This chapter contains sections titled: Hunting as the Pursuit of Wild “Life” Carnal Bonds and the Way of All Flesh Saintly Chewing and the Corruption of the Flesh The Vital Paradox: The Acceptance of Death as Affirmation of Life Notes.

The history of the sublime within aesthetics has tended to focus on the natural world. Within this history, the sublime has been a category reserved for awe-inspiring and overwhelming experiences, in which the finite subject is dwarfed by a more expansive force. Despite subjectivity being foremost in this topic, what has been overlooked, is the role the body plays in being the centre of aesthetic experience. In this paper, I will turn the tide on this omission and thematize the role (...) of the body within the experience of the sublime. My plan for reconsidering this movement is to unite Werner Herzog’s Aguirre, Wrath of God with the late thought of Merleau-Ponty, especially his enigmatic notion of "flesh". In both Herzog and Merleau-Ponty, a philosophy of nature exists which challenges the dichotomy between the autonomous self encountering the objective realm of wilderness. In each case, an ambiguity undercuts the idea of wilderness existing "there" while human subjectivity remains placed "here." I will "read" the film as an instant of the chiasmatic relation between nature and humanity. Doing so, I will suggest that the reversibility between the body and the environment can be seen as an amplification of Merleau-Ponty’s notion of "wild being". (shrink)

In the literature on medical ethics, it is generally admitted that vulnerable persons or groups deserve special attention, care or protection. One can define vulnerable persons as those having a greater likelihood of being wronged – that is, of being denied adequate satisfaction of certain legitimate claims. The conjunction of these two points entails what we call the Special Protection Thesis. It asserts that persons with a greater likelihood of being denied adequate satisfaction of their legitimate claims deserve special attention, (...) care or protection. Such a thesis remains vague, however, as long as we do not know what legitimate claims are. This article aims at dispelling this vagueness by exploring what claims we have in relation to health care – thus fleshing out a claim-based conception of vulnerability. We argue that the Special Protection Thesis must be enriched as follows: If individual or group X has a greater likelihood of being denied adequate satisfaction of some of their legitimate claims to physical integrity, autonomy, freedom, social provision, impartial quality of government, social bases of self-respect or communal belonging, then X deserves special attention, care or protection. With this improved understanding of vulnerability, vulnerability talk in healthcare ethics can escape vagueness and serve as an adequate basis for practice. (shrink)

This paper attempts to draw out the political import of Merleau-Ponty’s ontology of the flesh, by engaging the critique levelled against it by his student and literary executor Claude Lefort. In suggesting a tension in Merleau-Ponty’s work that obscures alterity, Lefort seems to miss the rich political import of Merleau-Ponty’s ontology of the flesh. Founded in his development of the concepts of écart and reversibility, Merleau-Ponty’s ontological position breaks with many of the standard tenets of political thinking, and (...) offers a multifaceted conception of alterity. I will suggest that Lefort’s own claim to alterity buckles under the immanent weight of his critique of Merleau-Ponty, offering at best a conception of otherness limited to a self-relational non-identity. This conception ultimately fails to adequately consider the relations existing between different beings-in-the-world. In thinking being as flesh, Merleau-Ponty offers us an ethico-political optic that attempts to think alterity and ontology in a manner that unhinges us from our closed and autonomous being, opening us to the world, others and to the non-identical becoming that characterizes being as such. (shrink)

Technology has been at the centre of existentialist (e.g. Heidegger) and sociological (e.g. Marcuse) critique for a long time. The latest versions of criticism rely on the results of “science and technology studies”: they argue that essentialist conceptualisations of technology should be replaced while aiming at “democratizing technology” (e.g. Feenberg). However, even these approaches are characterised by a shortcoming when it comes to providing a normative basis: as contemporary technology intermeshes with the elementary levels of existence (such as perception or (...) cognition), it remains in the blind spot of those users, who could “democratize” it through their critique. Accordingly, the formal normative bases (e.g. the one provided by Feenberg, who relies on Habermas’ democracy principle), need to be complemented with substantive claims. For this purpose, a phenomenological-existentialist framework is elaborated with the help of Merleau-Ponty and Levinas. It is argued that due to the ongoing expansion of social systems relying on various forms of technology (Luhmann), the “mediated flesh” becomes rigid. By losing the plasticity of the chiasm, subjects are exposed to existential crises unmanageable by mere technology (e.g. mental disorders). Such experience of technologically induced social suffering could serve as a normative basis for criticising the over-expansion of technology. (shrink)

Human flesh search engine can be a double-edged sword, bringing convenience on the one hand and leading to infringement of personal privacy on the other hand. This paper discusses the ethical problems brought about by the human flesh search engine, as well as possible solutions.

