female spectators require the tropes of a “chick flick” to sustain their interest. (shrink)

No Aggression, Only Teasing: The Pragmatics of Teasing and Banter A bone of contention among researchers is whether the primary function of humour is the expression of aggression against the hearer or the promotion of solidarity between the interlocutors. It is commonly averred that teasing boasts a dichotomous nature, i.e. malignant and benevolent. The former coincides with the potential for criticising, mocking and ostracising the interlocutor, whereas the latter accounts for playfulness and bonding capacity.The overriding goal of the paper (...) is to expound the rapport-building function, which is here postulated to be inherent to teasing. First and foremost, I will determine the scope of interest differentiating between putdown humour and teases, which may assume the form of retorts and develop into multi-turn teases, i.e. banter. Subtypes of teasing will be discussed with a view to proving that it is inherently devoid of genuine aggressiveness. The underlying premise is that teases, even if ostensibly aggressive, i.e. face-threatening, are geared towards solidarity, in conformity with the framework of politeness, including mock impoliteness, holding between intimates. Also, teases fulfil a few subordinate functions such as defunctionalisation or mitigation of face-threatening messages they may carry. (shrink)

This study uses the American Association of University Women 1993 survey on sexual harassment in America's schools, a national sample of high school students, to examine gender differences in the behavioral, emotional, and educational consequences of sexual harassment. Previous research indicates that a high percentage of both boys and girls experience sexual harassment and that the negative consequences are greater for girls. The authors use a feminist theoretical framework to show that girls' and boys' qualitatively different experiences account for part (...) of this gender gap. Girls are far more likely to perceive harassment as harmful than boys and to experience a far greater frequency and severity of harassment. This article documents that girls are more likely to be targets of physical sexual harassment than boys and that physical harassment rather than derogatory or verbal and/or visual forms of harassment exacerbate the gender gap in educational outcomes. (shrink)

This study explores professional footballers’ perceptions of where banter crosses the conceptual line into bullying. The study’s focus is of importance, given the impact that abusive behaviors have been found to have on the welfare and safeguarding of English professional footballers. A phenomenological approach was adopted, which focused on the essence of the participants’ perceptions and experiences. Guided by Interpretative Phenomenological Analysis, individual semi-structured interviews were conducted with 18 male professional footballers from three Premier League and Championship football clubs. (...) The findings from this study revealed several key superordinate themes in relation to the dividing line between bullying and banter. These themes included “perception,” “intentionality,” “detecting the line,” and “having a bit of banter.” The findings demonstrate how perceptions of bullying and banter are nuanced by individual differences among the players and the culture of the professional football context. Specifically, it was found that the professional football context can legitimize forms of humor blurring the lines between bullying and banter, challenging the typically positive view of the concept of banter in this environment. From an applied perspective, these findings highlight the need for coaches, players, and football clubs more broadly to address cultural expectations around banter in their environment, while educating individuals around their own perceptions of bullying and banter. (shrink)

Bestial banter -- Homo risus : making light of animal language -- Warming savage hearts and heating eloquent tongues -- From savage orators to savage languages -- French levity -- English energy.

Metaphorical utterances are construed as falling into two broad categories, in one of which are cases amenable to analysis in terms of semantic content, speaker meaning, and satisfaction conditions, and where image-construction is permissible but not mandatory. I call these image-permitting metaphors, and contrast them with image-demanding metaphors comprising a second category and whose understanding mandates the construction of a mental image. This construction, I suggest, is spontaneous, is not restricted to visual imagery, and its result is typically somatically marked (...) sensu Damasio. IDM’s are characteristically used in service of self-expression, and thereby in the elicitation of empathy. Even so, IDM’s may reasonably provoke banter over the aptness of the imagery they evoke. (shrink)

This volume brings together experts from a wide range of disciplines to define and describe taboo words and language and to investigate the reasons and beliefs behind them. It examines topics such as impoliteness, swearing, censorship, taboo in deaf communities, translation of tabooed words, and the use of taboo in banter and comedy.

