이 논문은 「인간학」에서 개진된 광기(Verrücktheit)에 대한 헤겔의 논의를 자연에서 정신으로의 이행이라는 관점에서 해명한다. 「인간학」에서 헤겔은 광기를 의 두 번째 단계 ‘자기느낌(Selbstgefühl)’에서 주제화하는데, 논자는 자기느낌이 어떤 점에서 자기의식과 달리 자연적 주체성인지, 자연적 주체성은 또 어떤 의미에서 광기라는 현상을 낳는지, 헤겔에게 광기는 무엇을 의미하는지, 그리고 그것이 「인간학」에서 이루어지는 정신(Geist)의 전개에 어떤 역할을 하는지를 상세히 분석하여 보여주고자 한다. 논자는 (1) 헤겔 「인간학」의 해석과 관련하여 자기느낌 개념에 주목해야 하는 철학사적이고 연구사적인 이유를 간략히 살피고, (2) 헤겔 철학에서 자기느낌 개념의 의미 그리고 「인간학」에서 주제화되는 자기느낌의 문제가 (...) 무엇인지를 정리한 후, (3) 「인간학」에서 개진된 헤겔의 광기 개념 및 광기 분류를 상세히 살필 것이다. 그리고 이를 토대로 (4) 헤겔이 광기의 원인으로 개념화하는 신체성은 영혼과 세계 사이의 관계에 대한 헤겔 특유의 존재론적 사유를 전제로 이해할 수 있다는 점을 논증하고, 이를 토대로 (5) 광기의 필연성이 정신의 부정성을 나타내는 여러 의미를 고찰할 것이다. (shrink)

Why these lectures? -- Hegel between the ancients and the moderns -- Divisions and topics in philosophy of subjective spirit -- Anthropology : slumbering spirit -- Animal magnetism and clairvoyance -- Dementia -- Phenomenology of spirit -- Reciprocal recognition, spirit, and the concept of right -- Recognition and self-actualization -- Psychology : theoretical spirit -- Spirit for itself : from the found to the posited -- Imagination, sign, memory -- Mechanical memory and transcendental deduction -- Psychology : practical (...) spirit : the synthesis of Kant and Aristotle -- The formalism of the psychology -- Unresolved issues : the unity of the philosophy of spirit -- Notes on the text and translation -- Introduction -- Anthropology -- Natural soul -- The dreaming soul -- Sentience -- Self-feeling -- Habit -- Actual soul -- Phenomenology of spirit -- Consciousness as such -- Self-consciousness -- Reason -- Psychology -- Theoretical spirit -- Intuition -- Representation -- Thought -- Practical spirit. (shrink)

Despite a profound concern for the epistemological, ontological and ethical conditions for being-at-home-in-the-world, G.W.F. Hegel published very little on a particularly serious threat to being-at-home: mental illness and disorder. The chief exception is found in Hegel'sEncyclopaedia of the Philosophical Sciences(1830). In this work, Hegel briefly provides an ontology of madness (Verrücktheit), wherein madness consists in the inward collapsing of subjectivity and objectivity into the individual's unconscious and primordial feeling soul. While there has been an increasing number of studies (...) on Hegel's conception of madness, I propose that there is another overlooked way to understand madness in Hegel's system: as social pathology. I argue in this article that Hegel offers a compelling social account of madness in thePhenomenology of Spirit(1807), which arises at the elevated, self-reflective and community level of spirit. This sociality of madness, as I call it, occurs when spirit is unable to reconcile two contradictory yet equally essential aspects of its reality, resulting in spirit's structural homelessness. I argue that by examining this overlooked sociality of madness, we may read Hegel's political-philosophical project in a new light: on the one hand, the ethical life (Sittlichkeit) presented in thePhilosophy of Right(1821) becomes understood as a political therapeutic. On the other hand, if the ethical life fails to live up to the demand of being an adequate spiritual therapeutic, then the traditional reading of thePhilosophy of Rightas a reconciliatory hermeneutic becomes problematized, opening up new avenues for the proliferation of social pathology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Madness of the Philosophers, Madness of the ClinicJames Phillips (bio)KeywordsPhilosophy, insanity, moral, natural, Hegel, KierkegaardDaniel Berthold's "Talking Cures: A Lacanian Reading of Hegel and Kierkegaard on Language and Madness" is an eloquent discussion of speech, silence, and the 'talking cure' in the three figures highlighted in the title. There is much to admire in this paper. The treatment of speech and silence in the thought of (...) Hegel and Kierkegaard, with many well-chosen quotations, offers much for reflection, both with respect to these philosophers and more generally with respect to the human condition. This is a paper that deserves more than one reading. I find nothing to criticize here and intend the following as further discussion of the themes Berthold has brought to us. Taking his cue from Lacan and reading back into the nineteenth-century figures from the perspective of Lacan's emphasis on language and what he (Lacan) terms the Symbolic, Berthold explores the question of madness in Hegel and Kierkegaard. In my remarks, I connect Berthold's analysis with older traditions of madness, distinguishing what I call the madness of the philosophers and the madness of the clinic.With the phrase, madness of the philosophers, I refer to a longstanding philosophic tradition that opposes reason and passion and attributes madness to an excess of the latter. In Berthold's paper, Hegel is the representative of this position, with his description of madness as a regression into the primitive "life of feeling." As Berthold puts it:For Hegel, madness is a "reversion" or "withdrawal" or "sinking back" of the rational consciousness into the primitive world of instincts and drives, or what Hegel calls "the life of feeling" (Gufühlsleben), which he locates in "the soul," where the "mind is still in the grip of nature"... The soul is "the form of the dull stirring, the inarticulate breathing of the spirit through its unconscious individuality" (in seiner besusstlosen Individualität)... The mind becomes "mastered" by the archaic, unconscious drives of the soul: "the natural self... gains mastery over the... rational consciousness."(2009, 301)Taking off from Lacan in his interpretation of Hegel, Berthold associates reason with language—or, in Lacan's terminology—the register of the Symbolic. Hegel's "life of feeling"—or of passion—is inarticulate, primitive, and vulnerable to madness.Berthold analyzes Kierkegaard in these categories. On the one hand, Kierkegaard is driven to silence, subjectivity, and inwardness as the native [End Page 313] ground of faith. On the other hand, he recognizes something maddening in his extreme solitude, and acknowledges his need to write as a form of self-therapy: "If I stop [writing] for a few days, right away I become ill.... So powerful an urge, so ample, so inexhaustible [is my need to write], subsist[ing] day after day for... years." Kierkegaard's compromise is his "indirect communication." By Berthold's account, Kierkegaard's silence does not rate very high for Hegel and Lacan. For Hegel it represents a regression into the primitive "life of feeling." For Lacan, Kierkegaard's silent inner self is "a myth—a 'shapeless vapor,' 'absolutely nothing.'" As we shall see, Kierkegaard's ambivalence toward silence and speech (or writing) does not fit neatly into the equation of silence and madness.What, however, in contrast to this madness of the philosophers, is the madness of the clinic?1 It is madness caused by disease, whether the latter be understood in ancient terminology of humors, or more modern terminology of brain disease. For a quick review of how clinical madness has played off against the madness of the philosophers, we can turn to the philosophers themselves, invoking Plato as our first guide, because he speaks of both kinds of madness. On the one hand, with his tripartite division of the soul, he is one of the inaugurators of the philosophic vision of madness as an overcoming of the rational part of the soul by the appetitive side. On the other hand, he implicitly endorses the Hippocratic, medical view of madness with a statement like this: "A man who commits one of these crimes might be suffering from insanity, or be as good as insane either because... (shrink)

Why does Hegel change “Dreaming Soul” to “Feeling Soul” in the 1830 edition of the Philosophy of Subjective Spirit? By tracing the content of the Dreaming Soul section, through Hegel’s 1794 manuscript on psychology, to sources such as C.P. Moritz’s Magazin zur Erfahrungsseelenkunde, the paper shows how the section embraces a late Enlightenment mission: combating supposedly supernatural expressions of spiritual enthrallment by explaining them as pathological conditions of the soul. Responding to perceived attacks on the 1827 edition of the (...) Encyclopedia by Schleiermacher, Hegel alters the section and its heading, thereby including the pastor’s religion of feeling in the pathology of Schwärmerei. (shrink)

