Many experimental found footage films base their meanings and effects on an interaction between the figurative content of the image and its material-technological underpinnings. Can this interaction arise accidentally without artistic appropriation? A recently digitised film by the Czech cinema pioneer Jan Kříženecký, Opening Ceremony of the Čech Bridge (1908), presents such an exercise in accidental aesthetics. At one point, the horizontal and vertical trembling of the cinematograph – obtained from the Lumière brothers – translates into a trembling of the (...) figures on the bridge so precisely that the figurative and material spheres appear to cooperate towards a common aesthetic goal. To account for such phenomena, film theory, found footage filmmaking, and archival practice need to join forces with philosophy. More specifically, Gilbert Simondon's notion of transduction, a process based on the intersection of diverse realities within a domain, allows us to conceptualise the paradoxical interaction between the figurative and material dimensions and the unintentional meanings that arise out of it. Transduction enables the distribution of elements between these heterogeneous spheres while maintaining a certain stability within a system. In the case of archival films in which transduction occurs without prior intention or expectation, transduction can be foregrounded and prolonged. The connection between transduction and the “trembling meaning” of Opening Ceremony, understood within the wider context of camera instability in experimental found footage, will uncover the aesthetic potentialities held by the autonomous creativity of film matter and its interferences with the figurative content. (shrink)

Although Hegel's absolute idealism is often presented as a solipsistically self-grounding, the Realphilosophie offers us an another image of Hegel which not only challenges standard interpretations, but more importantly gives us valuable resources to rethink living being. The zero-level determinacy of nature as “the idea in its otherness” has two consequences. Firstly, the starting point of any philosophy of nature must be a realism, insofar as nature's material constitution shows itself as unthought-like. Secondly, if idealism is to be viable, it (...) must prove itself to be a result of nature's immanent auto-development. Taking as my guide the category of “trembling” (Erzittern) and exploring its intimate connection with the emergent ideality of bodies producing sound, the chemical process and the voice of animals, I aim to show how the Realphilosophie is a reconstruction of the painful odyssey of the material genesis of the autopoietic self-referentiality of the concept as it is paradoxically begotten, by immaculate conception, in the pure extimacy of nature. The dialectics of nature is not a naturephilosophical theory of material being as implicit, self-unfolding productivity which necessarily leads to life via an intrinsic teleology, but rather an account of the contingent material emergence of unpredictable kinds of ontological determinacies from within the immanent field of mechanical nature. Only a naturalized idealism/idealized naturalism is capable of arguing for the ontological irreducibility of living being while simulta eously articulating its dependence upon different scientific domains which form its ontogenetic ground. It avoids both eliminative materialism and naïve vitalism. (shrink)

This chapter contains sections titled: Repetition Fear and Trembling More Upbuilding Discourses of 1843 further reading.

It can be unnerving to read and teach Kierkegaard’s Fear and Trembling in a world plagued by religious violence. The book’s praise of Abraham as the “father of faith” precisely for his willingness to kill his son Isaac, combined with its suggestion that through faith one could “suspend” ethics, seems to provide a defense and even an endorsement of religiously motivated violence. In order to see why this is a misreading of the text, we will need to go beyond arguments (...) based on the book’s pseudonymous or symbolic nature. Only by considering in detail what Fear and Trembling says about Abraham’s faith can we see that, far from endorsing religious violence, the book provides an insightful contrast between true Abrahamic faith and the orientation of hatred, bigotry, ideological blindness behind today’s religious violence. (shrink)

This essay explores Jean‐Luc Nancy's rethinking of political space in terms of an ontological ‘being‐with’. It elucidates how Nancy's thinking of community emerges out of the French philosopher's reworking of Heidegger's crucial notion of Mitsein. For Nancy, although Heidegger argues that Dasein is always already also Mitsein, Mitsein is nonetheless also occluded by the priority accorded to Dasein. The consequences for the way in which community or the space of the political is configured are profound since traditional conceptions of the (...) subject of community thus remain unreconstructed. Nancy however does reconstruct community by emphasising that the primal ontological conditions of community are not conceived as the One, the Other or the We, but as the ‘with’, ‘relationality’, and the ‘between’. The question of being thereby becomes the question of being‐with. (shrink)