Many have argued that sexualized banter is indicative of “masculine” culture, serving as a mechanism by which men construct masculine identity and dominance and create a climate of sexual harassment. While this claim has much empirical support, sexualized banter among women remains undertheorized. Furthermore, many contemporary scholars agree that the meaning of a sexual exchange may vary widely between cultural and material contexts, but this insight has only recently been applied to studies of workplace sexuality. This article considers (...) the issues of gender, sexuality, power, and context in light of ethnographic data collected in two service work establishments. Within these organizations, many workplace sexualized interactions emerge as facilitating camaraderie and empowerment between workers. The article concludes that the sexual particularities of a workplace should be interpreted as one of its many cultural features, reflective more of its organizational conditions than of a static sexual symbolism. (shrink)

Analysing sexual harassment law in British Columbia, this paper argues that in highly sexualised work environments, in which practices including sexual ‘jokes’ or innuendo may be common, law embodies and (re)creates the gendered subtext of the workplace. When a complaint of sexual harassment from a sexualised workplace is raised in a legal forum, a complainant has an obligation to clearly object to the sexual remarks, ‘jokes,’ banter, etc.—which may be the ‘norm’—to show the conduct in question was unwelcome. At (...) the same time, however, a workplace may be structured, in part by law, in a way that restricts employee resistance to uncomfortable sexual experiences. This is the case, I argue, for women working in full-service restaurants when it comes to sexual interactions with customers. This paper explores how restaurant work, in the Canadian context with a focus on the province of British Columbia, is organised in a manner that makes women vulnerable to enduring sexually harassing practices as a routine part of their jobs. (shrink)

Background There is no definition of what constitutes a lie when working with people with moderate to severe dementia. Lies are often defined as therapeutic with no evidence of how therapeutic value is gauged. There is no previous research that observes lies being told or the impact the lies have on people with dementia. Aim The aim was to develop a taxonomy of lies for use when supporting people with moderate to severe dementia and then use this to develop a (...) model, which could be used to explore the impact of lie telling. Research design Ethnography was used, with the researcher observing and recording lies told to people with moderate to severe dementia, by professional caregivers. Data analysis was based on Burnard’s thematic analysis. Ethical consideration Ethical approval for the study was obtained from Northumbria University, the Research Ethics Committee (REC) and the Health Research Authority (HRA) in the United Kingdom. Study number 227508. Findings Six categories of lie were identified; blatant, avoidance, familiarity, props, banter and going along with. Spontaneous and planned lies were observed. Motivation, validation and genuineness were key in terms of how the person with dementia responded. These affective domains were used to develop the Lie ARM (affective reflective model). Discussion Planned and spontaneous lies are an effective intervention for people with moderate to severe dementia. Healthcare professionals need to be aware of their motivation for using lies, as well as the impact they have on patients. Conclusion The taxonomy is an objective way to categorise lies. It supports increased reflection, particularly if used in conjunction with the Lie ARM. The Lie ARM is a useful tool to help staff reflect on practice or to predict whether a proposed lie is likely to be therapeutic. (shrink)

The turbulent 1960s in America testifies to the artistic and intellectual need and move beyond the liberal cult of fantasy and inaction. Amiri Baraka (formerly LeRoi Jones) views the social and political reality in its dynamism, and not in its immutability or stasis. Black art, within a repressive society, must be perceived as an arm, a weapon and not a means of banter or fun. Werner Sollors considers him as the engagé artist par excellence. The political art that Baraka (...) espouses is drastic and functional, an art that exposes common predicaments and plights. Entailed in Baraka’s dramatic art is the diatribe against art for art’s sake, thefusion of art and activism, and the finality of human action. Baraka considers theatrical playwriting as didactic, telic, and constructive. In this light, art, playwriting, and engagement constitute one monolithic unity that could stand in the face of liberal reactionary politics and arrangements. (shrink)

