Serving as a commentary on Kelly Oliver's essay, “Enhancing Evolution: Whose Body? Whose Choice?” this essay picks up on its themes of mastery, choice, the man-made, and the natural in order to further Oliver's critique of a particular liberal debate over the ethical permissibility of reprogenetics. The specific focus of the commentary is the hidden centrality of race to the reprogenetics debate, within which, I suggest, race serves as an implicit limit of acceptability in two important ways. First, on the (...) societal level, an explicitly racial focus marks the point at which a eugenic project becomes immoral, such that it is the refusal to mention race that renders the new eugenics acceptable. Second, in the realm of personal reproductive “choice,” race is portrayed as that which is naturally transmitted rather than deliberately chosen and, thus, serves as a limit on what are considered morally correct or even viable personal reproductive choices. The effect of this limiting and its naturalization is to obscure both the ways in which race has always been policed in reproduction and the social consequences of that policing and, thereby, to uphold the status quo of social inequality. (shrink)

Comment on an article by Peter Zachar An account of emotion must include categories and dimensions. Categories because humans categorize reality, and a person's categorization of their own state influences aspects of that state. Dimensions because humans are always in some state of Core Affect, which varies by degree along dimensions of valence and activation . In Psychological Construction, Core Affect and a host of other "components" are separate on-going processes, always in some pattern. Occasionally the pattern resembles a prototype (...) of a category of emotion sufficiently to count as an instance of that category. 2012 APA, all rights reserved). (shrink)

For a variety of reasons, the AIDS epidemic is forcing a thorough reassessment of many of the standards by which the terminally ill and other medical patients are treated by health-care systems throughout the world. This has generally been a good thing. It has provided needed motivation for public policy-makers to take seriously a range of health-care issues that have often been downplayed, ignored, or debated with vigour only within the relatively mute pages of the academic journals of health-care professionals, (...) philosophers, law professors and others. Issues such as euthanasia, testing for dangerous communicable diseases, palliative care, and even important general questions about the distribution and availability of health-care resources have been pushed toward the front of the public health-care agenda largely because of the impact of AIDS. And it is fair to say that these matters are often being addressed with an urgency and sensitivity that would be absent without the political impetus that was unleashed along with this disease. One of the most controversial issues that has arisen concerns access to experimental therapies by the terminally ill. As is the case in other areas, the political forces generated by the AIDS tragedy have created an opportunity for productive review of policies and practices that undoubtedly deserve scrutiny and reform. However, my aim in this paper is to urge caution on some of the advocates of reform. I will argue that many recent proposals to enhance access to experimental therapies by the terminally ill rest on philosophically unsupportable grounds and pose an unjustifiable threat to the public interest in finding safe and effective therapies for terminal illnesses. (shrink)

John Muir can be interpreted to have employed a similar strategy in his earliest conservation advocacy writings as the strategy Ralph Waldo Emerson employed to overcome the public futility of his personal ideals. Like Emerson, Muir came to offset the despair he felt at the political impotence of his conscience with a positive outlook on his potential to embody his subjective ideals both in his personal character and in his contributions to concrete forms of social practice. Muir thus can be (...) shown to have standing in the environmental virtue ethics tradition by dint of his appreciation for the necessity of virtuous political participation in movements for social reform. (shrink)

50 Voices of Disbelief: Why We Are Atheists presents a collection of original essays drawn from an international group of prominent voices in the fields of academia, science, literature, media and politics who offer carefully considered statements of why they are atheists. Features a truly international cast of contributors, ranging from public intellectuals such as Peter Singer, Susan Blackmore, and A.C. Grayling, novelists, such as Joe Haldeman, and heavyweight philosophers of religion, including Graham Oppy and Michael Tooley Contributions range from (...) rigorous philosophical arguments to highly personal, even whimsical, accounts of how each of these notable thinkers have come to reject religion in their lives Likely to have broad appeal given the current public fascination with religious issues and the reception of such books as The God Delusion and The End of Faith. (shrink)

Life on the road was anything but glamorous for Farm Security Administration photographers traveling through southern Illinois in the mid-1930s. Often their most promising subjects lived at the end of the worst roads, many of which lacked bridges, drainage ditches, or gravel. Outfitted with three government-issue cameras, flashbulbs, tripods, and film-processing chemicals, their job was to help explain America to Americans by seeking out and photographing the one-third of the nation FDR described as ill-housed, ill-clad, and ill-nourished. Featured in this (...) book are more than one hundred photographs from the collection of a quarter of a million taken by FSA photographers between 1935 and 1943. These pictures capture life during the Great Depression as viewed in the coal-mining towns of Herrin, West Frankfort, and Zeigler; the river communities of Shawneetown, Cairo, and Grayville; the farming regions near McLeansboro, Newton, and Harrisburg--more than two dozen southern Illinois county seats, hamlets, and landings. Together they comprise a photographic portrait of the determination, hard work, and capacity to find ways to celebrate life exemplified by the people of southern Illinois during one of the most difficult periods of American history. FSA photographers helped to invent and popularize the documentary style, a type of photography in which pictures and their arrangement carry much of the information in a story. Intended to document the success of a government project, these pictures survived to preserve for later generations the story of the people of southern Illinois and how they endured the difficult times of the Great Depression. (shrink)