Simple claims with the verb ‘seem’, as well as the specific sensory verbs, ‘look’, ‘sound’, etc., require the speaker to have some relevant kind of perceptual acquaintance (Pearson, 2013; Ninan, 2014). But different forms of these reports differ in their perceptual requirements. For example, the copy raising (CR) report, ‘Tom seems like he’s cooking’ requires the speaker to have seen Tom, while its expletive subject (ES) variant, ‘It seems like Tom is cooking’, does not (Rogers, 1972; Asudeh and (...) Toivonen, 2012). This contrast has led some theorists to hold that the matrix subject in CR constructions is uniformly interpreted as the perceptual source (p-source) (Asudeh and Toivonen, 2012; Rett and Hyams, 2014). Others, based on examples of CR reports that seem not to require perception of the referent of the matrix subject, have taken the p-source interpretation instead to be non-uniform across CR reports (Landau, 2011; Doran, 2015). We reconsider these theoretical approaches to copy raising in light of new experimental work probing the sensitivity of these requirements to the matrix verb, the embedded ‘like’-clause, and the context. While we find some motivation for a non-uniform p-source analysis, it comes from importantly different cases than those others have relied on. Furthermore, our findings cast doubt on the prevalent assumption that the perceptual requirements of CR reports are to be captured solely by the presence or absence of the p-source interpretation. We suggest that the data motivating a non-uniform p-source view are better captured by an alternative approach, which makes use of a more minimal evidential source role, in place of the perceptual source role. We close by considering the relationship between English copy raising and evidential constructions cross-linguistically. (shrink)

Private copying exception is an exception to copyright which is present both in Lithuanian national law and law of the European Union. Recent jurisprudence of Court of Justice of the European Union interpreted legal regulation of private copying exception in the laws of the European Union. The mentioned jurisprudence raised concern whether Lithuanian copyright laws on private copying exception and their interpretation in case law of Supreme Court of Lithuania are compatible with the European Union law. This paper analyses the (...) nature and intention of private copying exception, its reflection in Lithuanian and European copyright law and evaluates Lithuanian laws and case law in the light of recent jurisprudence of the Court of Justice of the European Union. The authors conclude that recent jurisprudence of the Court of Justice of the European Union on private copying exception shall not lead to any dramatic or substantial changes of Lithuanian national copyright laws. (shrink)

In the early-modern Japanese genre of calligraphy albums called tekagami, fragments of copies of sutras are an outstanding presence, but that presence raises questions about their provenance, condition, status, and significance within such settings. This article delves into these and other questions, with a focus on a set of examples in Tekagamijo, an album in the collection of the Beinecke Rare Book and Manuscripts Library, Yale University. The author suggests that sutra-copy fragments (J. shakyogire) have undergone a transformation or (...) ontological shift that replaces their original sacred character with a new, contextually constructed significance that can best be understood through comprehension of the attitudes of the album’s compilers toward their materials and their task. (shrink)

The employment of digital technology in recent instances of artwork replication raises important questions about the perceptual and ontological distinction between original and copy, for the latter is purported to be even more authentic than an original that has undergone alterations. Such instances challenge not only Benjamin’s claim about the loss of aura but also Goodman’s distinction between autographic and allographic arts. The article proposes to rethink the original/copy dualism from the perspective of the cult image. In the (...) devotional traditions of Graeco-Roman polytheism as well as Christianity and Buddhism, cult images are approached not as representations, but as animated entities endowed with thaumaturgic powers that can be ritually transferred onto copies. From this perspective, replication is not about reproducing more or less faithfully the original, but engendering a double as effective as the original. Finally, the bearing of this perspective on contemporary works of art is considered. (shrink)

In this paper, I discuss a drawing that substituted for an engraving in a copy of Philosophical Transactions once owned by Thomas Kirke (1650–1706, FRS 1693). I suggest that prints allowed Kirke to train his eye as well as his hand. His case is useful for raising further questions about visual representations in early modern science.

A familiar image from the Roman world is a Pompeian portrait of a man and woman sometimes identified as Terentius Neo and his wife. He has a papyrus roll under his chin, while she looks out with a writing tablet in one hand, a stylus held to her lips in the other. The message of the attributes presented would seem to be: ‘ We can and do read and write’. But how should the message be interpreted? To judge from the (...) houses in which this and similar portraits were found, the couple was not of the elite decurion class, but belonged to that difficult to define group of varying social, economic and cultural statuses recently described by Keith Hopkins as ‘sub-elites’. Does the display of book and pen then reflect the social reality of the sub-elite orders of Pompeian society, or is the self-representation rather an expression of social pretension, with the couple attempting to emulate the Roman elite? If the latter is the case, what does the image say about the habits of the Roman ruling class? This question has been raised in relation to the issue of literacy, particularly women's literacy, but the image invites another question. (shrink)

Neg-Raising concerns the phenomenon by which certain negated predicates can give rise to a reading where the negation seems to take scope from an embedded clause. The standard analysis in pragma-semantic terms goes back to Bartsch and has been elaborated in Horn, Gajewski, Romoli, and many others. Recently, this standard approach has been challenged by Collins and Postal, who argue, by providing various novel arguments, that Neg-Raising involves syntactic movement of the negation from the embedded clause into the (...) matrix clause. The syntactic structure of ‘I don’t think you’re right’ would then be like: I do[n’t]i think you’re ti right, and the Neg-Raising reading would result from the interpretation of the lower copy of the negation. In this paper I present three novel arguments against this account. First, following up work by Horn, I show that Collins and Postal, and their reply to Horn, predict that every negated predicate that can license so-called Horn-clauses should receive a Neg-Raising reading, contrary to fact. Second, Collins and Postal adopt various instances of phonological deletion of negative operators—a necessary ingredient for their account—but these instances of phonological deletion cannot be independently motivated. Third, it turns out that for certain constructions, Collins and Postal must also allude to the original Bartschian approach. I further demonstrate that the standard, pragma-semantic approach to Neg-Raising actually explains the grammaticality of Horn-clauses and other phenomena, such as the distribution of negative parentheticals, that were presented by Collins and Postal as arguments in favour of the syntactic approach to Neg-Raising, equally well, if not better, than this syntactic alternative. (shrink)

Some of Hume’s central arguments in the Treatise—for example, arguments about causality, the self, and motivation—concern which of our perceptions represent, and what these perceptions can and cannot represent. A growing body of literature aims to reconstruct the theory of mental representation that (it is presumed) underwrites these arguments. The most popular type of interpretation says that, according to Hume’s theory, copying plays a significant role in explaining mental representation. This paper raises two challenges to such interpretations. First, they cannot (...) be squared with Treatise Book 2’s account of passions formed via sympathy (hereinafter, sympathetic passions). Second, Hume’s treatment of copying and representation in his later works differs significantly from that of the Treatise, and provides no clear evidence that the mature Hume accepted a theory of mental representation based on copying. (shrink)

Assertions about appearances license inferences about the speaker's perceptual experience. For instance, if I assert, 'Tom looks like he's cooking', you will infer both that I am visually acquainted with Tom (what I call the "individual acquaintance inference"), and that I am visually acquainted with evidence that Tom is cooking (what I call the "evidential acquaintance inference"). By contrast, if I assert, 'It looks like Tom is cooking', only the latter inference is licensed. I develop an account of the acquaintance (...) inferences of appearance assertions building on two main previous lines of research: first, the copy raising literature, which has aimed to account for individual acquaintance inferences through the "perceptual source" semantic role; second, the subjectivity literature, which has focused on the status of acquaintance inferences with predicates of personal taste, but hasn't given much attention to the added complexities introduced by appearance language. I begin by developing what I take to be the most empirically-sound version of a perceptual source analysis. I then show how its insights can be maintained, while however taking anything about perception out of the truth conditions of appearance sentences. This, together with the assumption that appearance assertions express experiential attitudes, allows us to capture the acquaintance inferences of bare appearance assertions without making incorrect predictions about the behavior of appearance verbs in embedded environments. (shrink)

The development of digital technologies has opened the door to surprising possibilities for the future of humanity. The idea of creating a ‘Metaverse’ in which it is possible to build and interact with digital avatars of real deceased people raises a number of complex ethical and moral questions. The prospect of transferring memories and experiences into digital avatars or creating exact copies of the brain structures of real individuals raises questions regarding the nature of identity and consciousness. These virtual entities (...) could be used for emotional, commercial, or entertainment purposes, but also to fulfil sexual desires, opening a debate on the morality of such interactions. Furthermore, the total control we could exercise over these entities, similar to divine power, raises further ethical questions about responsibility and respect for virtual life. The discussion of these issues will become increasingly relevant as technology advances and it will be crucial to address them with an ethical and political approach that is also aware of their impact on society and the individual. We will analyse the problem by comparing the arguments that it is always wrong to have sexual relations with digital entities (copies of human beings), regardless of their moral relevance, with the arguments that it can be moral to have sex with them. (shrink)

