As mounting evidence highlights the human-driven extinction of avian species, reconnecting people with nature—particularly these feathered creatures—has become essential for engaging the public in conservation and the preservation of avian biodiversity. Paradoxically, heightened awareness of the benefits birds bring has fueled the rise of aviary bird-keeping for entertainment in Vietnam. This paper seeks to unravel the absurdity of bird keepers who claim to love nature and support conservation while engaging in practices that exploit and commodify birds for human interests. By (...) contrasting the values generated by birds in aviaries with those in their natural habitats, it underscores the role of an eco-deficit culture—or, more fundamentally, humanity's insatiable greed—in fostering this absurd form of "nature love.". (shrink)

When The Absurd Hero in American Fiction was first released in 1966, Granville Hicks praised it in a lead article for the Saturday Review as a sensitive and definitive study of a new trend in postwar American literature. In the years that followed, David Galloway’s analysis of the writings of John Updike, William Styron, Saul Bellow, and J. D. Salinger became a standard critical work, an indispensable tool for readers concerned with contemporary American literature. The New York Times described (...) the book as “a seminal study of the modern literary imagination." David Galloway, himself an established novelist, later extensively revised The Absurd Hero to include authoritative discussions of more than a dozen novels which had appeared since the first revised edition was released in 1970. Among them are John Updike’s Couples, Rabbit Redux, and The Coup; William Styron’s The Confessions of Nat Turner and Sophie’s Choice; and Saul Bellow’s Mr. Sammler’s Planet and Humboldt’s Gift. Through detailed analyses of these works, Galloway demonstrates the continuing relevance of his own provocative concept of the absurd hero and provides important insights into the literary achievements of four of America’s most influential postwar novelists. (shrink)

The absurdity of (i) and (ii) arises because asserting 'p' normally expresses a belief that p. Normally, when (i) is asserted, what is conjointly expressed and asserted, i.e. a belief that p and a lack of belief that p, is logically impossible, whereas normally, when (ii) is asserted, it is differently absurd, since what is conjointly expressed and asserted, i.e. a belief that p and a belief that -p, is logically possible, but inconsistent. A possible source of confusion between (...) 'impossible' and 'inconsistent' is the fact that a proposition which is inconsistent tout court is always self-contradictory and hence necessarily false, unlike one which is inconsistent with other propositions. Whereas the proposition Ibp&-Ibp is inconsistent, the proposition IBp &IB-p is not. I cannot hold a belief which I lack, but I can.. (shrink)

In this paper, we propose a new approach to absurdity in the context of natural deduction for intuitionistic and classical logic. It combines the aspects of both the logical approach, which treats absurdity as a propositional constant, and the structural approach, which treats absurdity as a structural punctuation mark signalling the dead end of derivations. In particular, we will treat absurdity as an impossible command, that is, a speech act composed of an imperative force indicator, and the false propositional constant, (...) that is, a proposition that cannot be true by definition. In return, we obtain a framework that constitutes a middle ground between the logical and structural approaches. For example, it allows us to consider the ex falso quodlibet rule as a kind of structural rule, specifically, a semi‐structural rule, and at the same time also maintain that negation can be reduced to implication of absurdity, specifically, to its propositional content. (shrink)

At times, weird stories such as the Pizzagate spread surprisingly quickly and widely. In this paper I analyze the mental attitudes of those who seem to take those absurdities seriously: I argue that those stories are often imagined rather than genuinely believed. Then I make room for the claim that often these imaginings are used to support group ideologies. My main contribution is to explain how that support actually happens by showing that motivated cognition can employ imagination as a seemingly (...) rational tool to reinforce and protect ideologies. (shrink)

This chapter contains sections titled: Life Before the Fall A Short Pre‐History of the Absurd Camus's Absurd Problematic One Giant Leap Back, One Small Step Forward: the Problem of Meaning Camus's Existential Phenomenology Camus's Sisyphean Ethics The Myth of Sisyphus notes further reading.

