We analyze the paper “The wave mechanics of \documentclass[12pt]{minimal} \usepackage{amsmath} \usepackage{wasysym} \usepackage{amsfonts} \usepackage{amssymb} \usepackage{amsbsy} \usepackage{mathrsfs} \usepackage{upgreek} \setlength{\oddsidemargin}{-69pt} \begin{document}$$\alpha $$\end{document}-ray tracks” Mott (Proc R Soc Lond A 126:79–84, 1929), published in 1929 by N. F. Mott. In particular, we discuss the theoretical context in which the paper appeared and give a detailed account of the approach used by the author and the main result attained. Moreover, we comment on the relevance of the work not only as far as foundations of Quantum (...) Mechanics are concerned but also as the earliest pioneering contribution in decoherence theory. (shrink)

Philosophers have rightly condemned lookism—that is, discrimination in favor of attractive people or against unattractive people—in education, the justice system, the workplace and elsewhere. Surprisingly, however, the almost universal preference for attractive romantic and sexual partners has rarely received serious ethical scrutiny. On its face, it’s unclear whether this is a form of discrimination we should reject or tolerate. I consider arguments for both views. On the one hand, a strong case can be made that preferring attractive partners is bad. (...) The idea is that choosing partners based on looks seems essentially similar to other objectionable forms of discrimination. (In particular, the preference for attractive partners is arguably both unfair and harmful to a significant degree.) One can try to resist this conclusion in several ways. I consider three possible replies. The first has to do with the possibility of controlling our partner preferences. The second pertains to attractiveness and “good genes”. The last attempts to link certain aspects of attractiveness to a prospective partner’s personality and values. I argue that the first two replies fail conclusively, while the third only amounts to a limited defense of a particular kind of attractiveness preference. So the idea that we should often avoid preferring attractive partners is compelling. (shrink)

_Reflective Authenticity: Rethinking the Project of Modernity_ is a challenging consideration of what remains of ambitious Enlightenment ideas such as democracy, freedom and universality in the wake of relativist, postmodern thought. Do clashes over gender, race and culture mean that universal notions such as justice or rights no longer apply outside our own communities? Do our actions lose their authenticity if we act on principles that transcend the confines of our particular communities? Alessandro Ferrara proposes a path out of (...) this impasse via the notion of reflective authenticity. Drawing on Aristotle, Kants concept of reflective judgement and Heideggers theory of reflexive self-grounding, _Reflective Authenticity: Rethinking the Project of Modernity_ takes a fresh look at the state of Critical Theory today and the sustainability of postmodern politics. (shrink)

How and to what extent do people take into account the intentions of others? Alessandro Duranti sets out to answer this question, showing that the role of intentions in human interaction is variable across cultures and contexts. Through careful analysis of data collected over three decades in US and Pacific societies, Duranti demonstrates that, in some communities, social actors avoid intentional discourse, focusing on the consequences of actions rather than on their alleged original goals. In other cases, he argues, (...) people do speculate about their own intentions or guess the intentions of others, including in some societies where it was previously assumed they avoid doing so. To account for such variation, Duranti proposes an 'intentional continuum', a concept that draws from phenomenology and the detailed analysis of face-to-face interaction. A combination of new essays and classic re-evaluations, the book draws together findings from anthropology, linguistics and philosophy to offer a penetrating account of the role of intentions in defining human action. (shrink)

John Searle’s account of collective intentions in action appears to have all the theoretical pros of the non-reductivist view on collective intentionality without the metaphysical cons of committing to the existence of group minds. According to Searle, when we collectively intend to do something together, we intend to cooperate in order to reach a collective goal. Intentions in the first-person plural form therefore have a particular psychological form or mode, for the we-intender conceives of his or her intended actions as (...) singular contributions by means of which – or: by way of which – a collective goal is pursued. Accordingly, we-intentions are held to have a psychological mode with a “collective goal by means of singular contribution” structure, which makes them primitive and irreducible to intentions in the I-form. It is further contended that, albeit primitive and irreducible, we-intentions are not the mental states of an alleged group mind but always of an individual’s mind. This paper targets Searle’s claim of irreducibility by developing an argument whose aim is to show that, pace Searle, it is possible to track the idea of intentions with a psychological mode structured in terms of “collective goal by means of singular contribution” back to the concept of intentions in the I-form. The argument mainly relies on the idea that Searle’s technical expressions “being a collective goal by means of singular contribution intention in action” or “being a collective goal by way of singular contribution intention in action” are susceptible to conceptual analysis. The upshot of this analysis is that we-intentions can be reduced to complex bundles of mental states, all of which come in the first-person singular form. If this argument is sound, Searlean we-intentions do not belong to a primitive kind of mental states. (shrink)