Interest in _dream_ and _madness_, conceived as the loss of a world shared with others, and the individual’s entry into a private world governed by a personal logic unrelated to the waking state and to common feeling, recurs in at least three of Kant’s works: _Essay on the Diseases of the Head,_ (1764), _Dreams of a Spirit-Seer_ (1766), and _Anthropology from a Pragmatic Point of View_ (1798). Hegel too, from an early age, showed a strong fascination and a precocious interest (...) in psychopathological matters (states of altered consciousness, prophetic dreams, somnambulism, catalepsy, witchcraft etc.) to which he devoted intriguing reflections in various works from different periods: from the Berne Ms _Philosophy of Subjective Spirit_ (1794/95) to the _Phenomenology _(1807), from the _Philosophical __Propaedeutics_ (1808ff.) to the _Encyclopedia of the Philosophical Sciences_ (1830 3 ). Starting from the remarks of the two philosophers, this paper aims to underline the conceptual links between their thought and that of some renowned psychologists and psychiatrists of the 1800s-1900s (Pinel, Janet, Adler, James, Binswanger, Freud et al.). On the other hand, the paper also seeks to show – within the framework of an idea of _reason_ dating back to Heraclitus (about 544/483 B.C.) – some murky motifs, not always adequately emphasized in the past, found in the figurative and literary works of the late 1700s (e.g. Fuseli’s_ The Nightmare_, Coleridge’s _The Rhyme of the Ancient Mariner_, and, in particular, plate Nr. 43 of the _Caprichos _by Goya, _El sueño de la razón produce monstruos_), where there emerges a «dark side» of psychic activity emblematically described as the cryptic relationship between _dream_ and_ madness._. (shrink)

Hegel reads the poet Novalis as an expression of terminal irony, a pathological case of Gemüt, where the conscious mind is alienated from reality and turns its negativity inwards on the contents of its own natural soul. The condition of self-feeling, presented in Hegel’s “Anthropology”, is a self-consumption that manifests itself somatically in the physical disease (consumption) from which Novalis dies. The poet’s literary production represents a pathological fixation that impedes the dynamic organicity of Hegelian Science. As such, (...) Novalis’s mental illness and death constitute an expression of romantic irony and an ongoing threat to Hegel’s philosophy. (shrink)

Globalization and Human Subjectivity argues that Hegelian subjectivity could serve as a philosophical basis for a new conception of human subjectivity for the age of globalization. Why, then, does globalization demand a new conception of human subjectivity at all? What constitutes the Hegelian subjectivity such that it is not only relevant and but also necessary to the contemporary, postmodern context of globalization? This book largely addresses these two questions. Capitalist globalization, the context in which we find ourselves today, strategically leads (...) to the “death of the subject,” in the sense that it reduces human beings merely to consumers who, without critical subjectivity, simply succumb to the imperialism of a globalizing market. In this context, we are impelled to envision a new conception of human subjectivity for the age of globalization. This book explores Hegel’s view on human subjectivity as spiritual subjectivity, particularly presented in his Phenomenology of Spirit, which could function as a new anthropological vision about what it means to be authentically human in a globalizing world, that is, a sort of cosmopolitan citizen who is constantly universalizing oneself through self-transcending, self-determined ethico-political actions in solidarity with others to create a global community of co-existence and co-prosperity for all. (shrink)

In the 1958-1959 Collège de France course, Merleau-Ponty expounds a detailed commentary on the last paragraphs of the Einleitung from Hegel’s Phenomenology of Spirit. We examine in what sense this course has developed the notions that he was in the process of defining, notions such as “chiasm,” “reversibility,” “depth,” and “flesh.” What seems crucial in this course is to clearly define good ambiguity as opposed to bad ambiguity, that is, to the simple mixture of finitude and universality, of interiority and (...) exteriority. It is a question then of revealing, even within Hegelian thought, the operation, although unstable, of good ambiguity and of instituting it beyond the distinction between anthropology and logic without a return to naturalism. It should first be noted that consciousness is for Hegel violence against itself, it gives itself its measure, such that the distinction between measuring and measured is internal to it. By insisting on this “reversibility” of the measuring and the measured, Merleau-Ponty comes to emphasize that the self-relation of consciousness is simultaneously its opening onto a transcendent – an opening whereby it learns something. This leads him to define “the new ontological milieu” which is the depth of the life of consciousness. It is within this depth that the interrogative experience winds on itself. Secondly, if there truly must be a moment where the Hegelian Zweideutigkeit becomes good ambiguity, it will not suffice to explore preobjective depth; it would still be necessary to discern “the hinge” which is “solid, unwavering” and which “remains irremediably hidden.” It is this unwavering hinge that supports phenomena and that, in simultaneously decentering and recentering the fields of appearances, opens a place where one can follow the genesis of sense. Finally, we note that this discovery of the new ontological milieu can be considered as the recovery of the notion of institution that Merleau-Ponty had proposed in 1954-1955: on the one hand, the notion of chiasm invites us to reveal the hinge which at once decenters and recenters the fields of appearances. This hinge is free from the alternative of nature and culture, of subjective and objective spirit; it is the rootedness of our interrogative experience in brute being, which is not object but starts an indefinite search of self. But, on the other hand, the notion of institution, which is essentially descriptive and factual, makes us better feel the weight of the instituted that is also irremediably hidden. It makes us feel the inertia of the instituting event, as well as its fecundity and its cumulativity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Beautiful Soul:From Hegel to BeckettDrew Milne (bio)The "beautiful soul," lacking an actual existence, entangled in the contradiction between its pure self and the necessity of that self to externalize itself and change itself into an actual existence, and dwelling in the immediacy of this firmly held antithesis—an immediacy which alone is the middle term reconciling the antithesis, which has been intensified to its pure abstraction, and (...) is pure being or empty nothingness—this "beautiful soul," then, being conscious of this contradiction in its unreconciled immediacy, is disordered to the point of madness, wastes itself in yearning and pines away in consumption.—G. W. F. Hegel, Phenomenology of SpiritThe figure of the beautiful soul marks out a limit of representation. Its persistence is that of a literary fiction which cannot be actualized, but whose imaginative lure is no less powerful for being so resistant to embodiment. The beautiful soul emerges in a shift from philosophical reflections on moral beauty into the romantic novel, but for Robert E. Norton, the history of the beautiful soul is brought to a close by Hegel [139]. Nevertheless, the way this figure stands between philosophy and literature, and between moral agency and the literary imagination, casts shadows over contemporary thought. Unreconciled immediacy, disordered by consciousness of its contradiction and proximity to pure abstraction, becomes the sign of modern art, perhaps most explicitly in the writings of Samuel Beckett. In The Broken Middle, Gillian Rose projects the beautiful soul out of Hegel and Goethe into a speculative account of modern thought's ethical equivocations. For Allen Speight, Hegel's recourse to the awkward literary and novelistic status of the beautiful soul reveals how "inescapable questions discernible in the products of modern literary artists are ones that concern the account we give of our freedom as modern agents" [135]. This essay seeks to unravel some of the contemporary relevance of the beautiful soul, exploring the instability of this figure as a mediation between philosophy and literature, in particular as a tension in the interpretation of Hegel's Phenomenology of Spirit.The difficulties posed by the beautiful soul for interpreting Hegel can be gleaned from Terry Pinkard's impressively lucid survey German Philosophy, 1760-1860. Pinkard notes how Hegel's discussion of the beautiful soul in the Phenomenology of Spirit "makes oblique reference to Goethe, Friedrich Schlegel, Fichte, Fries, Novalis, perhaps Rousseau, and maybe even Hölderlin" [240n19] before ascribing centrality in Hegel's discussion to Jacobi's novel Waldemar. Oblique reference folds into a structure whose indeterminacy concerns both the freedom claimed by literary representations of the beautiful soul, and the inability of this freedom to amount to more than a confession of conceptual paralysis or impotence. The beautiful soul proves resistant to interpretation, a literary-philosophical compound that destabilizes conventions of referentiality. The beautiful soul threatens to dissolve philosophy from the perspective of an inward delicacy of moral feeling, claiming [End Page 63] [Begin Page 65] the authenticity of a subjectivity that will do no wrong and knows no other as an object on which to act. Philosophical interpretations are often too brusque with the reflexive irony through which the beautiful soul is represented, or insufficiently literal-minded to capture its content as form. In turn, the self-critical claims of literary representation often dissolve into an ironic indifference to determinate consequences.The beautiful soul, however, can hardly be said to have existed outside its representation in writing. It recurs in manifold guises more as an aspiration to be, or appear, morally sensitive but incapable of action. Donald Phillip Verene sketches its background in the Romantic movement but suggests that: "The beautiful soul is not difficult to understand, as Hegel sketches it in the several pages he devotes to it. We are familiar in ordinary experience with types of persons that approximate to the stance of the beautiful soul, that is, if we keep polite company and associate from time to time with delicate people" [100-01]. Anyone who has spent time with aesthetes or poets who claim a delicacy of moral insight without feeling the need of justification or labor to actualize their insights knows the ills this shape of... (shrink)

