This essay argues that, contrary to the prevailing view according to which reflection in Kant's aesthetic judgment is interpreted as ‘the logical actus of the understanding’, we should pay closer attention to Kant's own formulation of aesthetic reflection as ‘an action of the power of imagination’. Put differently, I contend in this essay that the rule that governs and orders the manifold in aesthetic judgment is imagination's own achievement, the achievement of the productive synthesis of the ‘fictive power’, entirely independent (...) of the understanding. While this view does not entail that the faculty of the understanding is not necessary in aesthetic reflection, a stronger emphasis on the role of imagination in aesthetic reflection allows us to realize that its schematizing and interpretive activity, while consistent with, goes well beyond the discursive demands of the understanding insofar as it intimates the supersensible ground of freedom that manifests itself as ‘the feeling of life’. Therefore, I show in this essay that the imagination's unique interpretive power has a special role in completing Kant's critical system by facilitating the connection of the sensible to the supersensible, which further helps us appreciate imagination's practical as opposed to merely cognitive significance. (shrink)

This paper argues that the structural obscurity in Kant’s Critique of the Power of Judgment reflects his tacit employment of three correlated but distinct notions: necessity considered as the universal validity of the judgment of taste; necessity considered as a feature of the judgment itself; and necessity considered as a feature of the mental free harmony that obtains in judging certain forms with taste. These distinctions have not been sufficiently recognized by commentators so far. Clarification of these three (...) notions can shed new light on the structure of the first part of Kant’s third Critique as well as on debates over the plausibility of his claims regarding taste. (shrink)

_A study of the first half of Kant’s Critique of Judgment._.

The aim of this paper is to give an interpretation of the free and harmonious play of faculties. The dominant interpretations focus on how the imagination is free from the determination of understanding, but say little about the harmony that can exist between imagination and understanding; thus, in this paper an attempt is made to account for the free and harmonious relationship between these two faculties. Some of Kant’s lectures are reviewed to show the inclinations of (...) the power of imagination and understanding, respectively. As the power of imagination is inclined towards making many representations, understanding is necessary to truncate the multitudes of those representations, so that unity of the representation is achievable. Taking inspiration from the traditional board game of Go, it is possible to draw an interpretation of the play of faculties that takes into consideration both the freedom and the harmony that is present within the play. (shrink)

The harmonious free play of the imagination and understanding is at the heart of Kant’s account of beauty in the Critique of the Power of Judgement, but interpreters have long struggled to determine what Kant means when he claims the faculties are in a state of free play. In this article, I develop an interpretation of the free play of the faculties in terms of the freedom of attention. By appealing to the different way that we attend (...) to objects in aesthetic experience, we can explain how the faculties are free, even when the subject already possesses a concept of the object and is bound to the determinate form of the object in perception. (shrink)

According to a common reading, Spinoza and Leibniz stand on opposite ends of the modal spectrum. At one extreme lies ‘‘Spinoza the necessitarian,’’ for whom the actual world is the only possible world. At the other lies ‘‘Leibniz the anti-necessitarian,’’ for whom the actual world is but one possible world among an infinite array of other possible worlds; the actual world is privileged for existence only in virtue of a free decree of a benevolent God. In this paper, I (...) challenge both of these readings. Spinoza is no necessitarian and Leibniz is no anti-necessitarian – at least as these characterizations are usually understood. Rather, I contend, Spinoza and Leibniz are both anti-essentialists; they believe that the modality of objects can vary relative to how those objects are conceived. This shared commitment to anti-essentialism allows them to consistently affirm both necessitarianism and its denial, relative to different ways of conceiving the world. Their embrace of this modal theory, I further argue, is grounded in their similar views on metaphysical perfection, ontological plentitude, and the principle of sufficient reason. (shrink)

Harmony has become a major challenge for modern governance in the twenty-first century because of the multi-religious, multi-racial and multi-ethnic character of our increasingly globalized societies. Governments all over the world are facing growing pressure to integrate the many diverse elements and subcultures which make up modern pluralistic societies. This book examines the idea of harmony, and its place in politics and governance, both in theory and practice, in Asia, the West and elsewhere. It explores and analyses the (...) meanings, mechanisms, dimensions and methodologies of harmony as a normative political ideal in both Western and Asian philosophical traditions. The book argues that in Western political thought - which sees politics as primarily concerned with resolving social conflicts and protecting individual rights - the concept of harmony has often been neglected. In contrast, since earliest times harmony or ‘he’ has been a profound theme in Confucian thought, and current leaders of many East Asian governments, and the Chinese government, have explicitly declared that the realisation of a harmonious society is their aim. The book also assesses how harmony is pursued, jeopardized or deformed in the real world of politics, based upon empirical analysis of a variety of different cultural, social and political contexts, including: China, Hong Kong, Singapore, Malaysia, Singapore, Vietnam, Denmark, Latin America and the Scandinavian countries. It shows how harmony as an organizing concept can help to promote new thinking in governance, and overcome problems of modern-day governance like distrust, adversarial conflicts, hyper-individualism, coercive state intervention, and free-market alienation. It also discusses the potential problems posed by the pursuit of harmony, in particular in the grave threat of totalitarianism, and considers how these risks could best be mitigated. (shrink)

Kant interpreters are divided on the question of whether determinate cognition plays a role in the harmony of the faculties in aesthetic judgement. I provide a ‘non-cognitive’ interpretation that allows Kant’s statements regarding judgements of natural beauty to cohere such that determinate cognition need not be taken to perform any role in such judgements. I argue that, in aesthetic harmony, judgement privileges the free activity of the imagination over the cognizing function of the understanding for the purpose (...) of unifying the object, although the free imagination cannot violate the obscure concepts and principles of ordinary common sense. (shrink)

The role of the imagination within Kant’s Critical framework remains an issue for any attempt to unify the three Critique s through the Doctrine of the Faculties. This work provides a reading of the imagination that serves to unify the imagination through its formal capacity, or ability to recognize harmony and produce the necessary lawfulness that grounds the possibility of judgment. The argument of this work exists in 2 parts. 1) The imagination’s formal ability is present, yet concealed, as (...) early as the Schematism in the Critique of Pure Reason and reaches its fullest exposition in instances of harmonious free play in the Critique of the Power of Judgment. 2) This formal capacity is key to not only demonstrating the imagination as an original, unified, and independent faculty across Kant’s Critical framework, but also serves as grounds for the purposiveness of nature – a key aspect of Kantian aesthetics. (shrink)