The Wealth of Ideas, first published in 2005, traces the history of economic thought, from its prehistory to the present day. In this eloquently written, scientifically rigorous and well documented book, chapters on William Petty, Adam Smith, David Ricardo, Karl Marx, William Stanley Jevons, Carl Menger, Léon Walras, Alfred Marshall, John Maynard Keynes, Joseph Schumpeter and Piero Sraffa alternate with chapters on other important figures and on debates of the period. Economic thought is seen as developing between two opposite poles: (...) a subjective one, based on the ideas of scarcity and utility, and an objective one based on the notions of physical costs and surplus. Professor Roncaglia focuses on the different views of the economy and society and on their evolution over time and critically evaluates the foundations of the scarcity-utility approach in comparison with the Classical/Keynesian approach. (shrink)

The aim of this paper is to introduce a system of dynamic deontic logic in which the main problems related to the de finition of deontic concepts, especially those emerging from a standard analysis of permission in terms of possibility of doing an action without incurring in a violation of the law, are solved. The basic idea is to introduce two crucial distinctions allowing us to differentiate (i) what is ideal with respect to a given code, which fixes the types (...) of action that are abstractly prescribed, and what is ideal with respect to the specific situation in which the agent acts, and (ii) the transitions associated with actions and the results of actions, which can obtain even without the action being performed. (shrink)

In this chapter I deal with indirect reports in terms of language games. I try to make connections between the theory of language games and the theory of indirect reports, in the light of the issue of clues and cues. Indirect reports are based on an interplay of voices. The voice of the reporter must allow hearers to ‘reconstruct’ the voice of the reported speaker. Ideally, it must be possible to separate the reporter’s voice from that of the reported speaker. (...) When we analyze the language game of indirect reporting, we ideally want to establish which parts belong to the primary voice and which parts belong to the reporter’s voice. In this paper I apply considerations on language games by Dascal et al. and I explore the dialectics between abstract pragmatics principles and considerations about situated uses that are sensitive to cues and clues. (shrink)

This paper is an example of how contextual information interacts with the interpretation of noun phrases (NPs) in discourse. When we encounter an NP escorted by the definite article or a proper name, the expectation is triggered that the speaker is referring to some referent x that the hearer can normally identify. Strawson and Russell have agreed that a referent must be associated with a definite description so that the assertion containing it can be said to be true. In the (...) case where a description does not refer to anything, the assertion is considered by Russell to be false, while Strawson says that the issue of truth or falsity does not arise. In this paper, we examine a case in which contextual information interacts with the interpretation of NPs in discourse and the hearer is not expected to identify a referent when hearing a proper name. In this case, the issue of truth or falsity does not arise, because the hearer does not identify the referent. In fact, s/he does not intend for the discourse to about a referent at all. These situations are primarily represented by sentences uttered during the course of a grammar lecture, in which the lecturer is explaining a rule of language and does not focus on external reality. The hearers are aware of this focus and do not process the NP (in general a proper name) to identify a specific referent. This discourse is of three types, which will be discussed at the end of this paper. -/- Keywords: reference; pragmeme; presupposition; fictional discourse; exemplification acts. (shrink)

In this paper, I distinguish between linguistic and non-linguistic presuppositions. I also propose that we should be interested in conversational presuppositions, which could also be called speaker-meant presuppositions or speaker's presuppositions. I also distinguish between potential and actual presuppositions. I propose that, in some cases, presuppositions can be conversationally implicated and cancellation is possible. I specify what the hard cases are and I try to explain them through ontological considerations. I try to reduce the hard cases through (a) the notion (...) that all actual presuppositions are speaker-meant; (b) the distinction between ontological and linguistic presuppositions; and (c) the uncontroversial notion that even ontological presuppositions are susceptible to semantic under-determination that has to be tackled though pragmatic intrusion. Pragmatic intrusion for presuppositional cases, however, cannot really amount to completing or expanding or in any case computing an explicature in an ordinary sense, as explicatures have to do with truth-conditions and aim to create propositionally complete forms that are truth-evaluable, unlike propositional fragments or schemata that are usually expressed in sentences (; , 2012). They are processes similar to explicatures, but since presuppositions are only pre-conditions for an utterance's being true or false (; Macagno; 2016; ; ), we cannot say that these processes are completely like those of explicatures. Nevertheless, they are pragmatically-motivated, even if hard to cancel. (See on lack of cancellability or on entrenched meanings.) This more or less brings my approach in line with contextualism (even if I accept semantic invariantism, along the lines of or (Invariantism is also shared by , in a form that is compatible with her contextualism.)). (shrink)

