Romanticism fabricated a poet of vast oracular powers largely from superstitious notions and suspicious philosophies which the Renaissance had gathered up somewhat by chance with the rational part of the Graeco-Roman legacy. The model was surely an imposture and, historically considered, a scandal. Seer, sage, prophet, mage—the pretensions varied, but all were titles to transcendent disclosure in times increasingly committed, at least officially, to a unified scientific view. That the poet could be confirmed to any degree in this anachronistic role (...) was probably owing to the circumstance that the general cultural reflex following the Enlightenment reawakened widespread interest in those dark and excluded passages of the human spirit which mystics and seers were thought to frequent. Poets who pretended to voyance benefited from the muffled but persistent rumor of profound mysteries accessible to the high priests of Kabbala and the Corpus Hermeticum, to Illuminists, Rosicrucians, and Neopythagoreans. Western Europe had never ceased to acknowledge, even in such unlikely periods as the later Middle Ages, the aboriginal priestly and prophetic functions of the poet; but romanticism contrived—out of occultism and neoplatonism, antirationalism and anticlassicism—such a warrant for unabashed oracular saying as Antiquity had scarcely imagined. While perhaps none of the romantic was actually prepared to grant the poet his ancient powers in full measure, few seemed inclined to diminish the stature of the heroic abstraction, who symbolically contested the claims of naturalism and positivism. (shrink)

In this essay, I trace the motif of abandonment that runs through the ethics of Simone Weil. In doing so, as a conceptual lens, I make use of Giorgio Agamben’s concept of abandonment. Taking my cue from Weil’s hesitations concerning baptism, I examine her stance as a case of either sacrifice or exception, of ambiguity or indifference. Subsequently, I use Weil’s hesitations to examine an interconnected sequence of soteriology and metaphysics, following Church and potentiality, World and actuality, and The Kingdom (...) and contingency. This allows me to explore the themes of writing and life. A crucial role is reserved for the Parable of the Sower, and how it discriminates between the saved and the damned. (shrink)

Additional Contributor Is Joseph D. Quillian, Jr.

Excerpt from Geschichte des Monismus im Altertum Gilt dies in jeder Einzelwissenschaft, so gilt es erst recht in der Philosophie, der wissenschaft der Wissenschaften. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the (...) original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.". (shrink)

Last year marked the fiftieth anniversary of the inauguration of Brazil’s capital Brasilia. Designed by architects Lúcio Costa and Oscar Niemeyer, it has since become one of the most famous and widely studied urban planning projects. Niemeyer’s cathedral, Catedral Metropolitana Nossa Senhora Aparecida; his building for the national parliament, the Congresso Nacional; and the city’s 707-foot television tower have become icons of twentieth-century architecture. The entire city, marked by its cross-shaped layout and vast open spaces, was named a UNESO World (...) Heritage site in 1987. René Burri, an internationally celebrated Swiss-born photographer and member of the legendary Magnum agency, visited the city for the first time on a long journey around South America in 1958, when most of Brasilia was a vast building site. He returned many times over more than thirty years, documenting the growth and development of this urban utopia. Besides documenting the buildings in various stages of completion, Burri took portraits of Niemeyer and his workers and photographed Brasilia’s street scenes and people: workers with their tools, machinery and building materials, pedestrians on the newly finished streets and squares, and aerial views from the air of the city’s first slums abutting brand-new blocks of residential buildings. His images capture the strong sense of a new era and a vibrant atmosphere of hard work and strain; they reflect the huge dimensions of the landscape and the great scale of this project and its ambition to design and build a new capital—and fill it with life. Complete with an essay by eminent architect and scholar of architectural history Arthur Rüegg, René Burri. Brasilia marks the city’s fiftieth anniversary and allows readers to look at an extraordinary city through the eyes of an exceptional photographer. (shrink)

We prove two theorems which in a certain sense show that the number of normal measures a measurable cardinal κ can carry is independent of a given fixed behavior of the continuum function on any set having measure 1 with respect to every normal measure over κ . First, starting with a model V ⊨ “ZFC + GCH + o = δ*” for δ* ≤ κ+ any finite or infinite cardinal, we force and construct an inner model N ⊆ V (...) [G] so thatN ⊨ “ZF + [DCδ] + ¬ACκ + κ carries exactly δ* normal measures + 2δ = δ++ on a set having measure 1 with respect to every normal measure over κ”.There is nothing special about 2δ = δ here, and other stated values for the continuum function will be possible as well. Then, starting with a modelV ⊨ “ZFC + GCH + κis supercompact”,we force and construct models of AC in which, roughly speaking, regardless of the specified behavior of the continuum function below κ on any set having measure 1 with respect to every normal measure over κ, κ can in essence carry any number of normal measures δ* ≥ κ++. (shrink)

Procuro explorar uma possível base biológica que tenha relevância explicativa entre elementos da ética e o comportamento humano.

La campagne 2012 – qui a vu pratiquement l’achèvement des travaux de sélection et le catalogage des terres cuites figurées, des monnaies et des autres objets recueillis en 1970‑1971 dans le sanctuaire de la colline de Dautë – était la dernière réunissant toute l’équipe au musée de Durrës. Les 11e et 12e campagnes d’étude étaient donc d’importance bien réduite par rapport aux années précédentes : seuls les céramologues, lesquels n’ont commencé leurs travaux qu’en 2006 sur un mobilier surabonda...