헤겔『철학대계』에서 정신철학의 제 1부를 이루는 주관정신 철학은 정신(Geist)을 그것의 내면적이고 주관적 측면에서 다루며 이 관점에서 인간 정신의 내적 구성 및 활동들을 다룬다. 따라서 헤겔의 주관정신 철학은 헤겔의 철학적 심리학을 대변한다 할 수 있는데 여기서 정신은 결코 오늘날 심리철학에서 전제하는 마음(mind) 개념으로 환원되지 않는다. 주관정신 철학은 그 중요성에도 불구하고 국내외 학계 모두에서 헤겔의 다른 대저작들에 비해 상대적으로 덜 연구되었으며, 특히 주관정신 철학의 세 부분 ｢인간학｣, ｢정신현상학｣, ｢심리학｣ 사이의 형식적, 내용적 연관 관계 속에서 그 전체를 조망하는 연구는 매우 드물다. 이러한 연구 상황을 (...) 염두에 두고 본고는 아리스토텔레스의 ｢영혼에 대하여｣에 나타난 수동적 지성 개념에 대한 헤겔의 해석에 주목하여 이를 토대로 ｢인간학｣을 중심으로 헤겔의 주관정신 철학을 조망해 보고자 한다. 이 연구를 통해 논자는 헤겔의 주관정신 철학의 세 부분, ｢인간학｣, ｢정신현상학｣, ｢심리학｣이 정신이 낮은 단계를 지양하고 높은 단계로 올라간다는 일직선적 정신 발전 혹은 전개 개념이나 즉자적 통일성으로서의 정신이 근원적 분열을 겪고 대자적으로 통합된다는 도식적 변증법 논리로 이해되어서는 안 되며, 인간정신을 구체성으로 특징짓고 내용으로 가득 찬 실체로 규정하여 이 하나의 동일한 대상을 상이한 형식적 관점에서, 특히 정신의 증가하는 주체화 과정 관점에서 기술하는 것으로 이해될 수 있다는 점을 보이고자 한다. (shrink)

In his discussions of “sensibility” and “feeling,” Hegel has a compelling interpretation of the emotional foundations of experience. I begin by situating “mood” within the context of “sensibility,” and then focus on the inherently “outwardizing” or self-externalizing character of mood. I then consider the different modes of moody self-externalization, for the sake of determining why we express ourselves in language. I conclude by demonstrating why the notions of emotion and spirit are necessarily linked.

Hegel’s account of the unconscious and his broader philosophy of mind offer us a well worked out form of non-dualist, non-reductionist, non-eliminativist, non-representationalist naturalism. Hegel describes the development of discursively structured thought (and responsiveness to norms) in ethological terms as emerging from initial somatic-sensory states, from states and processes of bodily activity on the part of a feeling soul, and from structured habituation in relation to other subjects. Importantly, earlier, less organized states of sensory awareness and feeling persist as residues (...) underneath cognitive development in “the pit of imagination.” Imagistic and sensory-somatic materials from this pit can burst out, among other things, in dreams, madness, somnambulism, witty conversation, and puns. In the face of the permanent possibility of regressions from cognitive development, a continual activity of self-formation (Bildung) through art and participation in second nature is essential to maturity. (shrink)

Drawing on Hegel’s anthropology, this paper reconstructs ‘madness’ as an essential stage in the formation of the subject by developing the dialectical character of madness. This goes along with resituating the negativity of spirit as arising on an intermediary stage between nature and developed spirit as second nature. Hegel determines the freedom of spirit as “absolute negativity”. Madness shows a moment of radical negativity that is not viable as such. The formation of subjectivity is thus threatened by (...) that which makes it possible. The art of spirit is to over-come this form of abstract negativity, though not to lose the radicality of negativity, but to deepen it. ‘Absolute negativity’ is Hegel’s term for this successful sublation and simultaneous deepening of negativity. (shrink)

It is the avowed aim of Avineri’s study to "bring out the ambivalent indebtedness of Marx to the Hegelian tradition." This aim determines the central place of Marx’s concept of man in his discussion; for it was from Hegel and the young Hegelians that Marx drew the anthropological problematic which dominates his early writings. The Hegelian concept of Geist served the young Hegelians as the model for a philosophical conception of man, as a being exhibiting the unique dignity of his (...) rational nature in a historical process through which he attains to freedom and self-knowledge. Carrying this aim out with the greatest clarity and completeness was Feuerbach, who, applying to Hegelian philosophy what Avineri calls his "transformative method," attempted to interpret Hegel’s "Spirit" and the speculative concepts through which it knows itself as false inversions of the self-consciousness of man as a natural, sensuous being. It was this method, applied to Hegel’s political philosophy, which resulted in what Avineri describes as "Marx’s first systematic work," the 1843 critique of Hegel’s Philosophy of Right. A full chapter of Avineri’s book is devoted to this "most systematic of [Marx’s] writings on political theory." Avineri views the work as an immanent critique of Hegel’s philosophy of the state, focusing on Hegel’s failure adequately to comprehend the rationality of the actual. The cause of this failure was Hegel’s hypostatization of abstractions as the subjects of the social process; Marx’s application of the "transformative method" was an attempt to understand the specific character of the real human subjects who are the actual foundation of these speculative constructions. Avineri traces in detail the manner in which Marx confronts the speculative functions assigned by Hegel to monarchy, civil estates, and the state bureaucracy with the social realities represented by these speculative categories. Marx argues that the supposed universality of the state is an illusion, mystifying the social practice of modern society and confirmed by Hegel’s philosophical speculation. In fact, he argues, the "universal" interests of the state are only expressions of private interests in what Hegel called the sphere of "civil society," the realm of production and exchange. It is the relationships of men in this sphere which in Marx’s view constitute the true foundation for the rationality of the actual, and it was Hegel’s speculative inversion of the relationship of civil society and the state which was responsible for his failure to grasp this rationality. Marx’s stress on the sphere of civil society as the foundation for political life, the priority of man’s productive life over all other social relationships, is the characteristic Marxian form of the young Hegelian conversion of a speculative science of spirit into a philosophy of man. It was this priority, which Marx later referred to as the "universal result" of his early research, which continued to guide his later studies. Avineri proceeds to take up this theme in a chapter appropriately titled "Homo Faber.". (shrink)

This paper aims to understand Hegel’s claim in the introduction to hisPhilosophy of Mindthat mind is an actualization of the Idea and argues that this claim provides us with a novel and defensible way of understanding Hegel’s naturalism. I suggest that Hegel’s approach to naturalism should be understood as ‘formal’, and argue that Hegel’sLogic, particularly the section on the ‘Idea’, provides us with a method for this approach. In the first part of the paper, I present an interpretation of Hegel’s (...) method in which life plays a central role. In the second part of the paper, I develop Hegel’s method by providing a reading of Hegel’s Subjective Spirit, focusing on the sections ‘Anthropology’ and ‘Phenomenology’ in particular, arguing that they display the dialectic between life and cognition outlined by Hegel’s Idea. (shrink)

In the article we can read about the interpretation of Hegel’s philosophical system in the philosophy of the XXth century. Author states that modern social reality can be considered as a consequence of philosophical reflection concerning questions, which were self-evident in pre-Modern times and didn’t need any reflection. At the same time examples of modern reflection became a canon that needed its own interpretation. Considering this fact, it has been show how relations between subject and object were comprehended in (...) different interpretive traditions of Hegel’s philosophy and how it influenced the legitimization of a new form of social reality, which is called Modernity. There are three ways of interpreting Hegel’s philosophy depending on the fact what is understood as a subject, which should coincide with a substance: anthropologic, in which a person is understood as a subject, ontological, in the case of which subject is understood as an objective reality, and theological, in which subject is a God. Basing on such classification, author proves that by expounding the system in Hegel’s philosophy understanding of a subject as a substance and at the same time as self-consciousness is legitimized. Subject becomes a reason and world’s logic and its history is a Spirit’s self-detection. After that an imanentization of reality and its transformation into one-dimensional one takes place, in which any other dimension is impossible in principle and the main sense of this subject is a maximum “realization” of itself in the earthly world with the greatest mastery of objectivity. (shrink)

In this paper, I explore Hegel’s concept of freedom as self-liberation. I consider the struggle between the soul and the body within Hegel’s Anthropology as an example of how conflict can act as a condition for asserting one’s freedom through self-improvement or Bildung. In this regard, there are reminiscent aspects of the famous ‘Lordship and Bondage’ dialectic within Hegel’s treatment of the body-soul relation. If the initial dominion of nature over the soul can be described as madness (...) for Hegel, habit constitutes the mean through which spirit acquires its freedom. (shrink)

While some would see the main theme of Hegel’s Subjective Spirit as the emergence of the nature-bound subjectivity to free spirituality, or the resolution of the subject-object problem and the overcoming of subjective idealism, Petry’s chief concern is Hegel’s relation to empiricism. The doctrine of Subjective Spirit is for Petry a “survey” of the “immediate constituent factors involved in our ordinary activity as conscious beings”, organized according to the “commonsense realism and empiricism of the Idea.” The Idea (...) makes possible a hierarchical order wherein the levels of “an empirically ascertained subject-matter form a progression in degree of complexity.” Hegel’s chief contribution in Subjective Spirit is to organize into levels of complexity an existing body of “professional knowledge” in anthropology, psychology, etc., and it is Petry’s main aim to point to such a body of knowledge and show how Hegel made use of it. Before we examine this approach to Hegel, let us note the main contents of the three volumes. (shrink)