As its founder Imamichi Tomonobu repeatedly stressed, eco-ethics focuses on comprehending what a new ethics for our new times requires. Today, under very dark totalitarian skies, I suggest here several points for further eco-ethical critical discussion on three cardinal themes for such an ethics: human rights, a common good, and social justice. After a short introductory section elucidating my figurative title, I propose in each of the three following sections a summary question and a tentative working hypothesis. The titles of (...) the sections are: 1. Why the idea of human rights lacks general consensus; 2. Why most everyday notions of a common good are equivocal; and 3. Why even strong accounts of social justice are probably unreliable. The presentation concludes with a return to the figurative starting point in the widely suggestive metaphor of a trembling world. (shrink)

The purpose of this paper is to show that the various layers of meaning in Kierkegaard’s Fear and Trembling are embedded in a hidden, new Christian communication. I trace the traditional Christian understanding of the “sacrifice of Isaac,” in which Isaac is the prefiguration of Jesus, and then argue that Kierkegaard departed from this traditional teaching to make Abraham the Christ-figure of the story. To Kierkegaard, Abraham is the true sacrifice of the story.

Written by an international team of contributors, this book offers a fresh set of interpretations of Fear and Trembling, which remains Kierkegaard's most influential and popular book. The chapters provide incisive accounts of the psychological and epistemological presuppositions of Fear and Trembling; of religious experience and the existential dimension of faith; of Kierkegaard's understanding of the relationship between faith and knowledge; of the purported and real conflicts between ethics and religion; of Kierkegaard's interpretation of the value of hope, trust, love (...) and other virtues; of Kierkegaard's debts to German idealism and Protestant theology; and of his seminal contributions to the fields of psychology, existential phenomenology and literary theory. This volume will be of great interest to scholars and upper-level students of Kierkegaard studies, the history of philosophy, theology and religious studies. (shrink)

This article interrogates the concepts of faith, the ethical, and tragedy in Fear and Trembling by examining Johannes De Silentio’s allusions to heroic characters. I argue that these heroes are emblematic of faith or tragedy through their orientation to a promise in their respective mythic narratives. Abraham’s faith in the covenant with God commits him to the reconcilability of virtue and the good life, while the tragic heroes’ commitments to the ethical reveal their inability to transcend the (tragic) presumption that (...) virtue and the good life are ultimately incommensurable. I conclude by sketching a politics corresponding to De Silentio’s conception of tragedy. (shrink)

"Faithful to the original Danish text and eminently readable, Jech's translation of Fear and Trembling admirably communicates the literary qualities of Kierkegaard's text, as well as his occasional fits of inspiration. Jech displays an unusual sensitivity not only to the literary/linguistic qualities of Kierkegaard’s prose, but also to his (often realized) aspirations to philosophical precision. As presented by Jech, Kierkegaard is not simply a gifted writer and speculative theologian dabbling in philosophy, but a philosopher concerned to limn the optimal role (...) of philosophical reflection, and to do so experimentally, especially with respect to matters of morality and faith. The translation is furthermore supplemented by very helpful explanatory notes that convey Kierkegaard’s own erudition and the multiple influences upon his thinking. The Historical Glossary will become a valuable reference tool for students and scholars of Kierkegaard’s writings. It is likely to play a welcome role in encouraging an improved understanding of what Kierkegaard means when he employs his idiosyncratic categories, allusions, and vocabulary." —Daniel Conway, Professor of Philosophy and Humanities, Texas A&M University. (shrink)

(1990). Fear and trembling and joyful wisdom1— The same book; A look at metaphoric communication. History of European Ideas: Vol. 12, No. 1, pp. 93-104.

Cicero’s rhetorical theory offers an important critique of efforts to systematize persuasion. His resistance to this systematization is grounded in his reconception of the orator’s virtus, which, a...

