Volume 8 of this landmark edition follows Peirce from May 1890 through July 1892—a period of turmoil as his career unraveled at the U.S. Coast and Geodetic Survey. The loss of his principal source of income meant the beginning of permanent penury and a lifelong struggle to find gainful employment. His key achievement during these years is his celebrated Monist metaphysical project, which consists of five classic articles on evolutionary cosmology. Also included are reviews and essays from The Nation in (...) which Peirce critiques Paul Carus, William James, Auguste Comte, Cesare Lombroso, and Karl Pearson, and takes part in a famous dispute between Francis E. Abbot and Josiah Royce. Peirce's short philosophical essays, studies in non-Euclidean geometry and number theory, and his only known experiment in prose fiction complete his production during these years. Peirce's 1883-1909 contributions to the Century Dictionary form the content of volume 7 which is forthcoming. (shrink)

The Bentham Project is delighted to announce a call for papers for “Bentham and Australia: Convicts, Utility, and Empire”, a conference to be held at University College London on 11-12 April 2019 to mark the forthcoming publication of Writings on Australia, a volume of The Collected Works of Jeremy Bentham. The conference will explore themes such as the influence and impact of Bentham’s ideas on the theory and practice of punishment in convict Australia, on advocates and opponents of co...

This paper addresses the question of how human science categories yield projectable inferences by critically examining Ron Mallon’s ‘social role’ account of human kinds. Mallon contends that human categories are projectable when a social role produces a homeostatic property cluster (HPC) kind. On this account, human categories are projectable when various social mechanisms stabilize and entrench those categories. Mallon’s analysis obscures a distinction between transitory and robust projectable inferences. I argue that the social kinds discussed by Mallon yield the former, (...) while classifications of biological kinds yield the latter. Classifications from psychiatry (‘schizophrenia,’ ‘hysteria’) are discussed as examples. (shrink)

Praise for Volume 1: "... a first-rate edition, which supersedes all other portable Peirces.... all the Peirce most people will ever need." —Louis Menand, The New York Review of Books Volume 2 of this convenient two-volume chronological reader’s edition provides the first comprehensive anthology of the brilliant American thinker Charles Sanders Peirce’s mature philosophy. A central focus of Volume 2 is Peirce’s evolving theory of signs and its appplication to his pragmatism.

In this essay, I will examine Henri Maldiney’s phenomenological aesthetics, focusing on his claim that “art is the truth of the sensible.” This claim is presented by Maldiney in the context of a two-fold critique of Husserl’s and Heidegger’s respective attempts to phenomenologically elucidate the experience of artworks. According to Maldiney, both Husserl and Heidegger fail to recognize what he, following Erwin Straus, terms the “pathic” moment of sense experience, which is also the key moment of the aesthetic reception of (...) art. Drawing on this concept of the pathic and its way of engaging what Maldiney calls the “transpassibility” of receptivity, I argue that his phenomenology of art can be viewed as an attempt to bring together the two senses of the aesthetic in the Kantian sense, namely as an aesthetics of sense experience and as an aesthetics of art, from within the domain of sensibility itself. I develop this idea by turning to Maldiney’s notion of rhythm and examining how he thinks that it can be applied to the visual arts. Ultimately, I suggest that Maldiney’s aesthetics imbues art with ontological significance, since he takes the rhythmic presence of artworks to be a sensuous manifestation of the rhythmic ground of the world’s constitution. The truth of art, in this sense, is a revelation of the ontological functioning of rhythm. (shrink)

