Drawing on the analytic of the “colonial matrix of power” developed by Aníbal Quijano within the Latin American modernity/coloniality research program, this article theorises how a system of coloniality underpins the structuring logic of artificial intelligence (AI) systems. We develop a framework for critiquing the regimes of global labour exploitation and knowledge extraction that are rendered invisible through discourses of the purported universality and objectivity of AI. ​​Through bringing the political economy literature on AI production into conversation (...) with scholarly work on decolonial AI and the modernity/coloniality research program, we advance three main arguments. First, the global economic and political power imbalances in AI production are inextricably linked to the continuities of historical colonialism, constituting the colonial supply chain of AI. Second, this is produced through an international division of digital labour that extracts value from majority world labour for the benefit of Western technology companies. Third, this perpetuates hegemonic knowledge production through Western values and knowledge that marginalises non-Western alternatives within AI’s production and limits the possibilities for decolonising AI. By locating the production of AI systems within the colonial matrix of power, we contribute to critical and decolonial literature on the legacies of colonialism in AI and the hierarchies of power and extraction that shape the development of AI today. (shrink)

The proposed list of 17 UN Sustainable Development Goals sets out to reframe development according to a more holistic perspective. Yet, drawing on the example of the need for sustainable, resilient and biodiverse agriculture, it is argued here that the SDGs remain essentially grounded within one cultural understanding of how to address poverty. At least with regard to agriculture, the SDGs thus remain mono-cultural, one-dimensional, overly technocratic, and are far from universal as they fail to acknowledge the stipulated alternative pluriverse, (...) frequently understood in the Global South. The problem outlined is neither a technical nor political one: being essentially related to knowledge production it calls for the pluralization of approaches to both global ethics and sustainability. (shrink)

This article examines intertextuality in digital humour through a combination of tools from pragmatics and decoloniality. The study draws on a dataset of Spanish image macros that intertwine highbrow and lowbrow intertextual references. The analysis is framed by key theoretical concepts at the discursive and hierarchical levels. Specifically, three domains of the colonial matrix of power (knowledge, humanity and governance) are used as analytical categories to identify specific intertextual strategies and hierarchies present in the data. The visual (...) and verbal components of the items are analysed through critical discourse analysis with attention to their salient signs. The use of the colonial matrix of power as an analytical tool for identifying hierarchies in intertextual references stands out as a methodological application with the potential to be further replicated in discourse analysis. (shrink)

The article aims to map the contemporary techno-social networks, together with delineation of the algorithmic governmentality, computational unconscious, the epistemic structure of the Eurocentric matrix of power haunted by its own repetition of the constant abyss of horrors, only to search for gestures of resistance. Gestures of resistance, contrary to the false conviction of capitalist realism, can be found everywhere, including in Jordan Peele's Nope (2022). Through a variety of motifs, themes, and cultural and cinematic references, Peele creates (...) a resistance image, i.e., an image that resists the historical trajectory of the violence of the digital colonial matrix of knowledge. In particular with Nope, in which the history of racial violence is disentangled by evoking the relation between the entanglement of capital and epistemic violence embodied in an all-devouring predator UFO. But Nope is also about visualizing silenced histories. Indeed, to strive to capture UFO with the camera is to break away from modernity as a totalizing onto-epistemology and in this register generating a false universal subject of a Man. (shrink)

The Peruvian sociologist Aníbal Quijano is widely considered to be a foundational figure of the decolonial perspective grounded on three basic concepts: coloniality, coloniality of power, and colonial matrix of power. His decolonial theorizations of these three concepts have transformed the principles and assumptions of the very idea of knowledge, impacted the social sciences and humanities, and questioned the myth of rationality in natural sciences. The essays in this volume encompass nearly thirty years of Quijano’s work, (...) bringing them to an English reading audience for the first time. This volume is not simply an introduction to Quijano’s work; it achieves one of his unfulfilled goals: to write a book that contains his main hypotheses, concepts, and arguments. In this regard, the collection encourages a fuller understanding and broader implementation of the analyses and concepts that he developed over the course of his long career. Moreover, it demonstrates that the tools for reading and dismantling coloniality originated outside the academy in Latin America and the former Third World. (shrink)

Amartya Sen’s theory of enhancement of justice bears an insurmountable blind side that impairs and makes it incomplete, if not parochial. It dismisses coloniality as the veiled face of modernity (and of capitalism) without which any understanding of a theory of justice in a globalized world is impossible. Constructing a theory outside the complex frame of coloniality makes the theory vulnerable to severe hindrances. The duality (coloniality/modernity) produces a twofold but interdependent reality: for the western world it means the achievement (...) of values such as liberty and prosperity; for the non-western world, racism, extraction and exclusion. Since colonialism has been rearticulated into coloniality, these two categories cannot be isolated for they presuppose one another. Democracy remains a fallacy as long as real power depends on capitalism, which is the inextricable way of coloniality itself. Henceforth, free public discussion and free social choice remain chimerical, obtainable only when democracy as a true, unresolved conflict is a reality through the destruction of coloniality. Finally we propose a third principle of justice that would correct both Rawls’ and Sen’s conceptions of justice. Such corrections pinpoint the void in their approaches thus inverting the panoptic. (shrink)

I argue that the lived experience we, the human species, are going through in 2020 is no longer an epoch of changes but a change of epoch. Post-pandemic is becoming meaningless in a change of epoch. My argument is based on the history of the colonial matrix of power rather than in particular thematic histories which, in this case, will be the history of pandemics and the history of the economy. Both are working together, globally now, and (...) entangled in the colonial matrix of power, which can not be found in the origin of the universe, in Babylon or in Greece. It did not exist until the 16th century in the Atlantic, the Black and the White, the North and the South. The logic of coloniality is the logic of the invisible and it is by understanding its historical foundation, its unfolding and the radical transformations in the past two decades, that the signs of the change of epoch can be perceived and understood. (shrink)

