본고는 칸트 초월철학이 성취한 코페르니쿠스적 전회의 첫 장면을 이루는 직관의 순수형식으로서의 시간에서 출발한다. 그리고 이 개념을 질 들뢰즈가 자신의 시간 개념 안에 수용하고, 심지어 자신이 내세우는 아이온의 시간성을 ‘시간의 형식’이라는 용어로 지칭한다는 점에 주목한다. 우리는 어떤 점에서 들뢰즈의 시간 개념이 초월적 감성학에서의 시간의 형식을 계승하는지를 소명하는 것을 목표로 한다. 칸트의 시간 형식 개념은 첫째로, 시간이 외부 사물들의 운동에서 발견되지 않음을, 둘째로, 시간은 따라서 잇따름(succession)이라는 경험적 시간으로 나타나기 전 순수 형식일 뿐임을 함축한다. 또한 셋째로, 이 형식이 외적 현상들에 적용되어 그것들이 비로소 (...) 시간상에서 나타나게 됨을 의미하며, 들뢰즈는 이를 ‘운동’은 ‘시간’에 종속되어 있다고 표현한다. 본고의 분석은 들뢰즈의 시간의 형식이 이 세 가지 계기를 정확히 취하는 동시에, 그 각각에 완전히 새로운 해석들을 주입하고 있음을 밝힐 것이다. 따라서 자신이 철학사를 활용하는 방식은 한 철학자의 괴물과도 같은 사생아를 만들어내는 것이라는 들뢰즈의 언명에 대한 하나의 생생한 예증을 제시하는 것은 또한, 본고의 주요 목표가 된다. (shrink)

This paper explores the relation of the theory of time and the theory of truth in Deleuze’s philosophy. According to Deleuze, a mutation in our conception of time occurred with Kant. In antiquity, time had been subordinated to movement, it was the measure or the “number of movement” (Aristotle). In Kant, this relation is inverted: time is no longer subordinated to movement but assumes an independence and autonomy of its own for the first time. In Deleuze’s phrasing, time becomes the (...) pure and empty form of everything that moves and changes — not an eternal form (as in Plato), but precisely the form of what is not eternal. In turn, the theory of time is inextricably linked to the concept of truth, since to say that a proposition is true means that it is true “in all times and in all places.” Truth, in other words, is timeless, eternal, non-temporal. When the form of the true is confronted with the form of time, the concept of truth is necessarily put into crisis, and Deleuze’s argument is that time allows the power of the false to assume an autonomy of its own. The analysis will attempt to show how the liberation of time from movement (the pure and empty form of time) leads to a liberation of the false from the true (the power of the false). (shrink)

Our aim in this chapter is to shed light on Kant’s account of the pure forms of sensibility by focusing on a somewhat neglected issue: Kant’s restriction of his claims about space and time to the case of human sensibility. Kant argues that space and time are the pure forms of sensibility for human cognizers. But he also says that we cannot know whether space and time are likewise the pure forms of sensibility for all discursive cognizers. (...) A great deal of attention has focused on the first of these claims, both on how Kant argues for it and how it relates to transcendental idealism. But a satisfactory interpretation must also account for the second claim, and it must account for the fact that Kant endorses both of them. What we need is an explanation of why Kant thinks our knowledge that space and time are the pure forms of sensibility extends to all human beings but no further. (shrink)

We will also problematize the concept of subjectivity and its centrality as problematized by Marx himself. We will consider his counter-proposal to look at things objectively, but not in the positivist sense of objectivity. It is not akin to object-oriented ontology either, because it looks like it is merging the subject and the object or that there the object is treated from a subjective position. I will explain this particular idea in Marx and that will lead us to the proposal (...) I will present here which is a conceptualization of a self rather than a subject, which sort of integrates in itself the category of matter and the real (rather than physicality and the bodily which are of course included, as such is the Marxist concern). I am proposing a further formalization by way of using the category of the real. The real also includes matter in the non-philosophical sense. (shrink)

I. There was once a happy time—and it was not so very long ago—when it was widely assumed that democracy was the inevitable climax of man's political development, the form of government to which every people aspired and which every society would adopt when it reached the requisite stage of cultural maturity. It was thought that all that had to be done to secure this consummation was to “make the world safe for democracy” by extirpating its natural enemies, such (...) as kings, emperors, assorted nobles, and landed aristocracies. Once these social predators were done for, the people would spontaneously assert their sovereignty, and would proceed to establish their societies and organize their governments on the model of Anglo-American democratic institutions. (shrink)