In lieu of an abstract, here is a brief excerpt of the content:Flesh in Public:Eros and Political TransformationBethany HenningAmerican Sexual CrisisWe live in a time of erotic dysfunction: In 2020, and again in 2023, there was a brief media frenzy in the wake of studies published by UCLA that concluded that Gen Z is having statistically less sex than millennials did in their formative years. The generational angle made for good headlines, but the same surveys indicated that people of (...) all ages are having less sex than they used to (Herbenick et al.; Wellingham). We needn't work hard to identify likely factors that might have led us here. The pandemic undoubtedly shifted our tolerance for closeness and contact, which has only reinforced the proliferation of technological commodities (devices, apps, platforms) that have made isolation ever more convenient. These studies also found an increase in "rough sex" (inclusive of choking) when people do manage to have sex—which is enough to generate a separate paper pondering the relationship between aggressiveness in the American psyche, the apparent anti-feminist backlash to the #MeToo movement, or it has given some a need to fetishize/work through profound feelings of powerlessness that arise in other domains of life (Skinner and Gottfried). But I tend to think that the recent decrease in sexual activity is the symptom of a wider pathology that should be understood as an "erotic depression."In 1998, as Queer Theory was just beginning to achieve a narrow but resolute foothold in academic life, Lauren Berlant and Michael Warner wrote "there is nothing more public than privacy" (Berlant and Warner 548). This aporetic statement develops into their central claim that our negotiation of the commons is structured by a "core national culture" that "can be imagined as a sanitized space of sentimental feeling and immaculate behavior" through the mechanism of "national heterosexuality." National heterosexuality (distinct from though similar to Adrienne Rich's "compulsory heterosexuality") [End Page 51] is the tacit assumption that family life with its reproductive and consumptive activities is the arrangement that authorizes/redeems desire. If this is the tacit assumption that structures public space, we needn't go through the trouble to represent sexual desires and practices in public. We then assume that normal, healthy sexuality occurs in private. The content of intimate life is presupposed, and protection of this private life and its material pleasures is the central concern around which American politics is organized. For Berlant and Warner, differentiating between what is "public" and what is "private" isn't thoroughly explicated. In The Public and Its Problems, Dewey offered a functional distinction between the private as transactions between individuals that are "immediately and directly engaged," and the public as the as-yet-inchoate collection of individuals that are affected by the "indirect consequences" of a private transaction (LW 2:244). The public, in other words, coheres on the basis of a problem that emerges while their attention is engaged elsewhere—presumably by their own private transactions. But, if that public is to cohere and advocate for itself, fellow-sufferers must find a way to recognize one another as such and then organize around their shared interest. The impediments to queer liberation thus indicate a general hurdle in democratic life: The search for the public involves qualitative work in an affective field that is troubled by the repressive mechanisms that split the private and the public into a strict dichotomy—if the dominant customs repress the crucial affective capacities of the inchoate public, would-be political movements are repressed before suffering can be expressed.If sexual life can be thought of as one possible expression of erotic perception, and if the Deweyan can accept an analogue between erotic perception and what Dewey calls "qualitative thought," then our erotic deficits amount to a diminished sensitivity and a failure of sensual attentiveness to a crucial layer of experience as a whole. Democratic life withers when we fail to perceive the connection between what we do and what we suffer. Without these rhythms of reciprocal response, the live creature becomes hopelessly alienated. The work of Dewey and of Merleau-Ponty represent some of the most successful attempts to think ecologically, because they are willing to take... (shrink)

The article aims at elaborating a non-speculative concept of social pathology. In the first section, various conceptualizations (e.g. Habermas, Honneth) are critically revaluated. It is argued that (a) applying the originally medical concept of ‘pathology’ on social entities has untenable connotations (due to the lacking social equivalent of death); (b) grounding social pathology on the level of ‘social suffering’ is not in accordance with the actors’ horizon shaped by biomedical- and psy-discourses. To avoid these dead-ends, social pathologies are reinterpreted as (...) structural distortions causing diseases or mental disorders. To refine this initial definition, in the second section, Merleau-Ponty’s concept of chiasm is used as an ontological framework translating between medical and social diagnoses. The proposed concept of social pathology refers to those patterns of disrupted pre-intentional, intentional and mediated intertwining, which manifest as ill or psychopathological chiasm. In the third section, two case studies are elaborated: the intersubjective structures of depressed and asthmatic chiasm. Finally, the implications for critical theory and praxis are overviewed. (shrink)

The Flesh of Images: Merleau-Ponty Between Painting and Cinema, by Mauro Carbone, is his third book in a body of work interpreting Merleau-Ponty’s ontology of Flesh: The Thinking of the Sensible: M...