The originals of great classical Greek statuary—cult idols (agalmata) raised in the cella of a temple, or ex-voto (anathemata, offerings) dedicated in a sanctuary, or even, more rarely, political dedications erected in public places, were not destined to be copied and only the pure chance of history, from the fall of Greece to Rome and the emergence of a taste for these works of art, gave rise to a process of copying that would snowball. The Urbild of a Roman imperial (...) effigy was never to remain unique. Quite the contrary, it was, by its very nature, destined to be multiplied from the moment of its completion, for the sake of propaganda and thorough distribution of the emperor's image. At first, we cannot imagine a situation more different. However, today, the historical value of these copies is the same, the original having disappeared in one case as in the other. This is not the only paradox. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:NECESSARY PROPOSITIONS AND THE SQUARE OF OPPOSITION MARK ROBERTS University of Rhode Island Kingston, Rhode Island IT IS COMMONPLACE to define contradictory, contrary, and subcontrary propositions in the following way: contradictory propositions cannot both be true and cannot both be false; contrary propositions cannot both be true but can both be false; and subcontrary propositions can both be true but cannot both be false. In his Introduction to Logic (...) 1 Irving Copi raises a problem with two of these definitions which he believes forces him to limit the range of propositions which can be used in the square of opposition. Since contrary propositions can both be false, but the falsity of a necessarily true proposition is not possible, a necessarily true proposition has no contrary. Therefore, only contingent propositions can be contraries. Subcontrary propositions can both be true, but the truth of a necessarily false proposition is not possible.2 This problem is rarely raised in other logic texts, but, it is interesting to note, it is mentioned by a number of neoscholastic philosophers, for example, P. Nicholas Russo,3 Rev. H. Grenier,4 1 Irving M. Copi, Introduction to Logic (New York: Macmillan, 1986), pp. 178-179. Copi first introduced this problem in the fifth edition of his work on the basis of an article by David H. Sanford entitled " Contraries and Subcontraries,'' Nous 2 (1968) : 95-96. Sanford argues that the most reasonable way to resolve the problem of necessary propositions is to assume that contingent propositions comprise the square of opposition. 2 Copi, pp. 178-179. 8 Nicholas Russo, Summa Philosophica (Boston: Apud Marlier et Socios, 1[;85), p. 23. 4 Henri Grenier, Thomistic Philosophy, Vol. I (Charlottetown, Canada: St. Dunstan's University, 1950), p. 69. 427 428 MARK ROBERTS G. Sanseverino,5 Jacques Maritain,6 F.-X. Maquart,7 P. Coffey,8 and others.9 (It is also mentioned by Bishop Whately.10 ) Each of these philosophers makes necessarily true or false propositions an exception to the definition of contrary and subcontrary propositions. The reason is they and Copi interpret the definitions of contrary and subcontrary propositions to mean that the falsity of each contrary proposition is possible and the truth of each subcontrary proposition is possible. It should be mentioned, however, that the position of the philosophers cited above is not entirely the same as Copi's. Copi reasons that these definitions imply that necessary propositions have no contrary or subcontrary. The other philosophers believe that necessary propositions can be contraries and subcontraries. Thus, in the case of necessary propositions contrary and subcontrary propositions are, instead, defined merely in terms of their quantity and quality, not by whether or not they can both be false or can both be true. In fact, Coffey and some of the other philosophers cited above assert that, when the propositions composing the square are necessary, one can infer the truth of the universal from the truth of 5 Gaietano Sanseverino, Philosophia Christiana, Vol. II (Neapoli: Vincentii Manfredi, 1862), pp. DCCXXXVIII ff. 6 J. Maritain, An Introduction to Logic (London: Sheed & Ward, 1937), p. 135, notes 1 & 2. 7 F.-X. Maquart, Elementa Philosophiae, Vol. I (Parisiis: Andreas Blot, 1937)' p. 126 ff. 8 P. Coffey, The Science of Logic, Vol. 1 (New York: Longmans, Green & Co., 1918), p. 225, 226. 9 Joseph Gredt, Elementa Philosophiae, Vol. I (Friburgi: Herder, 1929), p. 46, notes 1 & 2; Sylvester J. Hartman, A Textbook of Logic (New York: American Book Co., 1936), p. 162 ff; Roland Houde and Jerome J. Fischer, Handbook of Logic (Dubuque, Iowa: Wm. C. Brown Co., 1954), p. 61; Eduard Hugon, Cursus Philosophiae Thomisticae, Vol. I (Parisiis: P. Lethielleux n.d), p. 155; Dennis C. Kane, Logic: The Art of Predication and Inference (Providence: Providence College Press, 1978), p. 98 ff; Francis P. Siegfried, Essentialia Philosophiae (Philadelphia: Dolphin Press, 1927), p. 25; Francis Varvello, Minor Logic, trans. and supplemented Arthur D. Fearon (San Francisco: Univ. of San Francisco Press, 1933), p. 73 ff. 10 Richard Whately, Elements of Logic (Boston: James Munroe & Co., 1854), p. 77 ff. PROPOSITIONS AND THE SQUARE OF OPPOSITION 429 the particular and the falsity of the particular from the falsity of the universal.11 Maritain maintains that in the case... (shrink)

(Series copy) The new Oxford Readings in Feminism series maps the dramatic influence of feminist theory on every branch of academic knowledge. Offering feminist perspectives on disciplines from history to science, each book assembles the most important articles written on its field in the last ten to fifteen years. Old stereotypes are challenged and traditional attitudes upset in these lively-- and sometimes controversial--volumes, all of which are edited by feminists prominent in their particular field. Comprehensive, accessible, and intellectually daring, (...) the Oxford Readings in Feminism series is vital reading for anyone interested in the effects of feminist ideas within the academy. Can science be gender-neutral? In recent years, feminist critics have raised troubling questions about the practice and goals of traditional science, demonstrating the existence of a pervasive bias in the ways in which scientists conduct and discuss their work. This exciting volume gathers seventeen essays--by sociologists, scientists, historians, and philosophers--of seminal significance in the emerging field of feminist science studies. Analyzing topics from the stereotype of the "Man of Reason" to the "romantic" language of reproductive biology, these fascinating essays challenge readers to take a fresh look at the limitations--and possibilities--of scientific knowledge. (shrink)

This paper is a commentary on the target article by Dana H. Ballard, “Cortical connections and parallel processing: Structure and function”, in the same issue of the journal, pp. 67–120. -/- I raise some issues about the connectionist or neural-network implementation of information and information processing. Issues include the sharing of information by different parts of a connectionist/neural network, the copying of complex information from one place to another in a network, the possibility of connection weights not being synaptic weights, (...) and the possibility of fast communication within single neurons as complex systems in their own right. (shrink)

This book presents a novel analysis of concealed-question constructions, reports of a mental attitude in which part of a sentence looks like a nominal complement, but is interpreted as an indirect question. Such constructions are puzzling in that they raise the question of how their meaning derives from their constituent parts. In particular, how a nominal complement, normally used to refer to an entity ends up with a question-like meaning. In this book, Ilaria Frana adopts a theory according to which (...) noun phrases with concealed question meanings are analysed as individual concepts. The traditional individual concept theory is modified and applied to the phenomena discussed in the recent literature and some new problematic data. The end result is a fully compositional account of a wide range of concealed-question constructions. The exploration of concealed questions offered in the book provides insights into both issues in semantic theory, such as the nature of quantification in natural languages and the use of type shifter in the grammar, and issues surrounding the syntax-semantics interface, such as the interpretation of copy traces and the effects on semantic interpretation of different syntactic analyses of relative clauses. The book will interest scholars and graduate students in linguistics, especially those interested in semantics and the syntax-semantics interface, as well as philosophers of language working on the topic of intensionality. (shrink)

Merleau-Ponty wrote prolifically throughout his life on psychology, aesthetics, and politics, on pedagogy, physics, and painting. Between his appointment to the Université de Lyon in 1945 and his sudden death in Paris in 1961—a copy of Descartes’ Dioptrique on the desk in front of him—the survey of courses he taught is dizzying in scope. For all its promise, however, the interdisciplinary nature of Merleau-Ponty’s work, and the abruptness of its end, raises the question of how these projects connect. The (...) question is encouraged by Merleau-Ponty’s own notes, which indicate that the book he was working on at the time of his death was meant to return to problems left “insoluble” in Phenomenology of Perception (VI 200). Did he hope this work would supersede the Phenomenology? to correct for its false start? to press on in the same direction? (shrink)