Deleuze argued that a fundamental mutation in the concept of time occurred in Kant. In antiquity, the concept of time was subordinated to the concept of movement: time was a ‘measure’ of movement. In Kant, this relation is inverted: time is no longer subordinated to movement but assumes an autonomy of its own: time becomes "the pure and empty form" of everything that moves and changes. What is essential in the theory of time is not the distinction between (...) objective ‘clock time’ (or physical time) and the subjective experience of ‘time consciousness,’ since both of them measure movements, whether the movement of extensive objects or intensive states. What is fundamental is rather the relation between time and movement, since time can only assume its own concept when it ceases to be subordinate to movement, whether that movement is objective or subjective. This article examines how Kant inverted the relation between time and movement, and how Deleuze’s own theory of time builds on Kant’s revolution and extends it further. (shrink)

The aim of this paper is to explore why Deleuze takes up Hamlet's claim that ‘time is out of joint’. In the first part of this paper, I explore this claim by looking at how Deleuze relates it to Plato's Timaeus and its conception of the relationship between movement and time. Once we have seen how time functions when it is ‘in joint’, I explore what it would mean for time to no longer be understood in terms of an underlying (...) rational structure. The claim can be understood as about a relationship between time and action. In the second part of this paper, I want to relate this new understanding of time to Hamlet itself, in order to see how temporality operates within the play. I will conclude by relating these two different conceptions of time out of joint to one another through Nietzsche's eternal return. (shrink)

In his argument for the possibility of knowledge of spatial objects, in the Transcendental Deduction of the B-version of the Critique of Pure Reason, Kant makes a crucial distinction between space as “form of intuition” and space as “formal intuition.” The traditional interpretation regards the distinction between the two notions as reflecting a distinction between indeterminate space and determinations of space by the understanding, respectively. By contrast, a recent influential reading has argued that the two notions can be (...) fused into one and that space as such is first generated by the understanding through an act of synthesis of the imagination. Against this reading, this article argues that a key characteristic of space as a form of intuition is its nonconceptual unity, which defines the properties of space and is as such necessarily independent of determination by the understanding through the transcendental synthesis of the imagination. The conceptual unity that the understanding prescribes to the manifold in intuition, by means of the categories, defines the formal intuition. Furthermore, this article argues that it is the sui generis, nonconceptual unity of space, when takenas a unity for the understanding by means of conceptual determination, that first enables geometric knowledge and knowledge of spatially located particulars. (shrink)

This paper traces the philosophical concept of life prior to Kant and uses this to contextualize his account of aesthetic judgment as a form of life. It argues on this basis that, according to Kant, the form that taste claims for itself, as explicated in its four moments, results in a demand being placed on the transcendental philosopher to admit the idea of an ultimate subjective basis of all cognitive activities in human beings, that is, a shared principle (...) and form of cognititive life htat is uniquely human. (shrink)

In his account of the individuation and creation of thinking in Difference and Repetition Gilles Deleuze claims that there belongs “an experience of death.” What does this mean and imply for an attempt to come to terms with Deleuze’s transcendental empiricism? The following article presents a reading that explores this question, arguing that Deleuze’s account of what it means to think has two aspects that must be understood in relation to each other. On the one hand, Deleuze’s ontology of intensive (...) difference involves an image of human individuation grounded upon a “death present in the living.” On the other hand, Deleuze writes that in the creation of “thinking in thought” there is an experience of death. Understanding the relation between the individuating aspect of death – as the emergence of the pure and empty form of time as the basis for representational thinking and judgement – and the experience of this individuating factor in the creation of thinking in thought, Deleuze’s claim can be made sense of and its centrality in his system clarified. When death as an individuating factor becomes experience, thinking is transmuted from dead representation to intensive life, and transcendental empiricism is operationalized. (shrink)

The article treats as significant the formal coincidence between Kant’s presentation of the science of metaphysics in the “Architectonic of Pure Reason” chapter of the first Critique and Alexander Baumgarten’s presentation of the same in the Metaphysica. From his comments on Baumgarten in the metaphysics lectures, the article shows that for Kant metaphysics in its traditional form lacked completeness and systematic order. Kant fits completeness into his architectonic plan of a scientific metaphysics by converting Baumgartian ontology into an (...) “analytic of the understanding”; Kant achieves the systematicity by modeling a rational “idea of the form of the whole” after Baumgarten’s tree-like ordering of the special sciences of metaphysics. Thus, Kant realizes the completeness and systematicity in a theoretical presentation of the science of metaphysics that he finds lacking in Baumgarten precisely by borrowing from the latter his scheme for metaphysics. (shrink)

In contrast to Hintikka’s enormously complex distributive normal forms of first- order logic, this paper shows how to generate minimized disjunctive normal forms of first-order logic. An effective algorithm for this purpose is outlined, and the benefits of using minimized disjunctive normal forms to explain the truth conditions of propo- sitions expressible within pure first-order logic are presented.