The paper explores the difference between semiology and hermeneutics of pain and suffering by focusing on narrativity and the body. First, it recapitulates some historical distinctions between explaining and understanding in the context of psychopathology. It shows how the hermeneutic method culminates in the idea of the cohesion of life, constituted through biography and narrative. The second section deals with the relationship between narrativity and selfhood in stories of suffering. The third part addresses the problem of the lived body and (...) the ante-predicative embodiment of suffering and pain, which fuse with the ambiance, coloring the lifeworld. (shrink)

Flesh of My Flesh is a collection of articles by today's most respected scientists, philosophers, bioethicists, theologians, and law professors about whether we should allow human cloning. It includes historical pieces to provide background for the current debate. Religious, philosophical, and legal points of view are all represented.

In this paper I attempt to develop several ways Merleau-Ponty's ontology might contribute to an environmental ethic through a redefinition of his concept of flesh in terms of a general theory of affectivity. Currently accepted interpretations of the concept such as those in Abram, Toadvine, Barbaras, and Dastur rely upon conceiving flesh as a perceptual experience. I contest this interpretation and argue that a more productive conception of flesh emerges when understood in terms of Heidegger's philosophy. The (...) paper concludes with a consideration of the normative significance of flesh by examining the role of “wildness“ within a place-based ethic. (shrink)

A groundbreaking search for the origins of this expression, Flesh Becomes Word traces the scapegoat to its origins in Mesopotamian ritual across centuries of typological interpretation and religious reflection, to its first informal uses in ...

Everyone can agree that the mystery of the Incarnation is difficult to believe and to understand, and yet it is precisely what Christians do not cease to profess. The most innocent questions concerning the “carnal consistency” of the Resurrected One today are omitted for want of a suitable and contemporary anthropology for us to ask them. But that a body made of “flesh and bones” can indeed now claim to appear and reappear in what we ordinarily call a horizon (...) of reality or objectivity goes against our faculties of thought and even imagination. Philosophy must aim to render comprehensible this mystery of a God made body. (shrink)

This book models an ex-centric orientation to the study of modern formation as the study of the hyper-signification of difference as racialization/racism. As Black flesh came to be identified as persistent baseline for difference, it opens windows onto mimetic translations of all modern subjectivities.

This essay explores how Paul Ricoeur analyses the body as both flesh and text. Beginning with a phenomenology of embodiment and life in his early philosophy of the will, after his hermeneutic turn in the 1960s he concentrated more on the mediation of flesh through textual interpretation and language. This led Ricoeur beyond Husserl and Levinas and closer to the work of Merleau-Ponty. His later writing opens horizons for rethinking the ‘flesh of the world’ in new ontological (...) and ethical ways. (shrink)

The present paper argues that Merleau-Ponty’s notion of Flesh/reversibility intellectually is significantly flawed, and leads phenomenology into something of a dead end. This is shown through the following strategy. First Merleau-Ponty’s account of originary perception and his critique of the reflective attitude are expounded. They are shown to culminate in rejection of the subject-object relation as an ontological fundamental in favour of a ‘hyper-reflective method’. A critique of Merleau-Ponty’s position is then offered. It argues that originary perception is not (...) logically prior to reflective thought, and that Merleau-Ponty fails to do justice to the scope of the subject-object relation. Specifically, he overlooks the way in which the relation is the basis of our practical perceptual orientation. It is then shown how this relation actually pervades Merleau-Ponty’s own all-important ‘hyper-reflective’ alternative – the notion of ‘Flesh’. Possible counter-arguments are considered and refuted. The.. (shrink)

Not all homo sapiens are human subjects. This paper explores the lived experience of homo sapiens but not human that I call “lived flesh.” A lived experience/distinction that shouldn’t be possible on Merleau-Ponty’s account of human subjectivity in Phenomenology of Perception and “The Intertwining – The Chiasm.” The use of flesh is deliberate and emerges from my engagement with Merleau-Ponty’s Phenomenology of Perception and “The Intertwining – The Chiasm” through Toni Morrison’s Beloved, Hortense Spillers’ “Interstices: A Small Drama (...) of Words” and “Mama’s Baby, Papa’s Maybe: An American Grammar Book,” Amber Musser’s Sensual Excess: Queer Femininity and Brown Jouissance, and Audre Lorde’s Zami: A New Spelling of My Name. The affective, experiential, and ethical practices of american Blackwomxn in these texts problematize Merleau-Ponty’s account of human subjectivity and his account of the generality of Being (“The Intertwining – The Chiasm”). Merleau-Ponty’s effacement of raced, sexed, and gendered difference results in a construct of the human subject that cannot include all homo sapiens. (shrink)

Volume 3, Issue 1, March 2019, Page 81-85.

