The text is a commentary to the phenomena in Polish modern art in the final years of the 20th century. It constitutes a “first-hand” account by a participant of the events and the host of the location. The location was the author’s private workshop in the attic of a Łódź tenement house in the very centre of the city, in the circles of artists creating situations, meetings, events and objects, which established Kultura Zrzuty [the Whip-round Culture], a phenomenon which described (...) the activities of artists independent of state institutions and officials patrons in the 1980s. The analysis of the events within the area of independent Okolice Sztuki inspired the author to discuss the form of other artists and his own, who created art in Strych [literally: attic] in an unchanging conflict between physical and social existence and freedom in art. (shrink)

Svijest o tehničkoj reproduktibilnosti umjetničkog djela povela nas je iz područja promišljanja umjetničkog djela prema estetizaciji svakodnevice , društvu spektakla, mekdonaldizaciji i diznijevskoj amerikanizaciji kulture cijeloga svijeta.Umnažanje je postalo ponavljanje koje zavodi, odnosno uspostavlja nove odnose kulturne i svake druge ovisnosti. Pokazalo se da u svijetu »množina« vladaju zakonitosti koje određuju današnjeg čovjeka više nego je to filozofija spremna detektirati. Snaga i uvjerljivost epa danas je sadržana u malim sloganima, uz pomoć kojih se upravlja javnim mnijenjem i masama massmedijski oblikovanih (...) potrošača informacija. Slogani su sonde pomoću kojih globalne korporacije osvajaju strukture mišljenja i govora. Umnažanje reklamnih poruka, političkih slogana, ratnohuškačkih rečenica i spektakularnih ispraznosti – završava u copy/paste kulturi, koja, nesvjesna mehanizama i tehnologija, polako ali sigurno počinje zauzimati mjesto na policama dućana globalnih trgovaca. McLuhanovo djelo "Mechanical Bride" prvo je na ozbiljan način promišljalo značenje koje naizgled obični reklamni slogani mogu imati na oblikovanje svjesne i nesvjesne pozicije potrošača. Analizom njegova pristupa u ovom manje poznatom djelu te usporedbom s nekim indikativnim suvremenim pojavama hrvatske i svjetske javnosti – ocrtava se kontekst kojega suvremeno filozofijsko mišljenje ne smije ispustiti iz vida.The awareness about the reproductiveness of artwork led us from the field of discussion about artwork to the aesthetization of the everyday , to a society of spectacles, to McDonaldization and the Disneyesque Americanization of the entire world culture.Multiplication became a seductive repetition, setting up new relations of cultural and other addiction. It seems that in a world of “plurals” there are laws that define today’s man more than philosophy is prepared to detect. The strength and convincingness of epics is sublimated into little slogans, used to manipulate public opinion and hordes of information consumers shaped by the mass media. Slogans are really probes with which global corporations conquer the structures of opinion and speech. The multiplication of advertising messages, political slogans, warmongering sentences and spectacular meaninglessness – ends up in a copy/paste culture, which is, unaware of mechanisms and technologies, slowly but surely starting to take its place on the store-shelves of global marketers. McLuhan’s work "Mechanical Bride" was the first to seriously consider the meaning that the seemingly common advertising slogans can have for the shaping of a conscious and unconscious position of the consumers. By analyzing his approach in this less known work and comparing it with certain suggestive modern phenomena in the Croatian and world public – we outline a context, which should not be eft out of the sight of the modern philosophic thought. (shrink)

Među mnoštvom dimenzija kolektivnog identiteta, ovaj rad istražuje identitet kao retorički alat. Identitetska oznaka je upravo primjer pragmatične učinkovitosti. Kako bi se objasnila ta moć, izložit će se hipotetički model identitetskih kategorija. Njegovi konstitutivni moduli oblikuju četiri osnovne dimenzije: pozicija, deindividualizacija, isključenje i kognitivna zaštita. Tako ocrtan narativni identitet postaje ekvivalentan neformalnoj ideologiji . Kao konstitutivna retorika , narativna konstrukcija identiteta pretvara autoreferencijalnu tautologiju u strategije diskriminacije, pročišćenja i istrebljenja nositelja drugosti. Masovna uništenja u prošlom stoljeću – totalitarizam, kolonijalizam, etno-nacionalizam (...) – proizvodi su identitetske paradigme. (shrink)