Diaristic, mixed notes on: John Ruskin's The Poetry of Architecture (1837) and Modern Painters (1885); Caravaggio, Victorian Aesthetes, G.K. Chesterton, and Tacita Dean; Jay Fellows' Ruskin’s Maze: Mastery and Madness in His Art (1981); Slavoj Žižek at Jack Tilton Gallery, New York, New York, USA, April 23, 2009, “Architectural Parallax: Spandrels and Other Phenomena of Class Struggle”; “Titian, Tintoretto, Veronese: Rivals in Renaissance Venice”, Museum of Fine Arts, Boston, Massachusetts, USA, March 15-August 16, 2009; Janet Harbord, Chris Marker: La Jetée (...) (2009); The Politics of the Envelope, Princeton Envelope Group (PEG), ARC504, Princeton School of Architecture, Princeton, New Jersey, USA, Friday, May 8, 2009; Rhode Island School of Design, Degree Project Reviews, Division of Architecture & Design, Providence, Rhode Island, USA, May 16, 2009; etc. (shrink)

The Origins of Schelling’s Naturphilosophie and its relation to his transcendental philosophy have for a long time intrigued historians of philosophy.1 When did Schelling’s interest in the philosophy of nature commence,2 and what inspired this apparent transition in his thought?3 How did his Naturphilosophie figure into his later departure from Fichte, and in what ways did his early commitments influence this departure?4 These have been the overarching questions of the debate, and they have been answered from varying angles. However, by (...) emphasizing a transition or even a break between Schelling’s earlier views and his Naturphilosophie, this debate has been largely concerned with locating a moment in Schelling’s .. (shrink)

Pure Type Systems, PTSs, were introduced as a generalization of the type systems of Barendregt's lambda cube and were designed to provide a foundation for actual proof assistants which will verify proofs. Systems of illative combinatory logic or lambda calculus, ICLs, were introduced by Curry and Church as a foundation for logic and mathematics. In an earlier paper we considered two changes to the rules of the PTSs which made these rules more like ICL rules. This led to four (...) kinds of PTSs. Most importantly PTSs are about statements of the form M:A, where M is a term and A a type. In ICLs there are no explicit types and the statements are terms. In this paper we show that for each of the four forms of PTS there is an equivalent form of ICL, sometimes if certain conditions hold. (shrink)

In this paper we describe an argumentation-based representation of normal form games, and demonstrate how argumentation can be used to compute pure strategy Nash equilibria. Our approach builds on Modgil’s Extended Argumentation Frameworks. We demonstrate its correctness, showprove several theoretical properties it satisfies, and outline how it can be used to explain why certain strategies are Nash equilibria to a non-expert human user.

Moving education to Zoom, Microsoft Teams, and the many alternatives during the COVID19-pandemic raised the question of pedagogical form. In a sense, pandemic education in its two-dimensionality was a frictionless, sanitized reduction of education to pure form; it offered a more efficient transfer of knowledge and was marked by a heightened means-to-an-end logic. This has made the informal, unforming and deformational activity that Stefano Harney and Fred Moten call study even more difficult, if not impossible during pandemic (...) education. In this article, we consider the pitfalls of thinking in terms of pedagogical form and the formalization of education by engaging with Emile Bojesen’s work on education as (de)formation. Via Harney and Moten, we reflect on what the concept/practice of study by way of formless formation teaches us about (pre-)pandemic education and about pedagogical forms that might be in keeping with study in post-pandemic education. (shrink)

Several different positions are classified as contractarian. Though there are variations among them, they all include the assumption that practical or action-guiding principles, among which are principles of moral justification and of political legitimacy, somehow have their basis in consent. A contractarian may or may not believe that there are other practical principles that are based on or justified by something besides consent. If he believes there are any others, there will be delicate issues to address as to whether they (...) yield prescriptions incompatible with prescriptions arising from the appropriate kind of consent. Roughly speaking, contractarians could be ordered in terms of the weight that they attach to principles grounded in consent. If we call the appropriate kind of consent contractual, then there are several options available, ranging from the admission of nothing but contract-based principles to the admission of noncontract-based principles that can sometimes conflict with principles based on contract. The pure form of contractarianism which will be our main focus admits only contract-based principles. (shrink)