At the end of section §6 in the Analytic of the Beautiful, Kant defines taste as the “faculty for judging an object or a kind of representation through a satisfaction or dissatisfaction without any interest”. On the face of it, Kant’s definition of taste includes both; positive and negative judgments of taste. Moreover, Kant’s term ‘dissatisfaction’ implies not only that negative judgments of taste are those of the non-beautiful, but also that of the ugly, depending on the presence of an (...) actual displeasure. (shrink)

ABSTRACT As owner of the New Lanark cotton-mills from 1800, Robert Owen carried out a social experiment designed to transform the lives of his community of millworkers, through improved living and working conditions, free medical care and education. He intended to demonstrate how his ideas, if universally adopted, could transform society in general. Central to this experiment was his innovative and enlightened system of education in the Institute for the Formation of Character. This article looks in particular at the (...) musical life of New Lanark and explores Owen’s belief in the power of music to bind together people from different backgrounds, and to assist in the creation of a harmonious community. Lavishly funded musical activities played a major part in the curriculum, and in the life of the community as a whole. All this is well documented and fascinating insights into the lives of the New Lanark people are included in the travel journals and letters, some previously unpublished, of the many visitors who came to see Owen’s model community. (shrink)

As far as treatments of causation are concerned, the pre-Kantian 18th century German context has long been dismissed as a period of uniform and unrepentant Leibnizian dogmatism. While there is no question that discussions of issues relating to causation in this period inevitably took Leibniz as their point of departure, it is certainly not the case that the resulting positions were in most cases dogmatically, or in some cases even recognizably, Leibnizian. Instead, German theorists explored a range of positions regarding (...) the nature of causal powers, the appropriate systems to explain the observed agreement between the states of substances, and the ground of free actions, or so I will argue in this chapter. Focusing on these three issues, I will here sketch the development of the debates relating to causation and trace the evolution of positions among the philosophers within the so-called Leibnizian-Wolffian philosophy as well as among its many opponents. (shrink)

The paper begins with the assumption that in order to explain the efficacy of harmony as an organizing force in human and natural affairs we must pay attention to the dynamic features characteristic of the growth and maintenance of harmonious forms. Two dynamic features are highlighted for their especial significance: revitalization, and self-surpassing. It is then argued that the two are substantively connected through the agency of creativity which, when given free reign, tends to preserve and fortify (...) class='Hi'>harmony by surpassing existing harmonious configurations. It follows that the impetus towards self-transcendence is a vital aspect of the growth, the sustenance, and the flourishing of harmony. I then argue that this urge towards self-transcendence can be broadly identified with Plato's notion of Eros. Nevertheless, I also argue that this affinity does not commit us to a rigid Platonic scheme of the sort criticized by Chenyang Li (2014) as harmony by conformity. (shrink)

Gnan Vidhi is the ultimate gift from the Gnani Purush Dadashri, who has revealed to the world an extraordinary, new science of the Self, called 'Akram Vignan' (Stepless path to Self-realization and harmony in daily living). It is a scientific process of separating 'I' (Soul, Self) and 'my' (mind, body and speech), with the special spiritual energies and grace of the Gnani Purush. The participant attains and experiences that which has eluded him life after life, the Self realized state. (...) He experiences eternal bliss and becomes free from worries. His worldly relations become harmonious. - Dadashri. (shrink)

The article aims at demonstrating that in attributing the creatio ex nihilo to both Plato and Aristotle as their unanimous philosophical conviction the Treatise on the Harmony between the Two Sages deeply depends upon the Neoplatonic reading of those two philosophers. The main obstacles for such a view in the works of the two sages are Plato's assumption of a precosmic chaos in the Timaeus and Aristotle's denial of any efficient causality to the unmoved mover in the Metaphysics. Both (...) of these points had been, however, done away with by the Neoplatonist commentators already, especially by Ammonius in his lost treatise on efficient and final causality in Aristotle the use of which in the Harmony is shown by a comparison with Simplicius. Christian and Muslim readers just had to transfer those arguments and hermeneutical techniques into an anti-eternalist context in order to make the two philosophers agree with one of the basic tenents of their face, a hermeneutical technique considerably different from the one employed by al-Fārābī in his exposition of Plato's and Aristotle's philosophy which is compared to the Harmony in a briefly sketched concluding section.L'article vise à montrer que le Traité sur l'harmonie des deux sages, en attribuant la creatio ex nihilo à Platon et Aristote comme conviction philosophique commune, dépend profondément de la lecture néoplatonicienne de ces deux philosophes. Les obstacles principaux à une telle attribution dans les œuvres des deux sages sont, dans le Timée de Platon, l'affirmation d'un chaos précosmique et, dans la Métaphysique d'Aristote, la négation d'une causalité efficiente du premier moteur immobile. L'interprétation néoplatonicienne avait toutefois éliminé chacune de ces affirmations de la doctrine des deux maîtres, comme le montre en particulier le traité d'Ammonius sur la causalité finale et efficiente chez Aristote. Or, on peut montrer, par une comparaison avec Simplicius, que l’Harmonie faisait usage de ce traité. Les philosophes chrétiens et musulmans avaient ainsi la possibilité d'employer les mêmes arguments et méthodes herméneutiques pour établir une concordance entre les deux principales autorités philosophiques d'une part et une de leurs plus importantes convictions religieuses d'autre part – une herméneutique qui diffère considérablement de la méthode appliquée par al-Fārābī dans sa propre exposition des philosophies de Platon et d'Aristote, comme le montre, dans la conclusion de l'article, la brève comparaison avec l’Harmonie.Send article to KindleTo send this article to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about sending to your Kindle. Find out more about sending to your Kindle. Note you can select to send to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be sent to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply. Find out more about the Kindle Personal Document Service.CREATIO EX NIHILO – A GENUINELY PHILOSOPHICAL INSIGHT DERIVED FROM PLATO AND ARISTOTLE? SOME NOTES ON THE TREATISE ON THE HARMONY BETWEEN THE TWO SAGESVolume 22, Issue 1Benjamin Gleede DOI: https://doi.org/10.1017/S0957423911000117Your Kindle email address Please provide your Kindle email.@free.kindle.com@kindle.com Available formats PDF Please select a format to send. By using this service, you agree that you will only keep articles for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services. Please confirm that you accept the terms of use. Cancel Send ×Send article to Dropbox To send this article to your Dropbox account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to Dropbox. CREATIO EX NIHILO – A GENUINELY PHILOSOPHICAL INSIGHT DERIVED FROM PLATO AND ARISTOTLE? SOME NOTES ON THE TREATISE ON THE HARMONY BETWEEN THE TWO SAGESVolume 22, Issue 1Benjamin Gleede DOI: https://doi.org/10.1017/S0957423911000117Available formats PDF Please select a format to send. By using this service, you agree that you will only keep articles for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services. Please confirm that you accept the terms of use. Cancel Send ×Send article to Google Drive To send this article to your Google Drive account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to Google Drive. CREATIO EX NIHILO – A GENUINELY PHILOSOPHICAL INSIGHT DERIVED FROM PLATO AND ARISTOTLE? SOME NOTES ON THE TREATISE ON THE HARMONY BETWEEN THE TWO SAGESVolume 22, Issue 1Benjamin Gleede DOI: https://doi.org/10.1017/S0957423911000117Available formats PDF Please select a format to send. By using this service, you agree that you will only keep articles for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services. Please confirm that you accept the terms of use. Cancel Send ×Export citation Request permission. (shrink)