The desire that hosts this essay tries to investigate the notion of device, with regard to its modern/colonial configuration and that also affects the evaluative reason in different ways. As this notion does not seem to have a greater genealogical scope than the modernity of Hegel or Schiller, here we propose a search that allows not only to identify the main characteristics of this notion addressed by different contemporary authors, but also to see a certain archaeological scope that implies (...) a geopolitical look of knowledge. This will allow us to observe how a device is understood and, in addition, how the proliferation of different contemporary devices is linked to the emergence, configuration and consolidation of the colonial matrix of power, always in relation to a predominantly evaluative rationality. (shrink)

The 19th-century missionary literary genre provides us with a window into how the missionaries viewed African cultural systems, such as polygamy. In their minds, polygamy was one of the obstacles to converting Africans to Christianity. Baptism functioned as a theatre of power and submission. To access baptism, a convert had to abandon and strip themselves of that which made them Africans and adopt Western colonial Christian norms and principles. In this article, we argue that the condemnation of polygamy (...) by missionaries was a wielding of power within the colonial matrix of power. We further maintain that the decolonisation of Christianity cannot be achieved without a critical analysis of the impact of the missionaries in the deformation and labelling of African cultural identities as heathen and uncivilised. Contribution: The cultural transfer that was achieved through Christianisation, civilisation and colonisation has led to what Biko referred to as the flight from the black self and what Du Bois referred to as double consciousness. The article applies the intersectionality of theoretical lenses of Africana critical thought, Foucauldian notion of power, negritude and decoloniality. (shrink)

In his 1840 translation of the Gospel of Luke from English into Setswana, Robert Moffat transfers Western numerals, geographic words and biblical names to Setswana. In this article, it is argued that in this translation, we see the beginning of the colonisation of Setswana. Furthermore, it is argued that in this translation, Moffat used epistemic privilege and the performance of power to facilitate the process of epistemicide on the linguistic heritage of Batswana and its indigenous knowledge system through an (...) act of colonisation.Contribution: The article applies an intersection of theoretical lenses, namely decoloniality and the Foucauldian notion of power, as its frames of reference in analysing the 1840 English–Setswana Gospel of Luke. (shrink)

Resumo: Objetiva-se analisar e cotejar a teoria da decolonialidade, a partir das elaborações teóricas heterogêneas de dois de seus principais representantes na América Latina: Enrique Dussel (1934-2023) e Anibal Quijano (1928-2018). Tais elaborações teóricas apresentam-se sob a forma e conteúdo de duas chaves de leitura: o conceito de transmodernidade de Dussel e de matriz colonial de poder de Quijano; a partir das quais desenvolveram críticas à modernidade e à razão, com o propósito de forjar um novo tipo de conhecimento, (...) capaz de representar a identidade, autonomia e unidade latino-americano. A partir da leitura imanente das obras, apresentar-se-á os limites e possibilidades que emergem da crítica decolonial. Trata-se da adoção de um procedimento metodológico complexo que poderia ser sintetizado na forma e no conteúdo do conceito de aufhebung (suprassunção), a partir do qual institui-se a unidade de contrários como técnica e método de investigação e exposição dos processos históricos e entendimento do movimento e dinâmica do objeto. Palavras-chave: Teoria da História; Decolonialidade; Dialética Marxiana Decoloniality as a gift: the myth of the past more than perfect Abstract: The objective is to analyze and compare the theory of decoloniality, based on the heterogeneous theoretical elaborations of two of its main representatives in Latin America: Enrique Dussel (1934-2023) and Anibal Quijano (1928-2018). Such theoretical elaborations are presented in the form and content of two reading keys: Dussel's concept of transmodernity and Quijano's colonial matrix of power; from which they developed criticisms of modernity and reason, with the purpose of forging a new type of knowledge, capable of representing Latin American identity, autonomy and unity. From the immanent reading of the works, the limits and possibilities that emerge from decolonial criticism will be presented. It is the adoption of a complex methodological procedure that could be synthesized in the form and content of the concept of aufhebung, from which the unity of opposites is established as a technique and method of investigation and exposure of historical and understanding the movement and dynamics of the object. Key-words: Theory of History; Decoloniality; Marxian Dialectics La decolonialidad como don: el mito del passado perfecto Resumen: El objetivo es analizar y comparar la teoría de la descolonialidad, a partir de las heterogéneas elaboraciones teóricas de dos de sus principales representantes en América Latina: Enrique Dussel (1934-2023) y Aníbal Quijano (1928-2018). Tales elaboraciones teóricas se presentan en la forma y el contenido de dos claves de lectura: el concepto de transmodernidad de Dussel y la matriz colonial del poder de Quijano; a partir de las cuales desarrollaron críticas a la modernidad y la razón, con el propósito de forjar un nuevo tipo de conocimiento, capaz de representar la identidad, autonomía y unidad latinoamericana. A partir de la lectura inmanente de las obras se presentarán los límites y posibilidades que emergen de la crítica decolonial. Es la adopción de un procedimiento metodológico complejo que podría sintetizarse en la forma y contenido del concepto de aufhebung, a partir del cual se establece la unidad de los opuestos como técnica y método de investigación y exposición de la historia y comprensión del movimiento. y dinámica del objeto. Palabras clave: Teoría de la Historia; Decolonialidad; Dialéctica Marxista Data de registro: 07/07/2022 Data de aceite: 24/01/2024. (shrink)

En el marco de la conmemoración del bicentenario se destaca una tendencia generalizada por la exaltación del bolivarismo, el nacionalismo y el indigenismo. Los tres temas evidencian una conmemoración que se caracteriza por la necesidad de recuperar la identidad o nacionalidad como instrumento de pertenencia y cohesión social. En particular en el marco de la llamada “exaltación del indigenismo” emerge la confrontación histórica entre pueblos originarios y el Estado republicano en América; esto a la luz de tres nociones, la identidad (...) latinoamericana, el nacionalismo y Estado – nación. En referencia a estas tres nociones y desde la perspectiva de la teoría de la matriz de poder colonial el foco del análisis es “ser mapuche” en el contexto de la celebración del bicentenario en Chile. (shrink)