This article investigates the paradoxical nature of cameraless photography. Born after the invention of early photography, the camera apparatus is clearly a precondition of the idea and practice of cameraless photography (photography made without a camera). Yet, at the same time, cameraless photography is situated as a form of pure photography, giving rise to the idea that the spirit of photography lies somewhere beyond the mediation of the camera. This article approaches the paradoxical nature of cameraless photography in (...) an indirect manner by considering the spectrality of photography: from conceptions of early photography as itself spectral, to the manifestation of spectres in spirit photography, to the decomposition of the spectres by X-rays and radioactivity. Cameraless photography plays a twofold role in this genealogy of photographic spectres: first, it goes against a certain understanding of the spirit of photography as conditioned by the manipulating force of the camera apparatus; second, it proves the existence of spectres by uncovering the ontological convulsions of the world. (shrink)

I find much to like in Craig Callender's [2022] arguments for the rational permissibility of non-exponential time discounting when these arguments are viewed in a conditional form: viz., if one thinks that time discounting is rationally permissible, as the social scientist does, then one should think that non-exponential time discounting is too. However, time neutralists believe that time discounting is rationally impermissible, and thus they take zero time discounting to be the normative standard. The time neutralist rejects time discounting (...) because they think it is rationally impermissible to prefer to live a worse life in expectation because of arbitrariness. Callender’s attack on the time-neutralist position is the following: the time-neutralist’s non-arbitrariness intuition assumes the existence of nonexistent ‘pure’ time preferences. In response, I aim to clarify the time-neutralist position and show that the non-arbitrariness argument does not rely on the existence of pure time preferences. Instead, the debate between time neutralism and permissivism about time discounting boils down to a methodological question: can we ever criticize the content of preferences? If so, we should embrace time neutralism. (shrink)

Kant is the last classical practitioner of foundationalist epistemology in the Cartesian tradition, a tradition which saw the major problem of the theory of knowledge as one of providing a metaphysical account of the way in which the subjective contents of the individual mind come to have indubitable objective reference. But he is also the inaugurator of a very different approach to epistemology, one that sees methodology or rules of cognitive procedure as fundamental in determining the objectivity of knowledge. An (...) examination of Kant's reconstruction of the traditional form-matter distinction and his application of it to the manifold of intuition in the Critique of Pure Reason brings out the transitional character of his philosophy with particular force, and shows the immense impact of his work on the central epistemological issues of representation, explanation, and justification. While Kant continues to employ the traditional term Vorstellung , he extends its signification beyond that of a subjective mental content to an intersubjectively shared scheme of description. Where he adopts scholastic usage in referring to categories as concepts, he does not regard them as highest genera, but interprets them as rules of connection, thereby providing a logical framework suitable for functional, rather than essentialist explanation. Finally, while retaining in his transcendental psychology the conception of mental activity derivative of the older empirical psychology, Kant still manages to distinguish successfully the previously conflated questions of the causal origins vs. the grounds of justification of knowledge. Consideration of subsequent developments in regard to these issues in the light of Kant's work not only lends a certain amount of support to pragmatic conceptions of the nature of knowledge and its justification, but also suggests some promising directions for future epistemological investigation along evolutionary lines. (shrink)

Kant calls the Principle of the Synthetic Unity of Apperception the “highest point” to which we “must affix all use of the understanding, even the whole of logic and, after it, transcendental philosophy.” In this article, I offer an original interpretation of this “supreme principle.” My argument is twofold. First, I argue that the common identification of this principle with the “I think” or even the form of the I think misses the basis on which this principle is capable (...) of grounding Kant’s transcendental deduction. It must be understood as a purely formal, transcendental principle. Second, I argue that this highest principle must be understood as a purely formal principle of pure synthesis in order for Kant’s account of the mind to lay valid claim to such spontaneity without invoking the very dogmatic idealism that he critiques. The reduction of this principle to the real I think, or even to the Transcendental Unity of Apperception, undermines the basic distinction on which Kant’s deduction depends. I pay particular attention to important, recent arguments from Longuenesse on the TUA, Williams on the Original Unity of Apperception, Allison and Pollok on the status of a priori principles, and McLear on the claim that unity necessarily presupposes synthesis. (shrink)