According to the Myth of Er we are responsible for our character because we chose it before birth. But any choice is determined by our present character, sothere is an indefinite regress and we cannot be entirely responsible for our character. The Myth of Er can be seen as the first formulation of the problem of free will, which Aristotle demythologizes in Nicomachean Ethics III.5. Plato's solution is that freedom is compatible with causal determinism because it does not mean (...) indeterminism but rationality. The myth links the individual lives to the harmony of the spheres, so our lives are determined not by blind necessity, but by rational necessity that follows from the nature of the universe. Even so, the limitations of determinism prevent rationality from being a sufficient cause of happiness (although the opposite view is usually attributed to Plato), but it remains a necessary one. (shrink)

Frederick Bastiat’s last work was the Economic Harmonies, published in 1851. He died while completing it, and — though it had some uptake in the 19th century — in recent times scholarly interest has focused on his other work. In the Harmonies, he makes a remarkable claim: when properly understood, in a free market society all people’s economic interests are in harmony. If we consider that Karl Marx was arguing at the same time that those same societies are (...) afflicted by an endemic class struggle that can end only with the com-munist revolution, the contrast is sharp. In this paper, I explore Bastiat’s rationale for his claim, as a rejoinder to one of the influential arguments mounted by Marx against economic liberty. (shrink)

Since the 1990’s the rise of China provokes heated debates in the West. Numerous politicians and scholars, who study contemporary political affairs, pose the question, which will be the new role of China in international affairs? Many Western observers presume that China will act as the Western powers did in the past, promoting policy of domination, enslavement and gaining profits at all costs. The Chinese declarations on peace, co-operation, mutual interests, and harmony are often considered empty words, a certain (...) decorum of “real politics”, as it had been often practised in the West. An inquiry into the Chinese political and intellectual traditions, almost unknown in the West, challenges such widespread opinions and fears. Of course, it is an open question to which degree the traditional Chinese concepts will determine contemporary policy, since China had been westernised in enormous degree.Nevertheless, attitude to war, struggle, and competition constitutes one of the principal characteristics of each culture and appears closely related to its structure of values. Such attitudes determine political concepts and systems, foreign relations, norms of social life, etc. The analysis of Western and Chinese civilisations demonstrates that in this respect they represented divergent orientations. In Erich Fromm’s typology of societies, the Chinese culture could be considered non-destructive but aggressive, whereas Western civilisation could be called aggressive and destructiveOf course, there were great differences both within Chinese and within Western civilisations. Local/regional cultures belonging to each of them had their own characteristics in respect to struggle, and one could also notice great changes in the course of their histories. In general, at the dawn of these two civilisations, both of them were more or less bellicose, although in the cultures of the Chinese Central Plain “avoiding struggle” traits could be detected quite early. Appreciation of peace and harmony eventually prevailed with the predomination of the Confucian ideology, although Taoism and other schools of thought also condemned struggle and war. On the other hand, in the Mediterranean the bellicose cultures and war-mongering states prevailed. The beginning of this “great divergence” could approximately be dated for the middle of the 1st millennium BC, and the civilisations of East Asia and Europe took the opposite courses in theirsocial and political development. Struggle constituted a fundamental principle in the Western vision of the world-order, and its crucial archetype constituted the eternal struggle of Evil against Good, with the eventual triumph of God, who embodies Good and forces of Light. The Chinese tradition promoted instead the vision of the universe as one giant organism based on the principle of harmony, where Yin complements Yang. Hence both civilisations adopted the dualistic concepts, but one was antagonistic, and the second—complementary.In the 19th century, when Asian nations faced the colonial conquests, many of them tried to protect their independence and modernise themselves. For this end they tried to adopt not only Western armaments and military skills, but also Western bellicose ideology and values. Japan was obviously the champion of such a militarist course, but there were similar tendencies in China as well. Such bellicose ideology reached its apex there during the famous Maoist Cultural Revolution, when class struggle and bellicosity was exalted. The triumph of the Western bellicose approach and rejection of the traditional native heritage marked the century 1860’s–1960’s in China. However, after the unimaginable sufferings of the World War I and II, of Nazism and of communism, the West started to revalidate its traditions condemning war and violence. People started to appreciate peace and co-operation within and among nations. The United Nations and the European Union had been founded for such purposes: to promote peace and co-operation. However, the condemnation of wars did not halt military confrontation of the states, and the West still cultivates political ideologies, which propagate the “proper order” based on competition and struggle. Hence the concepts of multi-party democracy and of free market could serve as hallmarks of the West. In China, since the end of the 1970’s step by step the ancient ideological traditions have been appreciated again and the new concepts of peaceful and harmonious development evolved. At the beginning of the 21st century the Chinese leaders elaborated a new ideology of both harmonious domestic and international order aiming at peaceful development based on co-operation. Of course, there are still vivid the remnants of the previous Western-type approach of the brutal competition and of aggressive foreign policy.Notwithstanding divergent tendencies inside each of these civilisations, in general they both approach each other again, but this time in a common search for peace, cooperation and harmonious development. Their interpretations obviously differ, since in China such concepts are traditional, but rather new in the West, and in various respects both sides have different values and ideals. (shrink)