The present paper suggests to consider Kierkegaard’s use of Abraham’s story in Fear and Trembling in regulative terms, that is, to consider it as a model – not for our moral behaviour but rather for our religious behaviour. To do so, I first rely on recent literature to argue that Kierkegaard should be regarded as a distinctively post-Kantian philosopher: namely, a philosopher who goes beyond Kant in a way that is nevertheless true to the spirit of Kant’s original critical philosophy. (...) Then, I present a post-Kantian reading of Fear and Trembling, focusing on the problematic implications that result from comparing this text with Hegel’s theory of recognition. Finally, I submit that sacrifice in Fear and Trembling is a regulative notion in a Kantian sense. This interpretation addresses some of the most problematic aspects of the text. I conclude that the regulativity of sacrifice may be regarded as an important and perhaps an essential component of Kierkegaard’s overall philosophical strategy. (shrink)

The author provides explicit philosophical terminology to clarify Kierkegaard's notion of a "teleological suspension of the ethical." He claims that the feature of Abraham's act that placed it beyond the sphere of the ethical was the impossibility of describing it as part of a way of life that one is prepared to commend to others. Thus, the only appropriate response to Abraham is silence.

This essay offers a close reading of "Fear and Trembling" against the backdrop of what the author thinks are weaknesses in how the work has been interpreted by others. Some read the text allegorically, as containing a distinctively Christian message about Pauline soteriology. Others read it anagogically, with an emphasis on the moral psychology of Abraham as a human character. In partial disagreement with each, the present essay assembles and interprets the textual evidence around the threat to human happiness posed (...) by our problematic reliance on what Aristotle calls external goods. (shrink)

When the tried oldster drew near to his last hour, having fought the good fight and kept the faith, his heart was still young enough not to have forgotten that ...

It has long been recognized that Soren Kierkegaard's Fear and Trembling is a cryptogram. Encoded within a series of reflections and commentaries on Genesis 22 is a deeper message directed at a reader or readers presumably capable of deciphering the hidden meaning. That this is true is suggested by the book's epigraph: ‘What Tarquinius Superbus said in the garden by means of the poppies, the son understood but the messenger did not.’.

I focus here on the teleological suspension of the ethical as it appears in Fear and Trembling. A common reading of Fear and Trembling is that it explores whether there are religious reasons for action that settle that one must do an action even when all the moral reasons for action tell against doing it. This interpretation has been contested. But I defend it by showing how the explicit teleological suspension of the ethical mirrors implicit teleological suspensions of the epistemological (...) and prudential, and by articulating how it might be necessary for God to suspend the ethical in order to forgive us for our wrongdoings to others. I also discuss whether God’s commands are implicitly conditional, whether religious reasons to act, believe, and forgive are in each case grounded in divine commands, and what role love plays in each type of teleological suspension. (shrink)

In this study I provide a thematic comparison of Søren Kierkegaard’s Fear and Trembling and Immanuel Kant’s Groundwork of the Metaphysics of Morals to suggest that the representation of the ethical in Fear and Trembling is transparently Kantian. At times I draw on Kant’s Religion Within the Boundaries of Mere Reason, Conflict of the Faculties, and The Metaphysics of Morals to offer a comprehensive account of Kant’s ethical theory. Both philosophers hold profoundly important positions within the milieu of ethics, however (...) they have always shared a tenuous and at times negative relationship. In this study, I challenge such commentators by showing that when the figure of Abraham is taken typologically and excluded from the text, what emerges from Fear and Trembling is a Kantian based ethics. I argue that a comparative reading of Kant’s Groundwork and Kierkegaard’s Fear and Trembling reveals that Kierkegaard’s thought gravitates towards three central principles of Kant’s categorical imperative, as well sharing some similarities with Kant’s understanding of duty. (shrink)

Now recognized as one of the nineteenth century's leading psychologists and philosophers, Kierkegaard was among other things the harbinger of exisentialisim. In Fear and Trembling he explores the psychology of religion, addressing the question 'What is Faith?' in terms of the emotional and psychological relationship between the individual and God. But this difficult question is addressed in the most vivid terms, as Kierkegaard explores different ways of interpreting the ancient story of Abraham and Isaac to make his point. Søren Kierkegaard (...) not only ­trans­formed Protestant theology but also anticipated twentieth-century existentialism and provided it with many of its motifs. Fear and Trembling and The Book on Adler–addressed to a general audience–have the imaginative excitement and intense personal appeal of the greatest literature. Only Plato and Nietzsche have matched Kierkegaard’s ability to give ideas so compellingly vivid and dramatic a shape. Translated by Walter Lowrie. (shrink)