'..... And then there were none', is a collaborative book by four New Zealand photographers and a writer. Developed over the last two years with regular meetings indulgent in wine and homemade cheese as excuses for friendship and banter, '..... and then there were none' grew from conversations and arguments about mortality, our technologically mired existence and the degradation of the environment. Collaboration in a real sense, Harvey Benge, Jon Carapiet, Haru Sameshima, Stu Sontier, breaks out of conventional authorship (...) based story-telling, to play out their anxieties and doubts about the world they see, as one visual voice. The author Lloyd Jones adds his contribution of trenchant narrative texts of two scenes of slaughter and one execution. All addicted to travels, the project triggered its own version of flygskam [the feeling of climate guilt associated with airline travel] or the collaborators, conflicted by the international travel that made many of the photographs and the writing possible and tainted by knowing the greater price to be paid. Narratives included from such travels are drenched in sordid human histories that recall the myriad pathways that have led us to now, and to what comes next. The nod to mortality echoing through the book is rendered stark by the recent death of Benge, adding a sense of urgency to the title of the book - not just for the remaining collaborators, but for us all."--Publisher. (shrink)

ABSTRACT Research has found humour and gender to be linked, 96–113. doi:10.1016/j.pragma.2005.06.006; Kotthoff 2006, Gender and humor: The state of the art. Journal of pragmatics, 38, 4–25. doi:10.1016/j.pragma.2005.06.003), specifically within languages/cultures, The pragmatics of humour across discourse domains. John Benjamins, for jokes in Russian). In this respect, women are often subject of jokes and, in some cases, this reproduces the gendered imbalance of suitable roles in private and public spaces. In this paper, I examine the message of two jokes told (...) by Italian fathers policing their daughters’ sexuality, as well as the interactions between myself and these fathers on Twitter. Using Feminist Critical Discourse Analysis, 141–164. doi:10.1080/17405900701464816; Lazar, 2018, Feminist Critical Discourse Analysis. In J. Flowerdew, & E. J. Richardson, The Routledge Handbook of Critical Discourse Studies. Routledge), Social Media Critical Discourse Studies. In J. Flowerdew, & E. J. Richardson, The Routledge Handbook of Critical Discourse Studies. Routledge) and through adapting a framework designed to approach sexist jokes, 207–228. doi:10.1558/genl.v1i2.207), I discuss: the ‘who/what the text is about’, and a desire to a traditional fatherhood emerging from the interactions in it’s just banter and the good and happy father. Specifically, I discuss fatherhood as linked to an ontological desire, 213–239. doi:10.1558/genl.v5i2.213) in connection to an alleged transition from old to new fatherhood, 76–92. doi:10.1177/0011392112464231) in Italy. (shrink)