A Hegelian reading of good and bad luck -- In Shakespearean drama (phen. of spirit, King Lear, Othello, Hamlet, a Midsummer night's dream) -- Tearing the fabric: Hegel's Antigone, Shakespeare's Coriolanus, and kinship-state conflict (phen. of spirit c. 6, Judith Butler's Antigone, Coriolanus) -- Aufhebung and anti-aufhebung: geist and ghosts in Hamlet (phen. of spirit, Hamlet) -- The problem of genius in King Lear: Hegel on the feeling soul and the tragedy of wonder (anthropology and psychology in the encyclopaedia, Philosophy (...) of mind, King Lear) -- Richard II's mirror and the alienation of the Universal Will (of the I that is a We) (Richard II, phen. of spirit c. 5) -- Falstaff and the politics of wit: negative infinite judgment in a culture of alienation (Henry IV parts I & II, phen. of spirit c. 6, philosophy of right) -- Henry V's unchangeableness: his rejection of wit and his posture of virtue reinterpreted in the light of Hegel's theory of virtue (philosophy of right, Henry V) -- Hegel's theory of crime and evil: (re)tracing the rights of the sovereign self (aesthetics, phen. of spirit, phil. of right, Richard II through to Henry V) -- Richard III, Hamlet, Macbeth and Henry V: conscience, hypocrisy, self-deceit and the tragedy of ethical life (phil. of right, Richard III, Hamlet, Macbeth, Henry V) -- Negation of the negative infinite judgment versus sublation of it: punishment vs. pardon (phil. of right, phen. of spirit c. 6 and Henry VIII) -- Universal wit : the absolute theater of identity (phen. of spirit c. 6 and 8, Pericles, the Tempest) -- Absolute infections and their cure (phen. of spirit c. 6, the Winter's tale). (shrink)

This chapter contains sections titled: Humanity, Mutual Recognition, and the State in Hegel Species‐Being and Communism in Marx Hegel on the Roman World Marx on the Modern State and Capital Marx on His Relation to Hegel Conclusion Bibliography.

A recently widely accepted view has it that the nature-spirit distinction in Hegel is to be understood as a distinction between a space or realm that is not normative or does not involve norms, and one that is or does. Notwithstanding the merits of this view, it has tended to create a separation between nature and spirit which is both philosophically troubling and difficult to reconcile with the picture of Hegel as the arch enemy of abstract or unreconciled dualisms. In (...) this paper I aim to show that the defining phenomenon for this view—collective self-government by norms—is on Hegel’s account both dependent on living nature that involves normativity broadly conceived all the way down and also subject to the normative or evaluative super-principle of Hegel’s Philosophy of Spirit—concrete freedom—the essence of spirit according to him. This is to say that for Hegel the normativity of collectively administered norms is neither the most basic nor the highest form of normativity. -/- Published online first 27 January 2021. (shrink)

This article will address Edith Stein's interests in relation to the microcosm of man, whether as a material, living, animated or spiritual body, as well as in his social, historical, community and cultural position. For Edith Stein, only through this set of interrelated and exclusive instances, each with its own particularities and yet dependent on the others. The phenomenological study of the SELF presented by the author, in the search for the Divine, for awareness of “character”, in the experience (...) of each part of one's own being, in experience, in empathy, where through philosophical anthropology Edith Stein conceives everyone as living beings, with man as a microcosm. For this reason, in the first part it will be discussed regarding The Centrality of the Body in Stein's Philosophical Anthropology. It has become a necessity within anthropology to refer to the body/empathy element. These two realities are established as essential in Stein's considerations and they are what will determine the scope of what refers to the empathic process and the Constitution of the self, elements so necessary for the recovery of the affirming reality of the human in its specification’s man/woman. In the second stage will address about the Soul and Spirit in Stein's Philosophical Anthropology. The living body is established in the fact that in addition to possessing external sensory characteristics, which can be grasped by consciousnesses, they themselves are holders of the ability to feel. Stein postulates as the first characteristic of the experienced body The Binding of the latter to an individual consciousness, to a subject. In his doctoral work, Stein turns to the characterization of an individual who has an essence that is established not only in the corporeal-psychic dimension, but also in that of spiritual appreciation. Finally, and will be closed with conclusions. (shrink)

This paper argues that Hegel's depiction of knowledge, as presented in the Encyclopaedia philosophy of subjective Spirit, is founded on what he deems to be the practical interests of self-consciousness. More specifically, it highlights the significance of the will in Hegel's understanding of the cognitive process. I begin with a survey of the relation between category-formation and the notion of self-determining freedom in the Logic , and therewith draw attention to the unity of thinking and willing in (...) the Concept. I then indicate how Hegel's philosophy of subjective Spirit should be read as the applied logic of the Concept, according to which the socially constituted self-conscious I seeks to realise its claims to freedom through its theoretical cognitions of objects. As part of what could be called Hegel's integrative theory of the faculties, I finally argue that the will underscores both the determinate character of our theoretical cognitions and the reflexivity of knowledge in general. On this score, I maintain that Hegel, whose relation to Kant and Fichte I also consider, is of the view that it is with reference to willing that we can account for the self-referential nature of reason in toto as the actualised unity of theoretical-practical subjectivity. (shrink)

This essay explores two key elements in Allegra de Laurentiis’s book Hegel’s Anthropology: Life, Psyche, and Second Nature. The first is Hegel’s pivotal claim that the most basic determination of the natural soul is not as a thing, which is the way it has traditionally been understood, but as the “universal immateriality of nature.” The second element is the thesis that what identifies the higher determination of the feeling soul is the strange concept of “self-feeling” (Selbstgefühl). Prof. de Laurentiis (...) offers a philosophically rigorous and philologically rich reading of both these important moments in Hegel’s anthropological account of the soul. Nonetheless, I argue that employing a distinctly hylomorphic reading of Hegel’s Anthropology, as Prof. De Laurentiis proposes, despite its many merits, ultimately distracts from and prevents an account that exposes and articulates the most radical and significant aspects of Hegel’s theory. (shrink)

This chapter contains section titled: Phenomenology of Spirit,“Self‐Consciousness: Lordship and Bondage”.