Camus’ early philosophy has been subject to various kinds of criticism. In this paper I address a problem that has not been noticed so far, namely that it appears to be essentially inconsistent. On the one hand, Camus explicitly denies the existence of moral values, and construes his central notion of the absurd in a way that presupposes this denial. On the other hand, he is also committed to the existence of certain values. Both in his literary and philosophical (...) works Camus is not so much interested in the absurd per se, but rather in how we ought to respond to it. In justifying his supposed normative conclusions, he tacitly, but crucially, relies on evaluative judgements. If all this is true, then prospects for defenders of absurdism seem bleak. In whichever way the inconsistency is resolved, they will have to give up or significantly modify central parts of Camus’ early philosophy. But things may not stand quite as bad. As I try to show, there is a route to consistency that preserves much of Camus’ early philosophy, and leaves it prima facie plausible. The key is to re-interpret its normative aspects. Stated a bit provocatively, we need to put Camus in the self-help genre. (shrink)

Belliotti unravels the paradoxes of human existence to reveal paths for crafting meaningful, significant, valuable, even important lives. He argues that human life is not inherently absurd; examines the implications of mortality; contrasts subjective and objective meaning, and evaluates contemporary renderings of meaningful human lives.

On the basis of observations J. J. C. Smart once made concerning the absurdity of sentences like 'The seat of the bed is hard', a plausible case can be made that there is little point to developing a theory of types, particularly one of the sort envisaged by Fred Sommers. The authors defend such theories against this objection by a partial elucidation of the distinctions between the concepts of spanning and predicability and between category mistakenness and absurdity in general. The (...) argument suggests that further clarification of the concepts of spanning and category mistakenness should be sought in reflection upon the more familiar concepts of a sort of thing and a predicate category. (shrink)

In this article, I make an attempt to define terms such as: tragedy, absurdity, and paradox as conceived of by the German essayist Walter Hilsbecher. This is a task which is both difficult and interesting, mainly because of the fact that concepts from within speculative philosophy are relatively rarely subject to scrupulous definitions. The reason for this state of affairs lies in the difficulty to capture the meaning of these concepts within a rigid framework. These problems also appear in Hilsbecher’s (...) 1972 work titled Tragizm, absurd, paradoks [Tragedy, Absurd, Paradox]. The philosophy of the absurd – the methodological separation of which I propose – has the absurd for its central concept, but it is a concept which eludes sharp definitions, too. This article aims to reconstruct Hilsbecher’s vocabulary of concepts crucial to the philosophy of absurdity in reference to the tradition of contemporary speculative philosophy. By locating the German writer’s thought in the context of other authors working in a similar thematic and stylistic context, I will outline this specific strand of philosophy. (shrink)

Many of us experience the activities which fill our everyday lives as meaningful, and to do so we must (and do) hold them to be important. However, reflection undercuts this confidence: our activities are aimed at ends which are arbitrary, in that we have reason to regard our taking them so seriously as lacking justification; they are comparatively insignificant; and they leave little of any real permanence. Even though we take our activities seriously, and our everyday lives to be important, (...) on reflection they seem less meaningful than we suppose. Thomas Nagel claims that this discrepancy is inevitable, and thus that our lives are absurd and to be approached with irony. The aim of this paper is to explore whether it is inevitable, and in particular to examine recent formulations (of Peter Singer, Robert Nozick, and others) of the old idea that we can transcend this absurdity by forming attachments less susceptible to being undercut. (shrink)

A l'énigme proposée par l'expérience de la vie, il y a deux réponses possibles : "tout est absurde" ou "c'est un mystère".... Jean Guitton constate : "Pour chacun, absurde et mystère sont les deux pôles inverses entre lesquels oscille la pensée humaine. Quand chacun s'examine en profondeur, il écoute cette double voix. Mais, l'oscillation étant rejetée, pour moi l'absurdité de l'absurde me conduit vers le mystère.".

Dem Absurden ins Auge sehen - das ist eine Herausforderung, die mit Entzweiung, Entfremdung und demzufolge mit großer Anspannung und Anstrengung einhergeht. In solchen Momenten entgleitet uns die Welt und wir stehen, so Albert Camus, vor der alles entscheidenden Frage: Selbstmord oder Freiheit. Der vorliegende Band verhandelt Bedrohungen und Gefahren ebenso wie Potenziale und Freiheiten des Absurden. Stimmen aus Philosophie, Erziehungswissenschaft, Literatur, Kunst, Medizin und Wirtschaftswissenschaft machen dabei deutlich: Das Absurde betrifft uns alle.

