Recent works have invited us to look into how modes of secularism influence the shape of ‘modern’ religion. This literature has remained quite state-centred, paying less attention to how concepts of secularism migrate from one national context to another. This article seeks to investigate these transnational dynamics. More specifically, it aims to explore this process of travelling through the contemporary writings of the Quebec-based essayist Djemila Benhabib. The article approaches her writings as ‘travelogues’: a genre which acts as an invitation (...) to focus on the ‘travelling’ dimension and politics of location of her accounts. A special emphasis is put on analysing how her writings are vehicles for the travel of gendered visions of secularism from France to Quebec. Ultimately, the article argues that taking these processes of transnational migrations into consideration is necessary to better locate and understand the politics of national debates. (shrink)

La présente recherche prend appui d’une part sur les textes viatiques d’un groupe de voyageuses françaises appartenant au milieu de l’enseignement secondaire féminin et d’autre part sur leurs dossiers personnels conservés aux Archives Nationales. Le profil socioprofessionnel de ces éducatrices commande le caractère spécifique de leur voyage (pays de destination, motif du voyage, contraintes temporelles et financières) et de son écriture (discours qui sous-tendent le récit). Par la publication de ces textes au début du xxe siècle un genre particulier de (...) narration est créé : le récit de “voyage universitaire” féminin. (shrink)

The transmission, emergence, and dissemination of features of racial differentiation are based on the interplay of different sensory perceptions, as this contribution will illustrate. For this purpose, examples from ethnographic travelogues from German East Africa and from the time of German colonial rule were selected to examine the functioning of tactile perception by means of the descriptions of skin colors and skin decorations. The source material reveals multisensuality in the form of synesthesia of the sense of sight with the sense (...) of touch, in that the perception of tactile stimuli is determined less by direct touch and more by the visual representation of haptic properties. (shrink)

This article explores Galagan’s social and political visions through a comparative analysis of his travelogues, set against three cultural contexts: the local Cossack officers’ milieu, the Russian imperial framework, and Enlightenment ideals. By comparing Galagan’s writings with the narratives of other Cossack officers such as Kozelskyi, Poletyka, and Vynskyi, this study reveals that Galagan’s social and political identities reflect a broader, shared collective identity shaped by Enlightenment ideals, which evolved into a distinct regional interpretation. Galagan aligns with core values such (...) as love of humanity, justice, and common well-being. His notion of equality focuses on the benevolent treatment of members of society rather than on social status, and reason is seen as a means to achieve well-being rather than an end in itself. By the time of his travels these concepts were already internalized within his identity, reflecting a blend of regional and Enlightenment influences, which contrasted with Russian imperial discourse. Galagan’s case exemplifies the synthesis of regional identity with Enlightenment ideals, contributing to a humanistic and occasionally republican worldview. The study supports the argument that the Enlightenment provided a nurturing environment for the evolution of Cossack officers’ core values into republican or anti-absolutist ideas. (shrink)

This essay examines theoretical arguments surrounding the use of post-colonial theory as a way to fill in the epistemological lacuna in the studies of post-socialism. It reviews the various streams of this theoretical development and employs Edward Said’s notion of “traveling theory” to demonstrate that theoretical claims made by proponents and opponents of this particular comparative perspective are historically, socially, and geographically situated, although not fixed. Disciplinary, national, and institutional affiliations, instead of theoretical justifications, are identified as important factors in (...) the propensity to accept or resist the introduction of post-colonial perspective on Central and Eastern Europe and the former Soviet Union. The essay concludes by acknowledging the potential usefulness as well as the limits of post-colonialism in the conceptualization of the post- socialist space. (shrink)

Image of the Road (Kirwan and Pruciak 2013–2015) and Virtual Realis (Pruciak 2023) are travelogue video projects selected as a vantage point from which to examine our understanding of image since the disappearance of the frame and collapse of the cinematic form in VR video. Exploring the concept ‘frame’ in dialogue with theories of cinema and VR and an analysis of VR video’s characteristics, we question whether it may effect changes of perception and new understandings of the road as (...) a virtual site/sight explored by travellers. We suggest that VR video’s ‘unframedness’ gives the unlimited freedom that allows a cognitive shift in the experience of non-narrative travelogues. This allows an inherent potential for an experience of transcendence akin to the overview effect. VR video gives spectators the opportunity of making autonomously their own journey and thus encountering new understandings and experiences in the travelogues presented to them. (shrink)

The article focuses on past epidemics and previous confinements, looking for the art of journeying through immobility. It rekindles the plague that ravaged the city of Turin in the 1630s, as well as Xavier de Maistre who, confined in the military citadel in 1790, wrote the Voyage autour de ma chambre, perhaps the first example of modern ‘anodeporics’, a neologism to designate immobility travelogues. The essay then explores other pandemics and subsequent attempts at imitating De Maistre. First, it concentrates on (...) Wilkie Collins, the author of the 1852 short story “A Terribly Strange Bed”, who remained stranded with his father William, the painter, at the frontier of the Kingdom of Piedmont because of the cholera that broke out there in 1836. Second, it bears on Almeida Garrett, who resisted the siege of typhus-struck Oporto in 1832-3 and, ten years later, penned another classic of ‘anodeporics’, Viagens na minha terra, also inspired by De Maistre. After consideration, from the perspective of semiotics, of what is needed to “journeying throughout immobility”, the essay ends with a study of the most famous anodeporic tale in world literature, also containing ironic quotes by De Maistre: Jorge Luis Borges’ El Aleph, named after a fictional device for mystical travel confined in a basement of 1940s Buenos Aires. The conclusion of this semiotic exploration through pandemics, lockdowns, and immobility travelogues is simple: in case of forced immobility, the practice of exploring space through time can be replaced by the alternative practice of exploring time through space. (shrink)