The milestone category that is frequently used to refer to the COVID 19 pandemic is called into question to propose that the use of this category is rather what generates a distinction between a past time or a before and a future time or an after. It is proposed that the possibility that this has been erected as a milestone is given by processes that are maintained both globally and locally, even though what allows the appearance of unprecedented events for (...) the Chilean health system is precisely the need to articulate its actions and markedly neoliberal rationalities with global logics. It is specified in the penetration of technological and biopolitical frameworks in the ways of life of the population worldwide and in the notions regarding how to live, and in the colonial matrix of knowledge / power that is at the base of the historical conception of the world system. (shrink)

continent. 1.4 (2011): 253—278. A Sense of French Politics Politics itself is not the exercise of power or struggle for power. Politics is first of all the configuration of a space as political, the framing of a specific sphere of experience, the setting of objects posed as "common" and of subjects to whom the capacity is recognized to designate these objects and discuss about them.(1) On April 14, 2011, France implemented its controversial ban of the niqab and burqa (...) , commonly referred to as the Islamic veil, in public places. On the coattails of the 2004 prohibition of religious artifacts, including the less concealing hijab or Islamic headscarves, in schools, the veil ban sparked equal outrage across both political and theological spectra, and many on both sides of the debate were quick to inquire about enforcement. As Steven Erlanger reports, “The police do not have the authority under the law to remove full veils, only to fine or require citizenship lessons for those who violate the new law.”(2) While the legal and social implications of this interdiction are ripe for study, the reprisals for breaking the law, notably compulsory citizenship classes, illuminate the strategic governmentality underlying the French government's targeting of the Muslim community, particularly those elements it considers affiliated with fundamentalist factions and/or terrorist organizations, if only through fashion—an integral component of French citizenship. Indeed, in allowing the (fashion) police to mandate instructional courses in citizenship for offenders, France implies that any Muslim choosing to wear the niqab or burqa , perhaps even for those who are already citizens, must not be aware of the subtle nuances of dress indicative of the French citizenry within public space. Furthermore, the degree of instruction requisite to citizenship, which clearly can and must be updated as the state sees fit, cements the imagined relation between citizens and states within the discourses on the veil ban. As Sharma contends, “Concepts of citizenship are the ideological glue that bonds the nation to the state. Citizenship provides the legal framework through which the state performs its role as ruler for the nation.”(3) Speaking for/as the state, French President Nicolas Sarkozy declared in a 2009 presentation before members of the government and other citizens that the burqa “is not welcome on the territory of France.”(4) Although there is nothing unique, especially recently, about a nation-state taking extreme measures to guard itself against what it deems to be threats to its sovereignty, the way in which the ongoing discourses on hijab have (d)evolved, which coincide with recent pronouncements by governmental leaders in Germany, Britain, and France that policies of multiculturalism have “failed,”(5) points toward nationalist reterritorializations, which is also to say physical and ideological re-appropriations, of public space within democratic milieux, which remain predicated upon the mediation of spaces. As Panagia deduces from Rancière, “Democracy […] is not an institutional form of government […], but an appearance whose visibilities and audibilites arise out of the dissonant blur of the everyday.”(6) Ultimately, the veil ban represents a calculated move to regulate the every day, which is to say the micropolitics of, that which is visible and invisible within French society, which makes it nothing short of a struggle to manage (the sensation of) bodies. Re-situating the political within the context of sense, Rancière argues that the fundamental essence of politics lies within the distinction between consensus and dissensus , and whereas most consider politics proper as fundamentally concerned with the fluid operations of the state— consensus , Rancière actually locates the political within events that disrupt the normative sensory order of things— dissensus . He explains, “Politics revolves around what is seen and what can be said about it, around who has the ability to see and the talent to speak, around the properties of spaces and the possibilities of time.”(7) This reformulation of politics centers on agency and, albeit perhaps unintended, representationality and offers a useful formulation for spatializing the discourses surrounding the Islamic veil, which are mired within seemingly senseless policies and practices of objectification. Instituting a normative “regime of visibility,” the French veil ban encapsulates the political economy of agency, now both mediated and representational, under the rule of nationalist governmentalities in increasingly transnational contexts.(8) Adjudicating presence within public space signals a concern with the sensory aspects of agency itself—what Rancière terms the “distribution of the sensible,” which is “a matrix that defines a set of relations between sense and sense: that is, between a form of sensory experience and an interpretation which makes sense of it.”(9) To be concerned with sense is to focus upon the body, and this somatic repositioning of the (fashionable) citizen within the territory of the state augurs the resurgence of nationalist bio-politics within Europe, since, as Hage explicates, “Nationalism, before being an explicit practice or a mode of classification, is a state of the body. It is a way of imagining one's position within the nation and what one can aspire to as a national.”(10) The French government's attempt to make (bodily) sense of public space for its citizens by and through policies aimed against a burqa-clad Muslim minority, which might only apply to “less then 400 to fewer than 2,000” women(11), reveals the necessary, yet mercurial, transmutation of public space into national space through bio-political strategies of sense-making, which, as Hage observes, denotes that “nationalists perceive themselves as spatial managers.”(12) At the center of this concern over public space is the equally contentious dimension of governing female Islamic identity, which has become one of the main critiques levied against Islam from outsiders who view the veil in its various forms as a clear sign of the religion's actual and symbolic violence against women, even if such critiques remain ensconced within nationalist discourses. As Halim and Meyers argue, “Although Western news media may focus their coverage of Muslim women on the debate over whether and the extent to which the veil may by oppressive to the women who wear it, they have exhibited little interest in the physical oppression of violence against women in Islamic countries.”