In §69.b of BT Heidegger attempts an existential genetic analysis of science, i.e. a phenomenology of the conceptual process of the constitution of the logical view of science (science seen as theory) starting from the Dasein. It attempts to do so by examining the special intentional-existential modification of (human) being-in-the-world, which is called the "mathematical projection of nature"; that is, by examining that special modification of our being, which places us in the state of experience that presents the world to (...) us as taught by, e.g., Galileo and Newton. The idea he puts forward is that modern mathematical physics and the corresponding experience of the real is the result of the mathematical projection of nature. Modern science, Heidegger says, stands out because it is mathematical. But we cannot get the answer to what this mathematicality consists in from mathematics, because mathematics is only a special manifestation of mathematicality. Here is what Heidegger means by "mathematicality" and, accordingly by "mathematical projection of nature." If one were to let two bodies of different weights fall simultaneously from the top of the tower of Pisa, Heidegger notes, both Galileo and an Aristotelian would see that the two bodies would reach the ground with as little time difference as possible, and not at exactly the same moment. Galileo, however, does something decisive: he claims that under conditions that would be impossible to ensure (if we removed absolutely all resistance to the motion of the bodies), the two bodies would reach the ground absolutely simultaneously. This is not something that he or the Aristotelian sees happening empirically. How, then, does Galileo insist so firmly on his position? How exactly does it happen that he has before him such a view of things? Heidegger's answer is that Galileo is mathematically projecting nature. In his Dialogues Galileo says "I conceive with my mind" (mente concipio) a body thrown to move on an infinitely extending horizontal plane, having eliminated from its path every possible obstacle. Finally, I argue that from the detailed interpretation of Heidegger's points of the mathematical and of the notion of mathematical projection of nature, we can arrive at the conclusions I had arrived at in my doctoral dissertation (2000) as regards the meaning and function of thought experiments in physics as seen from a Husserlian phenomenological point of view as intentional acts. In a nutshell, in thought experiments physics constitutes the special metaphysics (to use the Kantian term) of the primordial ontological region it investigates as well as attempts to make natural sense of the mathematical formalism in cases it proves necessary. (shrink)

All the typical global quantum mechanical observables are complex relative phases obtained by interference phenomena. They are described by means of some global geometric phase factor, which is thought of as the “memory” of a quantum system undergoing a “cyclic evolution” after coming back to its original physical state. The origin of a geometric phase factor can be traced to the local phase invariance of the transition probability assignment in quantum mechanics. Beyond this invariance, transition probabilities also remain invariant under (...) the operation of complex conjugation. Most important, geometric phase factors distinguish between unitary and antiunitary transformations in terms of complex conjugation. These two types of invariance functions as an anchor point to investigate the role of loops and based loops in the state space of a quantum system as well as their links and interrelations. We show that arbitrary transition probabilities can be calculated using projective invariants of loops in the space of rays. The case of the double slit experiment serves as a model for this purpose. We also represent the action of one-parameter unitary groups in terms of oppositely oriented-based loops at a fixed ray. In this context, we explain the relation among observables, local Boolean frames of projectors, and one-parameter unitary groups. Next, we exploit the non-commutative group structure of oriented-based loops in 3-d space and demonstrate that it carries the topological semantics of a Borromean link. Finally, we prove that there exists a representation of this group structure in terms of one-parameter unitary groups that realizes the topological linking properties of the Borromean link. (shrink)

Drawing on Stalnaker’s projection strategy, a revised version of the Ramsey test, and Dudman’s account of the evaluation of projective conditionals (e.g., “If Hitler invades England, Germany will win the war” and “If Hitler had invaded England, Germany would have won the war”), I offer a novel truth-conditional account of the semantics of a range of English conditionals. This account resolves some key puzzles in the philosophical literature about semantic differences between maximally similar conditionals of different types (including some parallel (...) indicative and subjunctive conditionals) without assuming that the word “if” is ambiguous. It does so by explaining these semantic differences on the basis of semantic properties of the clauses combined by “if” and temporal factors arising from these properties. (shrink)

A comprehensive excursion, into anthropology, ethnography, linguistics, social and political science lead me to the conclusion that human societies are ruled by systems of shared concepts, and that these systems of thought function as a kind of public or external mind, which produces and maintain the social forms of life. Taking into account the fact that philosophy originally - in ancient Greece - was a ‘public affair’, I came up with the idea that philosophy should try to map the public (...) mind. In other words, the idea that philosophers should draw up a project for making what I call philosophical maps, i.e. maps of public thought. In what follows, I will give a brief account of this idea in the hope that other philosophers may draw inspiration from it. Of course, all this involves speculation, but it does not interfere with regular philosophy. It simply adds something to it from the outside as it were, that is from a descriptive point of view. As I will make clear, this idea is consistent with the efforts of Wittgenstein to achieve a radical descriptive philosophy. (shrink)