The Bewys van den waren Godsdienst and De veritate religionis Christianae originated against the background of Grotius’s familiarity with classical literature. To understand the innovative impact of these writings, the historical method applied must be considered. Grotius did not rely on authorities, but was compiling historical witnesses for the three religions. The availability and visibility of the witness reports are regularly referred to in the text. Thus, history and classical historians enter the picture. Interestingly, this cannot be separated from the (...) debate about the methods to be used in geography, a matter that gains importance as the difference between Bewys and De veritate is nowhere as visible as in the geographical references. The generous sprinkling of place names from different continents contributes to the poem’s factual character. The place names in the Bewys derive from the Dutch sea trade and can be found in the travel reports of the time. This is elucidated by two examples: the island Waygat in the Artic, and the coast of Mina in the Gulf of Guinea. In De veritate, however, all such references are removed. In their stead appear examples from ancient topography, to be annotated in the 1640 edition with ample quotations from Pliny, Strabo, Josephus and others. (shrink)

La creación de imágenes científicas es uno de los ámbitos más activos dentro de la cultura visual. Este artículo describe, en su primera parte, las cuatro dimensiones principales de la imagen científica (las dimensiones cognitiva, constructiva, pragmática y estética), para poner el énfasis al final de su descripción en la presente convergencia de la ciencia y del arte. En su segunda parte analiza un conocido caso de imagen paracientífica actual, donde a través de una específica combinación de dichas cuatro dimensiones (...) comparecen ejemplarmente buen número de las obsesiones a la vez epistémicas y políticas de la contemporaneidad. (shrink)

Mihael Rabatta se je s svojim prijateljem Morandom Porcio odpravil k Božjemu grobu leta 1396 in zapustil kroniko potovanja, ki jo hrani Državni arhiv v Gorici. Iter sancti sepulcri je v prepisu leta 2007 v Pordenonu objavila Accademia San Marco. Dnevnik opisuje potovanje, ki je trajalo tri mesece, od 27. avgusta do 28. novembra leta 1396. Ohranile so se tudi risbe in skice nekaterih krajev. Posebna pozornost je bila namenjena odpustkom, ki so jih romarji prejeli ob obisku Jeruzalema in drugih (...) svetopisemskih krajev. Mihael Rabatta je kot vojak in diplomat od začetka sedemdesetih let 14. stoletja služil padovanskim gospodom Carrara in jim ostal zvest do padca Padove pod oblast Beneške republike leta 1405. V poslanskih krogih ni bil znan le v severnoitalijanskem prostoru, pač pa tudi v prvi vrsti na ogrskem kraljevem dvoru. Po njegovih diplomatskih veščinah so povpraševali tako oglejski patriarhi v Furlaniji kot grofje Goriški. Mihaelov oče Anton je v Gorico prišel iz Toskane. Rodbina je nosila ime po vasi Rabatta pri Borgu San Lorenzo. Poznosrednjeveško trojezično goriško okolje, v katerem je Mihael odraščal, je botrovalo njegovemu poznavanju tudi slovenskega in nemškega jezika. Kmalu po prihodu iz Svete dežele je Mihael od goriških grofov prejel v fevd grad Dornberk. Dornberški grad je tako postal jedro posesti družine Rabatta na Goriškem do izumrtja rodbine leta 1794. Marca 1398 je Mihael skupaj z bratom Ivanom, ki je bil glavar goriš­kega grofa Henrika IV., od papeža Bonifacija IX. izposloval dovoljenje za gradnjo cerkve sv. Duha pod goriškim gradom. Pri postavitvi je bil posredno udeležen še tretji brat, solkansko-goriški župnik Peter, kar priča o prestižu družine Rabatta v tedanji Gorici. (shrink)

Trailblazing marine biologist, visionary conservationist, deep ecology philosopher, Edward F. Ricketts has reached legendary status in the California mythos. A true polymath and a thinker ahead of his time, Ricketts was a scientist who worked in passionate collaboration with many of his friends—artists, writers, and influential intellectual figures—including, perhaps most famously, John Steinbeck, who once said that Ricketts's mind “had no horizons.” This unprecedented collection, featuring previously unpublished pieces as well as others available for the first time in their original (...) form, reflects the wide scope of Ricketts’s scientific, philosophical, and literary interests during the years he lived and worked on Cannery Row in Monterey, California. These writings, which together illuminate the evolution of Ricketts’s unique, holistic approach to science, include “Verbatim transcription of notes on the Gulf of California trip,” the basic manuscript for Steinbeck’s and Ricketts’s _Log from the Sea of Cortez;_ the essays “The Philosophy of Breaking Through” and “A Spiritual Morphology of Poetry;” several shorter pieces on topics including collecting invertebrates and the impact of modernization on Mexican village life; and more. An engaging critical biography and a number of rare photographs offer a new and richly detailed view of Ricketts’s life. (shrink)

In the history of Western perceptions of Jews and the ‘Jewish problem’, the First World War marks a period of change which was, among other things, influenced by the course of the war on the Eastern Front. The German occupation of large parts of Russian Poland in 1915 brought the difficult conditions of Eastern European Jewry closer to public attention in the West, not only in Central Europe, but also in neutral states. For the Scandinavian writers who travelled to occupied (...) Poland in 1916 and 1917, the direct encounter with East European Jewry was a new and often disturbing experience. Their travelogues represent an illuminating and, so far, unused source for Scandinavian perceptions of Jews in Eastern Europe, focusing on the ‘ghetto’ as the physical embodiment of Eastern Jewish life. Analysing these accounts, the present article discusses the different depictions of Warsaw’s Jews thematically and identifies three interwoven perspectives of the ‘ghetto’: as a site of extreme poverty; as a foreign element in Europe; and as an archetype of Jewish life in general. (shrink)