No figure among the western Marxist theoreticians has loomed larger in the postwar period than Louis Althusser. A rebel against the Catholic tradition in which he was raised, Althusser studied philosophy and later joined both the faculty of the Ecole normal superieure and the French Communist Party in 1948. Viewed as a "structuralist Marxist," Althusser was as much admired for his independence of intellect as he was for his rigorous defense of Marx. The latter was best illustrated in For Marx (...) (1965), and Reading Capital (1968). These works, along with Lenin and Philosophy (1971) had an enormous influence on the New Left of the 1960s and continues to influence modern Marxist scholarship. This classic work, which to date has sold more than 30,000 copies, covers the range of Louis Althusser's interests and contributions in philosophy, economics, psychology, aesthetics, and political science. Marx, in Althusser's view, was subject in his earlier writings to the ruling ideology of his day. Thus for Althusser, the interpretation of Marx involves a repudiation of all efforts to draw from Marx's early writings a view of Marx as a "humanist" and "historicist." Lenin and Philosophy also contains Althusser's essay on Lenin's study of Hegel; a major essay on the state, "Ideology and Ideological State Apparatuses," "Freud and Lacan: A letter on Art in Reply to Andre Daspre," and "Cremonini, Painter of the Abstract." The book opens with a 1968 interview in which Althusser discusses his personal, political, and intellectual history. (shrink)

In the years after the first circulation of Sidereus Nuncius, Galileo’s Padua anti-Copernican colleague, the staunch Aristotelian philosopher, Cesare Cremonini, published a book on ‘traditional’ cosmology, Disputatio de coelo in tres partes divisa which puzzled the Roman authorities of the Inquisition and the Index much more than any works on celestial novelties and ‘neo-Pythagorean’ astronomy. Cremonini’s disputation on the heavens has the form of an over-intricate comment of Aristotle’s conceptions, in the typi­cally argumentative style of Scholasticism. Nonetheless, it immediately raised (...) the concern of Cardinal Bellarmin, the Pope and other Inquisitors. At a close reading, Cremonini’s interpretation of Aristotle’s cosmos proved radically anti- Christian. It represented a radicalization of Pomponazzian Alexandrism. In fact, Cremonini did not only circulate Aristotelian principles used by Pom­ponazzi to argue for the soul’s mortality. He also wiped away all transcendence from the Aristotelian cosmos. In fact, he marginalized the function of the motive Intelligences by explaining heavenly motions through the action of animal-like inseparable souls although he did not erase nor reduced all Intelligences to only one, in accordance with Alexander. Also, he put at the center of Aristotle’s cosmos the idea of its eternity, a thesis which he explicitly connected with the rejection of the idea of God the Creator. Cremonini assumed that the univer­sal efficiens, that is the efficient cause of all motion and change in the world, is nothing but the first heaven. As a result of this radically naturalist reading of Aristotle, he banned God from the cosmos, reduced Him to the final cause of the world, and deprived Him of any efficiency and will. This essay on less ex­plored sources of Renaissance astronomical debates considers the institutional, cultural and religious setting of Cremonini’s teaching and conceptions. It as­sesses the reasons for his troubles with the religious authorities, and the politi­cal support he was granted by the Serenissima Republic of Venice inspite of the scandalous opinions he circulated as a university professor. My reconstruction of his views is based on the Disputatio de coelo of 1613 and later works, which are directly connected with cosmo-theological polemics with the religious au­thorities: his Apologia dictorum Aristotelis de quinta coeli substantia and the unpublished book De coeli efficientia, two manuscript copies of which are preserved in the libraries of Padua and Venice. (shrink)

An increasingly popular view in the philosophy of art is that some artworks are good artworks at least partly because they are achievements. This view was introduced to explain why two works that look the same, such as an original painting and a perfect copy, can differ in artistic merit. An achievement theory can say that the original is better because it is a greater achievement. Achievement theories have since been used to answer other questions, and they are now (...) a serious alternative to traditional theories of artistic merit. This paper has three aims. The first is to articulate the achievement theory more fully and explicitly than its advocates have. The second is to show that the achievement theory should be rejected, by raising five problems for it. The third is to show that appealing solely to the excellence, aptitude, and ineptitude a work manifests yields a better theory of artistic merit. (shrink)

Thomas Kuhn's _Structure of Scientific Revolutions_ has sold over a million copies in more than twenty languages and has remained one of the ten most cited academic works for the past half century. In contrast, Karl Popper's seminal book _The Logic of Scientific Discovery_ has lapsed into relative obscurity. Although the two men debated the nature of science only once, the legacy of this encounter has dominated intellectual and public discussions on the topic ever since. Almost universally recognized as the (...) modern watershed in the philosophy of science, Kuhn's relativistic vision of shifting paradigms -- which asserted that science was just another human activity, like art or philosophy, only more specialized -- triumphed over Popper's more positivistic belief in science's revolutionary potential to falsify society's dogmas. But has this victory been beneficial for science? Steve Fuller argues that not only has Kuhn's dominance had an adverse impact on the field but both thinkers have been radically misinterpreted in the process. This debate raises a vital question: Can science remain an independent, progressive force in society, or is it destined to continue as the technical wing of the military-industrial complex? Drawing on original research -- including the Kuhn archives at MIT -- Fuller offers a clear account of "Kuhn vs. Popper" and what it will mean for the future of scientific inquiry. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Political Theory in the Senatus Consultum PisonianumD. S. PotterThe object of this essay is to illustrate the interaction between specific events and broader imperial ideology in the Senatus Consultum Pisonianum (SCP), a decree of the Senate issued on 10 December A.D. 20 concerning the disposition of the case against the elder Piso and his associates. A subsidiary point is to place the use of such a decree within the (...) discourse of government in the Greco–Roman world.Public decrees emerged as an important venue for the exposition of state ideology centuries before Tiberius asked the Senate to record its views on Piso's fate. Indeed, we can detect the beginning of this development in Greece before the end of the Peloponnesian War and trace what appears to be some cross–fertilization between the style of civic decrees from the Greek cities of the eastern Mediterranean and the style of senatus consulta in the second and first centuries B.C. The process may be seen as an extension of the "motivation clauses" in honorific decrees passed for individuals to many other kinds of document.1 At the same time, the late fifth or early fourth century, we can see that public decrees offered a form for the continuation of a dialogue between states: thus the decree of Erythrae in which the Athenians are thanked for passing a decree in which they state that they will not turn the Erythraeans over to the "barbarians" or the elaborate denunciation of Spartan behaviors that is embedded within the charter of the Second Athenian Confederacy.2 By the second half of the fourth century, at least in Athens, and we know that the practice had extended to its former dominion on Samos by the time of Alexander, a "motivation clause" could run to many lines in explaining the actions of the [End Page 65] state.3 Our best evidence for this practice comes from honorific decrees for individuals, but the language of Diodorus suggests very strongly that some sort of historical preface was added to the decree that was passed declaring war on Macedon in 323, very similar to the one that would later figure in the decree of Chremonides declaring war in 268.4 The evidence for the use of extended prefaces, both for individuals and in other contexts, increases in the course of the third century, as civic decrees take on a role in the structuring of a community's memory that was transformed from a reflection to a mechanism of construction.5Our attention to such statements on stone is perhaps conditioned by our ability to recover them in a way that we cannot recover the words of representatives speaking extemporaneously in a public assembly, or the opinions of representatives meeting in closed conference, thus raising the question of just how important such documents really were as vehicles for communication. There is a substantial body of scholarly opinion suggesting that the inscribing of decrees was primarily a symbolic activity since these decrees were often written in hands that were difficult to read and, for that matter, a majority of the inhabitants of the Mediterranean world lacked the capacity to read.6 While no one would deny that one purpose of public inscription was symbolic—indeed the sloppiness that mars both copies A and B of the senatus consultum concerning the disposition of the Piso affair in A.D. 20 may be taken as a sign of this—likewise it needs to be stressed that such texts [End Page 66] were also regarded as permanent records to be read by those classes whose views were regarded as important by ancient governments, and scripts difficult to the eyes of one generation might be less so to those of another.7 The average late twentieth–century classicist may find it easier to decipher the Res Gestae of Augustus on the walls of the temple of Roma in Ancyra than to read the volumes of Leopold Ranke printed in fraktur: the ability to read a script is largely a matter of training and habit. It is clear that the mid–fourth–century Athenian or the second– century Bithynian might care a great deal... (shrink)