In lieu of an abstract, here is a brief excerpt of the content:632 Feminist Studies 42, no. 3. © 2016 by Feminist Studies, Inc. Nikki Lane Bringing Flesh to Theory: Ethnography, Black Queer Theory, and Studying Black Sexualities As Dorothy Hodgson tells us, the most common features of an ethnographic project involve “talking to, participating with, and observing the people who produce... texts, exploring the contexts of their ideas and actions, and often studying how their situations, ideas, and actions (...) change over time.”1 Practically, this often involves spending months, and more often years, in a particular field site, where one develops relationships with members of the group, community, or institution being studied. Ethnographers are positioned in a place to observe, but also place their bodies on the line—participating, when possible, in the quotidian practices of the group. This observation and participation is captured in the form of “field notes” that may relay in the form of “thick description,” what the ethnographer sees as she observes and participates in various cultural and social practices.2 As such, ethnography requires reflexivity because the ethnographer must constantly consider how her body is affecting and is effected by the communities and institutions in which she is embedded. The benefit of this reflexive ethnographic approach is that, as Faye Ginsburg notes, it “has the capacity to reveal the fault lines in 1. Dorothy Louise Hodgson, “Of Modernity/Modernities, Gender, and Ethnography,” in Gendered Modernities: Ethnographic Perspectives, ed. Dorothy Louise Hodgson (New York: Palgrave, 2001), 17. 2. Clifford Geertz, The Interpretation of Cultures: Selected Essays (New York: Basic Books, 1973). Nikki Lane 633 communities, social movements, and institutions, which frequently run along class, race, and generational lines, and that might easily be missed by more deductive and quantitative methodologies.”3 MarlonM.Bailey’s ButchQueensUpinPumps, Jafari S. Allen’s ¡Venceremos?, Mignon Moore’s Invisible Families, and Mireille Miller-Young’s A Taste for Brown Sugar represent an exciting trend within an interdisciplinary body of research that I am referring to as Black sexuality studies. What links these projects is their use of ethnographic methodologies to understand how Blackness informs racialized gender and sexuality in the everyday experiences of their interlocutors. In relying on ethnography, to varying degrees, they are in conversation with and expand upon methodological trends within Black feminist studies and Black queer studies. Further, the Black sexuality studies projects reviewed here question the (hetero)normative bent within the field of African American studies, the normatively white subject position that exists within queer theory, and the lack of attention to issues of sexual pleasure within Black feminist theory. They also challenge theorists of race and sexuality to move 3. Faye Ginsburg, “Ethnography and American Studies,” Cultural Anthropology 21, no. 3 (2006), 492. Books Discussed in This Essay¡Venceremos? The Erotics of Black Self-making in Cuba. By Jafari S. Allen. Durham, NC: Duke University Press, 2011. Butch Queens Up in Pumps: Gender, Performance, and Ballroom Culture in Detroit. By Marlon M. Bailey. Ann Arbor: University of Michigan Press, 2013. Invisible Families: Gay Identities, Relationships, and Motherhood among Black Women. By Mignon Moore. Oakland: University of California Press, 2011. A Taste for Brown Sugar: Black Women in Pornography. By Mireille Miller-Young. Durham, NC: Duke University Press, 2014. 634 Nikki Lane in the direction of interrogating the flesh, because they go to the site— the place where the body acts, feels, and engages the world—asking the simple question articulated best by E. Patrick Johnson: “What is the utility of queer [or feminist] theory on the front lines, in the trenches, on the street, or anyplace where the racialized and sexualized body is beaten, starved, fired, cursed—indeed, where the body is the site of trauma?”4 In my discussion of these texts, I will focus on how each utilizes ethnographic methodologies in distinct ways. I will argue that regardless of how they employ ethnography’s methods, they make two very important contributions to fields of Black feminist theory and Black queer theory. First, they add information about the lived experiences of Black sexual subjectivity to the ethnographic record. By adding these experiences to the record, they become part of the limited but growing body of available knowledge about the everyday experiences of Black people within the African... (shrink)

_Highlights Merleau-Ponty’s interest in film and connects it to his aesthetic theory._.