This article evaluates the political implications of Thomas Hobbes’s extensive treatment of religion by taking up the motif of the Eucharist (and accompanying doctrine of transubstantiation) in Leviathan. Hobbes holds out transubstantiation as an exemplar of absurdity and an historical outgrowth of Christianity’s inauspicious meeting with pagan practices. At the same time, Leviathan contains allusions to eucharistic imagery in its narration of the generation of the “Mortal God,” the commonwealth, as the incorporation of a civil body. These conflicting sentiments are (...) illustrative of a wider tension running through Hobbes’s thought. Although Hobbes’s repudiation of superstition is well-known, it stands in stark contrast to Leviathan’s treatment of Christianity as an exemplar of “true” religion. The varied allusions to eucharistic doctrine illustrate how proper use might be made of a persistent “natural religiosity.” Both in its consonance with reason and its political logic, Christianity remains a politically constructive expression of “power invisible.”. (shrink)

Coming Back to the Absurd is a celebration of the enduring significance and impact of Albert Camus's first philosophical essay The Myth of Sisyphus. This collection of essays, from some of the world's leading Camus scholars, examines Camus's unique contribution to philosophy through The Myth since its publication.

The price for morality as the meaning of existence is the entrance of another kind of absurdity, a moral absurdity. Clearly, there is something absurd about life on The Good Place. Moral worth, both on The Good Place and in our real‐life existence, comes in degrees. Deontological views, most famously associated with Immanuel Kant, hold that the morality of an action is determined based on whether or not it adheres to a moral rule. Care requires being flexible in different (...) situations so as to best foster caring relationships with others. A care ethics approach would give some support to Eleanor's claims in The Good Place, insofar as a caring home life is essential to the development of the child in a variety of ways. The power of caring relationships is perhaps nowhere more salient than in the show's final few episodes. (shrink)

Jean Paul Sarte, Franz Kafka i Milan Kundera: tres mirades diferents sobre la realitat, tres percepcions del món que participen d'un mateix rerafons filosòfic, d'una mateixa sensibilitat: l'absurd. Tres obres que neixen, creixen i maduren sota l'eclipsi de Déu, en l'atmosfera de la buidor més penetrant i la negació radical del sentit. L'ésser és estantís, feble, pura representació, i la vida humana una comèdia tragicòmica que comença per casualitat i s'acaba també per pura casualitat. Però l'home ha de viure, (...) i si el món no té sentit, caldrà forjar-lo amb les pròpies mans, caldrà projectar una idea per la qual valgui la pena viure i morir (Kierkegaard). Tres iniciatives, tres expectatives, que es configuren sota l'escola de l'absurd i la mort de Déu (Nietzsche). Davant d'aquesta concepció del món marcada pel desencís i l'angoixa hi ha la metafísica de la plenitud de l'ésser (sant Tomàs d'Aquino), que descriu l'univers com un dinamisme perfectiu que té una direccionalitat pròpia, una causa primera i un fi darrer. La lògica del sentit versus la lògica de la buidor. (shrink)

Jean Paul Sarte, Franz Kafka i Milan Kundera: tres mirades diferents sobre la realitat, tres percepcions del món que participen d'un mateix rerafons filosòfic, d'una mateixa sensibilitat: l'absurd. Tres obres que neixen, creixen i maduren sota l'eclipsi de Déu, en l'atmosfera de la buidor més penetrant i la negació radical del sentit. L'ésser és estantís, feble, pura representació, i la vida humana una comèdia tragicòmica que comença per casualitat i s'acaba també per pura casualitat. Però l'home ha de viure, (...) i si el món no té sentit, caldrà forjar-lo amb les pròpies mans, caldrà projectar una idea per la qual valgui la pena viure i morir (Kierkegaard). Tres iniciatives, tres expectatives, que es configuren sota l'escola de l'absurd i la mort de Déu (Nietzsche). Davant d'aquesta concepció del món marcada pel desencís i l'angoixa hi ha la metafísica de la plenitud de l'ésser (sant Tomàs d'Aquino), que descriu l'univers com un dinamisme perfectiu que té una direccionalitat pròpia, una causa primera i un fi darrer. La lògica del sentit versus la lògica de la buidor. (shrink)

This chapter looks to a “Husserlian-influenced” phenomenology to augment our understanding of one of the most significant—and open-ended—categories of theatre to emerge in the past century: the so-called Theatre of the Absurd. Here, Jodie McNeilly-Renaudie and Pierre-Jean Renaudie examine Beckett, SamuelEndgame to make an argument that the standing definitions of “absurdityabsurdity—grounded in Martin Esslin’s genesis of the term—are incomplete. The authors here argue that a consideration Husserl, Edmund differentiation between “two possible ways for meaning to be missing” demonstrates that (...) the very essence of theatrical absurdity involves not only a loss of meaning and the distress and fragmentation that such loss invokes, but, crucially, and in equal measure, the experience of such meaninglessness in terms of human endeavour to overcome it. (shrink)

The position advocated in the target article should be called “absurd environmentalism.” Literature showing that general intelligence is related to musical ability is not cited. Also ignored is the heritability of musical talent. Retrospective studies supporting practice over talent are incapable of showing differences in talent, because subjects are self-selected on talent. Reasons for the popularity of absurd environmentalism are discussed.