This article examines the right to commercial speech that has been read into the right to freedom of speech and expression under Article 19(1)(a) of the Constitution of India. Restrictions on this right are only permitted if they come within the ambit of the exhaustive list of reasonable restrictions under Article 19(2), under which public health is notably absent. Nevertheless, through the doctrine of harmonious construction, the Indian judiciary have adopted a purposive interpretation to circumvent the omission of public health (...) by carving up freedom of commercial speech into two parts: protected speech which furthers public interest and unprotected speech which is purely commercial. Moreover, the Indian courts have construed these provisions in light of the right to life under Article 21 and the health-related Directive Principles of State Policy under Part IV of the Constitution. This article concludes that judicial creativity in India has consistently been used in favor of protecting public health. (shrink)

Much has been made about the ways that implicit biases and other apparently unreflective attitudes can affect our actions and judgments in ways that negatively affect our ability to do right. What has been discussed less is that these attitudes negatively affect our freedom. In this paper, I argue that implicit biases pose a problem for free will. My analysis focuses on the compatibilist notion of free will according to which acting freely consists in acting in accordance with (...) our reflectively endorsed beliefs and desires. Though bias presents a problem for free action, I argue that there are steps agents can take to regain their freedom. One such strategy is for agents to cultivate better self-knowledge of the ways that their freedom depends on the relationship between their conscious and unconscious attitudes, and the way these work together to inform action and judgment. This knowledge can act as an important catalyst for agents to seek out and implement short- and long-term strategies for reducing the influence of bias, and I offer four proposals along these lines. The upshot is that though bias is a powerful influence on our actions, we need not resign ourselves to its negative effects for freedom. (shrink)

Fichte’s early review of C. A. L. Creuzer’s neglected and idiosyncratic skeptical book on free will posed a serious challenge to what at the time was emerging as a consensus Kantian position on the role of free choice in the generation of imputable action. Fichte’s review was directed as much against Reinhold’s important letter on freedom of the will as it was against Creuzer himself. In the course of his brief review, Fichte suggests an important recasting of the (...) strategy of the Kantian postulates of rational faith; he poses a dilemma for the Reinholdian understanding of the relationship among an autonomous practical will, a free power of choice, and the actions of natural human organisms; and he hints at a radical reappropriation of the rationalist doctrine of pre-established harmony in re-orienting the search for a defensible reconstruction of a broadly Kantian position on the problem of free will. (shrink)

I argue against a reading of Kant's moral theory according to which Kant proposes no substantial conception of the good. Against those who place Kant in the liberal tradition on the basis of his formal, 'neutral framework,' principles, I suggest that Kant's practical and political theory rests on a valuation of the practical and cognitive virtues of self-mastery , self-sufficiency, and regularity. The appeal of Kant's principles, and hence their chances of ever being put into action, accordingly lies not in (...) their fairness or reasonableness, but in their promise to make real repose, unity, and harmony. I support these claims by examining the role of interest in Kant's understanding of agency; by showing that the categorical imperative serves as a practical guide only on the understanding that it expresses and protects free rational activity, in which it assumes an interest; and by pulling together the scattered passages in which Kant describes the features and promises of free rational activity that have for us tremendous appeal. My investigation makes clear that such appeal, and the recognition of a conception of the good it expresses, is necessary if Kant's moral principles are to have the power to move he thinks they must. (shrink)

“I am me”, but what does this mean? For centuries humans identified themselves as conscious beings with free will, beings that are important in the cosmos they live in. However, modern science has been trying to reduce us into unimportant pawns in a cold universe and diminish our sense of consciousness into a mere illusion generated by lifeless matter. Our identity in the cosmos is nothing more than a deception and all the scientific evidence seem to support this idea. (...) Or is it not? The goal of this paper is to discard current underlying dogmatism (axioms taken for granted as "self-evident") of modern mind research and to show that consciousness seems to be the ultimate frontier that will cause a major change in the way exact sciences think. If we want to re-discover our identity as luminous beings in the cosmos, we must first try to pinpoint our prejudices and discard them. Materialism is an obsolete philosophical dogma and modern scientists should try to also use other premises as the foundation of their theories to approach the mysteries of the self. Exact sciences need to examine the world with a more open mind, accepting potentially different interpretations of existing experimental data in the fields of brain research, which are currently not considered simply on the basis of a strong anti-spiritual dogmatism. Such interpretations can be compatible with the notion of an immaterial spirit proposed by religion for thousands of years. Mind seems that is not the by-product of matter, but the opposite: its master. No current materialistic theory can explain how matter may give rise to what we call “self” and only a drastic paradigm shift towards more idealistic theories will help us avoid rejecting our own nature. (shrink)

The notion of the ‘free harmony of the faculties’ has baffled many of Kant's readers and also attracted much criticism. In this paper I attempt to shed light on this puzzling notion. By doing so, I aim to challenge some of the criticisms that this notion has attracted, and to point to its relevance to contemporary debates in aesthetics. While most of the literature on the free harmony is characterized by what I regard as an ‘extra-aesthetic (...) approach’, I propose ‘an aesthetic approach’ to the harmony. Such an aesthetic interpretation explains why aesthetic judgement, but not cognitive judgement, is based on a free agreement of the faculties in distinctively aesthetic terms. By contrast, an extra-aesthetic approach to Kant's aesthetic theory does not explain what it is in beautiful objects as beautiful that calls for a free agreement of the faculties. I argue that this approach is limited, and suggest an alternative to it by articulating the necessary reciprocity and explanatory interdependence between the form and value of beautiful objects and the form of the mental activity that underlies judgements of taste. My proposal is not only aesthetic, but also normative in its attempt to carve up a space for a distinct form of aesthetic normativity, the one that Kant describes as ‘free lawfulness’ or ‘lawfulness without a law’. I opt for a specifically normative variant of aesthetic interpretation because I believe that Kant is committed to the view of aesthetic judgement as normatively autonomous and irreducible. (shrink)