This article explains why Bohr does not need to discuss the projection postulate or the "problem of measurement". Beginning with a thumbnail sketch of Bohr 's general views, it is argued that Bohr interprets the state function as giving a statistical summary of experimental outcomes. Against the objection that Bohr was too much a microrealist to endorse such an instrumentalist statistical interpretation it is suggested that he rejected the issue of microrealism as not well formed. It is shown that on (...) his statistical interpretation Bohr does not need the projection postulate or face the usual problem of measurement. (shrink)

Using interviews and group discussions, researchers and students from the Free University of Berlin and psychological practitioners work together in a project called 'The Analysis of Psychological Practice', theoretically based on 'Critical Psychology'. The aim is to find out whether and how practitioners deal with the contradictions between experimental-statistical orientation of traditional academic psychology and the single-case-orientation of psychological practice. Can practitioners relate to 'scientific' psychology at all? How do they deal with the contradiction that psychological practitioners are expected to (...) cure psychological problems without having the possibility to change objective conditions with reference to which alone psychological problems are understandable? How are 'official' academic or clinical theories and individual or team-related experiences combined? What can we learn from the explication and development of a 'social-subjective knowledge of the context and contradictions' of professional practitioners of psychology? We discuss theoretical foundations and problems in the empirical development of the project, and resent - from our workshop - three examples or dimensions of our work: life problems, problems of and alternatives to traditional diagnostics, and common sense normative ideas in the guise of psychological theories. (shrink)

The project method became a famous teaching method whenWilliam Heard Kilpatrick published his article ‘Project Method’ in 1918. The key idea in Kilpatrick’s project method is to try to explain how pupils learn things when they work in projects toward different common objects.The same idea of pupils learning by work or action in an environment with objects also belongs to John Dewey’s problem-solving method. Are Kilpatrick’s project method and Dewey’s problemsolving method the same thing? The aim of this article is (...) to analyze and prove that Kilpatrick’s project method differs radically from Dewey’s problem-solving method. (shrink)

Towards a science of international law -- The new substance : Lassa Oppenheim on interests -- Oppenheim, empire, and method -- The scientific method of international law : Kelsen -- Biography and important influences -- The original Kelsen : the epistemological method -- The economic origins of the pure theory -- Launching the Universalist Project.

The emotional intelligence of a construction project manager plays an essential role in project management, and recent developments in teamwork have increased the need to explore better ways to utilize teams and achieve effectiveness in the construction sector. However, research that holds the team-level perspective in emotional intelligence studies is lacking, and the mechanism of the construction project manager’s emotional intelligence on team effectiveness remains unexplored. This knowledge gap is addressed by developing a model that illuminates how construction project manger’s (...) emotional intelligence can affect team effectiveness via the mediation of team cohesion and the moderation of project team duration. A questionnaire survey was utilized to gather information from construction project teams across 156 leader-member dyads in the Chinese construction industry. The results reveal that construction project manager’s emotional intelligence is positively related to team effectiveness and the team cohesion mediates this cause and effect. Further, project team duration moderates the relationship between team cohesion and effectiveness. This study offers new insight into how project manager can better lead team members toward desired team outcomes from a team perspective and makes an explorative effort in investigating the “time” role in construction project management. (shrink)

Scientific practice involves two kinds of induction. In one, generalizations are drawn about the states of a particular system of variables. In the other, generalizations are drawn across systems in a class. We can discern two questions of correctness about both kinds of induction: what distinguishes those systems and classes of system that are ‘projectible’ in Goodman’s sense from those that are not, and what are the methods by which we are able to identify kinds that are likely to be (...) projectible? In answer to the first question, numerous theories of ‘natural kinds’ have been advanced, but none has satisfactorily addressed both questions simultaneously. I propose a shift in perspective. Both essentialist and cluster property theories have traditionally characterized kinds directly in terms of the causally salient properties their members possess. Instead, we should focus on ‘dynamical symmetries’, transformations of a system to which the causal structure of that system is indifferent. I suggest that to be a member of natural kind it is necessary and sufficient to possess a particular collection of dynamical symmetries. I show that membership in such a kind is in turn necessary and sufficient for the presence of the sort of causal structure that accounts for success in both kinds of induction, thus demonstrating that has been answered satisfactorily. More dramatically, I demonstrate that this new theory of ‘dynamical kinds’ provides an answer to with methodological implications concerning the discovery of projectible kinds. (shrink)