Part travelogue, part meditation, _Abuses_ is a bold exploration of central themes in Continental philosophy by one of the most passionate and original thinkers in that tradition writing today. A gripping record of desires, obsessions, bodies, and spaces experienced in distant lands, Alphonso Lingis's book offers no less than a new approach to philosophy—aesthetic and sympathetic—which departs from the phenomenology of Levinas and Merleau-Ponty. "These were letters written to friends," Lingis writes, "from places I found myself for months at (...) a time, about encounters that moved me and troubled me.... These writings also became no longer my letters. I found myself only trying to speak for others, others greeted only with passionate kisses of parting." Ranging from the elevated Inca citadel of Machu Picchu, to the living rooms of the Mexican elite, to the streets of Manila, Lingis recounts incidents of state-sponsored violence and the progressive incorporation of third-world peoples into the circuits of exchange of international capitalism. Recalling the work of such writers as Graham Greene, Kathy Acker, and Georges Bataille, _Abuses_ contains impassioned accounts of silence, eros and identity, torture and war, the sublime, lust and joy, and human rituals surrounding carnival and death that occurred during his journeys to India, Bangladesh, Thailand, Bali, the Philippines, Antarctica, and Latin America. A deeply unsettling book by a philosopher of unusual imagination, _Abuses_ will appeal to readers who, like its author, "may want the enigmas and want the discomfiture within oneself.". (shrink)

Photo-essay/travelogue from 2004 regarding the gentrification of San Francisco.

ABSTRACTRobert Southey’s fictive travelogue, Letters from England, by Don Manuel Alvarez Espriella, inspired several imitators, most importantly José María Blanco White with his Letters from Spain. These works rejuvenate a fictional device popularised by Montesquieu’s Persian Letters—the “familiar stranger”—at a crucial juncture when British involvement in the affairs of Europe provoked a reassessment of pre-Revolutionary cosmopolitanism. The stranger as home-interpreter calls attention to an emerging emphasis in European Romantic thought on the contingency of freedom with hybrid, mobile identities, prefiguring (...) the psycho-social-historical terrain in which Jean-François Lyotard and Dean MacCannell link modernity with travel and tourism. This essay argues that the Romantic figure of the foreign traveller expresses a condition of travel, reflecting Lyotard’s critique of human contingency in his essay “Domus and the Megalopolis.” Southey’s sympathetic stranger modulates a conversation with Word... (shrink)

Discover the truth about sex in the city (and the country). Mapping Desire explores the places and spaces of sexuality from body to community, from the "cottage" to the Barrio, from Boston to Jakarta, from home to cyberspace. Mapping Desire is the first book to explore sexualities from a geographical perspective. The nature of place and notions of space are of increasing centrality to cultural and social theory. Mapping Desires presents the rich and diverse world of contemporary sexuality, exploring how (...) the heterosexed body has been appropriated and resisted on the individual, community and city scales. Editors David Bell and Gill Valentine have brought together contributors with a wealth of approaches to ways in which the spaces of sex and the sexes of space are being mapped out across contemporary culture. Among the many sexual geographies covered are: Lesbians at home and on the streets; gay men on fantasy islands; bisexual identities; The heterosexualization of the workplace; bachelor farmers and spinsters; surveillance and sexuality; prostitution; queer politics; sexual citizenship, and the transformation of intimacy. The book is divided into four sections: cartographies/identities; sexualized spaces: global/local; sexualized spaces: local/global; sites of resistance. Each section is separately introduced. Beyond the bibliography, an annotated guide to further reading is also provided to help the reader map their own way through the literature. Mapping Desire will be a valuable and accessible travelogue of information for anyone interested in social, cultural and political geography, lesbian and gay studies, cultural studies, or simply those who want to find out more about the sexual landscape of contemporary society. Contents: Part I: Cartographies/Identities; Resolving Riddles: The Sexed Body, Julia Cream ; Locating Bisexual Identities: Discourses of Bisexuality and Contemporary Feminist Theory, Clare Hemmings; Of Moffies, Kaffiers and Perverts: Male Homosexuality and the Discourse of Moral Order in the Apartheid State, Glen Elder; Femme on the Streets, Butch in the Sheets (a Play on Whores), Alison Murray; Body Work: The Performance of Gendered and (Hetero)Sexualized Identities in City Workplaces, Linda McDowell; Part II: Sexualized Spaces: Global/Local; Whenever I Lay My Girlfriend That's My Home: The Performance and Surveillance of Lesbian Identities in Domestic Environments, Lynda Johnston and Gill Valentine; The Lesbian Flaneur, Sally Munt; Fantasy Islands: Popular Topographies of Marooned Masculinities, Gregory Woods; Sexuality and Urban Space: A Framework for Analysis, Lawrence Knopp; Part III: Sexualized Spaces: Local/Global; "And She Told Two Friends...": Lesbians Creating Urban Social Space, Tamar Rothenberg; Trading Places: Consumption, Sexuality and the Production of Queer Space, Jon Binnie; Bachelor Farmers and Spinsters: Gay and Lesbian Identities and Communities in Rural North Dakota, Jerry Lee Kramer; (Re)Constructing a Spanish Redlight District: Prostitution, Space and Power, Angie Hart; Part IV: Sites of Resistance; "Surveilliant Gays": HIV, Space and the Construction of Identities, David Woodhead; Sex, Scale and the "New Urban Politics": HIV-Prevention Strategies from Yaletown, Vancouver, Michael Brown; "Boom, Bye, Bye": Jamaican Ragga and Gay Resistance, Tracey Skelton; The Diversity of Queer Politics and the Redefinition of Sexual Identity and Community in Urban Space, Tim Davis; Perverse Dynamics, Sexual Citizenship and the Transformation of Intimacy, David Bell; Guide to Further Reading; Bibliography. (shrink)

A companion volume to Illuminations, the first collection of Walter Benjamin's writings, Reflections presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues of various cities, including Moscow under Stalin. He moves seamlessly from literary criticism to autobiography to philosophical-theological speculations, cementing his reputation as one of the greatest and most versatile (...) writers of the twentieth century. Also included is a new preface by Leon Wieseltier that explores Benjamin's continued relevance for our times. (shrink)