The aim of this paper is to provide an intuitive semantics for systems of justification logic which allows us to cope with the distinction between implicit and explicit justifiers. The paper is subdivided into three sections. In the first one, the distinction between implicit and explicit justifiers is presented and connected with a proof-theoretic distinction between two ways of interpreting sequences of sentences; that is, as sequences of axioms in a certain set and as sequences proofs constructed from that set (...) of axioms. In the second section, a basic system of justification logic for implicit and explicit justifiers is analyzed and some significant facts about it are proved. In the final section, an adequate semantics is proposed, and the system is proved to be sound and complete whit respect to it. (shrink)

Este artigo pretende fazer algumas considerações preliminares e programáticas sobre a questão da cooperação entre filosofia política e ciências sociais empíricas; oferecer uma estratégia para chegar a uma definição de pobreza que independa de dados quantitativos específicos, embora aponte para a importância deles ; apontar para a necessidade de ouvir a voz dos pobres; mostrar as razões da exclusão política dos pobres. Obviamente não se pretende discutir tudo isso de forma exaustiva, mas somente indicar possíveis caminhos a serem explorados.The present (...) paper aims at presenting some preliminary and programmatic considerations on the question of the cooperation between political philosophy and empirical social sciences; offering a strategy to reach a definition of poverty that does not depend on specific quantitative data, while it recognizes their importance ; pointing at the necessity to hear the voice of the poor; showing the reasons for the political exclusion of the poor. Of course all this shall not be discussed in an exhaustive form, but only with the intention of indicating possible paths to be explored. (shrink)

The expressive nature of musical improvisation is dissected, navigatingbetween two predominant theses: The Transparency Thesis (1) which proposes thatexpressiveness in improvisation transparently reflects the musician’s subjectiveaffectivity, and the Objective-Generic Expressiveness Thesis (2) asserting that ithinges only on the musicpractice’s objective components. This article challenges boththeses, arguing against (1) by emphasizing that musical expressivity transcends a merenatural outburst, and counteracting (2) by highlighting that it is not merely anenactment of objective expressive topoi. Introducing a novel perspective through theconceptual pair of (social) (...) Habitusand (individual) habit, a third stance is defended:the specific expressiveness in improvised music is significantly impacted by itsimprovisational quality, whereby the expressiveness emerges from the manipulationand transformation of an expressive Habitus within the musical performance’scontingent situation. (shrink)

This paper aims at developing a logical theory of perspectival epistemic attitudes. After presenting a standard framework for modeling acceptance, where the epistemic space of an agent coincides with a unique epistemic cell, more complex systems are introduced, which are characterized by the existence of many connected epistemic cells, and different possible attitudes towards a proposition, both positive and negative, are discussed. In doing that, we also propose some interesting ways in which the systems can be interpreted on well known (...) epistemological standpoints. (shrink)

Structural models of systems of causal connections have become a common tool in the analysis of the concept of causation. In the present paper I offer a general argument to show that one of the most powerful definitions of the concept of actual cause, provided within the structural models framework, is not sufficient to grant a full account of our intuitive judgements about actual causation, so that we are still waiting for a comprehensive definition. This is done not simply by (...) focusing on a set of case studies, but by arguing that our intuitions about two different kinds of causal patterns, i.e., overdetermination and counterdetermination, cannot be addressed using that definition. (shrink)

This paper considers the issue of musical improvisational interactions in the digital era by pursuing the following three steps. 1) I will raise the question of the meaning and value of liveness, and in particular of live musical improvisation, in the age of the internet and discuss some effects of the so called digital revolution on improvisation practices. 2) Then I will suggest that the interactions made possible by the web can be understood as kinds of live improvisational practices and (...) I will briefly outline how such practices also involve musical improvisation. 3) Finally, I will focus on some aesthetic and philosophical aspects of new kinds of live improvisation made possible by recent progress in artificial intelligence research. (shrink)