This book does two things: It tells one how to recognize, build & protect self esteem & it tells one how to become vastly aware of one's self. The words "Self Esteem" are bantered about so frivolously that it's plain to see that the general populous understands neither its meaning nor its value. Losing weight, looking better & being nice to your neighbor are simply "cosmetic" esteem enhancers. BE SOMEBODY" is the result of a fifteen year study which began as (...) an investigation of practical everyday awareness. It became evident that the more aware a person becomes, the more he can control his spiritual environment, the more he can accomplish & the more his self esteem will grow. Part of the development involved field testing in adult educational facilities. Awareness involves everything from recognizing time & action, to knowing one's abilities, to acknowledging location of where things occur - where you sit, where you share your various relationships & the types of relationships, themselves. Awareness also involves recognizing & knowing the level of interpersonal communications. And strangely enough self esteem involves the very same items! And you mean to tell me that "BE SOMEBODY! A PRACTICAL PHILOSOPHY FOR ALL TIMES" will do all that? You bet! (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Power of PersuasionG. Bennett HumphreyA long white coat, the title of doctor, a practiced professional persona and an appointment to the staff of a prestigious university medical center allows the physician to be a persuader of clinical decisions affecting patient management. When this power of persuasion is used to encourage patient compliance with a therapeutic regimen that might be curative for a fatal disease, there is justification for (...) trying to influence the patient to make choices resulting in a positive outcome. But when a physician is asking permission to enter the patient into a research protocol where the primary goal of the study is the hope of advancing knowledge, then much thought needs to be given to the potential abuse of this power of persuasion.In the 1960s, I found myself having to think about recruiting children into research protocols. I had just finished two years of residency in internal medicine and wanted to pursue a career in academic medicine. My primary interest was in laboratory research. To strengthen my training in research, I had competed for a position as clinical fellow in a western university. The fellowship program was designed to expose young physicians to both clinical and laboratory research. The first year was spent on one of the clinical research wards and the second year in a research laboratory. The program was open to residents from surgery, medicine and pediatrics but because there was a shortage of pediatricians in the program, I was required to work on the children’s leukemia ward for one year.The learning curve was steep during the first few months. Naturally, the faculty in pediatrics and the medical literature gave me a technical education in the use of protocols for therapeutic treatment of leukemia. For example, the first protocol used was designated as Phase III, and the goal was to try to cure the patient. A remission could be achieved in over 90 percent of children but the disease recurred. The median duration of these remissions in the mid–1960s was one year. A relapse was followed by progressive disease and death in a matter of weeks, but a new drug of unknown efficacy could be administered. This was a Phase II protocol, and while there was a chance of prolonging life for a month or so, the primary goal was the identification of drugs anti–leukemic activity.The pediatric leukemia ward experience for me as a fellow was unusual. There was more to learn than the treatment of leukemia. To my surprise, the children and their mothers gave me insight into the care of pediatric patients. Each month, the patients were admitted for five days of intravenous chemotherapy. The first day was traumatic with venipunctures, bone marrow aspirations and the establishment of an IV for the daily infusion of drugs. The remaining four days were for social rounds: listening to the children who liked to talk; talking with the ones who liked to listen; putting puzzles together with some toddlers; responding to a request to listen to the heart of a much loved teddy bear; exchanging jokes and riddles; stories about school, the family dog, or a favorite friend; enjoying the banter of the adolescents; and not invading the privacy of a few who didn’t like me, the ward or the therapy. These children were sharing their childhood with me and it took couple of months for me to recognize I was bonding with these little patients. I observed and listened to the mothers caring for their children and stood in awe of the resources that they brought to bear on having children with a fatal disease. A feeling of mutual respect and trust developed between these mothers and me. For an internist, these experiences were profound and very different from my experience treating adults.A professor, an internationally known researcher in the field of leukemia, was in charge of the ward. Formal rounds were conducted on Tuesday mornings when the result of the bone marrow aspirates and the toxicity of the chemotherapy were reviewed. The day–to–day responsibility for [End Page 101] treatment and informing the mothers on the remission status on Mondays was my responsibility... (shrink)

Video streaming has become very popular among game enthusiasts. Live streams of computer games, where there is the possibility of communi­cation, are developing as community meeting places; a number of social scientists are calling this a trend towards new online “third places”. To­day’s debate draws attention to the reproduction of a participation culture trough streaming, in the space of which everyone can express themselves creatively, share their opinion, experiences, and information. At the same time, there is a tendency towards the (...) capitalist appropriation of streaming by media businesspersons who stimulate the monetization of participation. Investigating the “sociality of streaming”, the authors highlight the supplementation of the “Let’s Play” discourse with topics from the current agenda, understanding live streams as public media arenas. In the public arenas of computer game live streams, the dramatization and selection of global or local news information in a specific media format takes place. The article demonstrates this phenomenon using the example of the corona­virus, the most prominent topic of spring 2020. The pandemic vocabulary appears in different sections of Twitch game streams, such as titles, audio/ video content, and the chat. Banter and obscene vocabulary are charac­teristic of the game stream space, however, this is combined with charity fund-raising broadcasts in support of doctors. ­. (shrink)

Callimachus has a resurrected Hipponax dramatize his revival of archaic iambus by summoning a learned Alexandrian audience to hear a humble tale of Thales and his fellow sages. The strange blend of surly address and genial legend, all in bantering choliambs, offers more than a homily on modesty for contentious intellectuals. In its modulation of tone, theme, and mode, the first Iambus presents a paradigm for literary renewal. Both persona and embedded narrative demonstrate the symbiosis of poetry and its "well-read" (...) muse, and the prospects that newly expanded intellectual and cultural horizons afford. (shrink)