In the most influential chapter of his most important philosophical work, the Phenomenology of Spirit, Hegel makes the central and disarming assertions that "self-consciousness is desire itself" and that it attains its "satisfaction" only in another self-consciousness. Hegel on Self-Consciousness presents a groundbreaking new interpretation of these revolutionary claims, tracing their roots to Kant's philosophy and demonstrating their continued relevance for contemporary thought. As Robert Pippin shows, Hegel argues that we must understand Kant's account of the (...) class='Hi'>self-conscious nature of consciousness as a claim in practical philosophy, and that therefore we need radically different views of human sentience, the conditions of our knowledge of the world, and the social nature of subjectivity and normativity. Pippin explains why this chapter of Hegel's Phenomenology should be seen as the basis of much later continental philosophy and the Marxist, neo-Marxist, and critical-theory traditions. He also contrasts his own interpretation of Hegel's assertions with influential interpretations of the chapter put forward by philosophers John McDowell and Robert Brandom. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Hegel’s Theory of Self-Conscious Life by Guido SeddoneWill DesmondSEDDONE, Guido. Hegel’s Theory of Self-Conscious Life. Leiden: Brill, 2023. 155 pp. Cloth, $138.00Guido Seddone’s monograph explores an ensemble of issues centering on what he terms Hegelian “naturalism.” He argues that “Hegel’s philosophy represents a novel version of naturalism since it stresses the mutual dependence between nature and spirit, rather than just conceiving of spirit as a substance (...) emerging and separating from bodily natural requisites.” Seddone avoids scholarly exegeses to address instead “theoretical and systematic aspects of the Hegelian philosophy.” He focusses on “life” and “self-consciousness” as the conceptual keys to those parts of Hegel that remain compelling for relevant contemporary debates. “This book is, therefore, based on the dialogue between Hegel [End Page 361] and contemporary thinkers and strives to enhance our understanding of theoretical and practical issues and to widen the grammar of the philosophical thought.” The book’s chapters proceed from the more abstract to the more concrete—essentially from issues of logic, epistemology, and psychology to morality, society, and history.Chapter 1 (“Science of Logic: The Logical Premises of Hegel’s Naturalism”) argues that the categories of “Teleology” and “Life” in Hegel’s Science of Logic mark the critical transition in his naturalism from the sciences of physics (“Mechanism”) and chemistry (“Chemism”) to biology, as well as from external nature to inner self-consciousness and cognition. Seddone helpfully points to Hegel’s revisions of Kant’s subordination of teleological language (merely heuristic) to mechanical explanation. Most promising is the comparison of the “self-referring negativity” of Hegelian “life” to discussions by Evan Thompson and Francisco Varela of the cell—whose permeable membrane enables it to be more than its merely chemical environment.Chapter 2 (“Self-Consciousness”) takes a rather bird’s-eye approach to the Phenomenology of Spirit, offering a basic reading of Hegelian self-consciousness and Geist in relation to the Cartesian cogito and Kantian unity of apperception. Scattered remarks about animal desire and the master–slave relation could be clarified to better explore a naturalistic basis of the Hegelian conception of mind. One is struck by the dearth of specific texts from the section “Self-Consciousness”: Seddone seems content with some well-known quotations (for example, Geist as an “I that is We and We that is I”) punctuating large generalizations.Chapter 3 does not quite live up to its title (“The Hegelian Theory about the (Human) Biological Organism”) in that it focuses primarily on Hegel’s “treatise about habits” in the Encyclopaedia of the Philosophical Sciences. Here habit is construed as a second nature, and hence a further step toward self-conscious, relational mind: Habits are “universal ways of the soul, i.e. ways in which individual soul [sic] incorporates feelings by evolving general rules and practices.”The last section of chapter 4 (“Extended and Embodied Mind”) reverts to habits as moments of the feeling soul but dissociates Hegel’s notion of Verleiblichung from contemporary discussions of embodied mind. By contrast, Seddone argues for retranslating Hegelian Geist as “common mind” and juxtaposes this with the related concept of mind (in, for example, Philip Pettit) as “extended” through social entities, with the result that Hegel’s approach is praised as “the state-of-the-art of this topic.”Chapter 5 (“Natural and Self-conscious Agency”) is perhaps the clearest chapter as it presents the dialectic of the abstractly universal will in the initial sections of Philosophy of Right, links this and the Hegelian conception of free agency to his logical category of “actuality,” and proceeds to an illuminating contrast of the Hobbesian and Hegelian visions of society and state. [End Page 362]In tackling attempts to reconcile “Normativity and Freedom,” chapter 6 spends over six pages rehearsing the basics of Kantian autonomy before turning to Hegel’s Phenomenology of Spirit, specifically the master–slave dialectic (again) as the critical moment in the evolution of social norms. “My thesis is that self-conscious life needs recognition in order to achieve the higher form of independence created by social acknowledgement and justification, what [sic] fosters the condition for an authoritative reason that can be socially... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Talking Cures, the Clinic, and the Value of the IneffableDaniel Berthold (bio)KeywordsMadness, disease, the normal, the abnormal, the ineffable, Hegel, Kierkegaard, LacanI am most grateful to my readers, James Phillips and Louis Sass, who have led me to several new insights by suggesting ways of complicating my reading of a Lacanian approach to Hegel's and Kierkegaard's conceptions of madness. I am a Kierkegaard and Hegel scholar, with very (...) little pretense to expertise about Lacan and regrettably even less about the theory and practice of psychiatry. In submitting my essay to Philosophy, Psychiatry, & Philosophy, I was hoping to entice a community of practitioners and theoreticians I have great respect for to consider the musings of a philosopher on topics which engage them as thinkers and actors in their professions. I could not possibly have hoped for more intelligent and provocative replies than I have been given by my two respondents.Phillips' framing of his response in terms of the distinction between the "madness of the philosophers" and the "madness of the clinic" is very helpful. It is a distinction that is indeed central to the question of the possibility of dialogue between philosophers and clinicians—so central, in fact, that it is generous of Phillips not to reproach me for failing to mention it. On the one hand, the challenge for philosophers is to show that their descriptions are not merely metaphoric and that their preoccupation with the dark side of human experience connects in some way with the reality of disease, so that there is some way for clinicians to translate their language into the language of psychiatry. Otherwise, philosophers will have only poetic or literary interest for the psychiatrist or psychologist.On the other hand, the challenge for clinicians is the extent to which they are open to moving beyond a reduction of "mental illness" to a purely biological conception of disease. One needn't go so far—nor should we—as Thomas Szasz or Michel Foucault in seeing "mental disease" as itself merely a metaphor. But granting the evidence of underlying organic disorder, symptoms nevertheless display themselves as mental and behavioral states (what Hegel calls "shapes of consciousness") that, as Hegel argued, are paralleled in "normal" experience, so that the distinction between disease and normality (and hence illness and metaphor) is often elusive. Madness "has the healthy consciousness for its presupposition," Hegel writes, because the healthy mind is still grappling with the same sorts of contradictions and feelings of alienation, the same "infinite pain" which characterizes insanity. Madness is not the absolute "other" of rationality, but an echo of it (1978, 3:382, 408).Hegel himself accepted the medicalization of madness that began to occur in the late eighteenth [End Page 325] century, and rejected the metaphysical and theological categories of what was called "romantic medicine." But he also cautioned against the narrowness of the "somatic" school which he felt lacked sufficient explanatory value if not connected to a "speculative" (i.e., philosophic) framework (see Berthold-Bond 1995, ch. 2).It might even be argued that every person seeking therapy is first of all suffering from "philosophic" madness, at least in the sense that initially she does not understand her own suffering as "disease," but experiences her torment in the vocabulary of the philosopher. Thus the philosopher's descriptions are the closest to the subject's own self-understanding, and while the therapist must seek to rephrase these descriptions into the vocabulary of the clinic (just as Hegel, for example, translated his own philosophic description of the madness of his friend Hölderlin in the Phenomenology as the "lost soul" whose "light dies away within it" into the medical category of Wahnsinn—mania or frenzy, which today we would call schizophrenia—in the classificatory scheme of mental disorder he gives in the Encyclopaedia; 1977, 400; 1978, 408)—there is a real question about which vocabulary is a metaphor for the other.The second main point Phillips addresses, which is taken up in different ways by Sass as well, has to do with the relation between speech and silence in madness. Phillips finds that Kierkegaard offers a more complex and subtle view than... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Hegel on Self-Consciousness: Desire and Death in the Phenomenology of SpiritAndy R. GermanRobert B. Pippin. Hegel on Self-Consciousness: Desire and Death in the Phenomenology of Spirit. Princeton-Oxford: Princeton University Press, 2011. Pp. viii + 103. Cloth, $29.95.If Hegel's system cannot be understood without the Phenomenology of Spirit, it is certainly impossible to understand the Phenomenology without understanding its famous transition, in chapter 4, to self-consciousness (...) and the (perhaps all-too-famous) master-slave dialectic. In these published lectures, then, Robert Pippin has compelling reasons for seeking the heart of the Phenomenology in two of its crucial assertions: that "Self-Consciousness is desire itself" and that "Self-Consciousness attains its satisfaction only in another self-consciousness" (¶¶167 and 175 in Miller's translation).Pippin's Hegel is essentially Kantian, concerned with the apperceptive nature of self-consciousness, i.e. not as mere receptivity to sensory or intellectual form, but as an activity, a judging or "taking" the world to be such and so. For Kant, this activity is transcendental or purely formal, the unification of the spatio-temporal manifold by a continuous, apperceptive "I" (31). Pippin argues that Hegel jettisons Kantian formality in favor of a broader question: how, rather than being subject to my desires, am I the subject of my desires? (32). An answer is possible only if self-consciousness is neither observational nor an immediate self-presence but instead (i) a practical achievement (15) that (ii) requires other self-conscious subjects (19). Unlike Platonic erōs, then, which points away from human life, self-conscious desire is constant self-examination of the reasons for our actions or beliefs. This is Hegel's version of Kant's insight that reason is the desire for justification, ultimately before "all others" (56–57).Thus we pivot to the claim that the successful or "satisfying" achievement of self-consciousness involves recognition by others. "Our answerability to the world," as Pippin writes, "is inextricably bound up with... our answerability to each other" (61). Unlike John McDowell's interpretation of the master-slave dialectic as an analogy for the struggle between the passive and active elements within one mind (42), Pippin argues that self-consciousness is social all the way down. It is "something like having a position," i.e. avowing a practical commitment or making a normative claim (65), which implies the presence of another self-conscious subject who recognizes my right to such claims, or challenges that right, even to the outermost—a struggle to the death over recognition and authority. Self-consciousness, then, is "not... a reflection of some substantive or metaphysical nature but... a social achievement... bound up with... social conflict" (75). On the decisive point, Pippin agrees with Brandom's neo-pragmatism: "[S]elf-conscious beings do not have natures, they have histories" (68), specifically, the history of struggle and reconciliation among rational, mutually recognizing subjects.But what, then, does recognition mean and how does it "satisfy"? And in what does our "answerability to others" consist if there is no "non-question begging... standard" (83) by which to judge our answers? Hegel, Pippin writes, "has a ‘pragmatic' or a ‘historicized' or ‘dialogical' view of what counts as the appeal to reasons.... He understands practical reason as a kind of interchange of attempts at justification among persons... " (84). Justification, however, cannot mean an appeal to nature. Indeed, in the struggle for recognition, self-conscious freedom means indifference to mere natural life or desire. Nature no longer points to philosophical wholeness, as our love of seeing does in Aristotle's Metaphysics. To paraphrase Pippin's titles, he shows with superior clarity that Hegel's idealism really is modernism: i.e. the most thoroughgoing rejection of the Greek link between eleutheria and eudaimonia.But when Hegel writes of "the point where knowledge no longer needs to go beyond itself... where Concept corresponds to object and object to Concept" as the necessary "goal" of knowledge (¶80), this suggests that the "interchange of justifications" reaches an end. Even if this end is the socio-political order of mutual recognition among rational persons, it is surely not the mere fact of recognition that satisfies us... (shrink)