Pereira’s “The Projective Theory of Consciousness” is an experimental statement, drawing on many diverse sources, exploring how consciousness might be produced by a projective mechanism that results both in private selves and an experienced world. Unfortunately, pulling together so many unrelated sources and methods means none gets full attention. Furthermore, it seems to me that the uncomfortable breadth of this paper unnecessarily complicates his project; in fact it may hide what it seeks to reveal. If this conglomeration of diverse sources (...) and methods were compared to trees, the reader may feel like the explorer who cannot see the forest for the trees. Then again, it may be the author who is so preoccupied with foreground figures that the everpresent background is ultimately obscured. (shrink)

Ameliorative projects design and propagate new linguistic content for some expressions we use for political or social justice purposes. These projects are often driven by an anti-essentialist agenda: they aim to debunk the idea that social categories such as “woman,” “man,” or “race” are constituted by natural essences. But critics argue that nouns tend to trigger essentialist thinking. And because ameliorative projects typically retain nouns, it is argued that these projects cannot achieve their anti-essentialist goals. In response, I argue that (...) the psychological effects of noun use tend to support, rather than hinder, the anti-essentialist goals of ameliorators. (shrink)

Derogatory terms can be powerful mechanisms of subordination, while re-appropriating these terms can be a strategy to fight back against social injustice. I argue that projects seeking to reclaim slurs have a performative structure that raises particular hazards. Whereas more familiar forms of protest may fail to bring about their intended result, attempts to re-appropriate slurs can fail to be understood as transgressive acts at all. When attempts at reclamation fail, their force is distorted; context and convention lead the hearer (...) to give uptake to the speech act as a traditional deployment of the slur. The force of this traditional use is to validate and re-entrench the very norms the act was intended to subvert. This is the precarious structure of reclamation projects: when successful, reclamation is the subversion of powerful mechanisms of oppression, but when unsuccessful, the act has the ironic force of constituting mechanisms of oppression. (shrink)

Intersemiotic projection is one of the most common configurations in the knowledge construction process of academic comics. Although previous studies address some general features of intersemiotic projection, further research on interdependency relations of intersemiotic projection is needed in order to map out the whole system. This study, based on the social-semiotic approach to multimodal studies, proposes a systemic framework of image-text paratactic and hypotactic projection in academic comics. This framework identifies three sub-categories of paratactic projection and hypotactic projection, respectively: Emergent, (...) Adjoined, Sequential, Compound, Subsumed, and Fused. The use of these projection configurations contributes to the realization of the communicative purposes of academic comics to evidence, exemplify, emphasize, explain, elaborate, and visualize the discussed knowledge. This research attempts not only to contribute to the theoretical development of multimodality from the social-semiotic perspective by refining and enlarging the multimodal hypotactic projection framework but also to provide an effective and applicable tool for comics analysis. (shrink)

If there is no inner model with ω many strong cardinals, then there is a set forcing extension of the universe with a projective well-ordering of the reals.