One of the 20th century's most popular non-realistic genre is absurd. The root "absurd," connotes something that does not follow the roots of logic. Existence is fragmented, pointless. There is no truth so the search for truth is abandoned in Absurdist works. Language is reduced to a bantering game where words obfuscate rather elucidate the truth. Action moves outside of the realm of causality to chaos. Absurdists minimalize the sense of place. Characters are forced to move in an incomprehensible, void-like (...) realm. Danish philosopher Sїren Kierkegaard was the first to use the term "absurd" in its modern context. His application of the term related it to, what he considered, the incomprehensibility and unjustifiability of Christianity. Existentialist philosophers such as the Frenchman, Jean-Paul Sartre and the German, Martin Heidegger propagated use of the terms in their work. In the philosophical world of the novel, Albert Camus employed absurdism to portray the difference between man's intent and the resultant chaos he encounters. In modern civilization man is posited as the subject of knowledge in science and technology, animating the utopian projects of industrial civilization, and culminating in great urban conglomerates, as in the sealed universe of commodities which constitutes the omnipresent mall. Technique, defined as the ensemble of means, is the driving force of social development, moreimportant than the ends it is supposed to serve. Unfortunately, technique became an end in itself and the society is organized around it. Of course, we are all aware that we need a certain changes to subdue technique, but I think it is now too late to change the course of technique. However, technique is frequently pictured as the only hope for a better future and the only means of making the world more humane. And that is the sort of statement that French philosopher Jacques Ellul calls the technological bluff. Technology is a discourse on techniques: therefore, the bluff lies not in the failure of techniques as such but in presenting them in a falsely optimistic light. The author formulated in 1954 two laws of technical progress: first, it is irreversible: second, it advances by a geometric progression. Thus, a computer revolution changes nothing in the nature of technical progress, although products are new. This progress is hamperednot by internal mechanisms, but by maladaptation of the social body to it, since society is rooted in the past and constantly refers to it. On the other hand, technique is future oriented and discards as valueless everything that cannot be incorporated into the web of techniques. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Masao Abe: A Bodhisattva’s VowJames FredericksAbout ten years ago, I enjoyed a fine Japanese lunch with my friend and teacher, the late Masao Abe. I gathered with him and his wife, Ikuko, in a traditional restaurant in Kyoto. Abe Sensei had been somewhat pensive and withdrawn for most of the meal. Mrs. Abe and I had been bantering about how late the tsuyu rains had been that year and (...) the effect it was having on Kyoto’s hydrangea. Suddenly Sensei began to speak with an unusual tone of voice, as if saying something of great importance to no one in particular. “It is not enough,” he said. Mrs. Abe and I fell silent and attentive. He repeated himself in the same voice: “It is not enough.” I knew immediately what my teacher was talking about. In his old age and after a long and distinguished career of teaching and lecturing about Zen in the West, Abe Sensei was talking about a Buddhist teaching dear to his heart, “the standpoint of emptiness.” Out of politeness, I did not want to indicate that I understood his meaning so directly and sat wondering what I should say in response. Finally, I settled on something like this: “I will continue to study; Sensei, please continue to teach.” I spoke in the most formal Japanese I could muster out of respect for my teacher and friend.Sitting on the tatami mats in that restaurant in Kyoto was not the only time that Sensei has ever said “it is not enough.” In April 1942, four months after the beginning of the Pacific War, Masao Abe entered Kyoto Imperial University to study philosophy of religion. He was twenty-seven years old, buffeted by criticism for not enlisting in the military, and fearful of the power of nihilism at work in his homeland. In Kyoto, he was much attracted by the lectures of Tanabe Hajime, who was already filled with foreboding over Japan’s impending defeat and looking to Pure Land Buddhism for guidance. Tanabe’s comment “Amida is not far from here” brought Abe to weep inconsolably in the realization that it was he who was moving away from Amida even as Amida was moving toward him. Even still, Sensei would eventually find the Pure Land path “not enough” for resisting the forces of nihilism in the world and in himself.After the war, Abe joined a Zen meditation group that met at Myōshinji in Kyoto. The group was directed by Hisamatsu Shin’ichi, a Zen layman and lecturer on Buddhism at the university. In December 1951, Abe had a violent encounter with Hisamatsu that people still talk about. Zen had begun to erode Abe’s Pure Land faith and the threat of nihilism had returned in force. One evening, in great agitation, [End Page 115] Abe rose from his meditation pillow and lunged toward Hisamatsu screaming, “Is this the true self?” He was restrained briefly and then left the room. Later, Abe said in despair, “I cannot find anyplace where I can stand,” and Hisamatsu answered him straight away: “Stand right at that place where there is no place to stand.” This is what Abe Sensei called “the standpoint of emptiness.” Abe would eventually teach at great universities in the United States and Europe and become one of the leading figures in the dialogue among Buddhists and Christians. At the heart of all of this has been his unwavering commitment to expounding the standpoint of emptiness. Unwavering, that is, until that day in Kyoto over lunch when he said, “It is not enough.”Of Buddhism’s many impressive teachings, the bodhisattva ideal must be one of the most wondrous. A bodhisattva is one who, in the quest for enlightenment, has come to the threshold of nirvana itself. Ready to enter into bliss, the bodhisattva renounces nirvana and turns back to samsara. This return to samsara takes the form of a vow to work skillfully for the benefit of every sentient being. In the bodhisattva’s vow, Buddhism teaches a great and paradoxical truth. Since attachment is the birthplace of sorrow, wisdom requires that attachment be renounced. In the quest for liberation from... (shrink)