The claim that theoretical foundations are historically contingent does not draw the same intensity of fire as it did one or especially two decades ago. The aftermath of debates on the political boundaries created by foundations allows for a deeper exploration of the foundations of feminist theory. This article re-examines the (anti)-Hegelian foundations of the feminist standpoint put forward by Nancy Hartsock and argues that the Hegelian subject of the early Phenomenology of Spirit resists gender codification in its experience of (...) ongoing rediscovery and fallibility in knowing. The subject against which the feminist self was constituted does not fit the masculinity thought to be natural. Hegel’s master-slave dialectic and phenomenological subject reveal contradictions that cannot be resolved by an opposing feminist standpoint, and may provide resources that resist the rigid gender categories upon which the standpoint depends. Key Words: abstract masculinity • feminist standpoint • feminist theory • foundations • Nancy Hartsock • Hegel • master-slave dialectic • subjectivity. (shrink)

This chapter contains sections titled: Introduction Hegel's Account of Subjectivity: General Remarks The Phenomenology as the Theory of Concrete Subjectivity Conclusion References Further Reading.

This paper aims to understand Hegel’s claim in the introduction to his Philosophy of Mind that mind is an actualization of the Idea and argues that this claim provides us with a novel and defensible way of understanding Hegel’s naturalism. I suggest that Hegel’s approach to naturalism should be understood as ‘formal’, and argue that Hegel’s Logic, particularly the section on the ‘Idea’, provides us with a method for this approach. In the first part of the paper, I present an (...) interpretation of Hegel’s method in which life plays a central role. In the second part of the paper, I develop Hegel’s method by providing a reading of Hegel’s Subjective Spirit, focusing on the sections ‘Anthropology’ and ‘Phenomenology’ in particular, arguing that they display the dialectic between life and cognition outlined by Hegel’s Idea. (shrink)

The paper provides a modest reading of Hegel?s treatment of self-consciousness in his Phenomenology of Spirit and tries to present it as an integral part of the overall project of the experience of consciousness leading from understanding to reason. Its immediate objective is, it is argued, to think the independence and dependence, that is the pure and empirical I within the same unity of self-consciousness. This implies a double movement of finding a proper existence for the pure I (...) and at the same time a breaking down of the empirical I?s attachment to particularity. It is argued that the Hegelian struggle for recognition intends to show how the access to reason demands the subject?s renunciation of its attachment to particularity, that is to sacrifice not only its bare life but every thing indeed, including its particular identity, and yet, to go on living. nema. (shrink)

Violence, Slavery and Freedom between Hegel and Fanon is a volume of secondary literature that dispels common misconceptions about the relationship between Hegelian and Fanonian philosophy, and sheds new light on the connections and divergences between the two thinkers. By engaging in close textual analyses of both Hegel and Fanon, the chapters in this volume disambiguate the philosophical relation between Sartre and Fanon, scrutinize the conflation of Self-Consciousness in Hegel’s Phenomenology of Spirit and subjectivity in Hegel’s Lectures on the (...) Philosophy of History in light of Hegel’s reception in decolonial thought, and flesh out the pivotal ontological role of violence in Fanon’s work. In particular, this volume underscores the necessity of Fanon scholars to pay heed to the distinction between Hegel’s dialectic of lordship and bondage and Kojève’s master-slave dialectic, as the latter—an anthropological interpretation of a Hegelian epistemological gestalt of consciousness—is what enables Fanon to engage with the former as a historical dialectic. This review emphasizes that Violence, Slavery and Freedom between Hegel and Fanon is a pedagogically significant text, and ultimately concludes that this volume is a vital resource for Continental Philosophical scholarship on Fanon and Hegel. (shrink)

_Freedom and Tradition in Hegel _stands at the intersection of three vital currents in contemporary ethics: debates over philosophical anthropology and its significance for ethics, reevaluations of tradition and modernity, and a resurgence of interest in Hegel. Thomas A. Lewis engages these three streams of thought in light of Hegel’s recently published _Vorlesungen über die Philosophie des Geistes_. Drawing extensively on these lectures, Lewis addresses an important lacuna in Hegelian scholarship by first providing a systematic analysis of Hegel’s philosophical anthropology (...) and then examining its fundamental role in Hegel’s ethical and religious thought. Lewis contends that Hegel’s anthropology seeks to account for both the ongoing significance of the religious and philosophical traditions in which we are raised and our ability to transcend these traditions. Pursuing the implications of the integral role of practice in Hegel’s anthropology, Lewis argues for a more progressive interpretation of Hegel’s ethics and a “Hegelian” critique of Hegel’s most problematic statements on political and social issues. Lewis concludes that Hegel offers a powerful strategy for reconciling freedom and tradition. "_Freedom and Tradition in Hegel_ is a highly important contribution to the scholarship. Lewis brings Hegel's 'philosophy of subjective spirit' to light in a way that corrects previous interpretations of Hegel's thinking on religion, ethics, and politics. This book establishes Lewis as one of the leading Hegel scholars based in religious studies. It is a book that Hegel scholars in several disciplines will need to take seriously." —Jeffrey Stout, Princeton University "Written with admirable clarity, this important contribution to Hegel scholarship is lively, argumentative, and substantial." —Stephen Crites, Wesleyan University. (shrink)

This chapter presents the model of subjectivity that Hegel establishes in his _Phenomenology of Spirit_, which requires some examination of the key conceptual problems that he inherited from his predecessors. The development of Hegels subjectivity is set against the views expressed by Fichte and Kant. A particular concern for the Hegelian subjectivity established in the _Phenomenology_ is how Kant conceived the conditions for self-consciousness and his failure to resolve the concept/intuition distinction. In addition, the chapter examines how Hegel tries (...) to reinvent the concept of apperception, and how he attempts to avoid the mind/world dualism involved in the concept/intuition relationship. The self-understanding of the _Phenomenology_ is expressed in and through Hegels development of the notions of reason, community, spirit, law, education, empirical science, and religion. (shrink)