The empirical phenomenon at the center of this paper is projection, which we define (uncontroversially) as follows: (1) Definition of projection An implication projects if and only if it survives as an utterance implication when the expression that triggers the implication occurs under the syntactic scope of an entailment-cancelling operator. Projection is observed, for example, with utterances containing aspectual verbs like stop, as shown in (2) and (3) with examples from English and Paraguayan Guaraní (Paraguay, Tupí-Guaraní).1 The Guaraní example in (...) (2) and its English translation have at least the following implications: (i) Carla has previously smoked, and (ii) Carla stopped smoking. The first but not the second of these implications is also conveyed by the question version of sentence (2), as in (3a), or when (2) is embedded under entailment-cancelling sentential operators, such as negation, as in (3b), the antecedent of a conditional, as in (3c), or an epistemic modal, as in (3d). Hence, by the definition in (14), the first but not the second implication of (2) projects. (shrink)

The perspectives of Ukraine which are outlined by the notion of the “Ukrainian project”, and determined by potential of development of civil society, as congruent with perspectives of steady international development for the sake of collaboration and peace, are examined in the article. Determination of such basic analytical notions as discursive practices of “prevailing” and “understanding” is offered with this purpose. Discourse is considered as reason for choice and giving the advantage to one meaning over the others that is set (...) in the certain modes of signification. Discourse of understanding – is the process of creation of such knowledge, the nominative function of which stops being the function of power, and becomes the instrument of the renewed perception and understanding at new level of communicative space. As discursive reality is reflected not only on the methods of thinking, but also on the practical behaviour of people, we have warrants to speak about its ethical conditionality and the corresponding discursive‐ethical practices of “freedom and authenticity”, “paternalism and clientism” and “nihilism and anarchy”. Last two discursive-ethical practices are examined as obstacles on the way to realization of the “Ukrainian project” in relation to itsdemocratic development in direction to the civilization values common with the European Union. (shrink)

Formalised public participation in project approval procedures is rarely addressed in technology assessment. Empirical data about public participation processes are taken into account even more rarely. This article explores the practice of public participation in infrastructure projects in the Federal Republic of Germany on the basis of empirical data from the period of 1990 to 2010. The author compares the empirical data about participation processes with the targets of the public participation and asks for the reasons for the lack of (...) participation in formalised approval procedures. Furthermore, the author contrasts participation formats used in technology assessment with formalised public participation. In his conclusions, he advocates for a stronger combination of formalised and informal public participation in technology assessment. (shrink)

Subjects perceived touch sensations as arising from a table (or a rubber hand) when both the table (or the rubber hand) and their own real hand were repeatedly tapped and stroked in synchrony with the real hand hidden from view. If the table or rubber hand was then ‘injured’, subjects displayed a strong skin conductance response (SCR) even though nothing was done to the real hand. Sensations could even be projected to anatomically impossible locations. The illusion was much less vivid, (...) as indicated by subjective reports and SCR, if the real hand was simultaneously visible during stroking, or if the real hand was hidden but touched asynchronously. The fact that the illusion could be significantly diminished when the real hand was simultaneously visible suggests that the illusion and associated SCRs were due to perceptual assimilation of the table (or rubber hand) into one’s body image rather than associative conditioning. These experiments demonstrate the malleability of body image and the brain’s remarkable capacity for detecting statistical correlations in the sensory input. (shrink)

The notion of “projective aesthetics” is considered in this paper for the first time as a variant of the recourse to praxis that characterizes contemporary aesthetics and its “aesthetic involvement”. Projective aesthetics involves the use of methodologies of a new type: “schizoanalysis”, “conceptivism” and “projectivism”. The emphasis is put on the principle of “rhizome” and on the features of so-called “culturonics”, a way of thinking “through projects” in the cultural sphere. Projective aesthetics implies a way of philosophizing about art and (...) aesthetics which is defined by a functional orientation in terms of a process of aestheticization and artification, and, accordingly, of projectivity. The connection between projective aesthetics and the peculiarities of modern communicative aesthetics is also examined, together with the need for creating a philosophical glossary of artistry and modern art, meant as a relevant project for aesthetics. In the text, a special place is also given to a number of projects implemented in the process of teaching philosophical aesthetics, as related to beauty as well as with the direct participation of students in filling out the contents of the above-mentioned glossary. (shrink)

Two ways of characterizing natural kinds are currently popular: the Kripke-Putnam appeal to microstructure and Boyd’s appeal to causal homeostasis. I argue that these conceptions are more divergent than is often acknowledged, that they give no credence to essentialism, and that they are both faulty. In their place, I sketch an alternative view of natural kinds, which I call “bare projectibilism”. This conception avoids the appeal to explanation common to microstructuralism and the causal homeostasis view, but is still compatible with (...) scientific realism. (shrink)