Koje su mogućnosti čovjeka da preokrene putove razvoja prema mogućim civilizacijskim rješenjima, osnovno je pitanje na koje Fritjof Capra pokušava odgovoriti. Rad prikazuje na koji način Capra vidi krizu suvremenog društva i znanosti, te koje alternative vidi kao rješenja; njegov angažman pokazuje se u cjelini kao etički usmjeren na spoznaju načina odnosa u svijetu, čovjekove naravi i njegova najvišeg dobra, te je praktički usmjeren na razumijevanje konkretnog čovjekova opstanka. U radu se postavlja pitanje o mogućnosti uspoređivanja uvida istočnjačkih mistika i (...) suvremenih fizičara, onako kako to radi Fritjof Capra, te na koje se probleme nailazi kada se metode, nekada udaljenih kultura, postavljaju kao relevantni učesnici naše svakodnevne prakse. Caprini uvidi u uzroke krize, analizom mehanicističko-znanstvenog pristupa i prikaz posljedica koje je takav pristup prouzročio, pogađaju u srž problema. Njegove opservacije i primjedbe na stanje u svijetu razložne su i korisne široj stručnoj publici. Međutim, njegovo viđenje izlaska iz krize, odnosno njezino rješenje ili nadvladavanje zapada u svojevrsni religijsko-znanstveni sinkretizam, s jedne strane, a s druge u scijentizam i konstruktivizam.This work questions the possibility of comparing the insights of eastern mysticism and modern physical science in a way of Fritjof Capra and also tries to present the problems of stating the methods of once distant cultures as relevant factors in our daily practice. While arguing for such comparison we face a lot of questions: are mysticism and modern physical science on different levels of reality; is there any sense in considering these levels “restricted”; are mysticism and modern physical science operating inside separated realms of reality with non-existent trans-level concepts and relations; – these being only a few questions opened by this perspectival comparison. In the last case, for example, if two realms of reality exist, one is opened to symbolic consciousness and linguistically expressible, and the other one is opened to non symbolic consciousness and linguistically non-expressible. Though this Capra’s approach is in many aspects obscure and questionable in substantive level, it, however, on methodological level completely fits into orientational frame of bioethics as multi-perspectival area. (shrink)

This is a review of the book Mozg - kultura - socium. Kantianskaya programma v cognitivnykh issledovaniyakh by Bazhanov V.A. The author`s main aim is a reconsideration of some fundamental principles of epistemology and philosophy of science in the light of state-of-the-art advancements of neurosciences. According to the author of the book, social and cultural revolution in neurosciences has been crucially modifying the initial Kantian program of consciousness research and the modes of linguistic representation of its results. In particular, in (...) epistemology the universal concept of transcendental subject has been altered with regard to neurobiological and social data, which concern some preconditions of cognitive activity. In philosophy of science such a shift of research perspective allows to implement a naturalistic interpretation of natural sciences, clarifies the problem of empirical foundations of mathematics and sheds a new light on the problem of apriori elements of mathematical thought. The analysis of evolutionary and neurobiological preconditions of logical thought leads to the sort of revival of psychologism program in logic, which enables author to put forward an original interpretation of the problem of plurality of logical systems. Finally, some topics of social sciences as well as problems of genesis of art, ethical and religious systems, can acquire new interpretation with respect to modern investigations in cognitive science. (shrink)

Politike multikulturalnosti nisu tekovina moderne i liberalne drzave, kako se to u javnosti najcesce zakljucuje. Sa problemom "kontrole" multikulturalnosti suocavale su se istorijske imperije, drzave "stare" demokratije, kolonijalna i imigrantska drustva, a nakon eksperimenta sa komunizmom i istocno evropske drzave. Modeli politike multikulturalnosti su brojni i zavise od politickih drustvenih i kulturnih prilika u razlicitim delovima sveta, a cesto susedne drzave bliskih kultura razvijaju razlicite politike multikulturalnosti. U radu se razmatraju istorijska i savremena iskustva u vezi sa politikama multikulturalnosti, a (...) u poslednjem odeljku razmatraju se uslovi u kojima savremena Srbija odgovara na zahteve i izazove sopstvene multikulturalnosti. (shrink)