Counterpath is a collaborative work by Catherine Malabou and Jacques Derrida that answers to the gamble inherent in the idea of “travelling with” the philosopher of deconstruction. Malabou's readerly text of quotations and commentary demonstrates how Derrida's work, while appearing to be anything but a travelogue, is nevertheless replete with references to geographical and topographical locations, and functions as a kind of counter-Odyssey through meaning, theorizing, and thematizing notions of arrival, drifting, derivation, and catastrophe. In fact, by going straight (...) to the heart of the Derridean idea of “spacing,” she finally makes it seem as though Derrida has never written about anything but travel. Malabou's text is punctuated by a series of postcards received by Derrida from destinations such as Istanbul and Porto, Laguna Beach and Athens, which are inspired by his reading of her evolving discussion. Writing in a familiar and unguarded manner, as if he were “on vacation” from his own writing, Derrida still remains totally faithful to that work and invites the reader to reflect on much of what haunts his texts as well as his daily life, questions of distance and death, the relation to the other, and exile. (shrink)

Less Erroneous Pictures. Whalers’ Knowledge in Nineteenth‐Century Natural History, Oceanography, and Literature. This paper uses the iconoclasm of Herman Melville's Moby‐Dick as a point of departure to examine the problem of representing whales pictorially. Focussing on the use of images in cetological works and whaling logbooks, the paper investigates how the whalers’ knowledge, which served the hunting, killing, and economic exploitation of whales, came to be inscribed in the antithetical work of natural historians who were increasingly interested in living organisms. (...) This paper argues that Melville's juxtaposition of whalers’ and naturalists’ knowledge runs parallel with a dichotomy, along which natural histories, travelogues, and thematic maps of oceanography constitute the whale as an object of knowledge. It concludes by suggesting that, at the same time, this dichotomy is repeatedly undermined for the sake of the whale's representation. (shrink)

The Alphonso Lingis Reader showcases the philosophical thought and beautiful writing of Alphonso Lingis across his career. Much of his writing is a unique blend of travelogue, cultural anthropology, and philosophy.

"Ludvig Holberg was the foremost representative of the Danish-Norwegian Enlightenment and also a European figure of note. He was an Enlightenment thinker in the conventional sense, with significant works in natural law and history, but also a very important body of moral essays and epistles. He authored several engaging autobiographies and European travelogues; and - not least - a major utopian novel that was a European bestseller, a couple of interesting satires, and a large number of plays, mainly comedies. These (...) comedies have secured Holberg's status as the most significant playwright in Scandinavia before Ibsen and Strindberg; his plays remain hugely popular and have hardly been off the stage since he died. Through his extensive oeuvre, but especially through his plays, Holberg had a decisive influence on the formation of modern Danish as a literary language, something that was a self-conscious effort on the part of a man who saw himself as an educator of the public. Despite all these accomplishments Holberg is most often remembered outside of the Nordic countries for Edvard Grieg's Holberg Suite and in the title of one of the most prestigious prizes in the humanities. It is the aim of the contributors to this volume to revive Holberg as a very major figure from a very minor corner of the Enlightenment world, presenting the latest scholarship from Scandinavia on the main areas of Holberg's work with serious emphasis on the wider European Enlightenment context and perspectives. It will appeal to all those researching intellectual history, history of philosophy, literary history/studies, theatre studies, church historiography, Scandinavian studies and Enlightenment Europe."--. (shrink)

Is the closet just a metaphor? Closet Spaces provides a highly original account of the spatial metaphor of "the closet," and is the first geography text to focus on this important issue. Using a variety of research techniques and materials the book explores the closet through diverse texts such as the oral histories of gay men in the UK and US and international travel guides and travelogues.

Conventional wisdom holds that Judaism is indifferent or even suspiciously hostile to the visual arts due to the Second Commandment's prohibition on creating "graven images," the dictates of monotheism, and historical happenstance. This intellectual history of medieval and modern Jewish attitudes toward art and representation overturns the modern assumption of Jewish iconophobia that denies to Jewish culture a visual dimension. Kalman Bland synthesizes evidence from medieval Jewish philosophy, mysticism, poetry, biblical commentaries, travelogues, and law, concluding that premodern Jewish intellectuals held (...) a positive, liberal understanding of the Second Commandment and did, in fact, articulate a certain Jewish aesthetic. He draws on this insight to consider modern ideas of Jewish art, revealing how they are inextricably linked to diverse notions about modern Jewish identity that are themselves entwined with arguments over Zionism, integration, and anti-Semitism. Through its use of the past to illuminate the present and its analysis of how the present informs our readings of the past, this book establishes a new assessment of Jewish aesthetic theory rooted in historical analysis. Authoritative and original in its identification of authentic Jewish traditions of painting, sculpture, and architecture, this volume will ripple the waters of several disciplines, including Jewish studies, art history, medieval and modern history, and philosophy. (shrink)

A contribution to the Common Knowledge symposium on xenophilia, this article examines the travelogue of Mirza Abu Taleb ibn Muhammed Isfahani, the Muslim Indo-Persian scholar, poet, and Lucknow nobleman who sympathized with the Irish during his travels to England and Ireland in 1799–1802. Translated from Persian to English by an Irish scholar working for the British East India Company, Charles Stewart, and published in London in two editions, The Travels of Mirza Abu Taleb Khan records the author's love for (...) the Irish and theirs for him. This mutual xenophilia, the article argues, is politically motivated by Abu Taleb's strong, but mostly tacit, reservations about the English, his imperial patrons. He realigns the relationship between metropole and colony by casting Ireland as the bridgehead of a glorious Islamic-Persianate culture that spread westward, a transcultural fantasy that takes two forms. First, the unconditional hospitality Abu Taleb experiences among his Irish and Anglo-Irish hosts leads him to imagine a linguistic-ethnic kinship between ancient Celts and Persians, recalled in the similarities he sees between a subimperial capital, Dublin, and an Indian Mughal city, Lucknow. Second, in his detailed account of a patriotic performance that he attended in Dublin of the British siege of Seringapatam in 1799, he identifies with the skeptical audience who, he assumes, are self-conscious about this propagandistic medium. (shrink)