The institution of the family and its importance have recently received considerable attention from political theorists. Leading views maintain that the institution’s justification is grounded, at least in part, in the non-instrumental value of the parent-child relationship itself. Such views face the challenge of identifying a specific good in the parent-child relationship that can account for how adults acquire parental rights over a particular child—as opposed to general parental rights, which need not warrant a claim to parent one’s biological progeny. (...) I develop a view that meets this challenge. This Project View identifies the pursuit of a parental project as a distinctive non-instrumentally valuable good that provides a justification for the family and whose pursuit is necessary and sufficient for the acquisition of parental rights. This view grounds moral parenthood in a normative relation as opposed to a biological one, supports polyadic forms of parenting, and provides plausible guidance in cases of assisted reproduction. (shrink)

Projections of Memory is an exploration of a body of innovative cinematic works that utilize their extraordinary scope to construct monuments to the imagination that promise profound transformations of vision, selfhood, and experience. This form of cinema acts as a nexus through which currents from the other arts can interpenetrate. By examining the strategies of these projects in relation to one another and to the larger historical forces that shape them--tracing the shifts and permutations of their forms and aspirations--Projections of (...) Memory remaps film history around some of its most ambitious achievements and helps to clarify the stakes of cinema as a twentieth-century art form. (shrink)

Media service to the corporate sector is reflexive: the media are major corporations. Like others, they sell a product to a market: the product is audiences and the market is other businesses (advertisers). It would be surprising indeed if the choice and shaping of media content did not reflect the interests and preferences of the sellers and buyers, and the business world generally. Even apart from the natural tendency to support state power, the linkage of the corporate sector and the (...) state is so close that convergence of interests on major issues is the norm. The status of audiences is more ambiguous. The product must be available for sale; people must be induced to look at the advertisements. But beyond this common ground, divisions arise. (shrink)

Religion and the external world -- Projection, religion, and the external world -- The senses, reason and the imagination -- Realism, meaning and justification : the external world and religious belief -- Modality, projection and realism -- 'Our profound ignorance' : causal realism, and the failure to detect necessity -- Spreading the mind : projection, necessity and realism -- Into the labyrinth : persons, modality, and Hume's undoing -- Value, projection, and realism -- Gilding : projection, value and secondary qualities (...) -- The gold : good, evil, belief and desire -- The golden : relational values, realism and a moral sense. (shrink)

A brochure stating the objectives of a project initiated by the author in 1973.

Michael Fried’s unexpected contribution to defining the ontological status of video art includes an intriguing claim that projective art is particularly suited to the ‘staging’ of empathic projection. Fried applies Stanley Cavell’s notion of empathic projection, developed in relation to skepticism of ‘other minds’, to moving image installations that not only exploit the beholder’s capacity for empathically projecting, but do so in such a way as to reveal the mechanism at play. In developing this claim, I compare Fried’s key example (...) of Douglas Gordon’s Play Dead; Real Time with Bill Viola and Kira Perov’s Martyrs, a work that likewise elicits an emotional response but without a compensatory foregrounding of the underlying structuring mechanism. However, the comparison suggests that the staging of empathic projection should not be interpreted as an anti-theatrical strategy, but rather as an exemplary manifestation of what I am calling the configurational encounter – a revealing of the artwork’s conditions of existence. I reference Paul Sharits’s Epileptic Seizure Comparison, an important precursor to Gordon’s staging of empathic projection. Finally, I consider Chris Welsby’s landscape films in the light of the capacity of technology to reveal psychological mechanisms of projection, tracing such processes of projection to early childhood experiences of differentiating the human from the non-human. (shrink)