Nikk Effingham and Huw Price argue that in certain cases of Newcomb problems involving time travel and foreknowledge, being given information about the future makes it rational to choose as an evidential decision theorist would choose. Although the cases they consider have some intuitive pull, and so appear to aid in answering the question of what it is rational to do, we argue that their respective positions are not compelling. Newcomb problems are structured such that whichever way one chooses, one (...) might be led by one’s preferred decision theory to miss out on some riches (riches which others obtain whilst employing their preferred decision theory). According to the novel aesthetic diagnosis we shall offer of the Newcomb dialectic, missing out in this way does not render one irrational but, rather, subject to being seen as absurd. This is a different kind of cost but not one that undermines one’s rationality. (shrink)

Why do well‐functioning psychological systems sometimes give rise to absurd beliefs that are radically misaligned with reality? Drawing on signalling theory, I develop and explore the hypothesis that groups often embrace beliefs that are viewed as absurd by outsiders as a means of signalling ingroup commitment. I clarify the game‐theoretic and psychological underpinnings of this hypothesis, I contrast it with similar proposals about the signalling functions of beliefs, and I motivate several psychological and sociological predictions that could be (...) used to distinguish it from alternative explanations of irrational group beliefs. (shrink)

Camus’ notions of absurdity and revolt remain relevant today, especially with respect to very recent developments in the growing role of electronic and digital mass media. Cormac McCarthy’s 2006 novel The Road , describing a father and child’s journey after the world as we know it has been destroyed, is used to highlight the nature of absurdity and revolt in their updated early 21 st century version.

La logique classique, qui repose sur trois principes fondamentaux (d'identité, de non-contradiction et de tiers-exclu), a pu séduire par son efficacité orientée vers l'être, elle permet d'appréhender la cohérence du réel, donc de développer les savoirs. Pour autant, sa puissance s'avère limitée dans certaines situations des limitations internes des formalismes à l'apparition de nouveaux objets paradoxaux, la science du XXe siècle a été confrontée à une crise de ses fondements dont elle n'est pas encore sortie. Or, s'affranchir de ce qui (...) vient en nous entraver la pensée a été un enjeu pour des courants soucieux de fonder leur rigueur démonstrative sur un au-delà de l'être. Dans la lignée de l'hénologie néoplatonicienne, ces modes d'explication ont néanmoins souvent été jugés irrationnels, mystiques ou simplement absurdes. À l'aide des logiques non standards contemporaines, c'est une étude systémique de ces positions qui est ici envisagée à travers la critique de l'hégémonie des trois grands principes logiques grâce à la logique intuitionniste, il devient possible de construire rigoureusement la notion de néant suressentiel; grâce aux logiques paraconsistantes, les contradictions et les paradoxes qu'une telle dialectique engendre perdent leur caractère irrationnel; enfin, grâce aux traditions logiques indiennes et japonaises, le principe d'identité peut lui-même être questionné. Cette remise en cause radicale de nos certitudes les mieux ancrées permet ultimement de dégager de nouvelles perspectives à la pensée logique."--Page 4 of cover. (shrink)

I argue that there is an interesting and underexplored sense in which some negative reactive attitudes such as anger are often absurd. I explore implications of this absurdity, especially for our understanding of forgiveness.