This introduction first justifies the approach of this focus on the political thought of Foucault. Therefore it highlights the conditions that determine the appearance and the operation of the political discourse, then it clarifies because, according to Foucault, political discourse should not be analyzed in a format which opposes science to ideology, but as an act of discourse located in a strategic field and fighting with other discursive formations. It concludes with a look at the difference and interweaving that for (...) Foucault stand and connect political discourse and philosophy. (shrink)

The paper aims at analyzing some Wagnerian figures in order to show that the influence of Schopenhauer’s philosophy on Wagner is not as strong as commonly held – at least not in his operas. The figures that shall be considered are: Wotan and Brünnhilde, Tristan and Isolde, and finally Parsifal, who appears to be the only Schopenhauerian character of all.

Ernst Tugendhat is one of the most important living German philosophers. He was born in Brno in 1930 to a Jewish family. In 1938 the Tugendhatshad to leave the country because of the threat represented by Nazi Germany. They emigrated first toSwitzerland, then to Caracas, Venezuela. After classical studies at Stanford University ,Ernst Tugendhat moved to Germany in order to study philosophy in Freiburg and Münster . He became an assistant professor in Tübingen before getting a professorship in Heidelberg. He (...) worked at the Max-Plack-Institut zurErforschung der Lebensbedingungen der wissenschaftlich-technischen Welt , spend some years in Chile and was a professor at the FreieUniversität Berlin till his retirement. He was and still is visiting professor in universities in Europe aswell as in North and South America. Among his many books: Vorlesungen zur Einführung in diesprachanalytische Philosophie, Frankfurt a. M.: Suhrkamp, 1976; Selbstbewusstsein undSelbstbestimmung, Frankfurt a. M.: Suhrkamp, 1979; Probleme der Ethik, Stuttgart: Reclam, 1984;Vorlesungen über Ethik, Frankfurt a. M.: Suhrkamp, 1993, and Egozentrizität und Mystik. Eineanthropologische Studie, München: Beck, 2003. (shrink)

A great deal of work in analytic philosophy of art is related to defining what counts as art. So far, cognitive approaches to art have almost entirely ignored this literature. In this paper I discuss the role of intuition in analytic philosophy of art, to show how an empirical research program on art could take advantage of existing work in analytic philosophy. I suggest that the first step of this research program should be to understand how people intuitively categorize something (...) as art. Drawing on results from cognitive science and analytic philosophy, I show that the intuitive categorization of an artifact as art rests on the intentions attributed (frequently implicitly) to the creator of the artifact based both on its appearance and on background knowledge. I discuss how the issue of categorization is related to other empirical issues concerning our relationship to works of art, such as perception, appreciation, interpretation and evaluation. (shrink)

This introductory chapter provides a summary of the contributions to the volume, as well as some critical remarks.

Wittgenstein has often explored language games that have to do with musical objects of different sizes (phrases, themes, formal sections or entire works). These games can refer to a technical language or to common parlance and correspond to different targets. One of these coincides with the intention to suggest a way of conceiving musical understanding. His model takes the form of the invitation to "hear (something) as (something)": typically, to hear a musical passage as an introduction or as a conclusion (...) or in a certain tonality. However one may ask to what extent or in what terms (literal or metaphorical) these procedures, and usually the intervention of language games, is requested by our common ways of understanding music. This article shows through the use of some examples that aspectual perception inherent to musical understanding does not require language games as a necessary condition (although in many cases the link between them seems very strong), in contradiction with the thesis of an essential linguistic character of music. At a basic level, it seems more appropriate to insist on the notion of a game: to understand music means to enter into the orbit of "music games" which show an autonomous functioning. Language games have, however, an important function when we develop this comprehension in the light of the criteria of judgment that substantiate the manner in which music is incorporated in and operates within specific forms of life. (shrink)

L’articolo si propone di ricostruire criticamente il processo di crisi e trasformazione del concetto di impero a ridosso delle rivoluzioni settecentesche. A partire dalla Histoire des deux Indes di Raynal, e dalla critica illuminista ai differenti modelli imperiali, Pandolfi delinea il passaggio dal colonialismo classico – costruito attorno al rapporto tra coloni, selvaggi e schiavi – a una fase contraddistinta invece dallo sfruttamento indiretto della forza lavoro. La trattazione porta alla luce l’ambivalenza illuminista nei confronti della questione dell’impero, dimostrando come (...) l’opera di Raynal intersechi e restituisca al lettore le tensioni fondanti della seconda metà del Settecento. Così, ripercorrendo l’analisi di Diderot, l’autore dimostra come l’avanzamento morale dell’umanità sia il prodotto della costante interazione tra la retorica imperialista del commercio e le rivoluzioni che, in luoghi e momenti diversi, hanno attraversato lo spazio coloniale. (shrink)