This paper explores the case of using robots to simulate evolution, in particular the case of Hamilton’s Law. The uses of robots raises several questions that this paper seeks to address. The first concerns the role of the robots in biological research: do they simulate something or do they participate in something? The second question concerns the physicality of the robots: what difference does embodiment make to the role of the robot in these experiments. Thirdly, how do life, embodiment and (...) social behavior relate in contemporary biology and why is it possible for robots to illuminate this relation? These questions are provoked by a strange similarity that has not been noted before: between the problem of simulation in philosophy of science, and Deleuze’s reading of Plato on the relationship of ideas, copies and simulacra. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 9.1 (2002) 35-39 [Access article in PDF] The Ownership of Thoughts John Campbell Keywords: schizophrenia, thought insertion, immunity to error through misidentification. SYDNEY SHOEMAKER FORMULATED a basic point about first-person, present-tense ascriptions of psychological states when he declared that they are, in general, immune to error through misidentification (Shoemaker 1984). Assuming Shoemaker's point to be correct, the puzzle it raises is this: how are we (...) to explain this datum? Why should it be that first-person, present-tense ascriptions of psychological states are immune to error through misidentification? One type of explanation is in terms of the meaning of the first person: that "I" just stands for whoever is the owner of these (demonstrated) psychological states (including any states being self-ascribed). I argued against this account of the first person in a number of places, and in favor of an alternative explanation of Shoemaker's datum. On the alternative explanation, the reason for the immunity is provided by an account of the ownership of psychological states, on which what makes a psychological state mine is the possibility of self-ascription of it by me (Campbell 1986, 1999a). Suppose we call this the Introspectionist explanation of the immunity to error through misidentification of present-tense self-ascriptions of psychological states. I do think, though, that the simple Introspectionist account is too simple an account of Shoemaker's datum (Campbell 1999a, 1999b). The reason is that there is a certain complexity in our notion of the ownership of a token thought. We cannot give a full account of our ordinary notion of the ownership of a thought simply in terms of the person who is capable of introspective knowledge of the thought. The reason is that there is another dimension to our ordinary notion of the ownership of a thought. We also think of the possessor of a thought as being the person who generated that very thought; we think of the owner of the thought as being the person who brought that particular token thought into existence, the person who formed it. Of course, that token thought may be a copying of someone else's idea; that other person may have influenced my formation of that particular thought. But the point remains that I play a special role in the production of my thoughts.Suppose we have a document bearing a signature and we ask, "Whose signature is that?" In this case we are asking about the authorship of the signature; we are asking who made those particular marks on that bit of paper. Of course, someone else can copy my signature, trying to make it look as if what they write was written by me. But for a particular piece of writing to be an authentic signature of mine, the thing has to be generated by me personally. I think it is helpful to bear in mind this aspect of the notion of the ownership of a signature, when we consider a certain complexity in the notion of the ownership of a thought—I mean, an occurrent, episodic [End Page 35] thought. There are, I am saying, two strands in the ordinary notion of the ownership of a thought, which we do not ordinarily have any reason to separate. First, there is the notion of the person who generated that particular thought, which we might think of on the model of the person who inscribed a particular signature. Of course, in generating a particular token thought, you may be subject to all sorts of influences. Perhaps your thought is derivative, largely shaped by others. Perhaps your thoughts are sometimes simply echoes of the things other people have said. Nonetheless, when we consider how your individual token thoughts are being brought about, you play a proximal role in their formation that no one else does. To give an analogy, suppose that I am taking notes at your dictation. Then there is a sense in which the contents of my notes are entirely determined by you. But there is also a sense in which the token sentences are being generated by... (shrink)

Curiously, Charles Sanders Peirce and Maurice Merleau-Ponty raise the same objection to British empiricism: its foundational tenet is nominalist. In his 1869 review of a new edition of James Mill's Analysis of the Phenomena of the Human Mind, Peirce traces the foundational tenet of Mill's work back to Hume's Copy Principle—that all of our ideas are fainter copies of our impressions—and then remarks, If I compare a red book and a red cushion, there is, according to them [the "English (...) psychologists," among whom Peirce includes Mill, Hume, and Berkeley], no general sensation red which enters into both these images, nor is there any idea of a general respect... (shrink)

The use of multiple media kiosks is witnessing an increasingly strong uptrend in 24-h chain convenient stores in developed countries. However, as the functions of MMKs intensifies and increases, how to retain consumers has been a topic that raises concerns of managers and researchers. In this study, we adopt the integrated technology acceptance model, which combines technology readiness and acceptance model with interactivity that serves as the moderating factor, with the purpose of discussing the relationships among all these variables and (...) their impacts on behavior intention to use. Through the cross-sectional survey and purposive sampling, a total of 623 copies of questionnaire from Taiwan were collected in this study. Smart-PLS for PLS-SEM was applied in the structural model to conduct a verification of the hypotheses and comparative analysis in this study. The results show that all hypotheses were significantly supported; technology readiness has a positive impact on perceived ease to use and perceived usefulness; and interactivity also positively moderates the relationship among perceived ease to use, perceived usefulness and attitude toward using. Our results will offer more insights and advice concerning theories of service technology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Some of My Mother’s ThingsLaurie Sieverts Snyder (bio) Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View (...) full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolution Click for larger view View full resolutionSome of My Mother’s Things is an ongoing series of photographs of collections from my parents’ household. My mother, born in Danzig in 1908 and raised in Frankfurt, died in 1993 in Ithaca, New York. She was Jewish, but she never attended a synagogue or celebrated Jewish holidays. My father, born in Leipzig in 1906 and raised in Jena, died in Ithaca in 1979. He was not Jewish. In the United States, they became members of the Society of Friends.My parents emigrated to the United States in May 1938 with my two older brothers, who were no longer allowed to attend nursery school because of their half-Jewish status. My grandmother stayed behind, at her own request, and my parents made every effort to bring her to the United States. But she died in Frankfurt in December 1940. This tragedy pervaded my childhood and still haunts me as I play her music with her annotations or set the table on tablecloths that she embroidered. I also photograph her things: the bandages that she knitted and labeled, letters that she wrote, and the childhood letters she saved of her only daughter, my mother.My mother saved things: keys to every cabinet and drawer, suitcases, and doors. All her eyeglasses. She dug up the dahlias in the fall, stored them in a baby bathtub, and replanted them in the spring. She was an enthusiastic gardener. She was a violinist and her mother a pianist. The albums of music are now crumbling and brittle. Her music friends continue to use her music. The tablecloths, dozens of them, are mended and stained. I use a large square damask tablecloth as a bed sheet.I am always amazed at the things they brought with them when they emigrated by ship: furniture, rugs, books, linens, letters, toys, photographs, dishes, pots and pans. Then I remember that they could not bring money, so they brought everything else: including a box of bandages, one labeled in an early script: “a clean breast cloth from the beginning of the 19th century.” The label is sewn onto the linen cloth.After my mother’s death, I went through boxes of photographs. I found one yellow Kodak envelope, labeled in my mother’s handwriting: “Helmut’s ‘Weltreise.’” In the envelope were photographs of Daddy’s trip to America in 1937 when he was searching for a job and a place to move with his little family. He traveled by boat through Cuba, Mexico, and the Panama Canal to California and back across the United States by train. In the envelope are snapshots of my father, looking very handsome, age 31, standing at the ship’s rail with an attractive young woman. The photograph is labeled on the verso, in his handwriting, “meine kleine Freundin, Patricia Hays”—this is not my mother. My mother was in Frankfurt, waiting to hear where they would go, and during that time she lost her third baby.My mother wrote letters almost every day, and she kept a carbon copy on onionskin of each of her letters. She started writing letters as early as 1913. Most of the letters are in German. I don’t speak or write German, yet I feel compelled to store these relics of times past. When I traveled in Germany, I tried to speak German, but the words stuck in my throat.Related Articles: ImagesLaurie Sieverts Snyder Laurie Sieverts Snyder is a photographer and professor at... (shrink)

La ressemblance est une relation qui joue un rôle fondamental dans la philosophie de Hume, puisque « sans elle, aucune relation philosophique ne peut exister ». On peut l'analyser selon deux axes. Suivant le premier, on peut opposer la ressemblance comme copie à la ressemblance comme force d'assimilation. Selon le second, on peut opposer deux questions : que veut-on dire lorsqu'on pose que deux objets, deux actes, deux événements se ressemblent ? Qu'est-ce qui nous permet de dire qu'ils se ressemblent? (...) Outre le problème dynamique, l'analyse de la ressemblance pose la question de ce qu'est la vérité chez Hume. Resemblance is a relation whose function is fundamental in Hume's philosophy; because « without (it) no philosophical relation can exist ». It can be analysed along two main lines. As regard the first axis, one may oppose resemblance as a copy to resemblance as a force of assimilation. As regard the second, one may oppose two questions: what do we mean when saying that two objects, two acts, two events are alike? What is our right to say that these beings are similar ? Besides the dynamical problem, the analysis of resemblance raises the problem of what truth is in Hume's philosophy. (shrink)

