"A continuation of two earlier series of chronicles, Philosophy in the mid-century (Frienze 1958/59) and Contemporary philosophy (Frienze 1968)"--Preface.

An English reconstruction and analysis of Benjamin's Passagen-Werk.

Buck, Therese This article explores some of the factors that led to Vatican II's teaching that marriage is a covenant [foedus] in Gaudium et spes when, in the 1917 Code of Canon Law marriage is referred to as a contract [contractus]. As a background to the developments in Gaudium et spes, I will first outline the teaching on marriage in the 1917 Code and in Pius XI's 1930 encyclical Casti connubii. This will be followed by the inclusion of marriage (...) as covenant in Gaudium et spes and finally, this article will consider the significance of the concept of marriage covenant in continuity with tradition and developments since Vatican II in the theology of marriage. (shrink)

In this path-breaking work, Susan Buck-Morss draws new connections between history, inequality, social conflict, and human emancipation. _Hegel, Haiti, and Universal History_ offers a fundamental reinterpretation of Hegel's master-slave dialectic and points to a way forward to free critical theoretical practice from the prison-house of its own debates. Historicizing the thought of Georg Wilhelm Friedrich Hegel and the actions taken in the Haitian Revolution, Buck-Morss examines the startling connections between the two and challenges us to widen the boundaries (...) of our historical imagination. She finds that it is in the discontinuities of historical flow, the edges of human experience, and the unexpected linkages between cultures that the possibility to transcend limits is discovered. It is these flashes of clarity that open the potential for understanding in spite of cultural differences. What Buck-Morss proposes amounts to a “new humanism,” one that goes beyond the usual ideological implications of such a phrase to embrace a radical neutrality that insists on the permeability of the space between opposing sides and as it reaches for a common humanity. (shrink)

Die Ästhetik der Ruinen kennzeichnet eine Lust am Paradoxen. Zwischen Natur und Kultur, Erbauung und Zerstörung, Melancholie und Hoffnung, Vergangenheit und Zukunft erscheinen die Ruinen als Spuren der Zeit im Raum der Gegenwart ihrer ästhetischen Begegnung. Kevin Bücking zeigt, inwiefern die Ästhetik der Ruinen und des Ruinösen in einem besonderen Zusammenspiel aus leiblich-sinnlichen Erfahrungen und begrifflichen Reflexionen besteht. In Auseinandersetzung mit unterschiedlichen ästhetischen Medien wie Malerei, Fotografie, Film, Computerspiel und Virtual Reality wird ersichtlich: Die Faszination an Ruinen und Ruinösem ist (...) als ein atmosphärisches Reflexionsgeschehen zu verstehen. (shrink)

Self-portrait -- The early Washington, D.C. Baha'i community -- Conversion -- Race amity -- Pilgrimage -- Harlem Renaissance and Baha'i service -- Estrangement and rededication -- Baha'i essays -- Alain Locke's philosophy of democracy : America, race, and world peace.

My project in the dissertation is to develop a constructivist account of the normative structure of political or civil obligations. The first part of the dissertation focuses on Kant's moral and political constructivism respectively. In chapter two I argue that Kant's account of the normativity of moral obligations is rooted in the idea of moral community which is an objective end that is built into the structure of our practical reasoning. Moral obligations are justified for Kant because they reflect our (...) rational agency and, in particular, the interest we have in promoting a moral community. ;In chapter three I focus on what Kant's idea of the problem of politics: the construction of a society that can successfully and universally administer justice while promoting the interest each citizen has in living in realizing their full capacities as autonomous human beings. I argue that Kant is unable to show that civil obligation---the duties we have qua citizens---are normative in the right sort of way. Kant's account of civil or juridical obligations fails to show that these obligations are normative as moral laws---that they are justified and reason-giving in virtue of their connection to our political consciousness. ;In chapters four through six I present a fully developed account of how political constructivism uses the features of practical reason to evaluate and assemble our ordinary political consciousness---fundamental ideas of free and open society---into a conception of justice, and the normativity of civil obligations---how they are justified and in what sense they are reason-giving for persons qua citizens. ;I lay out Rawls's argument that justice as fairness is a freestanding view by working out exactly how the view is put together without appeal to any particular comprehensive doctrine. After setting out the mechanics, if you will, of political constructivism, I then present an account of the normativity of the political conception: the justification of principles of justice and the prescriptivity or reason-giving force of principles of justice. (shrink)