What does it mean to say that “I am always on the same side of my body” if the body is understood as flesh? This question of sidedness, and specifically of perspectival unilaterality, in Merleau-Ponty’s ontology leads to a careful sorting of the various relational metaphors that he deploys across his oeuvre, including reversibility, intertwining, possession, encroachment, incorporation, promiscuity, and many others. Curiously, each of these notions implicates a different image of sidedness, from sides that are impermeable in themselves (...) but nonetheless interwoven with those of other bodies, to sides that are porous, interpenetrated, incorporable, and yielding. Ultimately, it is suggested with reference to Merleau-Ponty’s ontologically anticipatory concept of le schèma corporel that unilaterality is not a necessary feature of incarnate subjectivity after all, but is instead one of the last specters of modern metaphysics, haunting Merleau-Ponty’s thinking still. Insofar as perspectival individuation is a function of the dynamic operations of actual body schemas rather than a logical, topological, or ontological given, subjectivity will be essentially promiscuous rather than merely reversible, moving in and out of bodies, overflowing its own body, taking in the bodies of others, leaking into and absorbing the flesh of the world, at times to the point of indivision.Quel est le sens de cet énoncé : « Je suis toujours du même côté de mon corps » lorsque le corps est compris comme chair? Cette question de l’unilatéralité, en particulier celle de l’unilatéralité perspectivale, dans l’ontologie de Merleau-Ponty, conduit à une utilisation précise d’un ensemble de métaphores variées qu’il déploie dans son oeuvre, telles que la réversibilité, l’entrelacement, la possession, l’empiètement, l’incorporation, la promiscuité et bien d’autres encore. Curieusement, chaque notion implique une image d’unilatéralité différente, depuis les côtés qui sont imperméables en eux-mêmes mais néanmoins entrelacés avec ceux des autres corps, jusqu’aux côtés qui sont poreux, interpénétrés, incorporables, malléables. En définitive, il semble que la référence anticipée au concept de schéma corporel montre que l’unilatéralité n’est pas, après tout, un élément nécessaire de la subjectivité incarnée, mais plutôt un des derniers spectres de la métaphysique moderne qui hante le style de la pensée de Merleau-Ponty. Dans la mesure où l’individuation perspectivale est une fonction des opérations dynamiques des schémas corporels actuels et non un donné logique, topologique ou ontologique, la subjectivité sera essentiellement promiscuité plutôt que simplement réversible, entrant et sortant des corps, débordant son propre corps, prenant le corps des autres, laissant filtrer la chair du monde et l’absorbant, parfois jusqu’au point de l’indivision.Che cosa significa dire che “io mi trovo sempre dallo stesso lato del mio corpo” se il corpo è compreso come carne? Questa questione della lateralità e in particolare di una unilateralità nell’ontologia di Merleau-Ponty ci porta a discernere attentamente le diverse metafore relazionali che il filosofo impiega nel corso della sua opera, tra cui reversibilità, intreccio, sconfinamento, incorporazione, promiscuità, per citarne solo alcune. È interessante notare che ciascuna di queste nozioni implica una differente immagine della lateralità, da lati che sono impermeabili in se stessi e ciononostante intrecciati con quelli di altri corpi, fino a lati che sono invece porosi, interpenetrati gli uni con gli altri, incorporabili e cedevoli. In definitiva, la nozione merleau-pontiana – ontologicamente anticipatrice – di schema corporeo suggerisce che l’unilateralità non è un carattere necessario della soggettività incarnata, ma invece uno degli spettri residuali della metafisica moderna, che ancora incombono sul pensiero di Merleau-Ponty. Nella misura in cui l’individuazione prospettica è una funzione delle operazioni dinamiche di schemi corporei piuttosto che un dato logico, topologico o ontologico, la soggettività sarà essenzialmente promiscua e non semplicemente reversibile, muovendo verso l’interno e l’esterno dei corpi, sconfinando i limiti del corpo, lasciando entrare i corpi altrui, concedendo l’ingresso e assorbendo la carne del mondo, talvolta fino a raggiungere l’indiscernibilità. (shrink)

In _Sentient Flesh _R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause... us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as (...) music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black”—foreground the irreducible concomitance of flesh, thinking, and personhood. As Judy demonstrates, recognizing this concomitance is central to finding a way past the destructive force of ontology that still holds us in thrall. Erudite and capacious, _Sentient Flesh _offers a major intervention in the black study of life. (shrink)