Don't philosophers die just like all other men? In order to speak of the death of philosophers, why choose an author like Boureau-Deslandes, who collected anecdotes of insolence in the face of death? Undoubtedly, free minds could only disarm theology by joking about it. The mental, moral and playful mechanisms of the mind can be taken apart to reveal the bans inscribed in the conscience through the workings of institutions. Against the philosophies of melancholy, fear, death and power, a philosophy (...) of banter is a cheerful philosophy, an ethics of taste that destabilises the rules. It is this practice of bantering insolence that turns temperament into virtue and a man into a philosopher. (shrink)

Part I Introduction -/- Passion at a Distance (Don Howard) -/- Part II Philosophy, Methodology and History -/- Balancing Necessity and Fallibilism: Charles Sanders Peirce on the Status of Mathematics and its Intersection with the Inquiry into Nature (Ronald Anderson) -/- Newton’s Methodology (William Harper) -/- Whitehead’s Philosophy and Quantum Mechanics (QM): A Tribute to Abner Shimony (Shimon Malin) -/- Bohr and the Photon (John Stachel) -/- Part III Bell’s Theorem and Nonlocality A. Theory -/- Extending the Concept of an (...) “Element of Reality” to Work with Inefficient Detectors (Daniel M. Greenberger) -/- A General Proof of Nonlocality without Inequalities for Bipartite States (GianCarlo Ghirardi and Luca Marinatto) -/- On the Separability of Physical Systems (Jon P. Jarrett) -/- Bell Inequalities: Many Questions, a Few Answers (Nicolas Gisin) -/- B. Experiment -/- Do Experimental Violations of Bell Inequalities Require a Nonlocal Interpretation of Quantum Mechanics? II: Analysis a la Bell (Edward S. Fry, Xinmei Qu, and Marlan O. Scully) -/- The Physics of 2 = 1 + 1 (Yanhua Shih) -/- Part IV Probability, Uncertainty, and Stochastic Modifications of Quantum Mechanics -/- Interpretations of Probability in Quantum Mechanics: A Case of “Experimental Metaphysics” (Geoffrey Hellman) -/- “No Information Without Disturbance”: Quantum Limitations of Measurement (Paul Busch) -/- How Stands Collapse II (Philip Pearle) -/- Is There a Relation Between the Breakdown of the Superposition Principle and an Indeterminacy in the Structure of the Einsteinian Space-Time? (Andor Frenkel) -/- Indistinguishability or Stochastic Dependence? (D. Costantini and U. Garibaldi) -/- Part V Relativity -/- Plane Geometry in Spacetime (N. David Mermin) -/- The Transient nows (Steven F. Savitt) -/- Quantum in Gravity? (Michael Horne) -/- A Proposed Test of the Local Causality of Spacetime (Adrian Kent) -/- Quantum Gravity Computers: On the Theory of Computation with Indefinite Causal Structure (Lucien Hardy) -/- “Definability,” “Conventionality,” and Simultaneity in Einstein–Minkowski Space-Time (Howard Stein) -/- Part VI Concluding Words -/- Bistro Banter: A Dialogue with Abner Shimony and Lee Smolin -/- Unfinished Work: A Bequest (Abner Shimony) -/- Bibliography of Abner Shimony. (shrink)