I argue that Nietzsche’s criticism of the Kantian theory of disinterested pleasure in beauty reflects his own commitment to claims that closely resemble certain Kantian aesthetic principles, specifically as reinterpreted by Schiller. I show that Schiller takes the experience of beauty to be disinterested both (1) insofar as it involves impassioned ‘play’ rather than desire-driven ‘work’, and (2) insofar as it involves rational-sensuous (‘aesthetic’) play rather than mere physical play. In figures like Nietzsche, Schiller’s generic notion of play—which is itself (...) influenced by Kant’s claim that aesthetic pleasure is orthogonal to desire-satisfaction—becomes decoupled from his (further) Kantian view that aesthetic play essentially involves a harmony of sensuous receptivity and rational spontaneity. The result, I suggest, is a self-standing opposition between desires and passions. This motivates a recognizably Romantic vision of aesthetic disinterestedness, as freedom from desire realized in a state of creative determination by passion. (shrink)

In this account of his mature thinking, Peter Marshall develops a dynamic and organic philosophy for the coming millennium which he calls liberation ecology. Liberation ecology is holistic in viewing the world as a harmonious whole and all beings and things as interwoven threads in nature's web. It is intuitive in recognizing intuition as the main source of knowledge and the imagination as the great organ of morality. It is ecological in seeing human beings as fellow voyagers with other species (...) in the magnificent odyssey of evolution. Above all, it is libertarian in seeking to release humanity, society and nature from their existing burdens so that they can unfurl and realize together their full potential. Exploring our strengths and possibilities, this book presents the ideas and values needed to ride the winds of change at this crucial stage in our development and in the history of the world. It provides a new philosophy for a new era, an uplifting and inspired vision which combines ancient wisdom and modern insights, reason and feeling, science and poetry, myth and the marvellous. It offers a guide for the future on how to rive in the most fulfilling way and how to create a genuinely free and sustainable society in harmony with nature. (shrink)

In Kant’s aesthetic theory, the association of ugliness with aesthetic ideas is not immediately apparent. Even more, it has been argued by most of Kant’s commentators that ugliness cannot express aesthetic ideas. In short, they claim that accordance with taste (i.e. free harmony between imagination and understanding) is a necessary condition for an aesthetic idea to be expressed in a way that makes sense to others. But if production of aesthetic ideas must be restrained by taste in order (...) to have meaning and if ugliness consists in a disharmony between imagination and understanding (i.e. discordance with taste), then it follows that ugliness must essentially be nonsensical. My aim in this paper is to propose a different interpretation of the relation between Kant’s notions of aesthetic ideas and taste such that it can accommodate an ugly aesthetic idea into the overall aesthetic picture. I will argue that even though ugliness does not conform to taste it is nevertheless related to taste and thus it remains consistent with Kant’s view that taste is required for the communication of aesthetic ideas. (shrink)

In the Critique of the Power of Judgment, Kant introduces the notion of the reflective judgment and the a priori principle of purposiveness or systematicity of nature. He claims that the ability to judge objects by means of this principle underlies empirical concept acquisition and it is therefore necessary for cognition in general. In addition, he suggests that there is a connection between this principle and judgments of taste. Kant’s account of this connection has been criticized by several commentators for (...) the reason that it leads to the ‘everythingisbeautiful’ problem. In this paper I argue, contrary to these objections, that both finding an object beautiful and acquiring the concept represent the satisfaction of the same principle of nature’s purposiveness, which refers to the same cognitive need we have, that is, to systematize experience. I avoid the ‘everything is beautiful’ problem by arguing that aesthetic reflection refers to the synthesis of object’s individual and distinctive properties, while logical reflection refers to the synthesis of object’s general properties that it shares with other objects of its kind. Because aesthetic purposiveness is different from logical purposiveness, this allows for the possibility that we can have an object of cognition, without finding this object beautiful. (shrink)

Purpose. Romanticism as a movement developed in Germany, where, becoming the philosophy of time in the 18th-19th centuries, spread to all European countries. The "mobility" of the Romantic doctrine, its diversity, sometimes contradictory views, attitude to man as a free, harmonious, creative person led to the susceptibility of this movement by ethnic groups, different in nature and mentality. Its ideas found a wide response in Ukraine with its "cordocentric" type of culture in the early nineteenth century. Since the peculiarity (...) of "Ukrainian Romanticism" was its "literary-centric" nature, the purpose of this study is to analyse and comprehend the place of man in the national philosophy and literature of this period. Accordingly, the main tasks of the work are as follows: to determine the main features, the nature of Ukrainian Romanticism; to trace the main vectors of comprehension and image of man in the literature of this time. Theoretical basis. The ideas of European Romanticism were creatively rethought and assimilated during the emergence of new Ukrainian literature. It provided samples of highly artistic works, unique names of talented writers – creators and thinkers, who in their works reflected the philosophy of time. Based on the works of F. Schlegel, partly E. Husserl, M. Heidegger, K. Jaspers, Romanticism in the Ukrainian humanities, in terms of philosophy, culturology, as well as at the intersection with literature, was studied by T. Bovsunivska, Y. Hrybkova, S. Efremov, N. Kalenichenko, S. Kozak, T. Komarynets, D. Nalyvayko, Y. Nakhlik, I. Ogorodnyk, V. Ogorodnyk, A. Sinitsyna, D. Chyzhevsky, M. Yatsenko, E. Kyryliuk, M. Biletsky, D. Dontsov, S. Efremov, G. Kostyuk, S. Krymsky, Y. Sherekh and others. Originality. The authors of the article prove that Romanticism in Ukraine, being "literary-centric" inherently, having absorbed the main ideas and features of European Romanticism, has its own features and vectors of formation and development. Man in this kind of movement, thanks to the means of art, appears very clearly as a spiritually rich, sensitive, vulnerable and strong person. For him or her, the highest value is freedom, the ability to make freely independent fateful decisions. Conclusions. Ukrainian writers, reflecting the philosophical ideas of Romanticism, saw in man a harmonious combination of "natural" and "social", through which he indirectly carries out his own national existence. In addition to the objective realities of the external world, in their works, Romantic writers appeal to the subjective, internal, spiritual, "ideal" world of the hero, who interacts with reality through his own system of values. At each level of development of the humanities and methodology of cognition, this allows a new reading of these works. (shrink)