(13) While it falls outside of the scope of this analysis to arbitrate all of the dimensions of this debate, understanding some of the issues related to female identity and hijab within public space are crucial to this study. As these topics are extraordinarily complex, even and perhaps especially within the Muslim community, it is necessary to provide some context concerning the value, purpose, and meaning of the Islamic veil, which has a rich and arduous history. The Art of the Veil At present, there are only two countries, Iran and Saudi Arabia, that require women to wear hijab , which is a decidedly problematic term and concept whose locus is itself caught within a struggle of sensation. Noting the strategic reterritorialization of the term, Berger explains: The choice of the name, hijab , now widely adopted to designate the “Islamic veil,” it itself interesting, although the semantic shift it operates is not directly commented upon by its users. Although the design (both the cut and the symbolic function) of the hijab and the Iranian chador are indeed the same, as opposed, for instance, to the traditional Algerian haik , the word hijab has come to replace the term chador popularized by the Iranian revolution, as a properly Arabic (hence Koranic) designation. This discursive shift points to the successful reclaiming of the national revolution in Iran by a transnational pan-Islamic movement, whose language of reference can only be Koranic Arabic.(14) While the hijab is certainly a point of contention within various countries dealing with immigrant Islamic populations (of which France has the largest in Europe as part of its colonial legacy in Algeria), it is clear that the veil is a historically contextualized artifact of Muslim identity with a variety of manifestations, even as forces outside of and within Islam seek to codify its actual and symbolic value. Ultimately, the varieties of hijab , including the full-faced burqa and niqab , are complex assemblages of meaning that speak to the multitudinous flows of Islamic identities over time and space. As Gökariksel and McLarney observe, “Wearing a certain style of veil may simultaneously be a disciplinary practice crucial to the cultivation of piety (Mahmood 2005; Gokariksel 2009) and a gendered performance of social distinction in terms of class, taste, and urbanity (White 1999; Navaro-Yashin 2002; Gokariksel and Secor 2009) or of ethnicity and race (Dwyer 1999).”(15) The ideological marketplace from which the varieties of hijab ebb and flow serves both as a reflection of the ever-present materiality and dynamic functionality of spiritual economies, which are derivative of the equally ubiquitous flows of transnational capital driving agency and representationality within our historical moment. Keeping these dual, yet deeply interconnected, capital ecologies as the site of exploration for how the veil is represented within public space, one might begin to sense what lurks behind such veiled agendas. Examining the symbolic and representational nature of the Islamic “veil” in its various forms, this project situates the decidedly political contestations of public space at stake in the French ban alongside recent condemnations of multiculturalism as calculated efforts to re-distribute the sensible so as to valorize national identity within increasingly transnational and globalized socio-economic spaces, which collapse exchange values between distinct, yet interwoven, economies of (cultural/material/spiritual) capital. As the discourses on the veil rely upon representational imag(in)ings, it seems fitting to explore the political economy and art of the veil through the phenomenon of street art, which, much like hijab , is a complex assemblage of meaning of sensation mired in representationality and capital exchange. As street artists have taken up hijab in various forms, the movement offers a lens with which to situate critical responses to the veil debate across both spiritual and material economies. Situating this street art both aesthetically and historically, Lewisohn explains, “'Street art' is a sub-genre of graffiti writing and owes much to its predecessor. Though there is a good deal of crossover between the genres, they are distinct and separate in their own right.”(16) Evolving out of the graffiti explosion of the late 1970's and 1980's, street art broke the unspoken rules of the artistic underground by challenging and re-examining one's sensory experience of art in public space by experimenting with both content and form in ways that harken back to the Situationist International, which as a collective challenged one's experience of urban space through various media and experiential phenomena. Again, Lewisohn observes, “It's important to note street art's break with the tradition of the tag, and its focus on visual symbols that embrace a much wider range of media than graffiti writers would use.”(17) From stencils to prints and murals to one-liners, street artists developed a reputation for critical social and political commentary, and while it is certainly the case that not all street art is intentionally political, in challenging the normative “regime of visibility,” as Rancière puts it, of public space, street artists—even if unconsciously—call into question the common sensory experience of the politics underlying the formation of (nationalist) space.(18) Indeed, Rancière refers to the partisan sensory managers as “police,” who ultimately forge “the rules governing the circulation of appearances, of their visibility and audibility, and the proper distribution of bodies therein.”(19) As such, one can sense that street art's relationship with the police is tenous for a variety of reasons. Writing about his own experience as a street artist, Shepard Fairey observes, “With street art, there's no committee deciding whether I can put my work up on the street, there's no censorship, and I have total freedom of expression, and that concept of freedom is expressed just by using the street as a medium.”(20) As Fairey and other street artists demonstrate, the medium, to paraphrase Marshall McLuhan, is the most glaring aspect of street art's message, and even as it now finds itself in galleries and usurped by private collectors, the ethos of the movement remains relavent to politics as it is, first and foremost, concerned with the configuration and experience of space. Just as examining the punishments for breaking the veil ban can map the terrain of French politics, a representational genealogy of street artist's deployment of hijab and female Muslim identity can assist in mining the depths of public space as a site of bio-political control and contestation in light of recent events in France and the rising tide of anti-multiculturalist rhetoric across Europe, even though the Islamic presence there is radically heterogenous. Using the work of Shepard Fairey, Princess Hijab, br1, and Banksy, this paper sets out to answer a number of key questions concerning the deployment of hijab, and female Islamic identity in particular, within street art as a movement now integral to and critical of the economies of exchange underlying global capitalism, which as a force of influence cannot be underestimated as a driver in the resurgence of nationalist biopolitical governmentalities. Although there exists a litany of artists to choose from, the aforementioned quartet of designers integrate hijab into their work in a seminal and critical fashion, and all have been working with the veil in some way prior to the French ban, which grants some additional context to their usage of it as a symbol in regards to the breakdown of multiculturalism across Europe, even if unconsciously. Although each artist depicts various amalgamations of hijab in their respective corpus, they share common tropes that raise significant questions concerning the veil debate, namely: what are the conditions of possibility for hijab to become a marker of Islamic identity within public space? How can we make sense of the representational topologies within street art's utilization of the hijab and female Islamic identity in light of the French ban? How might these aesthetic imag(in)ings simultaneously inhabit and combat normative discourses concerning hijab , multiculturalism, female Islamic identity, and public space? With these considerations as a backdrop, it is first necessary to outline more fully the hijab as a representative marker of female Islamic identity. The (Veiled) Writing on the Wall