Julian of Norwich (b. 1342) anticipated the ontological and epistemological work on sexed embodiment pioneered in the work of Merleau-Ponty and Irigaray in the 20th century. Her epistemology of sensual ‘showings’ helped reconfigure women’s embodiment and speech acts (‘bodytalk’): by recognizing cognitive emotions and the knowledge-producing body; and by envisioning the intertwining of human flesh with All That Is. The paper next examines Merleau-Ponty’s somatic discourse on the chiasmic flesh, which leads to a discussion of Irigaray’s work on (...) poetic mimesis. (shrink)

Introduction. Flesh and its reversibility ; Defining the baroque ; 'Good looking' ; A cinema of baroque flesh -- 1. Flesh, cinema and the baroque : the aesthetics of reversibility. Baroque vision and painting the flesh ; Baroque flesh ; Analogous embodiments : the film's body ; Baroque vision and cinema ; Summation : face to face-feeling baroque deixis -- 2. Knots of sensation : co-extensive space and a cinema of the passions. Synaesthesia, phenomenology, and (...) the senses ; Cinesthesia and the Bel composto ; A passionate baroque : emotion, excess, and co-extensive space ; Assault and absorption : cruel baroque ; Summation : beside oneself -- 3. Baroque skin/semiotics. Chiasm : language and experience ; Baroque poetic language and the seventeenth-century infinite ; Baroque luxury ; Skin-deep : baroque texturology ; Tickles : baroque wit ; Summation : cine-mimesis -- 4. One hand films the other : baroque haptics. Touching-touched ; Haptic visuality and the baroque ; Baroque haptics and cinema ; Analogical assemblages : Baroque databases ; Summation: TEXXTURE -- Conclusion : or the baroque 'Beauty of the act'. (shrink)

The ontology developed by Merleau-Ponty in the final stage of his work is centered on the concept of flesh, giving this notion its most general scope by complementing the idea of “flesh of the body” with that of a “flesh of the world.” This paper seeks to evaluate the possibility of reading this philosophy of the flesh as a materialist ontology. For this purpose, the possibility is considered of interpreting the concept of flesh as a (...) new figure of matter, despite Merleau-Ponty’s claims that seem to preclude this interpretation. In concluding, the paper briefly discusses the potential contribution of this interpretation to approaching certain conceptual problems in contemporary science. It is argued that this approach can help to promote a more productive interchange between Merleau-Ponty’s fundamental thought and the philosophy of science. (shrink)

The article explores a number of closely related concepts in Eric Santner’s wide-ranging and yet concentrated oeuvre: the concept of the flesh, which is at the center of The Royal Remains, along with two more recent additions to Santner’s lexicon, the “void of knowledge” and “surplus scarcity,” both developed in Untying Things Together. Examining the logic and correlation of these concepts, the paper seeks to highlight certain tensions in Santner’s thought but also the possibilities his analyses of human stasis (...) offer. Alfred Döblin’s modernist classic Berlin Alexanderplatz then serves as a short test case (but also counterexample) of what we might call, taking our cues from Santner’s thinking, the “dreamwork of modernism.”. (shrink)

Theodor Adorno’s 1960–1961 lecture course Ontology and Dialectics, recently translated into English, provides the most systematic articulation of his critique of Martin Heidegger. When Adorno delivered three of the lectures at the Collège de France, Maurice Merleau-Ponty was reportedly scandalised as he was at that time developing his own ontology, informed by Heidegger. However, this article problematises the assumption that Adorno’s negative dialectic and Merleau-Ponty’s late ontology are incompatible. First, Adorno’s criticism of Heidegger’s ontology is delineated, with particular focus on (...) how Adorno argues that Heidegger’s subordination of the human being to being is homologous with the logic of capitalism. Then, we turn to Merleau-Ponty’s own engagement with Heidegger, with particular focus on how Merleau-Ponty cannot be accused of denigrating ontic beings. Finally, it is argued that Merleau-Ponty’s indirect ontology has the same implications as those which allow Adorno to position his dialectical method as politically opposed to Heidegger’s ontology. (shrink)