Kant holds that it is possible to quarrel about judgements of beauty and cultivate taste, but these possibilities have not been adequately accounted for in the dominant interpretations of his aesthetics. They can be better explained if we combine a more subjectivist interpretation of the free harmony of the faculties and aesthetic form with a type of social constructivism. On this ‘subjectivist-constructivist’ reading, quarrelling over and cultivating taste are not attempts to conform to some matter of fact, but (...) rather to reconcile subjective perceptions through mutual interchange governed by the regulative goal of constructing a universal community of agreement. (shrink)

River water pollution by wastewater can cause significant negative impact on the aquatic sustainability. Hence, accurate modeling of this complicated system and its cost-effective treatment and reuse decision is very important because this optimization process is related to economic expenditure, societal health, and environmental deterioration. In order to optimize this complex system, we may consider three treatment or reuse options such as microscreening filtration, nitrification, and fertilization-oriented irrigation on top of two existing options such as settling and biological oxidation. The (...) objective of this environmental optimization is to minimize the economic expenditure of life cycle costs while satisfying the public health standard in terms of groundwater quality and the environmental standard in terms of river water quality. Particularly, this study improves existing optimization model by pinpointing the critical deficit location of dissolved oxygen sag curve by using analytic differentiation. Also, the proposed formulation considers more practical constraints such as maximal size of irrigation area and minimal amount of filtration treatment process. The results obtained by using an evolutionary algorithm, named a parameter-setting-free harmony search algorithm, show that the proposed model successfully finds optimal solutions while conveniently locating the critical deficit point. (shrink)

This chapter contains sections titled: The Gods Problem The Evolution of Free Will Is Our Starting Point So Gods Evolved Gods Are Hidden Inside Us The Godless Must Walk the Earth Gods Must Be Made Manifest Religion Mediates Between Free Will and Gods Living in Harmony With Our Actual Gods.

Lately, the attitude of philosophers generally toward the free will issue has taken what I regard as an inauspicious turn. Where the predominant opinion had been that determinism and freedom were at harmony with one another, today it is incompatibilism which seems to prevail, and new voices raised in defense of libertarianism now offer their promise that problems once thought prohibitive to an acceptance of contra-causal freedom might be surmounted. I shall attempt to show that this recent rejection (...) of compatibilism in fact rests on a mistake, and I shall suggest the outline of a solution to the free will issue which reconciles determinism and freedom.We shall say that an event is nomologically necessary if and only if given a specified set of conditions and the actually existing laws of nature, the statement of that event could in principle be deduced as the conclusion of a valid deductive argument having the statement of initial conditions and the statement of the relevant law as premises. (shrink)

What if subconscious brain processes are actually independent consciousnesses, each resembling an independent advisor whispering advice to the main consciousness, or “I”? This multi-consciousness model would support free will, as our choices are informed by other consciousnesses, not the subconscious. Each independent consciousness allows a movable perspective through its rich representation of the world and constantly seeks harmony and resonance between its internal concepts, other consciousnesses, external reality, and the genetic worm hole to the evolutionary past.

When we think of theories that attempt to root capitalism in nature, the one that comes most readily to mind is Social Darwinism. In this theory, nature - driven by Darwinian natural selection (the struggle for existence and the survival of the fittest) - is interpreted to imply, when applied to human activities, that extreme competition will allow the most "fit" competitors to rise to the top and to survive in this "struggle for existence," and this process of dog-eat-dog competition (...) leads to both material and social progress. Not only has this theory been shown to be seriously flawed, the putative social implications of Darwinian natural selection do not accord with the findings of contemporary neoDarwinists who maintain, for example, that the behavior of monkeys and apes reveals a blend of competition and cooperation and, generally, a close connection to human moral behavior. Adam Smith provides a more helpful view of the connection between nature and capitalism. He maintains that nature's wisdom, as seen in its harmony and balance, is displayed in economics and human nature. Competitive free enterprise, as a vehicle for exchange, functions within a cooperative context and exhibits virtues and values such as mutual help and benefit, trust, harmony, and friendship. I shall show that neoDarwinists agree with Smith's view that nature supports a connection between competition and cooperation, and they maintain that moral activity, rather than destructive dog-eat-dog competition, is necessary to achieve the goals of natural selection. (shrink)

Bioscience ethics facilitates free and accurate information transfer from applied science to applied bioethics. Its major elements are: increased understanding of biological systems, responsible use of technology, and attuning ethnocentric debates to new scientific insights. Pioneered by Irina Pollard in 1994, bioscience ethics has become an internationally recognized discipline, interfacing science and bioethics within professional perspectives such as medical, legal, bio-engineering, and economics. Written for students and professionals alike, the fundamental feature of this book is its breadth, important because (...) bioscience ethics interweaves many diverse subjects in the process of gathering specialist scientific knowledge for bioethical review. It contains chapters which embrace topics affecting human reproduction, end-of-life care and euthanasia, challenge human-dominated ecosystems, and review population growth, economic activity and warfare. A background section describes the evolution of ethical consciousness, explores the future, and proposes that the reworking of ethical boundaries can enhance mature decision-making in harmony with changing technology. (shrink)

The body of this essay is free of philosophical jargons. Since however some readers are accustomed to thinking about the free-will problem in terms of the compatibilism/incompatibilism divide, I wish to briefly comment on why this emphasis is not very helpful. If by “freedom” one means that a person’s will is the ultimate choicemaker free from prior causes, then the position of this essay is that “freedom is incompatible with determinism”; but if by “freedom” one means that (...) there is harmony between the intended consequences of a choice and the nature of the choice-maker, the position of this essay is that “freedom is compatible with determinism.” This illustrates that unless there is first an agreement on what is meant by “freedom,” it is premature to put the focus on whether freedom is compatible with determinism. (shrink)

In present times, the notion of beauty finds itself in a strange situation. On one side, it has undergone a sort of new renaissance since the last decades of the XX century, thanks to the works of several philosophers and aestheticians. On the other side, it is a common loci both in aesthetics and art history that beauty has disappeared from modern and contemporary art, especially when visual arts and instrumental music are concerned. One of the most effective arguments in (...) sup-port of this thesis maintains that there is no connection between normative and descriptive judgments of beauty. I am going to argue that such connection exists, and that it lies in the intermediate role played by the properties of harmony and appropriateness, which belong to the aesthetic as well as to the non-aesthetic realm. This will help us to free the notion of beauty from the charges of ambiguity and abuse, and to restore its relevance in XX and XXI centuries arts. (shrink)