What aspects of philosophical style really count? What aspects of philosophical writing count only as matters of style? Some features of philosophical writing and talking do seem to be of merely ornamental significance, worthy subjects only of gossip or banter. We are familiar with the academic sneer with which poor Professor Kluck is charged with having “somehow managed to confuse” one thing with another. A more serious stylistic matter, of course, would be Professor Kluck’s own willingness to use the (...) apparatus of modal logic in his pathetic endeavors. Or is that a matter of style? If so, does the same concept apply to such amusing and affective phenomena as accent and cadence? We have heard Professor Chisholm’s rising terminal voice inflection, if only because it is so widely imitated. One thinks of Professor Earle’s favorite condemnation “boring” pronounced with an “o” which seems to touch base on every vowel sound known to man. We are impressed by Goodman’s pithiness, and we register his penchant for alliterative triples. We compare Bergmann’s Laocöonian baroque prose with Quine’s soothing urbanity. It is an interesting fact that these are the features which come to mind when we begin to consider the whole question of philosophical style. Have we so internalized the parts that really count that they seem “white,” neutral, style-free? There might well be historical factors which encourage such blindness. Varying degrees of lingering transcendentalism about philosophical method would not be easily reconciled with the awful idea that one is merely speaking a local dialect. Of course the transcendentalism itself is rarely owned up to as such, as if it is assumed that it is Reason which speaks but that it is in poor taste to say so. Alternative methods, when confronted, generate distaste, horror, or the head-shaking sort of wonderment of the Eighteenth Century Parisian who wondered how on earth anyone could be a Persian. (shrink)

To discover David Hume's views on women it is necessary to bring together remarks scattered somewhat sparsely throughout his philosophical and historical writings. Although the titles of Hume's major works might suggest that he was describing the understanding and nature of all human beings, both male and female, in none of the works do we find a specific section devoted to an analysis of sexual differences in these two respects. There is a tidy chapter on female morality in A Treatise (...) of Human Nature , but nothing comparable for female nature as such . This omission does not, however, imply that Hume thought that biological differences had no concomitants in character and understanding. Neither, despite Hume's bantering remark that an essay on a ‘Subject so little to be understood as Women’ would be ‘unintelligible’, does this neglect imply that Hume was uncertain about these attendant differences . Hume's exclusion of such a section seems to stem only from his desire to stress human uniformity, not from any lack of recognition of human variety. Because of the absence of any systematic treatment of the subject by Hume, it is necessary to proceed cautiously in interpreting his remarks on women. There is a further reason for caution in that Hume offers ‘jests and pleasantries’ as well as more serious comments on this subject; Hume, on occasions, gallantly woos his so-called ‘favourites’, his female readers, and when he does so sincerity is gallantly put aside. (shrink)