Creative influence, be it in the form of subtle inspiration or unequivocal imitation, has impacted the development of artistic styles and schools of thought for millennia. Since the late twentieth century, appropriation artists have drawn attention to these customs by intentionally borrowing or copying from preexisting sources with little or no transformation, despite these practices running into direct conflict with United States copyright law. Indeed, recent decades have witnessed several noteworthy lawsuits involving prominent artists who have challenged the boundaries between (...) copyright infringement and fair use, raising questions regarding the ethical creation and consumption of art. The purpose of this paper is to demonstrate the ethical responsibility to teach students of the visual arts about the purpose, theory, and parameters of copyright law, including its inherent ambiguities and risks, in order to foster moral creative practices. Because of the complex nature of copyright law, the author advocates both traditional instruction on copyright principles and applications as well as the encouragement of personal self-regulation on the part of students with regard to their own professional work. (shrink)

Mimesis or imitation comes in many forms, from animal and plant mimicry to artistic copies 'from life'. This book offers eighteen essays addressing mimesis from diverse perspectives. From the recreation of galaxies to Iron Age torcs, from counterfeit dragons to modern waxworks, each chapter explores facets of material mimesis from prehistory to the present day. The Matter of Mimesis invites readers to compare practices of imitating, faking, and synthesising materials and objects in nature, art and science, raising questions about (...) skills, techniques and politics of making that transcend historical and disciplinary boundaries and inform both our past and future worlds. (shrink)

OBJECTIVES: To review the characteristics and performance of research ethics committees in Spain in the evaluation of multicentre clinical trial drug protocols. DESIGN: A prospective study of 100 applications. SETTING: Forty-one committees reviewing clinical trial protocols, involving 50 hospitals in 25 cities. MAIN MEASURES: Protocol-related features, characteristics of research ethics committees and evaluation dynamics. RESULTS: The 100 applications involved 15 protocols (of which 12 were multinational) with 12 drugs. Committees met monthly (except one). They had a mean number of 12 (...) members, requested a mean of six complete dossiers and nine additional copies of the protocol with a mean deadline of 14 days before the meeting. All applications were approved except three (two of the three were open-label long-term safety trials rejected by the same committee), which were approved by the other committees involved. The mean time from submission to approval was 64 days. The mean time from submission to arrival of the approval document at our offices was 85 days. Twenty-five committees raised queries for 38 of the 97 finally approved applications. Impact of evaluation fee, number of members, queries raised and experience of committees on timings were not statistically significant. CONCLUSION: Obtaining ethical approval is time-consuming. There is much diversity in the research ethics committees' performance. A remarkable delay (> 20 days) exists between the decision and the arrival of the written approval, suggesting administrative or organisational problems. (shrink)

A research project was conducted which explored LGBT hate crime. Participants were invited to share their narratives and personal experiences of hate crime, discrimination and violence through semi-structured interviews. The study helped us understand how people who experience ‘hate’ responded to, managed and reconciled the identities for which they were victimized. This case study focuses on a situation where a research participant requested a copy of an interview they gave for the hate crime project. The interview copy was (...) to be used for the participant’s own personal purposes. The participant’s request potentially risked the contamination of ethical data collection, with their own covert data gathering. The ethical implications of this scenario raise many questions for ethicists and researchers to discuss. (shrink)

The originals of great classical Greek statuary—cult idols (agalmata) raised in the cella of a temple, or ex-voto (anathemata, offerings) dedicated in a sanctuary, or even, more rarely, political dedications erected in public places, were not destined to be copied and only the pure chance of history, from the fall of Greece to Rome and the emergence of a taste for these works of art, gave rise to a process of copying that would snowball. The Urbild of a Roman imperial (...) effigy was never to remain unique. Quite the contrary, it was, by its very nature, destined to be multiplied from the moment of its completion, for the sake of propaganda and thorough distribution of the emperor's image. At first, we cannot imagine a situation more different. However, today, the historical value of these copies is the same, the original having disappeared in one case as in the other. This is not the only paradox. (shrink)

To investigate the unique kinds of mentality involved in skilled performance, this paper explores the performance ecology of the Māori haka, a ritual form of song and dance of the indigenous people of Aotearoa New Zealand. We respond to a recent proposal to program robots to perform a haka as ‘cultural preservationists’ for ‘intangible cultural heritage’. This ‘Robot Māori Haka’ proposal raises questions about the nature of skill and the transmission of embodied knowledge; about the cognitive and affective experiences cultivated (...) in indigenous practices like haka; and about the role of robots in the archival aspirations of human societies. Reproducing haka, we suggest, requires more than copying physical actions; preserving the ‘intangible’ entails more than programming postures and movements. To make this case, we discuss the history of European responses to the haka, and analyse its diverse performance features in cultural context. Arguing that indigenous movement practices incorporate genuinely embodied knowledge, we claim that skilled performance of haka is deeply mindful, embodying and transmitting dynamic, culturally shared understandings of the natural and social world. The indigenous psychologies incorporated in haka performance are animated by a shared history integrated with its environment. Examining haka performance through the lens of 4E cognitive skill theory for mutual benefit, we discuss the effects of synchrony in collective action, the social and environmental scaffolding of affect and emotion, and the multilayered relations between past and present. Culturally-embedded systems of skilled movement like the Māori haka may, we suggest, constitute specific ways of thinking and feeling. (shrink)

Revisiting Dawkin’s proposal of memes – a piece of thought copied from person to person – raises the question: can narrative, and by extension narratology, be utilized to explore the ‘infecting’, or transferring agent of cultural ideas, identity and the creation of self? Intriguingly, and perhaps even more relevant to the role of emergent models and the shifting divide between engineered and organic constructions, what role does media play in the fabrication of self? This article proposes to examine various attempts (...) to define modes of being using the formative and delimiting lens of narrative. It will investigate the role of media as the carrier agent for memetic modes of being, and their application in creating and sustaining cultural individuation. Jung’s declarative of the collective unconscious and archetypes, as well as Hofstadter’s loops, a common, but neglected field of enquiry that interrogates how memetic transference begins with the stories we tell, will inform the exploration of narrative as a means to define, delineate and bound the self. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.4 (2003) 12-19 [Access article in PDF] The Concept of Freedom in Art Education in Japan The concept of freedom has played a very important role in art education in Japan. Needless to say, freedom has been regarded as an essential principle of education in the West. Writers from Jean Jacques Rousseau to John Dewey stressed the significance of freedom in education. Especially, in (...) the field of art education, Frantz Cizek, Viktor Lowenfeld, and Herbert Read emphasized the importance of children's free expression in relation to creativity. This article examines the concept of freedom in art education in Japan, focusing on the ideas of two major non-governmental movements in art education; the Free-Expression Movement in the 1920s and the Creative Aesthetic Education Movement in the 1950s-1960s. Although both movements have already declined, their impacts are still felt in Japanese art education. The Beginning of Art Education in Japan In the early Meiji Era (1868-1912), art education was introduced to Japan when the modern school system was imported from the West. In 1872, the first government drawing textbook; Seiga Shinan [Guide to Western Pictures] was published based on a Japanese translation of British drawing manuals. 1 In this period, the purpose of art class was to teach the basic skill of mechanical drawing for industrial development; the method consisted of merely copying model pictures in the drawing textbook. In 1910, Akira Shirahama, who spent three years in Europe and the United States surveying art education, edited Shintei Gacho [New Textbook of Drawing]. As Okazaki points out, Shirahama, who was impressed by the art curriculum in the public schools of the United States, referred to the importance of children's creative imagination; however, the new textbook did not fully reflect the idea. 2 Thus, the practice of art class was limited to copying textbooks, and children's free expression was not considered important in art class. Until this period, the issue of freedom did not correlate to art education. The Free Expression Movement in the Taisho Era After the World War I, a democratic movement prevailed during the Taisho Era (1912-1926) in Japan. This movement, called Taisho Democracy, influenced various parts of Japanese life including politics. In the field of education, many democratic ideas of education were introduced from the West and books on progressive educational thought such as John Dewey's Democracy and Education were translated into Japanese. Child-centered education also became popular among progressive teachers. During this period, Jiyuga KyouikuUndo, the Free-Drawing Education movement, was started by Kanae Yamamoto. Okazaki describes this epoch-making movement as "the remarkable movement of art education in 1919 which began to change art education philosophy." 3 It was the first time the issue of freedom was raised in art education in Japan. [End Page 13] Yamamoto's Concept of Freedom Kanae Yamamoto, born in 1882, studied Western painting at the Tokyo Fine Arts School. After graduation, he started his career as a print artist and set off for Europe in 1912. He stayed in France to study art and experienced the much freer atmosphere in Europe compared to Japan. When he returned to Japan via Russia in 1916, he encountered an exhibition of children's paintings in Moscow. The free expression of the Russian children's paintings deeply impressed him.After Yamamoto's return from Europe, he organized the first exhibition of children's free painting in Japan and established Japan Children's Free Drawing Association in 1919. The exhibition was given great attention by the public, who, influenced by the Taisho democratic movement, was becoming very interested in democratic education. Yamamoto's book; Free Drawing Education was published in 1921. In his usage, the term "freedom" is sometimes synonymous with creativity. 4 He explained the meaning of freedom in his education theory: Our education of freedom is not to educate as teachers like. It is not a worship of freedom showing the model of freedom but to teach freedom itself....In my belief, the essence of human beings will never... (shrink)