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In this work I reflect, from the concepts of coloniality of power (Quijano 2007a) and coloniality of gender (Lugones 2008), key elements to sentipensar,2 the struggles of Indigenous women on the continent in defense of life in their territories. It is not new for Indigenous women to mobilize together with their peoples to defend the land-territory-life, but in recent years their participation has become more visible to the extent that the threat to the territories also involves fundamental elements for (...) the reproduction of life that previously had not been of interest to capital. In this context my interest is focused on the ways in which the women of the territories create and resist from other ontologies in defense of life.Thinking the reality of our countries from the coloniality of power and the coloniality of gender implies, among other things, taking as a baseline the existence of structures of domination, exploitation, and extermination that have been reproduced over the last five centuries in Abya Yala, and that have led to the imposition of a world classification that denies the existence of other worlds that inhabit these territories, and that have been persecuted, massacred, made invisible, but that exist and re-exist (Albán 2013). (shrink)

Considering biblical, political, and literary intertexts (Las Casas, Shakespeare, Marino/Brockes, Schiller) with regard to the ideological correlation of sex, rule, and salvation, the paper reads Kleist’s Erdbeben in Chili as a subversive Passion narrative and salvation history following the Marian matrix of Chile’s colonial toponymy: St. Jago after the first visionary of Mary, St. Jacob, La Concepción according to the immaculate conception of Mary, and Valparaíso, Kleist’s »Tal von Eden« in the illusive utopian spirit of the Holy and (...) the whole human family. Starting from this toponomastic key inspiration of the novella, the paper tries to take the colonial setting literally in order to contour more sharply, against the background of Chile’s colonial history, the social and political conflicts around the tutor’s liaison with his pupil, their prosecution, the earthquake, the utopian communitarisation, and the lynchings. Located within the colonial power tussle between the archbishop, the vice-king, the local gentry, and the Spanish bourgeoisie, and staged according to iconographic models, Kleist’s salvation history features Josephe Asteron who, as a novice, incarnates the Body of Christ in an illegitimate child, and, after the earthquake, advances from a femina sacra to a (sexually attractive) Marian nursing mother. The massacre by the ruled, that she finally falls victim to, mimetically inverts, in René Girard’s terms, the colonial rulers’ force without giving up their ideological framework, Christian eschatology. As radical a subversion as it may be, Kleist’s novella itself proves fueled by the persuasive energies of the Christian promise of salvation. (shrink)

This book makes the powerful argument that Latin America needs to be a more central part of the discourse on emerging globalities and in the pursuit of an inter-civilizational focus to avoid West-centric perspectives. It deploys a cultural political economy approach that sees the global political economy as inescapably cultural and allows us to avoid the hyper-rational analysis of economics. It explores various aspects of contemporary Latin America from the revival of dependency theory, the ‘pink tide’ governments since 2000 and, (...) in particular, the potential of the Andean Buen Vivir political philosophy, to offer a distinctive paradigm for sustainable global development. The book provides a de-colonial frame and shows how many recent and new social science perspectives emerging globally are connected with Latin American scholars and Latin American social experiments: namely, dependency, decolonial and post-colonial epistemologies, post-neoliberalism, and the notion ofPluriverse. The book focuses on the cultural, the ethical, the economic and the political, and environmental dimensions of this transformation, which represents a reaction and alternative to the Western cultural, including ethical, economic, political, environmental crises. The readership for this book includes all who are fascinated by the globalization lens on the one hand, and the experience and lessons of Latin America on the other hand. (shrink)

What relationship can be established between the theory of epistemic injustices and the theory of the coloniality of power to think Latin America? This article proposes a dialogue between both theories to think about the actions of subaltern groups in Latin America that, by generating processes of struggle and organization, make epistemic injustices visible as part of their demands. This inquiry is presented in three moments: in the first, the conceptual field of epistemic injustices is defined —from Fricker, Medina (...) and Broncano— and the political/epistemic conception of coloniality of power by Anibal Quijano. In the second moment, the relations between these theories are explained. In the end, some examples of experiences of resistance in Latin America are given that can be analyzed from this dialogue. (shrink)

La pregunta por la sujeto de enunciación emerge de una experiencia académica y nutre la visibilización de las diferencias que nos atraviesan como mujeres. Revisar las heridas abiertas que la invasión-conquista-colonización-evangelización europea provocó con la implantación de la matriz moderna, colonial, capitalista, patriarcal, occidental permite localizar la doble subalternidad de las mujeres latinoamericanas. Un desencuentro con el humanismo académico permite traducir las raíces que nos atraviesan a nosotras, las mujeres de América Latina. El constructo delimita en la designación un (...) espacio común, surgido ahora, de una experiencia común que disloca los discursos hegemónicos y gesta un "entre" el feminismo occidental y el feminismo poscolonial, que habilita particulares puntos de vistas en los devenires de mujeres como potencia epistemológica-política. The question of the subject of enunciation emerges from an academic experience and nourishes the visibility of the differences that cross us as women. Revising the open wounds that European invasion-conquest-colonization-evangelization is urgent for us. The occidental, modern, colonial, capitalist, patriarchal, implanted matrix permits to locate the double subordination of Latin American women. A disencounter with the academic humanism allows to translate the roots that cross us, the women of Latin America. In its designation the construct delimits a common space. Now this common space emerges from a common experience which dislocates hegemonic discourses and makes an "in between" among occidental and postcolonial feminisms, which enables individual views on women´s processes as epistemological and political power. (shrink)

This book makes trouble: it explores the reality that digital culture is largely an extension of an older coloniality of power of the global north. It suggests a line of inquiry for the social sciences to reflect on their own imperial role and develop a contemporary critical and pragmatic scope, shifting their gaze from problems to opportunities.