This book is an investigation into authenticity, certainty, and self-hood as they arise in the story of the binding of Isaac. Gellman provides a new interpretation of Kierkegaard with select Hasidic commentary. Contents: INTRODUCTION: Background to the Book; Hasidism and Existentialism; Preview of the Chapters; THE FEAR AND THE TREMBLING: Kierkegaard's Fear and Trembling; The Problem of Hearing and the Problem of Choice; The 'Ethical' for Kierkegaard; The 'Voice of God' for Kierkegaard; The Resolution of the Problems; THE UNCERTAINTY: Mordecai (...) Joseph Leiner of Izbica; Maimonides, Saadia, and Gersonides; The Existentialist Interpretation; The Theological Interpretation; SINNING FOR GOD: The Teleological Suspension of the Ethical; Averah Lishmah-Mordecai Joseph Leiner of Izbica and Zadok Hakohen of Lublin; Divine Determinism; Repentance from Fear and from Love; Averah Lishmah and the Teleological Suspension of the Ethical; THE DOUBLE-MINDEDNESS: Abraham's Prophetic Utterance; Heavy and Light Double Mindedness; The Fire-Elimelech of Lyzhansk; Judah Aryeh Leib of Gur; Abraham's Double-Mindedness; THE PASSION: Abraham Issac Kook; Hegel and Kierkegaard on Religion and Philosophy; Abraham and Idolatry; The Akedah According to Rav Kook; God's Mercy; Rav Kook and Kierkegaard on the Self; Index. (shrink)

This paper recasts the normative shape of Fear and Trembling by presenting an ‘ethical reading’ based on an ethic of care. It will be argued that Abraham's response represents a commitment to sustain and deepen his fundamental relationship with God, to make absolute his relation to the Absolute. Since most readers tend to focus myopically on ‘the trial’ itself, apart from the context and history of the God-relationship, the proffered interpretations tend inevitably to distort the nature and significance of Abraham's (...) form of life. By remembering the pattern of attachment between God and Abraham, I think that a different normative picture will emerge, one which can be expressed in the grammar of care. (shrink)

This newly translated Fear and Trembling, a founding document of modern philosophy and existentialism, could not be more apt for these perilous times. First published in 1843 under the pseudonym "Johannes de silentio" (John of Silence), Søren Kierkegaard's richly resonant Fear and Trembling has for generations stood as a pivotal text in the history of moral philosophy, inspiring such artistic and philosophical luminaries as Edvard Munch, W. H. Auden, Walter Benjamin, and existentialist Jean-Paul Sartre. Retelling the biblical story of the (...) binding of Isaac, Kierkegaard expounds on the ordeal of Abraham, who was commanded to sacrifice his son in an exceptional test of faith. Disgusted at the self-certainty of his own age, Kierkegaard investigates the paradox underlying Abraham's decision to allow his duty to God to take precedence over his duties to his family. Now, in a new era of immense uncertainty and dislocation, renowned Kierkegaard scholar Bruce H. Kirmmse, in his accessible translation and engaging introduction, eloquently brings this classic work to a new generation of readers, demonstrating Kierkegaard's enduring power to illuminate the terrible wonder of faith. (shrink)

In the literature of philosophy and religious ethics, Kierkegaard's Fear and Trembling has, with few exceptions, been read as a work focused on ethical questions concerning the norms governing human conduct. However, ethical readings of this book not only miss important features of the text, they render its argument internally incoherent. These problems disappear when Fear and Trembling is understood primarily as a discussion of Christian soteriology that symbolically uses the Abraham story to develop the classical Pauline -Lutheran doctrine of (...) justification through faith alone. (shrink)