There are many layers of regulation governing DNA replication to ensure that genetic information is accurately transmitted from mother cell to daughter cell. While much of the control occurs at the level of origin selection and firing, less is known about how replication fork progression is controlled throughout the genome. In Drosophila polytene cells, specific regions of the genome become repressed for DNA replication, resulting in underreplication and decreased copy number. Importantly, underreplicated domains share properties with common fragile sites. (...) The Suppressor of Underreplication protein SUUR is essential for this repression. Recent work established that SUUR functions by directly inhibiting replication fork progression, raising several interesting questions as to how replication fork progression and stability can be modulated within targeted regions of the genome. Here we discuss potential mechanisms by which replication fork inhibition can be achieved and the consequences this has on genome stability and copy number control. (shrink)

The possible relationship between widespread unauthorized copying of microcomputer software (also known as software piracy) and level of moral judgment is examined through analysis of over 350 survey questionnaires that included the Defining Issues Test as a measure of moral development. It is hypothesized that the higher one''s level of moral judgment, the less likely that one will approve of or engage in unauthorized copying. Analysis of the data indicate a high level of tolerance toward unauthorized copying and limited support (...) for the hypothesis. The most plausible explanation for these findings is that software copying is perceived as an issue of low moral intensity. This study calls into question the software industry''s strategy of concentrating exclusively on institutional compliance with copyright rules, rather than working to raise the perceived moral intensity about software piracy at the individual level. As long as the issue remains low in moral intensity, the industry cannot expect significant shifts in copying behaviors. Individuals must become more aware of and concerned about the nature and magnitude of harm to society and to the rightful copyright owners from unauthorized copying before their attitudes and behaviors come to reflect higher levels of moral judgment. (shrink)

Early period (h. I-III) works are the most basic data sources in tafsīr studies. However, the related works were shaped within the conditions of the period. In this process, the literacy and schooling rate is low. It is not easy to obtain sufficient writing materials. For this reason, the information was initially transferred as a verbal, some of the original material that has been written has not survived. The information, which is usually narrated and sometimes written, can be learned through (...) the written copies of the next dates. However, there are serious time intervals between the author and the manuscript copies. This time period has led to some problems. There are such works that the author is controversial. There is such information that it is obvious that it was added later. Although some works belonging to the period were compiled from the sources of the following centuries, they were printed under the name of some people who lived in the early period, as if they gave the impression of author copy. Each of these matters has the quality to affect the nature of the information to be used as reference and the perception to be created on it. The relation of the subject with the interpretation of the Qur'ān and the fact that it is binding has a special importance, therefore, it requires knowing the formation stages of the reference source, especially in the commentary of tafsīr. In the article, the author-work relation in early tafsīr works has been tried to be processed on a sufficient number of examples with their respective dimensions.Summary: Early works in tafsīr studies are the most basic data sources. However, the related works were shaped within the conditions of the period. The data at the beginning were verbally transmitted, but some original material that has been written has not survived until nowadays. Therefore, the information about tafsīr are derived from the mainly Buhkārī (d. 256/870), Muslim (d. 261/875), Tirmidhī (d. 279/892), Nasā’ī (d. 303/915) which have tafsīr contents, and encyclopedic sources which have been contended narrations suhc as Țabarī (d. 310/923) and Ibn Abī Ḥātim (d. 327/938).Some later dated work/s belonged to people who lived in the early period alo contribute to this accumulation. However, in scientific studies it is necessary to pay attention to the harmony or difference between the author manuscripts and copies which have been survived. Because the limited possibilities of the period, the time interval between the author and the writing copy, the corrosion that occurred in the texts over time, the capacity or thought the scribe has caused the addition and reduction of the original copy of the text. Although it is rare, it is also possible to attribute the work to a well-known person of the period in order to gain the reputation of the views in the work.In this regard, the article first draws attention to the time difference between the author and the copies that have survived to the present day. Accordingly, it was emphasized that there may be works with controversial belonging to the author. Because, it may be that the names of those who expand, explain or shorten the work with additions are given as the author's name.It is shown with examples that additions to the work could be made in the time interval between the author and the manuscript that has survived to the present day. However, sometimes the difference between copies can be based on many reasons, from the ignorance of the obscene to its forgetfulness and even deliberate replacement. Even in the hadith narrations that attribute special importance to its narration, it is quite possible that the additions were made intentionally or unknowingly, even after the transition to the written period.However, this study was carried out only on tafsīr works. Because even the sampling on a limited number of tafsīr works pushes the limits of the article.In the study, the original texts of the selected works as samples such as Ibn ʿAbbās, al-Farrāʾ, Abū ʿUbayda, etc. were reviewed, and the master's and doctorate studies on the relevant works and the period, especially their editorial evaluations, were tried to be examined as much as possible. In the evaluations, the classical period sources such as Ibnu-Nadīm, Thaʻlabī and Ibn Khallikān, where tafsīr works were subject, as well as the Ottoman period like Edirnevī; Modern era works such as Brockelman and Sezgin were used. Books, articles and encyclopedia articles evaluating the manuscripts were also used.The study revealed that when the early tafsīr references were given, the author-copy relationship should be taken into consideration. Because, although some names are mentioned as mufassīr in the sources, it is controversial whether some of them convert the relevant information into written form. Because the period of the compilation is started in the period of tâbiûn in its earliest form. It is understood that even though the writing is partially activated, the tendency to convey information by narration continues from the examples given.The fact that no original work of the period reaches the present day, there is a serious time gap between the oldest manuscripts carrying the relevant information to the present day and its authors raises the issue of the reliability of the information. This is an issue to be considered in research and updating of information. Because it was seen that some information was difficult to determine the author. In addition, it has been understood that there may be additions afterwards besides the possibility of missing or misreported information due to various factors during the transfer. The fact that narration analysis has not been done properly in the context of the tafsīr science can lead to wrong conclusions in some works, if the possibility of reaching the information added later has not been taken into consideration.In addition, creating author copies from manuscripts is a challenging process with some difficulties in itself. No matter how fastidious it is shown, it should not be forgotten that the work is compiled from manuscripts, it should be known that errors may occur despite the maximum sensitivity.It is another point to consider that some information should be associated with the author and turned into a book based on the narrations in the sources of the next period. It should not be forgotten that some works were created by collecting the narrations of the next period. When the process in its formation is not taken into account, there is a possibility that the relevant information creates an early perception of false perception, as well as the belief that it expresses correct and precise information in all aspects due to its connection with the sacred. It is obvious that there is a difference between the original information from the author's pen and the quality and knowledge value of the information collected by claiming belonging to the author from later works. It is necessary to pay attention to this difference in information transfer.Therefore, during the investigation of the envoy, whose main task is to determine the will of Allah, he has to take into account the mentioned features of the early works. Reliable knowledge transfer and correct religion perception can only be achieved with this care. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:80 HISTORY OF PHILOSOPHY AVERROES' Quaesitum ON ASSERTORIC (ABSOLUTE) PROPOSITIONS UNTIL 1962 ONLY ONE logical work of Averroes existed in print in the original Arabic? At this late date, D. M. Dunlop published the Arabic text of the short tract by Averroes on the modality of propositions with which we shall be concerned here.' The text published by Professor Dunlop forms part of a collection of treatises by Averroes (...) which has long been known to exist in the immensely valuable collection of Arabic manuscripts of the Escorial Library, near Madrid.' The collection is simply entitled Mas~'il (Questions),' faithfully reflected in the rubric of Quaesita under which several of these treatises are given in Latin versions in the sixteenth-century editions of.4ristotelis Opera cure.4verrois Commentariis. The particular treatise published by Prof. Dunlop deals with the problem of the relationship of assertoric propositions to the modalities of possibility and necessity. This treatise has been accessible for over four centuries in two printed Latin versions, made in Renaissance times from medieval Hebrew translations. The earlier of the Latin versions was made by a Jewish scholar, Ella del Medigo, for the Renaissance luminary Giovanni Pico della Mirandola, and was printed in the very rare Aldine incunabulum edition of the Quaesita Averrois in librum priorum (analytiorum Aristotelis) (Venice, 1497). A second Latin translation was made by Abraham de Balmes (d. 1523): and printed in several editions of the Juntine Latin Aristotle (Venice, from 1590): From these versions the main substance, at any rate, of Averroes' xMaurice Bouyges, ed., Averroes: Talkh~ Kitdb al-Maqouldt ("Middle Commentary on Aristotle 's Categoriae") Beyrouth, 1932 (-- Vol. IV of Bibliotheca Arabica-Scholasticorum, S6rie Arabe). sD. M. Dunlop, "Averroes (Ibn Rushd) on the Modality of Propositions," Islamic Studies (Journal of the Gentral Institute of Islamic Research, Karachi), Vol. I (1962), 23-34. sMichael Casiri, Bibliotheca Arabico-Hispana Escurialensis (2 vols., Madrid; 1760, 1770), No. 629; Hartwig Derenbourg, Les Manuscrits Arabcs de l'Escurial (3 vols., Paris; 1884, 1903, 1928), No. 632. ' Prof. Dunlop states that "another copy" of the Masa'il (presumably made from the Escorial MS?) exists in the Biblioteca Nacional in Madrid (No. 102 in the catalog of Robles). For information about this translator, see Bayle's Dictionary, art. "BALMIS, Abraham de," where note (B) describes some complaints about his translations from Hebrew to Latin. (I owe this reference to Prof. Richard Popkin.) Note (I) of Bayle's article on "AVERROES" gives some data concerning the Renaissance translations of Averroes, citing inter alia the opinion expressed by Keckermann in his PraecognitisLogicis (II, 2, nb. 32): "How much all Philosophy is indebted to Averroes, can then only be known, when God shall raise up a Genius, who will free our Latin Translations of him from the unintelligible Barbarisms everywhere to be met with, and render him in That Language, in a style, at least tolerable, and intelligible, for the Use of Students in Philosophy." eAristotelis Opera cure Averrois Commentariis, Vol. I. The edition of 1562 is now readily accessible in a photoreprinting made in Frankfurt am Main in 1962, and contains the "Averrois varii generis quaesita in libros logicae Aristotelis, Abramo de Balmes interprete," pp. 75 verso--- NOTES AND DISCUSSIONS 81 Quaesitum has been determinable.' The present, reasonably literal translation of the Arabic text should facilitate the work of anyone wishing to form his own judgment about the character of the Latin versions of Averroes' logical treatises, or at any rate the not insignificant number of them that came from the pen of Abraham de Balmes. The Latin version in the present instance is, on the whole, literal to the point of obscurity. It is punctuated by occasional strange, and sometimes ludicrous renderings--as, for example, at 27:6, where "not used in the art of rhetoric" becomes "non uterent agricolae"l Occasionally the Latin incorporates a marginal explanation within the text (e.g., at 29:10), and sometimes it omits phrases of the Arabic text. In general, it is significantly more difficult to derive from the Latin than from the Arabic an exact idea just what it is that Averroes had in mind. Unquestionably the most interesting aspect of Averroes' treatise is the light it sheds... (shrink)