Drawing on 75 semi-structured qualitative interviews with Arab, South Asian, and Black Muslim women social justice activists, ages 18–30 years, organizing in the United States and the United Kingdom, I theorize their experiences as the basis of the matrix of gendered Islamophobia. Building upon Jasmine Zine’s concept of gendered Islamophobia, I synthesize this concept with Patricia Hill Collins’s theory of the matrix of domination to give a more in-depth and nuanced structure of how gendered Islamophobia operates and is (...) resisted by Muslim women activists. This article identifies the overlapping configurations of power that affect Muslim women’s lives through structural, disciplinary, hegemonic, and interpersonal domains, countering reductionist accounts of Islamophobia as a universalized, unvariegated social force impacting all Muslims in similar ways. Instead, the matrix of gendered Islamophobia locates Islamophobia within shifting axes of oppression that are simultaneously structured along the lines of gender, race, class, sexuality, and citizenship. The findings of this research reveal a dialectical relationship between Muslim women’s oppression and simultaneous contestation of gendered Islamophobia via their collective remaking of alternative ideas, politics, discourses, and organizing practices. (shrink)

This article proposes that the study of non-Western philosophical traditions ought to include a critical awareness of the experience, impact, and legacy of colonialism. In this regard, Latin American philosophy offers us a key concept—the coloniality of power. It will be shown that coloniality enriches and complicates our understanding of both the history of Western and non-Western philosophies. More specifically, coloniality helps to clarify and answer the following questions: First, how was it that the discipline of philosophy came to (...) be centrally understood as Western? And second, to what degree did the modern distinction between West and non-West affect our understanding and the formation of non-Western thought? Ultimately, the methodological upshot of coloniality for the study of non-Western philosophical traditions is that it focuses our attention on the epistemic violence that was part and parcel of colonialism and therefore it frames the study of non-Western philosophical thought within the practi.. (shrink)

The author argues that Quijano’s conceptualization of race within the theory of coloniality of power is limited and theoretically insufficient given its lack of elaboration regarding the role of anti-Blackness in Spanish colonization. This article contrasts the idea of coloniality of power with Cedric Robinson’s elaboration of racial capitalism to demonstrates how Robinson has a more complex and historically rich analysis of race that centers the expansion of racial capitalism with the invention of the Negro subject. The article (...) closes with an attempt to bridge the history of anti-Blackness and the idea of coloniality using Sylvia Wynter’s adaptation of the idea of coloniality, which is attentive to the Portuguese expeditions prior to Columbus and how coloniality disproportionally affected people of African descent in the Américas. (shrink)

It is well known that Heidegger described his Nietzsche lecture courses as confrontations with National Socialism. Traditionally, this sense of resistance was seen firstly in the fact that Heidegger read Nietzsche at the level of metaphysics and explicitly rejected those ideological appropriations which attempted to reduce Nietzsche’s philosophy to the level of biologism or mere Weltanschauung. This essay argues that the way in which Heidegger framed his interpretation of will to power in his first and second Nietzsche lecture courses (...) can be seen to contain a more explicit critique of the contemporaneous “official” Nietzschebild than has customarily been said. (shrink)

Michel Foucault’s _History of Sexuality_ has been one of the most influential books of the last two decades. It has had an enormous impact on cultural studies and work across many disciplines on gender, sexuality, and the body. Bringing a new set of questions to this key work, Ann Laura Stoler examines volume one of _History of Sexuality_ in an unexplored light. She asks why there has been such a muted engagement with this work among students of colonialism for whom (...) issues of sexuality and power are so essential. Why is the colonial context absent from Foucault’s history of a European sexual discourse that for him defined the bourgeois self? In _Race and the Education of Desire, _Stoler challenges Foucault’s tunnel vision of the West and his marginalization of empire. She also argues that this first volume of _History of Sexuality_ contains a suggestive if not studied treatment of race. Drawing on Foucault’s little-known 1976 College de France lectures, Stoler addresses his treatment of the relationship between biopower, bourgeois sexuality, and what he identified as “racisms of the state.” In this critical and historically grounded analysis based on cultural theory and her own extensive research in Dutch and French colonial archives, Stoler suggests how Foucault’s insights have in the past constrained—and in the future may help shape—the ways we trace the genealogies of race. _Race and the Education of Desire_ will revise current notions of the connections between European and colonial historiography and between the European bourgeois order and the colonial treatment of sexuality. Arguing that a history of European nineteenth-century sexuality must also be a history of race, it will change the way we think about Foucault. (shrink)

In this article, I argue that the question of divinity provides an important context for reading Heidegger’s initial two Nietzsche lecture courses (1936–37). First,I demonstrate how this often overlooked background can shed light upon the way in which Heidegger understood the meanings of will to power and eternal recurrence in this period. Second, I argue that the related themes of need (Not) and necessity (Notwendigkeit) in these lectures can be seen as an important framework for understanding the relation between (...) Heidegger’s early Nietzsche engagement and his Contributions to Philosophy (1936–38). (shrink)

From the early to mid-1970s, Michel Foucault posited that power consists of a relation rather than a substance and that this relation is comprised of unequal forces engaged in a warlike struggle against each other, resulting invariably in the domination of some forces over others. This understanding of power, which he retrospectively dubbed `Nietzsche's hypothesis' and `the model of war', underpinned his well-known analyses of disciplinary power. Yet, Foucault in his Collège de France course from the academic (...) year 1975-6, `Society Must Be Defended', suddenly began to call into question this understanding and his doubts about it did not abate well into the late 1970s. In this article, we suggest that his militant politics in the early 1970s sustained his adherence to the war model and that his more cautious political attitude later in the decade underpinned his suspicions about this model. Key Words: biopolitics • Henri de Boulainvilliers • Michel Foucault • Thomas Hobbes • militancy • F. W. Nietzsche • politics • power • race • war. (shrink)

To question power means also to ask what makes us governable and enables us to govern. This paper addresses this issue by rephrasing the question ‘what is power?’ into the question: ‘to what problem can power be seen as a response?’. This transformation allows us to keep the ‘power of power’ in sight. It then elucidates the ‘how’ of power through some conceptual explorations and theoretical clarifications as well as through an explicitly anthropological problematisation (...) of power, as the way in which power is understood depends always also on the way in which people understand themselves. Reassessing Foucault's rejection of anthropological reflections, the paper sketches a structural matrix of human self‐conceptions through which power and also critique can be reconstructed systematically. (shrink)

Linguistic choices have different attributions beyond their literal meaning according to their contexts. This paper looks at the variations in the discourses seen in the written colonial agreements and treaties during the Malabar conquest. The study employs the archived documents of various discourses during this period as a part of power shifting from the local elites to the colonial power. It explores how power is intertwined in the linguistic choices of different communication files. The study (...) employs a hybrid methodology of forensic linguistics and legal history. The analysis progresses in two phases: i) the linguistic attributions of power in the communications between the local elites and the colonial authorities and ii) the comparative analysis of variations in the linguistic choices by the colonial authorities correlating their varying power positions over the given period. It explores the dynamics of the linguistic choices of the local elites initially as a powerful entity in communication with the colonial authorities. The analysis shows a variation in the linguistic choices of the colonial authorities that suggests how they are used to reflect the power positions on a scale from weaker to powerful along the timeline. The paper argues that the linguistic choices of the colonial communication files aided them in projecting their power to society and assisted as one of the tools for reiterating their power position in various contexts. (shrink)