This essay is a second attempt to reconcile the perspectives of Merleau-Ponty and Guattari, following on the examination of the unconscious in a previous issue of Chiasmi. Here the focus concerns an ontology that overcomes the dualistic heritage of Western metaphysics. More precisely, I compare the concept of flesh as Merleau-Ponty employs it in his later texts with that of the machine as Guattari uses this from the end of the 1960s until his last writings in the early 1990s. (...) The machine concerns the potential for transformation in a given social and political configuration, so that the ontology to be drawn from this concept is a thought of transformation. The position of individual subjectivity in this context is not so different from that granted to it by Merleau-Ponty in his last writings: a curvature of the flesh or, as Deleuze and Guattari write about the artisan in A Thousand Plateaus, “one who is determined in such a way as to follow a flow of matter.”Cet essai est une deuxième tentative de rapprochement des perspectives de Merleau-Ponty et de Guattari, après la problématique de l’inconscient traitée dans un précédent numéro de Chiasmi. Cette fois elle a lieu sous l’angle d’une ontologie qui surmonte l’héritage dualiste de la métaphysique occidentale. Plus précisément, je mets en comparaison la notion de chair telle que Merleau-Ponty la met en oeuvre dans ses textes tardifs et celle de machine telle que Guattari l’emploie depuis la fin des années 1960 jusqu’à ses derniers écrits du début des années 1990. La machine concerne le potentiel de transformation dans une configuration sociale et politique donnée, de sorte que l’ontologie qu’on peut tirer de cette notion est une pensée de la transformation. La position de la subjectivité individuelle dans ce contexte n’est pas très différente de celle que lui accorde Merleau-Ponty dans ses derniers écrits : une courbure de la chair, ou comme l’écrivent Deleuze et Guattari dans Mille plateaux à propos de l’artisan, « celui qui est déterminé à suivre un flux de matière ».Questo saggio è un secondo tentativo di avvicinare le prospettive di Merleau-Ponty e di Guattari, dopo quanto fatto in un precedente numero di Chiasmi attorno alla problematica dell’inconscio. Questa volta, tale raffronto sarà nella prospettiva di un’ontologia che superi l’eredità dualistica della metafisica occidentale. Più precisamente, intendo confrontare la nozione di carne, nel modo in cui essa prende corpo nei testi dell’ultimo Merleau-Ponty, e quella di macchina di Guattari, nella maniera in cui è caratterizzata dall’autore a partire dalla fine degli anni Sessanta fino ai suoi ultimi scritti dell’inizio degli anni Novanta. La macchina riguarda il potenziale di trasformazione in una configurazione sociale e politica data, e quindi l’ontologia che ne deriva implica un pensiero della trasformazione. In questo contesto, la posizione della soggettività individuale non è molto diversa da quella caratterizzata da Merleau-Ponty nei suoi ultimi scritti: una curvatura della carne, o, come scrivono Deleuze e Guattari in Millepiani a proposito dell’artigiano, “colui che è determinato a seguire un flusso di materia”. (shrink)

Actionism, Performance and Body Art have produced forms that still provoke in their radicalism and brutality and raise many questions. Regardless of the theme—love, violence, gender, death, sexuality, killing of animals, ritual practices and myths, ecology, criticism of the ideology and so on—they are almost always characterized by an explicit and demonstrative exposure of flesh. The topic of my research is the body as a medium of the human act. Does the body elicit different “corporations of the mind” or (...) does it draw attention to its own complex naked presence and extensionality in every elementary social interaction? Is the body unquantifiable—imponderabilia, unpredictable, and is it spinning out of the generated statistics of the system research? (shrink)

Life in the Flesh offers a new spiritual philosophy of the body, contrasting sources from the Christian tradition with contemporary voices in philosophy and theology. Cooper challenges the Gnostic impulse either to marginalize or else to worship the body and gives a critical perspective on perennial issues including pornography, feminism, sterility, and death.

My topic is the fundamental Aristotelian division between the animate and the inanimate. In particular, I discuss the transformation that occurs when an inanimate body comes to be ensouled. When nutriment is transformed into flesh it is first changed into blood. I argue that blood is unique in being, at one and the same time, both animate and inanimate; it is inanimate nutriment in actuality (or in activity) and animate flesh in potentiality (or in capacity). I provide a (...) detailed exposition of these manners of being (covering individual substances, artifacts, and mixtures), apply these insights to the case of blood, and then argue that blood's curious status is central to understanding hylomorphism in living organisms. (shrink)

This new collection of challenging literary studies plays with a foundational definition of Western culture: the word become flesh.

The Catholic dimension in Foucault’s examination of the Church Fathers is featured because neglect of it may misrepresent the very notions of virginity and of flesh in Confessions of the Flesh. Failure to appreciate the tension between a seditious flesh and an incarnational flesh implicitly confines the Patristic vision to the limited modern field of “sexuality.” The fourth volume might be best interpreted against the background of the investigations that prompted Foucault to immerse himself in religious (...) texts and spiritual experiences: his early writings on literature; the later interest of his lectures in pastoral technologies; and his witnessing of the political-spiritual movements both in Islam and in Catholicism. (shrink)