Mark Twain, the "Father of American Literature," and renowned humorist, satirist, and commentator on humanity and American life, is best known for his classic, Adventures of Huckleberry Finn. Twain's body of work, however, is expansive; from Adventures of Tom Sawyer and A Connecticut Yankee in King Arthur's Court to the travelogue The Innocents Abroad and essays on human nature, religion, science, and literature, no aspect of life is left untouched by Twain. His portrayal of American life, ripe with the (...) contradictions of America's ideals and its actual practices, as well as his characters, at once fantastical and completely human, provide a window onto humanity and social life. As the third book in the Great Authors and Philosophy series, Mark Twain and Philosophy reveals deeper issues raised by Twain's work and speaks to his continued relevance as a social commentator interrogating issues fundamental to our lives. From slavery, freedom, and human rights, to science, parapsychology, and religion, this book exposes how Twain's body of work touches every corner of human experience. (shrink)

The subject of this study is a part of the trip of Muṣṭafā Esʿad al-Luqaymî (d. 1178/1765), one of the Egyptian poets who lived in the 18th century. It is among the aims of the study to reveal the poems he said during this trip and to introduce the al-Ḳuds section of his work named Mevâniḥ al-uns bi riḥlatî li wādī al-Ḳuds, in which he tells about his journey, as a travel book in terms of Arabic literature. In this work, (...) the poet describes his 6-month journey. This journey started from Dimyāṭ in 1143/1731, continued to al-Ḳuds, Damascus and Lebanon, and ended again in Dimyāṭ. In this study, only the poems that the poet recited during his trip to al-Ḳuds were discussed. Revealing the verse and prose literary materials found in the travelogues will contribute to the riḥla/raḥālāt literature, which is a type of Arabic literature, and will make the works that have been copyrighted in this field more recognizable. Literary prose, poetry, correspondence between authors, treatises, notes on the history of literature can be found in such works. In the study, information about the poet al-Luqaymî and his life will be given and his poems about the places and people he visited in the al-Ḳuds part of his trip will be included. (shrink)

Claudio Magris’s revisitation of the idea of Mitteleuropa in the essay-novel Danubio is often read as a contribution to the imperial nostalgia inherent in the Habsburg myth, the process of transfiguration of Austrian history that Magris himself observed and theorized. This reading, however, suggests that in the context of the Cold War, Magris’s emphasis on the non-national legacy of Mitteleuropa, conceived as a strategy of resistance against the totalitarian reaches of authoritarian regimes, resists the allure of a straightforward and easy (...) nostalgia. The narrator of Magris’s extended travelogue takes the reader on a textual journey through local narratives and literatures along the Danube, where a palimpsest of discarded and overwritten histories reveals neglected and almost forgotten paradigms. These rhetorical dockings on the banks of the Danube, located at the intersection of fiction and essayism, reflect upon the legacy of Mitteleuropa and attempt to chart a possible postnational future for Europe. (shrink)

Music, said Zen patriarch Hui Neng, "is a means of rapid transformation." It takes us home to a natural world that functions outside of logic, where harmony and dissonance, tension and release work in surprising ways. Weaving memoir, travelogue, and philosophical reflection, Sudden Music presents a musical way of knowing that can closely engage us with the world and open us to its spontaneity.Improvisation is everywhere, says David Rothenberg, and his book is a testament to its creative, surprising power. (...) Linking in original ways the improvised in nature, composition, and instrumentation, Rothenberg touches on a wide range of music traditions, from Rob Nachman's stories to John Cage's aleatory. Writing not as a critic but as a practicing musician, Rothenberg draws on his own extensive travels to Scandinavia, India, and Nepal to describe from close observation the improvisational traditions that inform and inspire his own art.The accompanying audio disc features eleven original compositions by Rothenberg, none of which have been previously released on CD. Included are a duet with clarinet and white-crested laughing bird, and another duet with clarinet and Samchillian TipTipTip Cheeepeeeee, an electronic computer instrument played by its inventor Leon Gruebaum. Also featured are multicultural works blending South Indian veena and Turkish g-clarinet with spoken text from the Upanishads; a piece commissioned by the Tanglewood Contemporary Music Festival with readings of texts by E. O. Wilson accompanied by clarinet and electronics; and improvisations based upon Tibetan Buddhist music, Japanese shakuhachi music, and the image of a black crow on white snow.Sudden Music is a concise and delicate work of beauty. It will help all readers experience the world as a musical place, full of wonderful events that come out of nowhere to create a strange and rhythmic harmony. (shrink)

The effects of humankind during the Capitalocene period caused planetary changes that resulted in the devastation and destruction of the Earth. The nuclear tragedy at the Chornobyl NPP on April 26, 1986, should serve as a constant reminder to society as it provided an example of dysfunctional totalitarian management. The topic of Chornobyl has become socially tiresome in recent years due to the trivialization of this large-scale anthropogenic, ecological, economic, and humanitarian disaster. The image of Ukraine as a hazard area (...) has gradually been replaced in world consciousness. When Russia, the aggressor country, started to intimidate the world with nuclear and thermonuclear weapons and to take the nuclear power plants in Ukraine under fire, the danger of radioactive materials came up once again. Phosphorous ammunition used in Ukraine in 2022 demonstrates that the terrorist state is capable of anything. Scientists also relate to earthquake motions that occurred in Turkey in February 2023 and Japan in January 2024, with the displacement of continental plates of the Earth’s crust resulting from missile attacks at the surface of the Earth. In the 21st century, there was a need to reconsider and refresh memories as well as to reread the works under a new perspective to draw attention to crimes against the safety of humanity and the environment, as well as to popularize, preserve and pass historical knowledge to future generations to protect them from traumatic experiences and self-destruction. The article aims to look at the postcolonial environment in contemporary literature of fact through the spectacle of ecocritical discourse via reading the works on the Chornobyl disaster. The objects of the study are Galia Ackerman’s work “Crossing Chornobyl”, the documentary and publicist chapter “Chornobyl Scenario” from the novel “Non-format Journalism” by Hryhorii Krymchuk, Volodymyr Shovkoshytnyi’s semidocumentary short story “Chornobyl: I Saw It”, the chapter “Elon Musk, “Tesla”, and Nuclear Power Engineering” from Maks Kidruk’s popular scientific book “Theory of Improbability”, Oleksii Radynskyi’s literary report “Chornobyl Is Ukraine”, and Markiian Kamysh’s travelogue “Stalking the Atomic City”. Study methods include principles of science, objectivity, and source verification. General scientific and special scientific research methods used in the study are a descriptive method for synthesizing and systematizing selected material; comparative and typological methods involving the elements of cultural, comparative, and narrative studies to compare the ways various authors have covered the Chornobyl topic; an ecocritical method that has made it possible to apply naturecentric approach to conceptualizing interaction between a human and nature to develop eco-conscious society; a postcolonial method aimed at conceptualizing the consequences of colonial rule via non-fiction text. (shrink)