In fall 1844, a party of colonists led by William Keil arrived at what was to become their new home, a gentle slope rising from the bank of the North River in Shelby County, Missouri, about forty-five miles west of Hannibal. One year later the utopian Bethel Colony had been laid out, houses were being added as fast as they could be built, and construction of a steam-powered gristmill was under way.The Bethel colonists were Bible Communists who found the inspiration (...) for their communal life in the book of Acts, which records that in the Early Church "as many as were possessors of lands or houses sold them and brought the proceeds and laid them at the apostles' feet; and distribution was made to each as any had need"... (shrink)

This paper offers a critique of ‘powerful knowledge’ – a concept in Education Studies that has been presented as a just basis for school curricula. Powerful knowledge is disciplinary knowledge produced and refined through a process of ‘specialisation’ that usually occurs in universities. Drawing on postcolonial, decolonial and Indigenous studies, we show how powerful knowledge seems to focus on the progressive impulse of modernity while overlooking the ruination of colonial racism. We call on scholars and practitioners working with the (...) powerful knowledge framework to address more fully the hegemonic relations of disciplinary specialisation and its historical connections to colonial-modernity. This, we argue, would enable curriculum knowledge that is ‘powerful’ in its interrogation of racial violence, rather than in its epistemic reproduction of it. (shrink)

This paper theorizes and historicizes the ideas of modern language and translation and challenges the imperialist and nationalistic mode of worlding with the notion of ‘untranslatability’ that is embedded in the linguistic and cultural practices of colonial Taiwan and Korea. I redefine the notion of translation as a bordering system – the knowledge-production of boundaries, discrimination, and classification – that simultaneously creates the translatable and the untranslatable (i.e. the equivalence and incommensurability) in asymmetrical power relations. With this, I (...) discuss how this ambivalence is embodied in the experiences of colonial writers Wu Yung-fu and Pak T’aewŏn and their novellas ‘Head and Body’ (1933) and ‘A Day in the life of Kubo the Novelist’ (1934). I illustrate two characteristics of the ambivalent untranslatability embedded in their novellas: the linguistic untranslatability and the experience of ‘unhomeness’. The linguistic untranslatability and unhomeness, I argue, result in the colonized’s dislocation in homogeneous time-space relationships, resulting to the incompletion of the modernization project through colonialism. At the same time untranslatability offers a site to explore the transnational space that crosses linguistic boundaries, and to caution against the legacy of colonialism. (shrink)

L’analyse du pouvoir que propose Merleau-Ponty dans sa confrontation avec le Marxisme et le bolchévisme tente de penser ce paradoxe : le phénomène du pouvoir contient deux sous-phénomènes: premièrement, le pouvoir d’une entité politique (Prince, Etat, Parti etc.) est reconnu s’il est perçu comme donné (moment de reconnaissance) ; deuxièmement, le pouvoir de cette entité dépend de ladite reconnaissance (moment d’institution). Le premier moment constate le donné alors que l’autre le conteste. L’article se propose de comprendre, premièrement, dans quelle mesure (...) le pouvoir doit être compris comme l’union de la reconnaissance et de l’institution, et deuxièmement, dans quelle mesure cette unité doit être comprise comme une matrice productrice d’histoire. La première question sera résolue par appel à la notion de foi perceptive, qui est la version ontologique d’une telle unité ; et la seconde par appel à la notion politique de représentation héritée de Machiavel et développée dans les analyses critiques du thème de la représentation du prolétariat par le Parti. Le résultat est une reconfiguration des relations entre discours de vérité (dans ce cas, l’ontologie) et action politique ; une reconfiguration de la notion de pouvoir, et une hypothèse pour rendre compte de l’unité des travaux « théoriques » et « politiques » de Merleau-Ponty.The analysis of power that Merleau-Ponty proposes in his confrontation with Marxism and Bolshevism tries to think through the following paradox. The phenomenon of power is composed of two sub-phenomena. Firstly, the power of a political entity (Prince, State, Party, etc.) is recognized if it is perceived as given (moment of recognition). Secondly, the power of that entity depends on the said recognition (moment of institution). The first moment notices the given, while the other contests it. This article aims to elucidate, firstly, to what extent power must be understood as the union of recognition and institution, and secondly, to what extent that unity must be understood as a matrix productive of history. The first question will be resolved by appealing to the notion of the perceptual faith, which is the ontological version of such a unity; and the second, by appealing to the political notion of representation inherited from Machiavelli and developed in the critical analyses of the theme of the representation of the proletariat by the Party. The result is a reconfiguration of the relations between discourses of truth (in this case, ontology) and political action. It is a reconfiguration of the notion of power and a hypothesis that wants to account for the unity of Merleau-Ponty’s “theoretical” and “political” efforts.L’analisi del potere che Merleau-Ponty propone attraverso il confronto tra marxismo e bolscevismo tenta di pensare questo paradosso: il fenomeno del potere contiene due sotto-fenomeni: in primo luogo, il potere di un’entità politica (il Principe, lo Stato, il Partito, ecc.) è riconosciuto se è percepito come dato (momento di riconoscimento); in secondo luogo, il potere di questa entità dipende dal suddetto riconoscimento (momento di istituzione). Il primo momento constata ciò che è dato, mentre l’altro lo contesta. L’articolo si propone di comprendere, in primis, in quale misura il potere deve essere inteso come unione del riconoscimento e dell’istituzione, e in seconda battuta, in quale misura quest’unità deve essere compresa come una matrice produttrice di storia. La prima questione sarà risolta tramite il riferimento alla nozione politica di rappresentazione ereditata da Machiavelli e sviluppata nelle analisi critiche del tema della rappresentazione del proletariato attraverso il Partito. Il risultato è una riconfigurazione delle relazioni tra discorso di verità (in questo caso, l’ontologia) e azione politica; una riconfigurazione della nozione di potere, e un’ipotesi che renda conto dell’unità dei lavori “teorici” e “politici” di Merleau-Ponty. (shrink)