Johannes de Silentio, the pseudonymous author of Fear and Trembling, purports to be an individual who admires faith but cannot attain to its unearthly standards. The discontinuity between Kierkegaard, who self-identified as a religious author, and de Silentio, who approaches Abraham in self-doubt, is apparent—and as a result, some have argued for an utter dissociation between these two authors. I argue that such dissociation undermines the potency of the work, especially with regard to the perspective on faith presented therein. The (...) significance of de Silentio’s perspective becomes clear when set against the backdrop of Kierkegaard’s view of the relationship between anxiety and faith; in this light, de Silentio turns out to represent an early stage of the individual’s religious development, and Kierkegaard turns out to have recently surpassed this stage before writing the work. (shrink)

Most readings of Kierkegaard’s Fear and Trembling take its account of the Abraham and Isaac story to imply fairly obviously that duty towards God is absolutely distinct from, and therefore capable of superseding, duty towards neighbor or son. This paper will argue, however, that the Akedah, or ‘binding’ of Isaac, as Kierkegaard’s pseudonym, Johannes de Silentio, depicts it, binds Abraham to Isaac in a revitalized neighbor relation that is not at all subordinate, in any simple way, to Abraham’s God-relation. The (...) two relations are defined by an intimate mutual tension, a dynamic of passionate inwardness that responds to the immediate demands of the neighbor as fully as the ethics that Levinas notoriously accuses Kierkegaard of having ignored. It is also the dynamic of time consciousness, which for Levinas is fundamentally ethical. I show that Kierkegaardian faith can be viewed as the dynamic of time-consciousness transformed by passionate inwardness into one’s God-relation—that is, converted into a certain religious mode of life. The ethics corresponding to this—an ethics of neighbor love superseding the ‘social morality’ that Silentio, following Hegel, calls the ‘ethical’—would then be the same dynamic of time-consciousness transformed by passionate inwardness into one’s neighbor-relation. The key to the argument is seeing the need to substitute for the spatial dichotomy ‘interior/exterior,’ which results in so much trouble when comparing Levinas and Kierkegaard, the temporal contraries ‘giving up’ and ‘getting back.’. (shrink)

The infamous and controversial work that made a lasting impression on both modern Protestant theology and existentialist philosophers such as Sartre and Camus Writing under the pseudonym of "Johannes de silentio," Kierkegaard expounds his personal view of religion through a discussion of the scene in Genesis in which Abraham prepares to sacrifice his son Isaac at God's command. Believing Abraham's unreserved obedience to be the essential leap of faith needed to make a full commitment to his religion, Kierkegaard himself made (...) great sacrifices in order to dedicate his life entirely to his philosophy and to God. The conviction shown in this religious polemic—that a man can have an exceptional mission in life—informed all Kierkegaard's later writings. His "teleological suspension of the ethical" challenged the contemporary views of Hegel's universal moral system, and was also hugely influential for both protestant theology and the existentialist movement. Alastair Hannay's introduction evaluates Kierkegaard's philosophy and the ways in which it conflicted with more accepted contemporary views. This edition also includes detailed notes to complement this groundbreaking analysis of religion, and a new chronology. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. (shrink)

The idea of a knighthood of faith which involves a ?teleological suspension of the ethical? is the most arresting feature of Kierkegaard's Fear and Trembling. It amounts to a theological shock treatment. It is therefore understandable that critics and commentators who have discussed Fear and Trembling have focused their attention almost exclusively on this extreme notion of faith. Their preoccupation has been unfortunate, however.

In his posthumously published Journals and Papers,, Kierkegaard boldly claimed, "Oh, once I am dead, Fear and Trembling alone will be enough for an imperishable name as an author. Then it will be read, translated into foreign languages as well. The reader will almost shrink from the frightful pathos in the book." Certainly, Fear and Trembling has been translated into foreign languages, and its fame has ensured Kierkegaard's place in the pantheon of Western philosophy. Today, however, most shrink from the (...) book not because of its frightful pathos but because of its fearsome impenetrability. In this first volume of a Reading Kierkegaard miniseries, Martens carefully unfolds the form and content of Kierkegaard's celebrated pseudonymous text, guiding and inviting the reader to embrace the challenge of wrestling with it to the end. Throughout, Martens demonstrates that Fear and Trembling is not merely a book that contains frightful pathos; it is also an entree into Kierkegaard's vibrant and polyphonic corpus that is nearly as restless as the faith it commends. (Publisher). (shrink)