Resumen El artículo revisa los discursos de viaje dentro de dos relatos escritos por mujeres durante el período imperialista del fin de siècle, quienes viajaron por espacios marginales a la modernidad. La primera autora es Florence Dixie, noble inglesa que escribe su relato de viaje a la Patagonia durante 1879, mientras que Iris, mujer igualmente aristócrata y chilena, escribe su periplo realizado por el lago Ranco en 1910. Independiente de la nacionalidad de origen de estas mujeres y sus diferencias personales, (...) en tanto el rol jugado por ellas en el grupo de expedición, ambas escritoras viajeras son depositarias de una mirada imperial, que se vuelca en la manera que se internan narrativamente por los espacios explorados.The article reviews the journey discourses in two narratives written by two women during the imperialist period of the fin de siècle, who traveled through marginal spaces to modernity. The first author is Florence Dixie, an English noblewoman who writes her travelogue to Patagonia during 1879, while Iris, an equally aristocratic, and Chilean woman, writes her journey made through Ranco lake in 1910. Independent of nationality of origin of these women and their personal differences, as long as the role played by them in the expedition group, both traveling writers are repositories of an imperial gaze, that shows in the way they go into theirs narrative through the spaces explored. (shrink)

Philosopher Jean-Paul Sartre counted among his friends and associates some of the most esteemed intellectuals, writers, and artists of the twentieth century. In Portraits, Sartre collected his impressions and accounts of many of his notable acquaintances, in addition to some of his most important writings on art and literature during the early 1950s. Portraits includes Sartre's preface to Nathalie Sarraute's Portrait of a Man Unknown and his homages to André Gide, Albert Camus, and Maurice Merleau-Ponty. The essay on Merleau-Ponty casts (...) considerable light on the recent history of French philosophy, particularly with regard to dominant post-war political conceptions. Featured as well are lengthy studies of Sartre's close friend Paul Nizan and of the young André Gorz that are no less revealing, as well as Sartre's "Reply to Albert Camus," which sealed the ideological and personal break between the two writers on its publication in 1952. Alongside these major writings are fascinating articles on Tintoretto and a number of contemporary artists, including Giacometti and Masson. Finally, Portraits concludes with two travelogue-style accounts of Sartre's time in Italy. This new translation by Chris Turner presents these essays in their complete form as originally intended by Sartre when he first published Situations IV in France and is thus essential reading for anyone interested in the artistic and intellectual history of the time. (shrink)

The paper offers a reading of “The Narrow Road to the Deep North” and related writings by the famous Japanese haiku poet of the 17 century, Basho. Employing the Heideggerian distinction between earth and world, the interpretation of Basho suggests that prose narrative, represented by Basho’s travelogue or account of his journey by foot through Japan, inserts nature (earth) within the scope of everyday human concerns (world). The reading suggests that it is in the poetic interludes, the haiku pieces (...) that interrupt the story of the trip with pristine word images of a natural object or scene, that nature unfolds on its own terms, i.e. as a world unto itself. (shrink)

In the mid-T'ang movement for the reform of literary style, literary form, and literary language, Liu Tsung-yüan made brilliant contributions. His travelogues, metaphorical satires, and miscellaneous other works are a precious heritage of Chinese literature. This has long been well known, but his important place in the history of the development of Chinese materialism and atheism, on the other hand, has long since been hidden in obscurity.

Many Turkish, German, Austrian, British, Swedish, French, Hungarian, and Australian travelers, military and political officers, spies, consuls, meerschaum merchants, naturalists, historians, geographers, geologists, archaeologists, and missionaries have stayed in and mentioned Eskişehir in their travelogues. Thus, it could be suggested that Eskişehir, which has recently been associated with tourism, had actually become acquainted with tourism with the arrival of BerlinBaghdad Railroad. The purpose of this study is to reveal the socio-cultural and socio-economic structure of the city through the analysis of (...) the travelogues of the travelers, who visited Eskişehir between 1892 and 1922. Therefore, the period between 1892, the date of arrival of Berlin-Baghdad Railroad, and 1922, when the city was destroyed and devastated during the Turkish War of Independence, has been discussed. The literature review of this study has been conducted by using documents and visual materials. Analyzing and reviewing the travel books written between 1892 and 1922 are very important in terms of their contribution to the history of Turkish tourism. (shrink)

This article aims to respond to recent calls for more material accounts of cosmopolitanism by considering the way the cosmopolitan sensibilities of flexibility, adaptability, tolerance and openness to difference are literally embodied by a specific group of mobile subjects. Drawing on a study of round-the-world travellers and the 'body stories' they publish in their online travelogues, this article explores the various ways travellers embody cosmopolitanism through the concept of 'fit'. Fit refers both to the physical condition required for long-haul travel (...) and to the ability to blend in and adapt to a variety of geographical and cultural environments. By focusing on the way cosmopolitanism is literally embodied, the empirical account offered here draws attention to the notion that cosmopolitanism is not just an abstract, materially iterated orientation to the world as a whole. (shrink)

This book argues that an attentive encounter with nature is of key importance for the development of an environmentally appropriate culture. The fundamental idea is that the environmental degradation that we are increasingly experiencing is best conceived as the consequence of a cultural mismatch: our cultures seem not to be appropriate to the natural environment in which we move and on which we depend in thoroughgoing ways. In addressing this problem, Thomas Heyd weaves together a rich tapestry of perspectives on (...) human interactions with the natural world, ranging from traditional modes of managing human communities, which include the natural environment, in Latin America, to the consideration of poetic travelogues, ecological restoration and botanic gardens. (shrink)