This article focuses on the difficulty for a general theory of depiction of providing a notion of pictorial content that accommodates the full diversity of picture types. The article begins by introducing two basic models of pictorial content using paradigmatic positions that maximize the ability of the respective models to deal with pictorial diversity. Kulvicki's On Images is interpreted as a generalized projection-based model which proposes a scene-centred notion of pictorial content. By contrast, Lopes's aspect-recognition theory, in Understanding Pictures, is (...) taken to exemplify a recognition-based model of pictorial content. It is then considered how applicable these two notions of pictorial content are to a spectrum of different picture types, highlighting differences between mechanically produced and “freehand” pictures. It is shown that while the projection-based and recognition-based models are each required for some picture types, neither model can be applied over the whole spectrum of diverse picture types. This, it is argued, has the far-reaching consequence that neither the projection model nor the recognition model, nor any unitary combination of the two, can provide the basis for a theory of depiction applying to all pictures. (shrink)

_Reflective Authenticity: Rethinking the Project of Modernity_ is a challenging consideration of what remains of ambitious Enlightenment ideas such as democracy, freedom and universality in the wake of relativist, postmodern thought. Do clashes over gender, race and culture mean that universal notions such as justice or rights no longer apply outside our own communities? Do our actions lose their authenticity if we act on principles that transcend the confines of our particular communities? Alessandro Ferrara proposes a path out of this (...) impasse via the notion of reflective authenticity. Drawing on Aristotle, Kants concept of reflective judgement and Heideggers theory of reflexive self-grounding, _Reflective Authenticity: Rethinking the Project of Modernity_ takes a fresh look at the state of Critical Theory today and the sustainability of postmodern politics. (shrink)

Thought Projections Are Nothing but Scenarios We Construct About Others and Are the Products of Our Own Closed-Mindedness. Report on the "Living Philosophy" Project. This text is a reflection on Projections. The aim here is to show that it is necessary to go beyond the Freudian concept to offer a more open reading of the concept of projections. The term is taken in its true sense. Projection is mainly used today in the world of cinema and entertainment. To be victim (...) of a projection is to “make himself is proper film” of reality and live in an imaginary world. Our idea is to maintain that these projections develop in the era of the spectacle which is ours. The term “société du spectacle” is borrowed from Guy Debord. However, we distinguish ourselves from him by maintaining that the spectacle is only an epiphenomenon which is only the result of a culture of secret itself produced by contemporary narcissism. This work is the continuation of a series of conferences which are organized within the framework of a movement called Living Philosophy. This movement aims to bring philosophy back to life by leading it into living spaces and bringing it down into bodies, streets and villages. To do this, she wants to be creative and bring together the Ancients, the Moderns and the post-moderns. Living Philosophy is a movement built on the idea of dialogue and mediation. (shrink)

In dynamic theories of presupposition, a trigger pp′ with presupposition p and at-issue component p′ comes with a requirement that p should be entailed by the local context of pp′. We argue that some co-speech gestures should be analyzed within a presuppositional framework, but with a twist: an expression p co-occurring with a co-speech gesture G with content g comes with the requirement that the local context of p should guarantee that p entails g; we call such assertion-dependent presuppositions ‘cosuppositions’. (...) We show that this analysis can be combined with earlier theories of local contexts to account for complex patterns of gesture projection in quantified and in attitudinal contexts, and we compare our account to two potential alternatives: one based on supervaluations, and one, due to Cornelia Ebert, that treats co-speech gestures as supplements. We argue that the latter is correct, but for ‘post-speech’ gestures, rather than for co-speech gestures. (shrink)

When people make sense of situations, illustrations, instructions and problems they do more than just think with their heads. They gesture, talk, point, annotate, make notes and so on. What extra do they get from interacting with their environment in this way? To study this fundamental problem, I looked at how people project structure onto geometric drawings, visual proofs, and games like tic tac toe. Two experiments were run to learn more about projection. Projection is a special capacity, similar to (...) perception, but less tied to what is in the environment. Projection, unlike pure imagery, requires external structure to anchor it, but it adds ‘mental’ structure to the external scene much like an augmented reality system adds structure to an outside scene. A person projects when they look at a chessboard and can see where a knight may be moved. Because of the cognitive costs of sustaining and extending projection, humans make some of their projections real. They create structure externally. They move the piece, they talk, point, notate, represent. Much of our interactivity during sense making and problem solving involves a cycle of projecting then creating structure. (shrink)