Derived from Heidegger's interpretation of attractive force with a high volume of inspired beauty care and a master not only the followers. And in order to maintain this special, he followed the great classical psychologists: Ferdinand learning. He also won in the traditional school psychology professor at the certificate, but his real motive is not subject to the ancient hope臘Heidegger was carried out by the interpretation of the full amount of impact force. Nevertheless, Heidegger's classic is still up to the (...) United States: "true management and methods" to maintain significant influence over. Up to the United States as a major interpreter of Heidegger's thinking, and faithful friend. In about two more people, I turned to introduce three other in Heidegger, Gadamer's major research on the influence of the philosopher: Park Latin chart, sub-km Aristotle and Hegel. First we look at the future Park Latin chart, I think the focus on conversation and dialogue up to the United States and the "dialectic dialogue" concept. The relative importance of making it true, so true that people with reasonable doubt and dialogue. Although there are many plans to pull up to the United States Park effect, but I make up as two points and a U.S. interlocutor's talent and try to prove. I have given up by the United States with three coming from Aristotle's concept of sub-km: wise , mimetic and tragedy. Wise is to predict the results of practical wisdom for the rational, he does not see a formula-based learning, as can be, but based on life experience. That mimic the Department of Aristotle in the sub-km only copy, and is reasonable in real life, the ultimate communicator. Finally, the tragedy is not the only sub-km Aristotle considers the six parts of the structure, but compassion and fear the experience of change in the audience angle of view, it is up to the United States in view of the viewer's experience of understanding and application, is a kind of tragedy action meaningful participation and experience. Beneficiary of up to U.S. history in Hegel's awareness of personal, Hegel's dialectic, as well as their knowledge to the arts is the current acceptance of the senses. He does not agree with Hegel referred to the "art of the past things," Hegel explains how this point. Shortly we will be able to see the remarkable work of art as a nervous balcony. Let me give you a visit in Heidelberg, Heidegger's experience in the United States up to the lecture, he objected to clarify and to hide his own dialectic and Hegel's dialectic with links, because at the end of Hegel's philosophy of total abstraction knowledge. In the second part of this lecture, I turned to the analysis of Gadamer's thesis on the art of "the relevance of the United States," and Heidegger in this direction is the famous "Art works of origin> thesis compared. In the late writings, Heidegger shows that there is not his main independent and self-study will be presented in the art of the earth and the world as a tension. In Gadamer's thesis in art, he follows Heidegger in the hope臘by establishing the art of human culture, learn the origin of works of art ontology analysis. He discussed all the cultural roots of the game , the difference between symbolic meaning and religious ceremonies. But he formed an art theory of the problem to analyze, it also clarifies the classical art and contemporary abstract art. In these three elements: the game, symbols and festivals, art up to the United States to find a structure is more deep cultural roots. As in the early hope臘ceremony, dance performances and tragedy. Gadamer's encounter with the magnetic force of Heidegger's interpretations made him cautious not to become simply a follower of the great master. To maintain his independence, he studied with Paul Friedländer, the great classical philologist. He attained certification in classical philology to teach in the secondary schools, but his true motive was to be able to resist the powerful interpretations of Greek philosophy put forward by Heidegger. Nevertheless, Heidegger remained a major leavening influence on Gadamer's classic, Truth and Method, and Gadamer became a major interpreter of Heidegger's thought, and a constant friend. After a few comparisons between them, I turn to three major philosophers other than Heidegger who contributed concepts to Gadamer's masterwork: Plato, Aristotle, and Hegel. Regarding Plato, I point to the emphasis in Gadamer on dialogue and conversation and the concept of eumeneis elenchoi, the respect the opponent that recognizes that he could be right, so they join together in dialogue in quest of the truth. Although there are many other debts to Plato in Gadamer, I point to these two and testify to Gadamer's gifts as a conversationalist and debater. I single out three concepts of Aristotle that Gadamer used: phronesis, mimesis, and tragedy. Phronesis is the practical wisdom that goes beyond calculative reason. It is based not on formulas that can be learned but on experience of life . Mimesis in Aristotle is not just copying, but on a recognition that ultimately conveyed truth about life. Finally, tragedy for Aristotle is not just a structure with six parts but an experience of pity and terror that transformed the perspective of the viewer. This was important in the hermeneutics of Gadamer that looked at the viewer's experience of recognition and application, a participatory experience of the meaning of the action of the tragedy. Gadamer is indebted to Hegel for the historical character of consciousness, the Hegelian dialectic, and the recognition that that art is a sensuous representation of the real. He did not agree with Hegel that art was a thing of the past, and also explained what Hegel meant by this: we no longer saw art as a disclosure of the divine. I mention an experience I had of Heidegger's visit to Heidelberg, where he spoke after Gadamer's lecture rejecting his effort to connect his dialect of clearing and concealing with Hegelian dialectic, because Hegel's philosophy always ended in absolute knowledge. For the second major part of the lecture, I turn to an analysis of Gadamer's essay on art, The Relevance of the Beautiful , comparable in a way to Heidegger's famous lectures on The Origin of the Work of Art . In the latter work, Heidegger declares his independence of his masterwork and presents art in terms of the tension between earth and world. In Gadamer's essay on art, he goes beyond the Heideggerian emphasis on the ontology of the artwork by seeking to establish the anthropological roots of art in Greek culture. He discusses the roots of all culture in play, the significance of the symbol, and the meaning of religious festivals. But he begins with an analysis of the problem of formulating a theory of art that does justice both to classical art and contemporary nonrepresentational art. In all three elements, play, symbol, and festival, Gadamer finds a foundation for art in the deep roots of our culture as found in the ritual, dance, and tragic plays of ancient Greece. (shrink)

Hegel’s Phenomenology of Spirit develops not only the idea of absolute knowledge but also the notion of an inner criterion [Maßstab] of the spirit. The inner criterion or norm of knowledge is what, in the end of the speculative process, appears as the form of absolute knowledge. Experience and inner criterion are responsible for the development of the consciousness that has to become itself. Becoming and absolute, temporality and timelessness are the substance that becomes and is subject. The actuality of (...) this method of analysis of spirit will be shown and discussed in this essay. (shrink)

In one of the most memorable statements of his work, Hegel underscores how hugely important the role of the subject is for the developmental course of the Pheno.

The article is focused on analyzing Hegel’s anthropology as a doctrine of the human soul. The pragmatic goal of the study is to adapt Hegel’s concepts to modern mentality. Hermeneutics became the main research method as a reconstruction of the main meanings of the Hegel’s text in the process of the author’s interpretation. The novelty of the study lies in identifying the ultimate ontological foundations, possibilities and boundaries of the Hegel’s approach and the method of studying the human soul. The (...) main result of the study is the semantic and stylistic fabric of the text, the content of which makes it possible for us to conclude both the enduring value of Hegel’s work on anthropology, the invariance of the ideas expressed in it, and the limitations of a purely idealistic and even logocentric approach. The article can be interesting and useful both from the side of studying the historical philosophical, ontological and philosophical-anthropological issues and from the point of view of teaching the university course of philosophy. (shrink)

_Purpose._ By appealing to Hegel’s philosophy, the article aims to understand the role of thinking through its relation to other essential human forces – feeling and will. Such a problem statement reveals the anthropological content of thinking, which is necessary for conducting a critical analysis of human nature. _Theoretical basis._ To realize the set purpose, the dialectical-logical method of categorical-reflexive analysis for texts and realities of human existence in the world is applied. _Originality._ The authors proceed from the fact that (...) the usual way of interpreting thinking as existing alongside feelings and will is theoretically unsatisfactory since thinking is taken in a reduced way – only in its mental form. Thinking, as the mind itself, does not exist next to feelings and will, but permeates them through, at the same time being enriched by their definitions. In this case, thinking appears as an activity following the objective laws of reality itself, which implies a necessary and conscious change by the subject of the forms and schemes of its activity. The authors claim that the Hegelian paradigm of the interpretation of thinking as the substance of everything spiritual makes sense and provides an opportunity to adequately understand the nature of both feelings and will. _Conclusions._ Accusing Hegel of absolutizing thinking, attributing to him "panlogism" appears unfounded, since Hegel understands logic itself in a fundamentally different way. The interpretation of feelings and will as a kind of specifications of thinking by no means reduces them to thinking, but allows us to see their imbued with thinking as an orientation to reality itself in its essence, and not to partial features of the subject. Such an understanding of human nature is capable of adequately orienting pedagogical theory and practice toward the formation of a holistic culture of the individual as a culture of mind, feelings, and will. (shrink)

The trajectory of the “Anthropology” section of Hegel’s Encyclopedia brings us from the uncultivated, natural soul which humans share with non-human animals, to the point where it becomes an individual subject, ready to become the “I” of the “Phenomenology” section. Much of this entails the transformation of the body from something purely determined by nature to being a home for spirit as it freely relates itself to the world. The “Anthropology” thus dwells on the theme of liberation from nature. Especially (...) in the Zusätze and in the 1827/8 Lectures on the Philosophy of Spirit, Hegel notes that that cultivation is associated with minimizing the effects of natural determinations on one’s body. Insofar as nature is associated with particularity and reason with universality, it may seem as though idiosyncratic embodiments are incompatible with the kind of mastery of the body Hegel envisions. At the same time, given that the focus of the “Anthropology” is on the development of the soul rather than the matter of the body itself, there may be a range of compatible bodily possibilities. This raises the question of how much the body and its comportment ought to correspond to an ideal, and what the implications may be for those humans whose embodiment marks them out (in Hegel’s system) as closer to nature. Are there limitations to embodiments that may be appropriated and claimed as my own? Since coming to own our natural determinations is an ongoing process throughout a lifetime, despite the location of the “Anthropology” in the Encyclopedia, it is important to consider the role of our free decision-making in the transformation of our body. Attending to the story of the body within the “Anthropology” helps us to appreciate it more fully as a crucial link between the Philosophy of Nature and the rest of the Philosophy of Spirit. (shrink)

This chapter contains sections titled: Hegel on Love: The Early Theological Writings Recognition and Spirit: Hegel's Appropriation and Critique of Fichte Hegel's Philosophical Theology: Love, Reconciliation, True Infinity.