Volume 1 in the new series, Philosophical Problems Today, contains articles on standard problems in European and American philosophy. Quine writes on truth and discusses various difficulties connected with the clear definition of the correspondence theory of truth. Strawson, in his articles on individuals, disputes the empiricist test for the status of entity of object. Sufficient identity-conditions are satisfied by a much wider range of objects. The concept of meaning is further extended and differentiated in the article by Habermas on (...) speech acts and actions. The notion of communicative action is central to his argument. The study of formalism, by Agazzi, is in an important sense also a study of meaning. Although for the most part developed within mathematics, formal ways of thinking have been a basic tenet within philosophy and science ever since Aristotle. In his article, Ricoeur observes that the present philosophy of history no longer engages in the speculative system building as presented in the philosophy of Hegel, Marx and Toynbee. Our philosophy of history is rather a critical reflection of various issues connected with the transmission of historical meaning. (shrink)

Explores the benefits and consequences of archaeological theorizing on and interpretation of the social agency of nonhumans as relational beings capable of producing change in the world. Cross-examines traditional understanding of agency and personhood, presenting a globally diverse set of case studies that cover a range of cultural, geographical, and historical contexts"--Provided by publisher.

A reconsideration of the first century, before there were chronological centuries, and how it troubles our contemporary boundaries between religion, philosophy, and law.

In “Emergent Ghosts of the Emotion Machine,” James Coan neglects emotion displays involved in social communication and activity in central neurochemical systems associated with drug-induced changes in feelings and desires. Also, he fails to recognize that emotions are not rigidly bound to action tendencies, but rather have evolved internal signals to afford flexibility of response. Emotion indices naturally lack close coordination because different aspects—physiological arousal, expressive display, subjective experience—are differentially accessible to the responder and interaction partner, and therefore undergo different (...) social learning histories. Emotions are entities both at the biological level, involving special-purpose primes, and at the ecological level, involving displays reflecting communicative demands characteristic of a species. Language, not emotion, is the ghost in the machine. (shrink)

Geoengineering has been broadly and helpfully defined as “the intentional manipulation of the earth's climate to counteract anthropogenic climate change or its warming effects” (Corner and Pidgeon , 26). Although there exists a rapidly growing literature on the ethics of geoengineering, very little has been written about its gender dimensions. The authors consider four contexts in which geoengineering appears to have important gender dimensions: (1) the demographics of those pushing the current agenda, (2) the overall vision of control it involves, (...) (3) the design of the particular technologies, and (4) whom geoengineering will most affect and benefit. After detailing these four gender dimensions, we consider three ways in which the geoengineering discourse could be enriched if it became more sensitive to issues of gender. These include increasing the focus on the concrete other, recognizing the socially transformative potential of geoengineering technologies, and engaging in value-sensitive design. Although ultimately remaining agnostic on the desirability of geoengineering, the paper brings gender considerations into a discussion from which they have been conspicuously absent. (shrink)

Book Information Music In The Moment. By Jerrold Levinson. Cornell University Press. Ithaca. 1997. Pp. 175. Hardback.

Book Information Musical Worlds: New Directions in the\nPhilosophy of Music. Edited by Philip Alperson.\nPennsylvania State University Press. University Park. 1998.\nPp. 188. Paperback.

Drawing conceptually and directly on music notation, this book investigates landscape architecture's inherent temporality. It argues that the rich history of notating time in music provides a critical model for this under-researched and under-theorised aspect of landscape architecture, while also ennobling sound in the sensory appreciation of landscape. It makes available to a wider landscape architecture and urban design audience the works of three influential composers - Morton Feldman, Gyorgy Ligeti and Michael Finnissy - presenting a critical evaluation of their (...) work within music, as well as a means in which it might be used in design research. Each of the musical scores is juxtaposed with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, before the author examines four landscape spaces through the development of new landscape architectural notations. In doing so, this work offers valuable insights into the methods used by landscape architects for the benefit of musicians, and by bringing together musical composition and landscape architecture through notation, it affords a focused and sensitive exploration of temporality and sound in both fields. (shrink)