We prove that the unification type of Łukasiewicz logic and of its equivalent algebraic semantics, the variety of MV-algebras, is nullary. The proof rests upon Ghilardiʼs algebraic characterisation of unification types in terms of projective objects, recent progress by Cabrer and Mundici in the investigation of projective MV-algebras, the categorical duality between finitely presented MV-algebras and rational polyhedra, and, finally, a homotopy-theoretic argument that exploits lifts of continuous maps to the universal covering space of the circle. We discuss the background (...) to such diverse tools. In particular, we offer a detailed proof of the duality theorem for finitely presented MV-algebras and rational polyhedra—a fundamental result that, albeit known to specialists, seems to appear in print here for the first time. (shrink)

The Projectability Challenge states that a metaethical view must explain how ordinary agents can, on the basis of moral experience and reflection, accurately and justifiably apply moral concepts to novel situations. In this paper, we argue for two primary claims. First, paradigm nonnaturalism can satisfactorily answer the projectability challenge. Second, it is unclear whether there is a version of moral naturalism that can satisfactorily answer the challenge. The conclusion we draw is that there is an important respect in (...) which nonnaturalism holds an advantage over its most prominent naturalist rivals. The conclusion is interesting if only because it is widely assumed that naturalism has an easier time handling thorny problems in moral epistemology. We argue that there is at least one such problem of which this assumption is not true. (shrink)

Customary interpretations state that Tractarian thoughts are pictures, and, a fortiori, facts. I argue that important difficulties are unavoidable if we assume this standard view, and I propose a reading of the concept taking advantage of an analogy that Wittgenstein introduces, namely, the analogy between thoughts and projective geometry. I claim that thoughts should be understood neither as pictures nor as facts, but as acts of geometric projection in logical space. The interpretation I propose thus removes the root of the (...) identified difficulties. Moreover, it allows important clarification concerning some central aspects of the Tractarian theory of representation, and it yields a unifying elucidation regarding Wittgenstein’s remarks on the solipsistic thesis. (shrink)

Flexibility in conceptual projection constitutes one of the most challenging issues in the embodiment and conceptual metaphor literatures. We sketch a theoretical proposal that places the burden of the explanation on attentional dynamics in interaction with mental models in working memory that are constrained to be maximally coherent. A test of this theory is provided in the context of the conceptual projection of time onto the domain of space. Participants categorized words presented at different spatial locations (back–front, left–right) as referring (...) to the past or to the future. Responses were faster when the irrelevant word location was congruent with the back–past, front–future metaphoric mapping. Moreover, when a new highly task-relevant spatial frame of reference was introduced, it changed the projection of past and future onto space in a way that was congruent with the new frame (past was now projected to left space and future to right space), as predicted by the theory. This study shows that there is substantial flexibility in conceptual projection and opens a venue to study metaphoric variation across tasks, individuals, and cultures as the result of attentional dynamics. (shrink)

Simulationists have recently started to employ the term "empathy" when characterizing our most basic understanding of other minds. I agree that empathy is crucial, but I think it is being misconstrued by the simulationists. Using some ideas to be found in Scheler's classical discussion of empathy, I will argue for a different understanding of the notion. More specifically, I will argue that there are basic levels of interpersonal understanding - in particular the understanding of emotional expressions - that are not (...) explicable in terms of simulation-plus-projection routines. (shrink)

In *Austerlitz* by W.G. Sebald, we go through a detailed report of Austerlitz of Austerlitz's life as delivered by him to a narrator about whom we know very little. The story dwells on a wealth of events and situations that Austerlitz experienced at the time as strange or episodic. There is however a constant impulse that, in hindsight, Austerlitz regards as unifying all those events and situations. I will approach the story in *Austerlitz* as the recounting of the process by (...) which Austerlitz becomes aware of the direction of this impulse and engages in a quest for truth the details of which will reveal (and determine) the ethical nature of the impulse that unifies his life. More specifically, I will account for Austerlitz's constant impulse in terms of the inescapability of a certain dynamics of projection that connects a particular situation to which his life is anchored to a more universal concern. (shrink)