English summary: Am I free? Is this not the most fundamental question for all humans? For Spinoza, for us to be free, we must first free ourselves from the illusion of freedom; between determinism and free will is true freedom. Through Spinozas philosophy of desire and reason, the idea of living with our desires without being a slave to them allows us to come closer to answering the question of whether or not we are free. (...) French description: Suis-je libre? N'est-ce pas la question la plus fondamentale que se pose l'etre humain? Car de la reponse que chacun se donne depend la maniere de vivre et de penser. Or, il y a pour Spinoza un risque majeur: tomber dans l'illusion de la liberte. C'est le pire prejuge, la plus dangereuse erreur; se croire libre alors qu'on ne l'est pas. Pour etre veritablement libre, nous dit Spinoza, il faut avant tout se liberer de l'illusion de la liberte! Il n'y a pas ici de paradoxe mais une exigence de la pensee: entre le determinisme et le libre arbitre, il y a la vraie liberte. Ainsi la liberte est un combat contre le pessimisme du je n'y peux rien et l'optimisme du je fais ce que je veux. Si la liberte est une realite fondamentale de la nature humaine, elle est aussi une exigence permanente. Suis-je libre? C'est la question qu'il faut se poser tout au long de sa vie. Pour cette tache difficile mais passionnante, Spinoza est a mon sens indispensable. Des ma decouverte de la philosophie, j'ai voulu comprendre de quelle maniere Spinoza, le philosophe du desir et de la raison, nous parlait de liberte. La liberte individuelle d'abord: comment vivre avec ses desirs sans en etre esclave mais sans y renoncer? La connaissance nous aide et la necessite ne s'oppose plus a la liberte. La liberte politique ensuite: comment vivre en societe avec sa personnalite mais en harmonie avec les autres? La raison nous aide et la paix ne s'oppose plus a la liberte. Dans les deux cas la liberte est possible sans aucune aide, sans aucun ideal, sans aucune reference transcendante, a partir de la seule Terre et de la vie reelle de l'homme. Dans ma vie personnelle comme dans mon engagement collectif, les idees de Spinoza m'ont toujours guide, eclaire, libere. Elles me conduisent encore. Je dois d'ailleurs remercier Andre Comte-Sponville et Marcel Conche qui m'ont grandement aide a m'orienter sur ce chemin, des ma jeunesse. La liberte est une lutte infinie, nous dit Spinoza, la plus belle des luttes. J.F. Robredo. (shrink)

This paper introduces a comprehensive theoretical framework that integrates quantum mechanics and metaphysical philosophy to investigate the intricate relationship between cosmic order and governance. In an effort to transcend the traditional divide between science and philosophy, this study establishes its foundations in mathematical formalism and empirical analogies, thereby mitigating the risk of philosophical overreach often associated with theoretical physics. The proposed framework reimagines quarks as fundamental nodes within a cosmic information network, governed by the principles of quantum chromodynamics (QCD) and (...) non-local coherence, offering a novel perspective on the interconnectedness of physical phenomena. Central to this exploration is the development of a Nash equilibrium model, which balances deterministic constants (α), probabilistic variables (β), and stochastic noise (γ), drawing inspiration from quantum indeterminacy and theological notions of free will. Furthermore, the study fosters interdisciplinary dialogue by bridging ancient and modern philosophical paradigms—such as Platonic Logos, Penrose’s twistor theory, and Quranic qadar —through carefully constructed thought experiments and analogies, ensuring a clear distinction between empirical observations and metaphysical interpretations. The research concludes by proposing future experimental directions, including collider tests and quantum sensor arrays, aimed at grounding the Cosmic Control Panel model in empirically verifiable science. By challenging reductionist paradigms while upholding theoretical humility, this study lays the groundwork for a rigorous and testable interdisciplinary framework, paving the way for deeper insights into the harmonious interplay between cosmic determinism and human agency. (shrink)

This paper aims to clarify how, as Fichte himself claims in a 1800 letter draft, the theory of intersubjectivity he presents in the 1800 Vocation of Man marks an improvement over the theory he presents in the 1798 System of Ethics. Taking my departure from Marco Ivaldo’s suggestion that Fichte ceases to rely on the “good” but still “rather dogmatic” Leibnizian hypothesis of preestablished harmony in the former work in the way that he does in the latter, I argue (...) that the difference lies in his no longer counting on the hypothesis to secure the agreement of each of our worlds and our perception of each other’s actions in it. Fichte attempts to dispense with this last vestige of dogmatism in the Vocation of Man by employing the ethical drive in its material determinateness (in other words, each of our final end) as a transcendental ground for the agreement of our worlds, and thereby the possibility of intersubjectivity. The communal conception of our final end which Fichte develops in the last part of the System of Ethics prepares it for its role as such a ground. For it is in the demand of the “voice of conscience” in us to co-operate with others to bring about “one great free moral community” that he finds in the Vocation of Man a transcendental source and basis for our conviction that the worlds of others’ perceptions agree with the world of our perception. (shrink)

The last centuries before the beginning of the Christian era, the first centuries after that, were enveloped in the history of mankind as a period of the total crisis and the decline of the Greco-Roman civilization, a crisis that covered virtually all spheres of the social life of the Roman world and which, as ever before, experienced almost every one, whether he is a slave or a free citizen, a small merchant or a big slave or an aristocrat. As (...) a reaction to the crisis, in various parts of the empire the civil wars and the slavery uprising erupt in different parts of the empire. Under such conditions of life, the world around itself no longer seemed to man to be self-sufficient, harmonious, stable, "good" and warded by a cohort of traditional deities. Yes, and the gods themselves were now turned out to be incapable, unable to change the unceasing flow of fatal doom. (shrink)