The significant theoretical objections that have been raised against memetics have not received adequate defense, even though there is ongoing empirical research in this field. In this paper I identify the key objections to memetics as a viable explanatory tool in studies of cultural evolution. I attempt to defuse these objections by arguing that they fail to show the absence of replication, high-fidelity copying, or lineages in the cultural domain. I further respond to meme critics by arguing that, despite competing (...) explanations of cultural evolution, memetics has unique explanatory power. This is largely founded upon the increasing likelihood of formulating a workable fitness measure for memes, a memetic index. I conclude that memes must be integrated with psychological bias and population-dynamic approaches to cultural evolution. (shrink)

: Indexes are among the important resources for studies on the Qur'ān. Owing to such works, it is possible to find easily whether a word belong to Qur'ān and in which verses or how it is used. Such works of arts, whose early examples are given by Muslim scientists, later written by orientalists and thus gave its first work of art with the help of a German Orientalist Gustavus Flügel. His accommodation of Qur'ān index blazed a trail in this field (...) and later, it became a resource to those work written by Muslims. Yahya Hilmi Kastamonī who was one of the late Ottoman Era scholar never mentioned from Flügel and his work in his work named Misbāh al-Ihvān. In this article, after introduction of the work of these two authors, two works are compared in terms of obvious mistakes. The aim is to determine whether the work of Kastamonī is original or not. Summary: The scope of this work consists of the comparison of two "index" type of works. It's obvious that indexes are the most essential source in the Qur'ān based researches. The aim of these kinds of works is both to enable researchers to reach verses of the Qur'ān and to show those concepts where and how it is displayed in the Qur'ān. Thus, both effort and time loss will be prevented. Together with knowing that the first Qur'an indexes were prepared by Muslim authors, it's not clear which one is the first. The work called Tertību zībā by Ottoman theologian Muhammed al-Vardarī is considered as one of the first indexes in the field. The author organised this work by putting the very first words of verses of the Qur'ān in an alphabetic order in Turkish so as to reach the intended verse of the Qur’ān easily. The efforts for writing indexes continued later on, by taking his work as an example, the number has extended hastily with writing other works up to now. On the other hand; besides Muslims, we can see that the orientalists has involved in carrying out index preparations. For the first time, Gustavus Flügel wrote a Qur'ān index, originally named as Concordanticae Corani Arabicae, and named as Nücūm al furkān fī atrāf al-Qur'ān in Arabic so that Muslims may benefit from it. It's obvious that Flügel's work which was prepared orienting to find Qur'ānic words has influenced Muslim index authors. After Concordanticae Corani Arabicae written, the number of the works alike in Islamic world has extended vastly. One of such works is the work of art of Kastamonī Yahiya Hilmi's Misbāh al-ihvān li tahharī āyāt al-Qur'ān written in 1322/1906. Although in those works which was written after Flügel's index, the authors credited Flügel and his Concordanticae Corani Arabicae, Kastamonī, being the topic of the article in this work as well, didn't credit him and his index. The situation grasped our attention and caused us to focus on these two works. On this point, Concordanticae Corani Arabicae pioneering in index writing and Misbāh al-ihvān carefully investigated and later compared to one another. In the next step, the aspects that both index have in common and different have been tried to detect. Thus, the originality of Kastamonī's work was questioned. Flügel made undeniable errors on the point of detecting the origin of 39 words while sorting out words of the Qur'ān alphabetically. These errors he made clears outs obviously the authors being incapable of Arabic grammar and not having a grasp of the meaning of the Qur'ānic words. Another failure Flügel made was despite arranging words in a letter order, in some places he didn't pay attention. Besides, the verse of the Qur'ān numbers doesn't fit with those numbers Muslims take as a basis from copy of the Qur'ān we have today. Kastamonī, whose life we don't have any information, made mistakes in detecting 39 origins of the words in the Qur'ān in his index just like Flügel. Besides, the numbers he gave to the verses of Quran and the ones in the copy of the Qur'ān that Muslims use doesn't correspond. Another mistake Kastamonī made in Misbāh is despite putting words in an alphabetic order, he didn't pay attention in some places. Like this, the data received from investigation of both authors compared to one another and eventually some results came across. According to this, it's clearly seen that the error Kastamonī and Flügel made upon detecting the origin of the 39 words are the same. On the other hand, the numbers both author gave to verses of the Qur'ān in their works correspond with one another. Also, Kastamonī repeated the same errors Flügel did in the alphabetical order of the words. As a result of all the comparisons, it's detected that Misbāh al-ihvān is the same of Concordanticae Corani Arabicae. This similarity is not a mere coincidence. As it's understood from the result, Kastamonī plagiarised Flügel's index and wrote it by crediting himself. Continuity and depending on sources is a very important aspect on academic studies. To do that, all academic works must be based on previous efforts. For any reason, if this doesn't happen, works lose their scientific base and became unreliable. As a result, scientific ethic will be neglected and violated and so the field of study will be in harm's way. The major reason that prevents obeying those codes, which creates the orient of academic study, of continuity and reliability is the academic theft called plagiarism. Plagiarism which is defined as showing ones thoughts, works and writings as his/her own without giving proper credit to source in any portion by another author is an enormous ethic problem. The activity of interchanging an author work which was put together with great effort without giving any proper credit is the further step of the plagiarism. It's clearly understood that Kastamonī has fallen the same mistake. At the end of research, it's revealed that Kastamonī didn't compile a work of art. However, he deceived the scientific community by taking the work at issue to himself in his preliminary and disdain the ethical rules in academic studies. As a result, this study aims to raise an awareness upon the necessity of reading the works that resembles one another by comparing right or wrong sides when evaluating those works. if this is done, the originality of works, their relationship, similarities and differences will both be seen clearly and be evaluated wholesomely. (shrink)

What responsibilities do audiences have in engaging with artworks? Certain audience responses seem quite clear: for example, audiences should not vandalize or destroy artworks; they should not disrupt performances. This paper examines other kinds of resisting responses that audiences sometimes engage in, including petitioning the artist to change their works, altering copies of artworks, and creating new artworks in another artist’s fictional world. I argue for five claims: (1) while these actions can sometimes infringe on the rights of artists, the (...) rights of artists are not absolute; (2) the fact that such actions are based on mistaken interpretations of the artworks has no normative weight; (3) there can be reason to object to additions and alterations whose conception of the artwork is morally worse than the original (and so, there can be reason to support additions and alterations whose conception is morally better); (4) petitioning raises special moral problems; and, most important, (5) some of these actions are valuable because they involve creative and aesthetic activity. Those acts of audience resistance that are creative, morally improve on the original work, and that minimize the infringement of the artists’ rights are good, and should be encouraged. (shrink)

As fundamental researchers in the neuroethology of efference copy, we were stimulated by Grush's bold and original synthesis. In the following critique, we draw attention to ways in which it might be tested in the future, we point out an avoidable conceptual error concerning emulation that Grush seems to share with other workers in the field, and we raise questions about the neural correlates of Grush's schemata that might be probed by neurophysiologists.