(Now reprinted with the entire content comprised in 2 volumes) Talks with Sri Aurobindo is a thousand-page record of Sri Aurobindo's conversations with the disciples who attended to him during the last twelve years of his life. The talks are informal and open-ended, for the attendants were free to ask whatever questions came to mind. Sri Aurobindo speaks of his own life and work, of the Mother and the Ashram, of his path of Yoga and other paths, of India's social, (...) cultural and spiritual life, of the country's struggle for political independence, of Hitler and the Second World War, of modern science, art and poetry, and of many other things that arose in the course of conversation. Serious discussion is balanced with light-hearted banter and humour. By recording these human touches, Nirodbaran has brought out the warm and intimate atmosphere of the talks. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Abusive Mouths in Classical AthensTom HawkinsNancy Worman. Abusive Mouths in Classical Athens. Cambridge: Cambridge University Press, 2008. xi + 385 pp. Cloth, $99.It's not as simple as "you are what you eat," but Worman argues that we can all recognize who you are by what you do with your mouth. In this richly argued and important book Worman uncovers connections between various types of oral activities (yelling, gulping, (...) sucking, etc.) and an array of public figures (sophists, demagogues, et al.) throughout several centuries of Greek literature, from Homer to Theophrastus. Her ultimate focus is on how certain genres use low-register poetics to deploy mouth-centered invective as part of an ongoing civic debate about where particular individuals or character types fit into the workings of democratic Athens. She constructs her argument around careful literary analysis bolstered by a clear and satisfying methodological framework and a model of continuity (innovative and controversial in its own right) for an "iambic discourse" that runs through all of the texts she studies. Before discussing the details of her thesis directly, therefore, it will help to elaborate upon these two foundations of her larger arguments.Since the publication of Ralph Rosen's study of the iambic dimensions of Old Comedy (Old Comedy and the Iambographic Tradition [Atlanta, Ga., 1988]), the exploration of iambic elements outside of iambos narrowly understood has become quite common, but what Worman suggests, most explicitly in the introduction and chapter 1, goes further than most. She posits an ongoing "iambic discourse" rooted in a consistent low-register lexicon of abuse and a focus on the degraded body as a primary battleground for invective that orators and philosophers inherited from the poets of Old Comedy and, indirectly, from the archaic iambographers themselves. For those archaic poets, "the appetitive and debased body constitutes a central common element, a body whose needs are focused around the open mouth" (44). For Worman, then, we can spot this "iambic discourse" in the gaping masks of comic characters parodying public figures in Aristophanes; in the aggressive banter and gormandizing in Euripides' Cyclops; in the sarcastic quips of the Platonic Socrates chatting with slick-tongued sophists; in the scathing backbiting between Aeschines and Demosthenes centering on the former's career as an actor and the latter's feeble voice; and in the often subtle nuances between various of Theophrastus' unsavory characters. The last sections of chapter 1 even demonstrate that matters of oral excess pervade the higher register genres of epic, epinician and tragedy. Although their tone and ethos remain more elevated than that of iambos, "these genres all contribute significant details to what the mouth, as a metonym for the appetitive body, can mean in contexts marked by verbal strife and, frequently, physical violence" (60).This model of a long-standing, genre-crossing "iambic discourse" presents a major challenge to the status quo for the later reception of iambic poetry (although Worman's model is primarily geared toward her more political argument). Overall, I find her approach refreshing and persuasive, although I found myself bothered by two issues from either edge of her temporal range. When [End Page 461] discussing the earliest evidence of this iambic discourse, she assumes roles of primacy for epic and dependency for iambos that seem unnecessary and, perhaps, limiting (e.g., 35, 40). As Barker and Christensen have recently argued in their discussion of the newly deciphered Telephus fragment of Archilochus, it is just as likely that the two genres exerted a reciprocal influence on one another ("Flight Club: The New Archilochus Fragment and its Resonance with Homeric Epic," MD 57 [2006]: 9–41). From the other end of the spectrum, Worman occasionally points to a variety of later literary environments where this mouth-centered iambic discourse reappears (e.g., Roman oratory), but she never addresses the boom market for nouveau iambic poetry in the Hellenistic era. While the rise of the Hellenistic kingdoms put an end to the contentious political environment at the center of her study, Worman's model of an iambic discourse would be even more compelling if it could be expanded to account for the increased interest in iambic poetics in this... (shrink)

Theories of humor tend to neglect the role that humor plays in situations of conflict. This paper explores epistemological and political dimensions of humor as it is used by members of disenfranchised and otherwise marginalized groups. Not only can this kind of humor I call "oppositional" aid members of oppressed groups in preparing for conflict; it can also help people's beliefs shift in politically significant ways. Although I think the use of oppositional humor can be very constructive both politically and (...) epistemologically indealing with conflict, I am skeptical about the use of oppositional humor in situations of direct conflict resolution. Nevertheless, I suggest that a type of humor called banter can be productively engaged in by the relatively disempowered when certain parameters are drawn. (shrink)