Joseph Heath lumps in quotas and protectionist measures with cartelization, taking advantage of information asymmetries, seeking a monopoly position, and so on, as all instances of behavior that can lead to market failures in his market failures approach to business ethics. The problem is that this kind of rent and rent seeking, when they fail to deliver desirable outcomes, are better described as government failure. I suggest that this means we will have to expand Heath’s framework to a market and (...) government failures approach. I then try to defuse objections that as a government failure, rent seeking may not appear relevant to what managers ought to do. Solving this conceptual issue will also give us an excuse to revisit a separate conceptual issue: the normatively thick conception of “rent” and rent seeking behavior that some use. This normatively thick conception is problematic, I argue, and I offer the beginnings of a novel, normatively neutral conception that is useful for our purposes in making the ethics of rent and rent seeking behavior more than a merely trivial exercise. (shrink)

John Broome and Duncan Foley have argued that it is a ‘misperception’ that the ‘control of global warming is costly’ and that we can make ‘sacrifices unnecessary’. There are a number of assumptions that are essential for this idea to work. These assumptions can be challenged. Furthermore, my claim is not merely that the Broome/Foley argument is flawed, and therefore unlikely to be successful. I will argue that it is potentially harmful, leading to harms for the present generation and for (...) future generations. (shrink)

The subject of the study is the connection between the absurd and phenomenology.The texts of representatives of the absurdist trend in literature and philosophy (Camus, Kafka, Musil), as well as the works of academic philosophers of the phenomenological direction (Husserl, Sartre, Merleau-Ponty, Fink) are considered. The commonality of phenomenological interpretations of reality for some texts of the absurdist genre is proved. As a hypothesis, the existence of an epistemological dimension of meaning in the works of the absurd is (...) put forward, interpreted by the author as a reception of the views of phenomenologists, problematized in the inconsistent reduction of phenomena. The methodological basis was the general scientific methods of analysis and synthesis, as well as the critical analysis of the text. The scientific novelty lies in the attempt to present phenomenology as a precursor of absurdism, connected with it through the sphere of axiology. The main contribution of the author is the actualization of the epistemological layer of such a multifaceted phenomenon as the absurd, namely, the elaboration of the hypothesis that in many works of absurdists, the metamorphoses of the characters' consciousness are in fact an inconsistent reduction consisting in explicit metamorphoses of the Ego, as well as violating subject-object relations but not actually bracketing the idea of the world. Many literary contemporaries of Husserl devote their thoughts to the problems of phenomenology to one degree or another, which makes the connection between absurd literature and the key theses of early phenomenology logical. (shrink)

Earlier versions of this paper were presented at the University of Virginia and at Texas A&M University. I thank audiences at both institutions for their insightful comments. Special thanks to John Williams for his illuminating comments on an earlier draft. Research for this paper was supported in part by a Summer Grant from the Vice Provost for Research and Public Service at the University of Virginia. That support is here gratefully acknowledged.

Книга обращена ко всем интересующимся современной философской проблематикой, методами и приемами мышления человека.

PENULTIMATE DRAFT. At times, weird stories such as the Pizzagate spread surprisingly quickly and widely. In this paper I analyze the mental attitudes of those who seem to take those absurdities seriously: I argue that those stories are often imagined rather than genuinely believed. Then I make room for the claim that often these imaginings are used to support group ideologies. My main contribution is to explain how that support actually happens by showing that motivated cognition can employ imagination as (...) a seemingly rational tool to reinforce and protect beliefs. (shrink)

L'absurde, le suicide, etc. Premier essai philosophique (1942) de l'auteur. Indispensable (ou presque) à tout apprenti philosophe.

There are striking differences between Camus’s early and late philosophical essays, but Camus often claimed that his works were part of one consistent project. This paper argues that, although Camus had a significant change in his views on the consequences of the absurd, throughout his life he also had a common concern with the relation of the absurd to morality. Showing this requires us to clarify what Camus meant by the “absurd,” and identify at least three different (...) uses of the term by Camus: lacking a purpose; lacking an explanation; and a tension between purpose and purposelessness. Clarifying the meaning of “absurd” allows one to show that Camus’s late argument against suicide, often dismissed as inadequate, is valid. This also illustrates the consistency of his concerns over time. (shrink)

Ce livre que je présente à nouveau aujourd'hui, dans une édition qui évoque publiquement ses origines, n'a pas une histoire comme les autres. Jamais il n'aurait vu le jour sans une étonnante rencontre avec François Mitterrand, dans la Creuse, au début des années quatre-vingt, qui fut suivie d'autres entretiens. Une rencontre sur le ton de la confession, inhabituelle et directe, une conversation surprenante. Une sorte de dialogue contemporain entre celui qui penche vers l'absurde et celui qui croit au mystère. Ensemble, (...) nous reprenions l'éternel débat sur le sens de la vie et la destinée de l'homme. Mais, tous deux, nous mettions Dieu au centre de nos réflexions. J'ai pris conscience du mystère Mitterrand, des secrets de cet homme obsédé par la mort, l'au-delà, les fins dernières, la vie éternelle. Ce texte n'a pas vieilli, garde sa saveur de testament spirituel et dévoile une part de la personnalité de mon visiteur. Fruit du dialogue entre un philosophe et un politique, cet ouvrage reparaît donc plus d'un an après la mort de ce président qui continue d'habiter la mémoire des Français. A un moment où les Français eux-mêmes se posent des questions sur l'avenir et la religion. Puissent-ils trouver des réponses dans ce que j'ai dit au premier d'entre eux : François Mitterrand. (shrink)