This section contains four original articles addressing the matters of interaction, coexistence and representation of the human senses in various historical and cultural contexts. The multisensory experience of the world in relations to the past, the present and the future constitutes the main theme of the selected articles. The authors analyze how, in various cultural texts and historical moments, human experience was depicted through the prism of sensory perception, sometimes combined with sensory memory and the powerfulness/powerlessness of the (non)human corporeality. (...) The authors analyze a variety of historical and cultural sources to answer the question of the impact of multisensory experience on our view of the world: in the past, the present and the future. Nina C. Rastinger in her article “Capturing Extraordinary Multisensory Experiences in Writing: Reports on Natural Disasters in an 18th Century Newspaper Corpus” deals with written representations of natural disasters, which constitute extraordinary multisensory experiences, in historical newspaper texts. Natalia Giza in her study “Multisensuality in the Satirical Prints of the Georgian Era in England” shows how sensory perception enhanced visual humor in the satirical prints of Georgian England, examining how English caricaturists used various sensory elements such as sight, sound, smell, taste, and touch. Jules Sebastian Skutta in his paper “Tactile Vision and Othering: Ethnographic Engagements and Racial Differentiations in 19th Century Travelogues” demonstrates on the basis of ethnographic travelogues from German East Africa and from the time of German colonial rule that the transmission, emergence, and dissemination of features of racial differentiation are based on the interplay of different sensory perceptions. Finally, Bartosz Mroczkowski, in the article entitled “Designing the Future Through Touch” focuses on the sense of touch in the process of designing the future. The aforementioned articles illustrate that multisensuality is a multidimensional concept that requires a thorough analysis from different academic perspectives and with the use of various methodological approaches. (shrink)

In 1947, Simone de Beauvoir traveled to the United States for a four-month stay, during which she toured the country extensively. Her copious notes taken during this time eventually became the travelogue, America Day by Day as well as a piece written for the May 25, 1947 edition of the New York Times Magazine, “An Existentialist Looks at Americans.” In both of these writings, Beauvoir offers an astute criticism of American culture from a foreign perspective. This paper explores Beauvoir’s (...) treatment of American abstraction and race with three goals in mind: first, to understand the American relationship to time and money as abstractions. Ignoring the past and projecting an idealistic future, leads to a strange kind of fatalism and lack of passion that profoundly impacts White and Black Americans but in distinctively different ways. The second part of the paper explores these differences through an analysis of how White Americans attempt to live with “good” consciences through the positing of and attachment to abstract values and things. This attitude, in turn, produces a largely instrumental and racist treatment of many populations, in particular, Black Americans. The final section focuses on how Beauvoir confronts the fact of her own whiteness, and in so doing undergoes the movement of race as an abstract theoretical category to one of lived embodiment. (shrink)

The American philosopher Thomas Nagel famously argued that no matter how many objective facts we may know about bats, we cannot know what it is like to be a bat. There is an irreducible subjectivity to the experience of being a bat. I can only imagine what it would be like for a subject like me to be a bat but never what it is like for the actual bat to be a bat.In her book, Benvenuti demonstrates extraordinary sensitivity to (...) the subjectivity of the nonhuman animals she discusses. In addition to being an organic farmer in southern Italy, Benvenuti is also a licensed psychologist. Her training and interest in neurobiology is evident throughout the work. She walks the middle path between human exceptionalism (the “old meme” as she puts it of humans being “distinct from” and “superior to” all other animals, p. 15) on the one side and collapsing the differences on the other. While she might agree with the thrust of Nagel's claim (she never mentions him in the book) that we cannot truly know what it is like to be a bat, we are not so different to bats that we cannot empathetically understand something of a bat's experiences. We are, after all, kin. Kinship, she argues, rather than “distinct and superior” is the more correct scientific understanding (p. 18).Her work is clearly influenced by that of her mentor, Jaak Panksepp, on affective neurobiology. Like the biologist and ethologist Marc Bekoff, Benvenuti argues that it is possible to be “biocentrically anthropomorphic and do rigorous science” (p. 66). Of course, kinship does not entail sameness. “The central core of my life's work,” Benvenuti writes, “is to articulate the grounds for real relationships between humans and other animals. This implies the capacity to empathize accurately and to be able to communicate across species differences, but also the capacity to recognize that the other is not ‘just like me’” (p. 82). Importantly for her, it is not just our learning about other animals but our learning from them and they from us. It is the complex—and it is very complex—relationship that matters.Kindred Spirits is a beautifully written book, part travelogue, part personal anecdotes, with a nice mixture of scientific and philosophical musings. It begins in her own backyard (in the United States at the time) with a friendship struck up with a crow named Jason and then transports us to destinations around the world and species including bees, dogs, elephants, cheetahs, whales, and rescued farmed animals. Benvenuti spends much of her time with people trying to research, rescue, and rehabilitate endangered species. Above all, she intends it as a hopeful book. She finds great inspiration and hope in the fact that so many people around the world care about animals. She finds hope in the decline of circuses that merely use and abuse animals for human entertainment. She points to the growing understanding of animal studies and general interest in animals’ internal lives and feelings.The book makes a useful contribution to the growing literature of cognitive ethology. It is along similar lines as the works of Marc Bekoff and Jeffrey Moussaieff Masson. For those of us already convinced of our kinship and similarity with nonhuman animals, there are inspiring stories of others engaged in trying to save the world, or at least the part of it they can. One of the real strengths of the book is the constant questioning of the animal's experience. While we all appreciate those “animal ambassadors” who come to represent their kind and educate us, Benvenuti raises the important ethical question as to whether those animals want to be ambassadors at all. Sometimes a quick bite, as she once received from an African gray parrot, is enough to remind us to mind our manners around other species. It was a lesson in respecting differences and boundaries. The book does in the end inspire hope that if enough European and American scientists continue to advance the study of animal intelligence and emotion, we might one day come to the understanding that our indigenous brothers and sisters around the world have had since the beginning—that we, human and nonhuman, are all kin. (shrink)