The complicated colonial history of the Philippines impacts notions of gender in the Islands. Specifically, institutions with strong foreign roots, such as universities, maintain and challenge gender relations. The Philippines sees multiple gender issues in universities despite government-mandated gender mainstreaming policies for education (CMO-1), yet the influence of colonial values remains overlooked. This article contributes to philosophising Philippine education by providing the history of the country’s universities and their role in shaping gender relations. A threefold model of gender (...) structures, relations of power, production and cathexis (emotional attachment), frames historical literature during the Philippines’ Spanish and American colonial periods and contextualises the country’s gender order. The interplay of religion and higher education during the Philippines’ Spanish colonial period reveals why sexuality remains policed by education institutions. The gendering of courses during the American Colonial period details the feminisation of certain disciplines and occupations. Harmful manhood practices adopted during this period continue to affect men in university systems through Philippine fraternities. Lastly, private education perpetuates and maintains power among the elite. The evolution of the Philippine university provides points for analysis for gender issues. These become building blocks to the discourse surrounding the Filipino philosophy of education, by understanding facets of Filipino identity construction, and proposing avenues to explore when decolonising the university. (shrink)

Hannah Arendt’s conception of violence in On Violence ignores cases in which violence becomes an expression of power. Through my discussion of a government’s use of violence to control criminal violence and the Algerian Revolution, I argue that an Arendtian communicative relationship between power and violence is unrealistic; a decision to use violence can arise within a government bureaucracy or between an anti-colonial group and their supporters, but not between a colonial oppressor and the oppressed. The (...) decision to use violence is a product of power and cannot actually expect a literal public support. Since the decision arises from the power an entity has over others and the need to maintain power, it is unrealistic for power to rule absolutely or for violence to disappear because there is absolute power. Arendt’s central claim is insufficient because it does not consider how using violence is a decision arising from power. (shrink)

This article presents reflections on our experience with quilombola women, through the lens of the coloniality of power-knowledge. The text aims to challenge the contradictions we face as researchers and as women. We describe the workshop we presented over four days with the participation of the quilombola women, as well as the quilombo community where the activities were held. We discuss the performance of coloniality during the time we spent together and how it was present in the organization of (...) knowledge and in our bodies, the repercussions of coloniality on ourselves, and the possibility of decolonizing knowledge and subjects, in spite of the colonial pattern of power. The activities we carried out with these women left marks on us and served as a stimulus for us to decolonize ourselves, our judgments of the object-other, as well as our writing and research practices. (shrink)

In this article the authors discuss in broad strokes the work of two theorists, namely Nigerian sociologist Oyèrónkẹ́ Oyěwùmí and Argentinian philosopher Maria Lugones to argue that a specific logic of sexualisation accompanied, permeated and coloured the colonial project of racialising the ‘native’. The sexual wound which to a great extent explains the abjection of the racialised body, is a key aspect of the colony and should therefore also be a central theme in any properly critical discourse on decolonisation (...) in Africa. After drawing on Oyĕwùmí and Lugones to make their central argument, the authors apply this framework to the problem of sexual violence in South Africa. Understanding the nature of the sexual-racial wound of coloniality will not only ensure that the problem of sexual violence gets properly addressed as a central question of decolonisation, but will also suggest new ways of concretely addressing the problem. In particular, the dominant discourse needs to shift away from the ‘emasculated man’ trope and towards a critical feminist decoloniality which views the radical dehumanisation of native woman as key to colonial violence understood as a world-destructive. (shrink)

Qualifying post-Westphalian sovereign statehood as a 'power' as argued for in Hendrik Berkhoff's political theology, this book addresses the decades-long theological-spiritual debate between Christian realism and Christian pacifism in U.S. foreign policy and global Christian circles. It approaches the debate by delving into the pacifist Anabaptist political theology and delineates empirically how sovereign statehood in post-colonial Africa and Asia has fallen into the hands of the devil Satan, as a 'fallen power' in the Foucaultian terms of (...) class='Hi'>power structures, techniques and episteme. While the book offers intervention schemes and options, it holds that Christian statecraft remains the source of hope to effectively address a number of serious global issues. By extension, the book is thus an invitation to ignite debates on the suitability of Christian statecraft and the nexus between spirituality and world politics, making it especially interesting for scholars and students in the fields of International Politics, Politics of Asian and African States, Post-colonial Studies and Political Theology.. (shrink)

The persistence of doping in professional sports—either by individuals on an isolated basis and by whole teams as part of a systematic doping programme—means that professional sport today is rarely if ever untainted. There are financial incentives in place that incentivise doping and there are data that show that doping is often a systematic, organised enterprise. The main question to be answered today in professional sports is whether doping’s repressive anti-doping policies do not have greater negative consequences for society. Whilst (...) some have suggested legitimising safe doping under medical control, in this paper, I argue that doing so will do little to prevent clandestine use of dangerous performance-enhancing substances, and suggest an alternative solution to lifting the ban on doping, i.e. starting from extending liability for doping in sport beyond athletes to those holding power and authority over athletes, to changing winning incentives for doping, to making sport sustainable in the longer time by devising ways of providing athletes with a steady income which is not linked to record breaking or sponsorships. (shrink)

“Veiled Resistance” explores the relationship between discourse and power through the figure of the veiled woman. Ingram argues that while veiled women historically have been produced as Other in Orientalist discourse, they also have subverted these dominant representations by manipulating the significations of the veil. Using the example of veiling practices employed by Algerian womenduring the Algerian Revolution , as well as the recent actions of Muslim women in Europe who are choosing to defy the law by veiling and, (...) in some cases, re-veiling themselves after a long period without doing so, Ingram examines the veil as a counter-discursive object. While religious, patriarchal, and colonial ideologies attempt to exploit, albeit in different ways, the women’sactions vis-à-vis the veil, these women can be seen to renegotiate the limits of representation through a conscious manipulation of the discourse that has attempted to discipline them and create new possibilities of embodiment. (shrink)