Thomas Nagel believes, with some existentialists, that life is absurd. We shall criticize his belief, as well as the anodyne he offers.

It was shown in the previous work of the author that one can avoid the paradox of minimal logic { ϕ , ¬ ϕ } ¬ ψ defining the negation operator via reduction not a constant of absurdity, but to a unary operator of absurdity. In the present article we study in details what does it mean that negation in a logical system can be represented via an absurdity or contradiction operator. We distinguish different sorts of such presentations. Finally, we (...) consider the possibility to represent the negation via absurdity and contradiction operators in such well known systems of paraconsistent logic as D.Batens's logic CLuN and Sette's logic P 1. (shrink)

L'emploi du raisonnement par l'absurde a été source de contestations au cours de l'histoire des sciences. L'auteur en propose une définition, puis montre comment un tel raisonnement indirect peut se retourner en un raisonnement direct qui lui soit logiquement équivalent, ce dont Aristote avait pressenti la possibilité...

Albert Camus is most famous for his engagement with the absurd. Both in his philosophical and literary works his main focus was on the nature and normative consequences of this idea. However, Camus was also concerned with what he referred to as the “feeling of the absurd”. Philosophers have so far paid little attention to Camus’ thoughts about the feeling of the absurd. In this paper I provide a detailed analysis of this feeling. It turns out that (...) the feeling of the absurd is not, strictly speaking, a feeling. It is rather a conjunction of a mood (feeling of the absurd in the narrow sense) and of emotions that this mood tends to give rise to (appearances of the feeling of the absurd). Moreover, both moods and emotions qualify as absurd in virtue of their promoting the discovery of the absurd; that is, the discovery that humans search for meaning, but the world does not answer this search. (shrink)

For many believers, encounters with evil trigger a deep desire to understand the divine reasons for permitting evil, that is, a desire for theodicy. Very often, however, attempts to find a theodicy fail—a phenomenon called the inscrutability of evil. Skeptical theists attribute this failure to our cognitive limitations as creatures. In this paper, I argue that the clash between the common desire for theodicy and the inscrutability of evil should be analyzed using the concept of absurdity, famously explored by Albert (...) Camus and some contemporary philosophers studying the meaning of life. I then propose that a loving God would not subject human beings to the experience of absurdity, so He would not create a world in which our cognitive limitations prevent us from finding a theodicy. This conclusion has important implications for the plausibility of the skeptical theist’s position. (shrink)

G. E. Moore observed that to for me to assert, “I went to the pictures last Tuesday but I don’t believe that I did” would be “absurd”. Over half a century later, the explanation of the nature of this absurdity remains problematic. Such assertions are unlike semantically odd Liar-type assertions such as “What I’m now saying is not true” since my Moorean assertion might be true: you may consistently imagine a situation in which I went to the pictures last (...) Tuesday but fail to believe that I did. Moreover, if you contradict my assertion then your words, “If he went to the pictures last Tuesday then he believes he did” do not express a necessary truth1. Nonetheless it remains absurd of me to assert that p and I don’t believe that p. It seems no less absurd of me to silently judge that p and I don’t believe that p2. But why should it be absurd of me to assert something that might be true of me? Why should it be absurd of me to believe something that might be true of me? (shrink)

This essay reconsiders Miguel de Unamuno's contribution to philosophy and education by focusing on his Amor y pedagogía — a piece of fiction considered by many to be the transition point in his work from the documentary realism of the nineteenth century to what Unamuno called “viviparous” narrative for the twentieth century. Deron Boyles examines four central characters in Love and Pedagogy — Avito Carrascal, Marina Carrascal, Fulgencio Entrambosmares, and Apolodoro Carrascal — as symbolic representations of enduring conflicts in school (...) and society. (shrink)