In what we might call its particularly Christian manifestation, “guilt” denotes the feeling or fact of having offended, the failure to uphold an ethical code. Under such terms, “guilt” connotes negative consequences: shame, punishment, and estrangement. Yet, penetrating further into its meaning and value, one finds that guilt extends beyond this narrow classification, playing a productive, necessary, and ineluctable role for recognitive sociality. This paper examines guilt as it appears in Hegel’s thinking. I find that Hegel’s understanding of Schuld (guilt) (...) in the Phenomenology , undergoes a crucial development over the course of the chapter titled, “Spirit,” culminating in a robust understanding of guilt that represents not a hopelessly broken bond, but a bond that awaits its fulfillment, its very incompleteness exerting a palpable pull upon the guilty party towards its fulfillment. I examine three key moments in “Spirit”: Hegel’s treatments of Antigone , the French Revolution, and the confession and forgiveness of evil. By comparing these moments, I distinguish between “abstract guilt,” guilt that only brings about shame and punishment, and what we might call “determinate guilt”: guilt that brings about action, reminds one of her/his indebtedness to the other. Understanding the development of guilt from the beginning to end of “Spirit” provides an entryway into a discussion of the social and political relevance of Hegel’s conception of the subject as—in a certain sense—always already guilty. I go on to argue that guilt as indebtedness and responsibility only exists as embedded within an already recognitive social structure. Re-thinking guilt as responsibility is not, therefore, a call to a new objective a priori moral system. Rather, it invites us to think through our recognitive being-together in a way that shakes off its metaphysical fetters. Such an ethics of recognitive intersubjectivity is an infinite task—not in the futile sense of the “unhappy consciousness”—but in the sense that we are responsible for constantly understanding, critiquing, and reforming ethical commitments that can only be (understood as) ours. (shrink)

Madness is a complex and contested term. Through time and across cultures it has acquired many formulations: for some, madness is synonymous with unreason and violence, for others with creativity and subversion, elsewhere it is associated with spirits and spirituality. Among the different formulations, there is one in particular that has taken hold so deeply and systematically that it has become the default view in many communities around the world: the idea that madness is a disorder of (...) the mind. -/- Contemporary developments in mental health activism pose a radical challenge to psychiatric and societal understandings of madness. Mad Pride and mad-positive activism reject the language of mental 'illness' and 'disorder', reclaim the term 'mad', and reverse its negative connotations. Activists seek cultural change in the way madness is viewed, and demand recognition of madness as grounds for identity. But can madness constitute such grounds? Is it possible to reconcile delusions, passivity phenomena, and the discontinuity of self often seen in mental health conditions with the requirements for identity formation presupposed by the theory of recognition? How should society respond? -/- Guided by these questions, this book is the first comprehensive philosophical examination of the claims and demands of Mad activism. Locating itself in the philosophy of psychiatry, Mad studies, and activist literatures, the book develops a rich theoretical framework for understanding, justifying, and responding to Mad activism's demand for recognition. (shrink)

The purpose of this article is to examine the objective side of subjectivity formation through music. I attempt to show how music is a way to configure subjectivity in its interiority, but in a way that it can be shared between other individual subjectivities. Music has an objective structure, but this structure is the temporal and sonorous interiority of subjectivity. It has as its objective manifestation and consequence the feelings and emotions. These feelings are subjective, and in the level (...) of subjective Geist they are related to intuition. Hegel believes that such intuition cannot be properly communicated, due to its exclusive access to the individual subject himself. Despite that, music is an art, and it takes part in the level of absolute Geist. That means that music is the connection between the objective and subjective sides of Geist, being a product of social relations, including the sharing, experience and recognition of subjective operations by the participants in society as something in common. Art is related to intuition but it is not intuition itself, nor it is reduced to the capacity of intuition. All three capacities of the subjective Geist in the theoretical Geist (namely intuition, representation and thinking) can be part of the relationship between art and the individual perspective.However, the link between art and intuition is an analogy between the subjective Geist and the absolute Geist, considering that art is a level of manifestation of social self-consciousness where the people and the social group have not yet become conscious of its content in its manifestation. The exposition of the ideal content of social relations is manifested through absolute Geist, beginning with its sensible manifestation. After this process, it is signified through a practice related to representation, and finally it is related to a conceptually and linguistically mediated practice, philosophy. These products cannot be a consequence of a mere subjective connections, but must be (as part of absolute Geist) a consequence of the objective relation between individuals in its subjective manifestations. Furthermore, subjective capacities are a condition without which the development of the absolute Geist is not possible. At the same time, it is not possible that subjective Geist’s capacities can be fully realized without social relations. Science is not a product of an individual-solipsistic relationship with the environment, but a product of a social relations, including language, shared experiences and shared ways of comprehension, such as the common way to feel and receive the environment in a subjective level discussed below. I divide this exposition into three parts: (1) music and subjectivity, where I deal with the relation between body vibration, time, sound and the formal interiority of the listener/musical subject, analyzing the form of music in its subjective side (the relation to the listener); (2) music and content, where I examine the content generated by music as being the process of formation itself (i.e. the process of given form to the interiority of subjectivity through sounds becomes its own content, namely, the feelings); and (3) music and words, where I scrutinize the relationship between music and words’ capacities to make reference and to have content, considering the connection between pure music and lyrics, and between music and poetry as singular forms of art. I conclude with the idea that music has a specific role in Hegel’s system, which is to bring to light and develop absolute Geist’s (understood as the objectivation and formation of a social and cultural subjectivity) internal aesthetic form. (shrink)

Hegel is, arguably, the most difficult of all philosophers. To find a way into his thought interpreters have usually approached him as though he were developing Kantian and Fichtean themes. This book demonstrates in a systematic way that it makes much more sense to view Hegel's idealism in relation to the metaphysical and epistemological tradition stemming from Aristotle. The book offers an account of Hegel's idealism in light of his interpretation, discussion, assimilation and critique of Aristotle's philosophy. There are explorations (...) of Hegelian and Aristotelian views of system and history; being, metaphysics, logic, and truth; nature and subjectivity; spirit, knowledge, and self-knowledge; ethics and politics. No serious student of Hegel can afford to ignore this major interpretation. It will also be of interest in such fields as political science and the history of ideas. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Hegel on Pseudo-Philosophy: Reading the Preface to the Phenomenology of Spirit by Andrew Alexander DavisPaul T. WilfordDAVIS, Andrew Alexander. Hegel on Pseudo-Philosophy: Reading the Preface to the Phenomenology of Spirit. London: Bloomsbury, 2023. ix + 214 pp. Cloth, $125In Hegel on Pseudo-Philosophy, Andrew Davis makes a convincing argument that just as the problem of how to distinguish sophistry from philosophy is a recurrent theme of Plato's dialogues, so (...) too is the problem of sophistry or "pseudo-philosophy" central to the preface to Hegel's Phenomenology of Spirit. Indeed, the problem of how to recognize and guard against pseudo-philosophy is the common theme linking the prefaces to the Phenomenology of Spirit, the Science of Logic, the Encyclopedia, and the Philosophy of Right, each of which endeavors "to reveal something about the essence of philosophy... by highlighting the ways pseudo-philosophy fails to do justice to philosophical content." Such an undertaking is especially important to Hegel's Phenomenology of Spirit, however, because the subject matter [End Page 543] of the work is nothing but the logos of the appearances of spirit. To arrive at knowledge of spirit requires attending to all the various ways in which spirit (or Geist) can appear, but, as Davis remarks, "like life, Geist may be thought as a source of appearances, but not as an appearance itself. It is always 'behind' what appears." As a result, the Phenomenology is an exercise in trying "to grasp what does not appear through appearances alone." Thus, just as the Phenomenology approaches the truth of spirit by considering spirit's partial, abstract, and one-sided modes of appearing, so too does the preface to the Phenomenology approach the truth of philosophy by investigating forms of pseudo-philosophy.As Hegel himself states, there are two principal tasks pursued in the preface: (1) to offer a preliminary sketch of what it would mean for "the cognition of absolute actuality to become perfectly lucid about its own nature;" and (2) to eliminate some "habitually accepted forms of thought" that prove obstacles to philosophic cognition. While most commentators take their bearings from the former, Davis's approach to the preface is unique (to my knowledge) in foregrounding the latter. Yet, as his book unfolds, it becomes clear that the latter is the route into the former. Indeed, one of the central lessons of the book is that, although the elimination of erroneous habits of thought may seem to be merely negative and therefore principally propaedeutic to the positive task of leading the reader toward "absolute knowing," the examination of error is an integral component of grasping the true. If the Phenomenology as a whole is a "highway of despair"—a comprehensive refutation of natural consciousness's pretensions to knowledge that is simultaneously a dialectical ascent to conceptually comprehending knowing (begreifende Wissen)—the preface initiates the reader into the via negativa that philosophic cognition must travel to attain self-knowledge.Davis's book is structured around seven forms of pseudo-philosophy, each of which is treated as a discrete, distinguishable problem in its own right and also as emblematic of the common failure to recognize that the form of philosophy is inseparable from the content of philosophy. As Davis argues, this failure lies at the root of the attempt (common to much of modern philosophy since Descartes) to establish a priori a universal method for thinking (what Leibniz called a mathesis universalis) that will secure certain and indubitable knowledge. But this effort proves self-undermining, always ultimately engendering the very skepticism it seeks to master. Through observing the aporiai generated by forms of pseudo-philosophy, we learn that "the method of philosophy is inseparable from the subject matter of philosophy. Method cannot be isolated and discussed on its own. Philosophy is thinking (form) about thinking (content)."Davis thus gradually discloses Hegel's positive answer to the question "what is philosophy?" through a series of determinate negations of philosophy's imitations. We learn that philosophy is the recollective, self-comprehending, self-moving thinking of thinking by attending to a set of tendencies that impede philosophy: "a tendency to explain rather than [End Page 544] present (chapter 1), a... (shrink)