According to a desire-satisfaction theory of well-being, the satisfaction of one’s desires is what promotes one’s well-being. Against this, it is frequently objected that some desires are beyond the pale of well-being relevance, for example: the desire to count blades of grass, the desire to collect dryer lint and the desire to make handwritten copies of War and Peace, to name a few. I argue that the satisfaction of such desires – I call them “quirky” desires – does indeed contribute (...) to a desirer’s well-being, when (and only when) the desirer is able to provide what Anscombe calls a desirability characterization of the object of the desire. One successfully provides such a characterization when one is able to describe the object of desire in such a way as to make comprehensible to others what she sees as positive, worthy of pursuit, in that object. To make the case, I consider common desires such as the desires to take a walk on the beach, drink a beer or listen to music. I argue that, although the well-being relevance of such common desires normally is not questioned, their satisfactions contribute to well-being just in case the same condition is met. I then argue by analogy with common desires that quirky desires are also relevant to well-being just in case that condition is met. After sketching this solution to the problem of quirky desires, I show that this response is better than other responses that have been given by desire theorists. I then develop several aspects of this account in response to objections that can be raised against it. Among these (to name a few) are the objection that my account does not apply to the well-being of infants and other inarticulate persons; the objection that intrinsic desires, such as for pleasure, cannot be given desirability characterizations; and the objection that desirability characterizations must advert to pleasure or to objectively good properties of the object of desire, so that my account reduces either to hedonism or to an objective view of well-being. (shrink)

Software piracy is a serious problem in the software industry. Software authors and publishing companies lose revenue when pirated software rather than legally purchased software is used. Policy developers are forced to invest time and money into restricting software piracy. Much of the published research literature focuses on software piracy by end-users. However, end-users are only able to copy software once the copy protection has been removed by a ‘cracker’. This research aims to explore why, if copy (...) protection is so difficult to remove, do crackers invest their skill and time in this activity instead of more lucrative and legal employment. This study develops a framework of neutralisation, justification and motivation and goes directly to the initial software crackers to determine what motivates their activities. The study first applies this framework in an anonymous online survey of crackers. The study then conducts cognitive interviews with eight crackers to explore and further validate the survey’s findings. The study finds the challenge of removing the copy protection from software as the strongest motivation for the actions of crackers. Desire for social participation, while found to be rewarding, was considered unnecessary for crackers to continue their actions. Higher social status was not a motivational factor but was a perceived by-product of cracking. The study also raises areas for future research. (shrink)

Spaulding vs. Zimmerman is a lawsuit that raised the issue of the extent of how much information a negotiator can withhold from the other side and still remain within the bounds of ethical propriety. The author took the case and fashioned it into an exercise an organization can use as a vehicle for members to analyze their personal ethical choices under difficult, real world circumstances. The exercise is powerful and may be administered at any level of management training. It is (...) disguised as a negotiation, so the ethical issues are obscured by the parties’ negotiation goals and tactics. The debriefing will lead to productive discussions about personal ethics/values decisions. The exercise can be as simple or complex as the moderator chooses. The general fact sheet, the employee’s facts, and the employer’s facts are attached in the Appendix. The user is encouraged to copy them for their specific needs. (shrink)

Spaulding vs. Zimmerman is a lawsuit that raised the issue of the extent of how much information a negotiator can withhold from the other side and still remain within the bounds of ethical propriety. The author took the case and fashioned it into an exercise an organization can use as a vehicle for members to analyze their personal ethical choices under difficult, real world circumstances. The exercise is powerful and may be administered at any level of management training. It is (...) disguised as a negotiation, so the ethical issues are obscured by the parties’ negotiation goals and tactics. The debriefing will lead to productive discussions about personal ethics/values decisions. The exercise can be as simple or complex as the moderator chooses. The general fact sheet, the employee’s facts, and the employer’s facts are attached in the Appendix. The user is encouraged to copy them (or modify them) for their specific needs. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ethics & the Environment 8.1 (2003) 61-73 [Access article in PDF] Free Words to Free ManifestaSome Experiments in Art as Gift Sal Randolph Free Words It began this way. Standing nervously in a bookstore, in front of the section on literary theory, hidden from the eyes of the staff, I reached my hand into my bag like a thief and pulled out a hot pink book. I looked up (...) and down the aisle. No one was watching. O.K., now. I slipped it into the shelf among the F's (file under Free) and it was done.So I began my career as in infiltrator of public spaces, a thief not of books but of shelf space, of access. A bypasser of gateways, permissions, and procedures.The book was called Free Words, and was an art project of mine. Its content was a list of 13,000 words I had collected over ten years. I had uncopyrighted the text, placing it in the public domain (no rights reserved), and labeled the book as free. No price tag, no barcode, no ISBN. The back cover said only "this book belongs to whoever finds it." I had printed 1,000 copies of it, and the idea was to create a kind of situation.Someone who came across the book would have to decide what it was and who really owned it. If they wanted it, they would have to decide whether to walk out with it like a shoplifter, or whether to negotiate something [End Page 61] with the sales clerk. Bookstores would have to either purge the book or harbor it. There was a brief explanation and a web address at the back of the book, and if anyone made it to the site there was an invitation to become a distributor of the book, to join in the process of placing it in bookstores and libraries.I spent a few months like that as 2001 came to a close: October, November, December; walking through a New York stunned by September 11, developing the habit of nonobedience. 1 This was the time when the media was telling us to shop, when we were being told to agree,as if agreement and shopping were the definition and extent of our citizenship.At first I was nervous, afraid of being stopped, but after a couple hundred books I relaxed. I was never questioned. The more I did it, the more the commercial space of the city seemed like public space, my space. The city, recovering month by month, felt more like an ecology—a human social ecology, intricate and interdependent. There were more ways of living within it and participating in it than I had supposed.One of the questions raised by cities is who we are in them. How do we find ourselves as individuals, as agents? What kinds of citizenship are possible? Something about this project changed my relationship to the city from being a passive inhabitant of its structures, both social and architectural, to being more active, as I began to feel free to engage those structures more playfully, and to create new structures.As the winter deepened, the Free Words project began to develop in a surprising way. On the website I invited people to become volunteer distributors of the book. I expected that a small number of people would find their way from the book to the website and an even smaller number of those might become distributors. What happened was something quite different: a few people did find the book and the website, but they weren't all interested in simply becoming distributors themselves. Some of them told the story of Free Words on various online forums, journals, and blogs, passing it on through their internet communities. Dozens of people who had never seen a copy of the book found their way to the site, and I began shipping batches of books to volunteers all over the country and the world. I printed more, and then more again.For me the project became like a kind of... (shrink)

This paper argues that “covert” operations like Quantifier Raising (QR) can precede “overt” operations. Specifically we argue that there are overt operations that must take the output of QR as their input. If this argument is successful there are two interesting consequences for the theory of grammar. First, there cannot be a “covert” (i.e. post-spellout) component of the grammar. That is, what distinguishes operations that affect phonology from those that do not cannot be an arbitrary point in the derivation (...) (“spellout”) before which the former apply and after which the latter do; all syntactic operations apply in the same component (henceforth ‘single component grammar’). Second, there must be some alternative means for distinguishing “overt” from “covert” operations. One such alternative, which we can call the ‘phonological theory of QR’, was suggested by Bobaljik (1995), Pesetsky (1998), Groat and O’Neil (1994). These authors proposed that the distinguishing property has to do with principles of the syntax-phonology interface. Assume that movement is a copying operation with phonology targeting one copy in a chain for pronunciation. The distinction between “overt” and “covert” movement, these authors suggest, is this: “overt” movements are the result of phonology targeting the head of a chain for.. (shrink)