Paul Collins travels the globe piecing together the missing body and soul of one of our most enigmatic founding fathers: Thomas Paine. A typical book about an American founding father doesn’t start at a gay piano bar and end in a sewage ditch. But then, Tom Paine isn’t your typical founding father. A firebrand rebel and a radical on the run, Paine alone claims a key role in the development of three modern democracies. In death, his story turns truly bizarre. (...) Shunned as an infidel by every church, he had to be interred in an open field on a New York farm. Ten years later, a former enemy converting to Paine’s cause dug up the bones and carried them back to Britain, where he planned to build a mausoleum in Paine’s honor. But he never got around to it. So what happened to the body of this founding father? Well, it got lost. Paine’s missing bones, like saint’s relics, have been scattered for two centuries, and their travels are the trail of radical democracy itself. Paul Collins combines wry, present-day travelogue with an odyssey down the forgotten paths of history as he searches for the remains of Tom Paine and finds them hidden in, among other places, a Paris hotel, underneath a London tailor's stool, and inside a roadside statue in New York. Along the way he crosses paths with everyone from Walt Whitman and Charles Darwin to sex reformers and hellfire ministers—not to mention a suicidal gunman, a Ferrari dealer, and berserk feral monkeys. In the end, Collins’s search for Paine’s body instead finds the soul of democracy—for it is the story of how Paine’s struggles have lived on through his eccentric and idealistic followers. (shrink)

_Counterpath_ is a collaborative work by Catherine Malabou and Jacques Derrida that answers to the gamble inherent in the idea of "travelling with" the philosopher of deconstruction. Malabou's readerly text of quotations and commentary demonstrates how Derrida's work, while appearing to be anything but a travelogue, is nevertheless replete with references to geographical and topographical locations, and functions as a kind of counter-Odyssey through meaning, theorizing, and thematizing notions of arrival, drifting, derivation, and catastrophe. In fact, by going straight (...) to the heart of the Derridean idea of "spacing," she finally makes it seem as though Derrida has never written about anything but travel. Malabou's text is punctuated by a series of postcards received by Derrida from destinations such as Istanbul and Porto, Laguna Beach and Athens, which are inspired by his reading of her evolving discussion. Writing in a familiar and unguarded manner, as if he were "on vacation" from his own writing, Derrida still remains totally faithful to that work and invites the reader to reflect on much of what haunts his texts as well as his daily life, questions of distance and death, the relation to the other, and exile. (shrink)

Early Modern European travelers sought to gather and disseminate knowledge through narratives written for avid publishers and public. Yet not all travelers used the same tools to inform their readers. Despite a shared interest in conveying new knowledge based on eyewitness authority, Grand Tour accounts differed in an important respect from travelogues about Asia: they were less likely to include maps until the late eighteenth century. This paper examines why, using travel accounts published between 1600 and 1800 about Italy and (...) France (Europe) and India and Japan (Asia). It argues that maps of different types--coastlines, city plans, country topographies--appeared more frequently in accounts of Asian trips in part because of Europeans' more limited geographical knowledge about Asian destinations. More important, however, was the purpose of travel, the type of information gathered, and the intended audience of accounts. Seventeenth-century authors of Grand Tour experiences focused on single topics, ignored what seemed to be the familiar countryside they passed through, and showed little interest in geography. Their counterparts visiting Asia took an opposite tack, covering a wide range of subjects, including space, and cartographic representation was an important element within the account. Only in the eighteenth century, when the strange locale had become familiar and the familiar European destination became strange with new types of travel through it, were maps an important part of narrative. (shrink)

The fear of “communist subversion” in Thailand from the 1950s to the 1970s played a crucial role in the ongoing government control of public knowledge and the anti-communist propaganda. The companion piece novellas Made in USA and A Complete Idiot by Sujit Wongthes, a leading independent writer, disclosed the truth about the Vietnam War and challenged the pro-American hype in the context of 1970s Thailand. Made in USA achieved this through a blend of travelogue and journalist distance; A Complete (...) Idiot through a portrayal of the internal struggle of a young Thai man who grew up under the extensive influence of the Thai state’s pro-American, anti-communist propaganda. In A Complete Idiot, the protagonist’s state of blissful ignorance crumbles when his old “knowledge” of the “evil communist” and Thai-American relations are juxtaposed with new information about the 1971 reconciliation between the US and the People’s Republic of China. Reading the two novellas critically, this article investigates how the state-instilled perceptions of communism and propaganda construct a Thai identity that becomes inadequate vis-à-vis a different set of information. It also looks at the extent to which Thai internal politics was subsumed into the international politics of the Cold War and how such an entanglement informed Thai national identity. Finally, this article argues that the two novellas at once challenge the Thai government at the time and subvert its projection of the US. In doing so, the novellas open up a new space for alternative Thai cultural identities. (shrink)

Tobias Jones’s Utopian Dreams and David Bramwell’s The No. 9 Bus to Utopia provide two travelogues that pull us from our theoretical social dreaming into the practical implementation of utopianism through alternative societies, or intentional communities. The authors narrate their experiences and insights as they travel through communities and interrogate claims that there might be better ways of living. The impetus behind their pilgrimage: the endemic anomie that both authors argue permeates our society. Armed with the facts, they both describe (...) the mass of problems of modern life: soaring rates of independent living, the breakdown of community, and the epidemic of depression. In positing the question of.. (shrink)

Hans Mayer, one of the most eminent literary critics and public intellectuals in post-war Germany, visited Israel four times between 1968 and 1995. This article aims to reconstruct the key elements of Mayer’s ambivalent perception of Israeli society and culture as it is documented in his travelogue Reisen nach Jerusalem from 1997 and several further texts. However, Mayer’s view on Israel can only be understood adequately by also considering his situation as a non-religious Jew and Shoah survivor in Germany.