Hefty and serious—that is how this book feels when you pick it up. That was my subjective aesthetic experience anyway. Aesthetic judgment is, after all, one key to assessing our thoughts and perceptions. More on that soon, as you might expect.Hefty and serious also describes the questions with which the volume grapples: Is there, or can there be, a clear American Aesthetics, not merely aesthetics practiced by Americans? What would that look like? How would such a process affect the minds (...) and actions of Americans?The answers? It's complicated.The twenty essays in this volume trace the possibility of an American Aesthetics from foundational ideas of the past to the contemporary landscape. The goal is not only articulating an aesthetics that is distinctively American—aesthetics as a method for examining the arts and the artful—but also the possibility of aesthetics as a dynamic tool for pursuing a flourishing life within our hyper-capitalist, consumerist culture.Constant amongst the scholars gathered here is the assertion that aesthetics is not an abstract academic pursuit interesting only to the privileged and interested few but rather that aesthetics is the key element in the human pursuit of meaning and purpose in our lives. Aristotle would approve!Speaking of ancestors, the scholars here trace the work of grandparents such as Ralph Waldo Emerson, Charles Pierce, and William James, and parents such as the pragmatist John Dewey and the process philosopher Alfred North Whitehead. (Whitehead is from the UK but “American” in that he died in the US after a long career at Harvard and wrote his magnum opus, Process and Reality, in the US.) From these ancestors, the scholars gathered in this volume see a path forward: Art as conscious experience, as Dewey posited, and/or art as committed immersion in the process, as Whitehead claimed.Whitehead's process approach—process aesthetics—reminds us that each moment of our experience in this at once mundane and amazing world is an occasion of beauty and a telos—each moment is in the larger process of reality quite literally our last.William James attempted to map how we might free ourselves from the everyday and from everyday-ness: “We are stuffed with abstract conceptions, and glib verbalities and verbosities and in the culture of these higher functions the peculiar sources of joy connected with our simpler functions often dry up” (109). Yet, according to James, there is hope due to the fact that we human beings seek art and do art first and foremost because we enjoy it.Enjoyment was not the angle from which John Dewey approached the subject. According to Dewey our aesthetic reactions and interactions create the experience of art (and life) that re-accesses “an underlying harmony... that we vaguely remember” (112). For pragmatists, noticing a “thing” is entering a relationship with that thing, what David Strong terms in his essay, “correlational coexistence” (371).From these building blocks the scholars assembled propose ways to change US culture from one prone to ask, “What does it do?” into one in which it is increasingly possible to ask, “What does it mean?” This would be a fundamental shift in the dominant paradigms in US culture.How to get there? Randall E. Auxier offers a concise definition of “bad”—bad is something that is “lifeless and too much indebted to the actual.” My attempts at singing fall into that category, as do many American experiences conceived in the mode of what they do, not what they mean.That works of art escape or repel descriptions of their constitutive elements has proven to be a persistent philosophical conundrum through the centuries, as has the question of whether human feelings create an object or an object creates feelings, or both/and—Dewey's interaction of “organism and environment.” From whichever philosophical direction we approach this crux, aesthetic thinking can lead us to recognize and experience the inwardness of what we view as things—objects—and this examination can realign our personal axiology—our personal valuation of reality—the “ten thousand things” of ancient Chinese philosophy.Several authors cite Suzanne Langer's theory of symbol, broadening the scope of “art” well beyond Art with a capital A into the aesthetic and the ritualistic.The scholars gathered here are optimistic that aesthetic examination can create more of those rare moments (moments art can reliably create) in which our very being adjusts to the reality of existence, and we feel exhilarated and a part of the whole process of existence. We call this “nirvana” or “enlightenment.”That is another thing that feels hefty about this volume: the persistent optimism among the scholars that psychic wholeness and human flourishing are possible for more Americans. Robert S. Corrington terms this the “selving process,” roughly what Carl Jung termed “individuation.” This collection adds up to much more than the sum of its parts, as one idea inflected in a particular way by one author sparks off the same idea approached from a different perspective in another. This collection contains scholars on the cutting edge of process theology, pragmatism, aesthetics, and religion, many of whom are adept at crossing the traditional fences between academic fields. The US needs an American Aesthetics. As American poet William Carlos Williams wrote,It is difficultto get the news from poems yet men die miserably every day for lackof what is found there. (shrink)

Most economists believe capitalism is a compromise with selfish human nature. As Adam Smith put it, "It is not from the benevolence of the butcher, the brewer, or the baker, that we expect our dinner, but from their regard to their own interest." Capitalism works better than socialism, according to this thinking, only because we are not kind and generous enough to make socialism work. If we were saints, we would be socialists. In Why Not Capitalism ?, Jason Brennan attacks (...) this widely held belief, arguing that capitalism would remain the best system even if we were morally perfect. Even in an ideal world, private property and free markets would be the best way to promote mutual cooperation, social justice, harmony, and prosperity. Socialists seek to capture the moral high ground by showing that ideal socialism is morally superior to realistic capitalism. But, Brennan responds, ideal capitalism is superior to ideal socialism, and so capitalism beats socialism at every level. Clearly, engagingly, and at times provocatively written, Why Not Capitalism? will cause readers of all political persuasions to re-evaluate where they stand vis-à-vis economic priorities and systems—as they exist now and as they might be improved in the future. (shrink)

Kant holds that when we judge a thing beautiful, we do so from no other basis than our pleasure in the contemplation of the object, while at the same time, we presume to judge with validity for everyone. To explain how this is possible is the task of what he calls the critique of taste. I distinguish among three kinds of explanation that Kant offers. One is a theoretical account of the mental state from which judgments of taste supposedly arise--what (...) Kant describes as a harmonious free play of the cognitive faculties. Another kind of explanation, made on the basis of the first, is an attempted "deduction" or proof of our right to make judgments of taste. I argue that Kant's theory of harmonious free play has little in the way of either content or plausibility, rendering his attempt to derive the universal validity of judgments of taste from it otiose. The main interest of his critical effort, I find, lies in the descriptive and analytical part of his account of judgments of taste, specifically in his attempt to comprehend both their subjective character and their claim to universal validity. The first of these he understands as consisting in the judgment's being based in feeling; the universality-claim he understands as a normative requirement. I argue that no interpretation can be faithful to these basic tenets of Kant's analysis without also accepting his curious conclusion that the act of judging in some sense "precedes" the very feeling of pleasure on which it is said to be based. I attempt to make sense of this conclusion in terms of the peculiar kind of consciousness of pleasure involved in such a judgment. (shrink)