The interaction between the recovery of the artist’s intentions and the perception of an artwork is a classic topic for philosophy and history of art. It also frequently, albeit sometimes implicitly, comes up in everyday thought and conversation about art and artworks. Since recent work in cognitive science can help us understand how we perceive and understand the intentions of others, this discipline could fruitfully participate in a multidisciplinary investigation of the role of intention recovery in art perception. The method (...) I propose is to look for cases where recovery of the artist’s intentions interacts with perception of a work of art, and this cannot be explain by a simple top-down influence of conscious propositional knowledge on perception. I will focus on drawing and show that recovery of the draftsman’s intentional actions is handled by a psychological process shaped by the motor system of the observer. (shrink)

El presente ensayo quiere ilustrar, en primer lugar, el significado y el ámbito de aplicación de la bioinformática, entendida como "el campo de la ciencia en el que la biología y la informática se funden en una disciplina única para favorecer nuevos descubrimientos biológicos". En segundo lugar, se detiene sobre las consecuencias biológicas de las biotecnologías, en forma particular sobre el cambiamiento radical de la relación del hombre consigo mismo y con la naturaleza, y sobre la función del bioderecho, que (...) tiene que reglamentar una ciencia, muy a menudo "incierta", y establecer los criterios para la atribución de la subjetividad jurídica a los individuos "genéticamente manipulados".This essay wants to illustrate, in first place, the biocomputing meaning and its field of application, taken it as "the field of science in which biology and computer science melt together in a unique discipline to help new biologic discoveries". In second place, draw up over the biological consequences of biotechnologies, in particular, on the radical changing of the relationship of man with himself and with nature, and about the function of biolaw, which has to regulate these science, "uncertain" very often and to establish the criteria to conferring juridical subjectivity to "genetically manipulated" persons. (shrink)

Thinking more and otherwise about Plato and Aristotle. A comparison between classical and contemporary epistemology The paper contains a particular historical and philosophical interpretation, the hermeneutic possibility of revising the traditional distinction between the founders of Western thought, Plato and Aristotle, which fits within a general thematic horizon, that of the importance of epistemology for knowing and action. The inspiration for this interpretation is offered by Popper, who thought of science as «open knowledge» useful to the «open societies», thus, by (...) the support of the same Popperian reading of the two classical authors, as well as of a careful analysis of the Platonic and Aristotelian texts centered on the theme of the epistemology, it is possible to reinterpret the traditional way of understanding Plato and Aristotle: the first, paradoxically, would be anti-metaphysical, a friend of partial thinking, of contradiction, of the inexhaustibility of scientific research; the second on the contrary, would turn out to be rigid classifier, intuitionist, deductivist tout court. (shrink)

Along the edge of a straight razor. Apocalypse Now between cinema and philosophy: a Frazerian interpretation This short paper aims to propose a philosophical reading of the Francis Ford Coppola’s masterpiece Apocalypse Now. Not settling with the traditional interpretation of the movie as a cinematographic free transposition of Conrad’s Heart of Darkness, the paper try to put in evidence the cultural background of the Coppola’s movie using a multi-level approach, in which philosophy and literature converge: in particular the analysis will (...) be brought through the mythological perspective used by of James G. Frazer in his famous book The Golden Bough. From this point of view the movie seems to show a very evocative painting in which are represented the myths collected in The Golden Bough; a painting, the one sketched by Coppola, of which Heart of Darkness is only the frame. (shrink)

In this paper I am specifically concerned with a normative assessment, from the perspective of a principled criminal law theory, of norms criminalizing illegal immigration. The overarching question I will dwell on is one specifically regarding the way of using criminal law which is implied in the enactment of such kinds of norms. My thesis will essentially be that it constitutes a veritable abuse of criminal law. In two senses at least: first, in the sense that by criminalizing illegal immigration (...) criminal law puts a ban on (certain categories of) persons, rather than on their actions/omissions, in a way in which a principled criminal law should not do; and—second—in the sense that the criminalization of illegal immigrants represents a perversion of the criminal law, being a case in which criminal norms are (unjustifiably) used as means to attain extrapenal aims. (shrink)