This article reads Fear and Trembling constructively as a theological work. Abraham's faith is a lived movement irreducible to either ontology or epistemology. Faith is an action that waits upon what it alone could never accomplish. This is absolute action. In Abraham's case, he offers up Isaac to death with the absurd expectancy that Isaac will be returned. This double movement is a doxological abandonment of oneself and one's world to God that waits expectantly to receive them back as gifts. (...) It is these dynamics of faith that show God to be hidden, precisely within the intimate drawing near of God. The article concludes with a constructive gesture toward an “apophaticism of action.”. (shrink)

This article demonstrates a novel conceptualization of sublimity: the sublime in the pedestrian. This pedestrian mode of sublimity is exemplified by the Biblical Abraham, the central figure of Kierkegaard’s pseudonymous Fear and Trembling. It is rooted in the analysis of one of the foundational stories of the three monotheistic religions: Abraham’s averted sacrifice of his son Isaac. The defining feature of this new, pedestrian mode of sublimity is that is remains hidden behind what I call a total incognito. It is (...) similar to the classical ‘elevated mode of sublimity’ as developed by Burke, Kant, and Schiller insofar as it denotes two contrasting feelings at once: repulsion and attraction. It is different insofar as Kierkegaard’s pedestrian mode of sublimity remains hidden from view and can only be shown indirectly. This article expounds the new, pedestrian mode of sublimity by investigating the relation between the incognito and the sublime in Fear and Trembling. It achieves that goal by engaging three perspectives: (1) the sublime failure that comes to the fore in the incognitos of an imaginary Abraham; (2) the ‘fear without being afraid’ that is invoked by God’s incognitos; (3) the total incognito of the pedestrian which conceals Abraham’s sublimity. (shrink)

The "trembling balance" in Lawrence's work, considered either as theoretical system or in its phenomenological form, is characterized by the dynamic qualities of interrelatedness and flux. Cowan shows that, in Lawrence's conception, the dynamic experience of life's quickness necessarily involves giving up static equilibrium in the ebb and flow of human consciousness between self and other, bringing about a sequence of stability, instability, resilience, and creative change. Lawrence's conception of art as a recreation of the "trembling balance" of life is (...) explored in his treatment of the figure of the artist in a number of his major novels. Because his conception of art is biologically based, Lawrence locates the aesthetic balance he seeks to establish between blood consciousness and spiritual consciousness firmly in the body, most often in the imagery of the male body. Lawrence identifies with Melville, who was for him an example of the "true artist" as myth-maker, reconciling Christian and pagan consciousness in an organic symbolism rooted in unconscious experience. Cowan provides a critical study of Lawrence's dualism, dealing with ideas and issues that were intensely personal for Lawrence. (shrink)

This article interrogates a certain philosophical scene – one which constitutes itself through the position of what Jacques Derrida calls “the ethical instance of violence.” This scene supposes a certain “style” of writing or doing philosophy, and perhaps even a certain philosophical “genre” or “subgenre”: the philosophical discourse on violence. In the course of the essay, I analyze this quasi-juridical scene through readings of Aristotle, Walter Benjamin, Giorgio Agamben, Judith Butler, Slavoj Žižek, Werner Hamacher, Rodolphe Gasché, and Martin Hägglund among (...) others. The scene, built on texts on texts on violence, demands a logic of purity; it is wary of contaminations and equivocations. And yet it thrives on them. In analyzing the implications of text, writing, and trace for the philosophical discourse on violence, I follow Derrida “just to see” what could make the scene tremble. (shrink)

My central claim in this paper is that Kierkegaard’s Fear and Trembling is governed by the basic aim to articulate a real dilemma, and to elicit its proper recognition as such. I begin by indicating how Kierkegaard’s works are shaped in general by this aim, and what the aim involves. I then show how the dilemmaticstructure of Fear and Trembling is obscured in a recent dispute between Michelle Kosch and John Lippitt regarding the basic aims and upshot of the book. (...) Finally, I consider two critical questions: Why does Kierkegaard present his dilemmatic reasoning in the form of a “dialectical lyric”? And why does he write a book that aims only to articulate a dilemma, and not also to resolve it? (shrink)