The concept of "the flesh" (la chair) derives from the writings of Maurice Merleau-Ponty. This was the word he used to name the concrete realm of sentient bodies and life processes that has been eclipsed by the abstractions of science, technology, and modern culture. Topology, to conventional understanding, is the branch of mathematics that concerns itself with the properties of geometric figures that stay the same when the figures are stretched or deformed. Topologies of the Flesh blends continental (...) thought and mathematical imagination, opening up a new area of philosophical inquiry: topological phenomenology. Through its unique application of qualitative mathematics, this work extends the approaches of Merleau-Ponty and Heidegger so as to offer a detailed exploration of previously uncharted dimensions of human experience and the natural world. (shrink)

Infants who suffer severe neglect fail to thrive emotionally as well as bodily. The absence of early coexistential structures that provide well-being leads to a narrowing of the child's perceptual and social developmental horizon. What is the nature of these early structures? In this essay, an ontology of well-being or housedness is elaborated through phenomenological reflections on breast-feeding and infant perception. Merleau-Ponty's ontology of the flesh makes a contribution to the ontology of well-being: it gives us a conceptual and (...) evocative language to describe human existence in its pre-verbal, syncretic, and non-dualistic manifestations. It also allows for a re-evaluation and re-interpretation of the results of current research in infant perception. Through the structures of infant perception we perceive the coexistential fit between infants, other human beings, and the world of things. An infant's fundamental housedness in the flesh is taken up and cultivated or destroyed by the child's social and cultural environment. (shrink)

Many people believe that if we could produce meat without animal suffering—say, in ‘humane’ or ‘happy’ farms, or by growing it in a lab from biopsied cells—there would be no moral problem with doing so. This chapter argues otherwise. There is something morally ‘off’ with eating the flesh of sentient beings however it is produced. It is ‘off’ because anyone who truly understands the intimate relationship that an animal’s body stands in to all the value and disvalue in their (...) lives would not want to eat flesh. The chapter concludes by arguing that, as a society, we should not switch over to ‘happy’ or lab-grown meat. Instead, it is imperative that we pursue a public reckoning on our treatment of animals in factory farms, not only for the sake of animals, but for the sake of humanity itself. (shrink)

Synthetic meat made from animal cells will transform how we eat. It will reduce suffering by eliminating the need to raise and slaughter animals. But it will also have big public health benefits if it becomes widely consumed. In this paper, we discuss how “clean meat” can reduce the risks associated with intensive animal farming, including antibiotic resistance, environmental pollution, and zoonotic viral diseases like influenza and coronavirus. Since the most common objection to clean meat is that some people find (...) it “disgusting” or “unnatural,” we explore the psychology of disgust to find possible counter-measures. We argue that the public health benefits of clean meat give us strong moral reasons to promote its development and consumption in a way that the public is likely to support. We end by depicting the change from farmed animals to clean meat as a collective action problem and suggest that social norms rather than coercive laws should be employed to solve the problem. (shrink)

This philosophical investigation interrogates the relationship between G.W.F. Hegel’s concept of the master-slave dialectic in The Phenomenology of Spirit and the critique and reformulation of it by Frantz Fanon in Black Skin, White Masks. As a means of contextualization and expansion of Hegel’s original textual account, I consider Susan Buck-Morss’ seminal defense through grounding the dialectic in Hegel’s possible historical knowledge of the Haitian Revolution. I maintain that despite a compelling picture, Buck-Morss’ insights are unable to fully vindicate Hegel from (...) the rebukes of Fanon, and as a result, Hegel’s phenomenology necessitates a concrete analysis of the actual conscious experiences of the racialized and colonized subject in order to realize its aims. In pursuit of this critical methodology, I develop the upshot and positive movement of Fanon’s critique through what I describe as a “phenomenology of flesh” in conversation with Maurice Merleau Ponty’s The Visible and the Invisible. (shrink)

Luce Irigaray's concept of the "sensible transcendental" is a term that paradoxically fuses mind with body while, at the same time, maintaining the tension of adjacent but separate concepts, thereby providing a fruitful locus for changes to the symbolic order. It provides this locus by challenging the monolithic philosophical discourses of the "Same" which, according to Irigaray, have dominated western civilization since Plato. As such, the sensible transcendental refuses the logic that demands the opposed hierarchal dichotomies between time and space, (...) form and matter, mind and body, self and other, and man and woman, which currently organize western civilization's discursive foundations. Instead, it provides a useful means for helping women to feel at home in their bodies, and it signifies the implementation of an ethical praxis based on the acknowledgment of sexual difference. Such a praxis demands philosophical, theological, juridical, and scientific accountability for systemic sexism and, in its acknowledgment and validation of the alterity of sexual difference, it respects life in its various forms and its vital relationship with biological and physical environments. (shrink)