Scholarly controversies over Aristotle's ‘paradox of monarchy’ may be partially resolved by examining the biographical evidence of Aristotle's involvement in Macedonian politics. This evidence suggests Aristotle worked as an agent of Macedon in Athens, and his statements on monarchy were intentionally contradictory due to his own dangerous and ambiguous political status in Athens.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Prisoner of History: Aspasia of Miletus and Her Biographical TraditionSarah B. PomeroyMadeleine M. Henry. Prisoner of History: Aspasia of Miletus and Her Biographical Tradition. New York and Oxford: Oxford University Press, 1995. 201 pp. Cloth, $29.95.Pericles declared that the best women are those who are known neither for praise nor blame (Thuc. 2.45.2). Despite the invisibility of respectable women in fifth-century Athens, skeletal biographies including (...) the names of their fathers, husbands, sons, and, occasionally, daughters can be constructed. A vignette in Plutarch or a private oration may flesh out the story. Although etiquette discouraged giving the name of a respectable woman while she was alive, she is named in her epitaph. The historian can narrate the entire life of such a woman in a single paragraph.The most famous woman in classical Athens, the only one who rates an entry in the Oxford Classical Dictionary2 (Oxford, 1970) and could be the subject of a full-length biography, is the hetaira Aspasia. Yet even a book devoted to Aspasia who is named in multiple sources including comedy, philosophy, history, and biography fills only 130 pages of text, most of which treat post-classical traditions about Aspasia rather than the life of the woman herself.Chapter 1, a mere nine pages about “Aspasia in Greek History,” is the only part of this book that discusses Aspasia’s actual biography. Henry accepts P. J. Bicknell’s suggestion that Aspasia was an upper-class Milesian whose older sister was married to the Alcibiades who became the grandfather of the notorious Alcibiades (AC 51 [1982] 240–50). An orphan, when she was an adolescent Aspasia came to Athens with her sister and brother-in-law. If this reconstruction is accurate, we must wonder why her brother-in-law did not secure a proper marriage for his young sister-in-law, rather than permit her to become Pericles’ concubine, but perhaps an alliance with the first man in Athens was attractive to the elder Alcibiades. Furthermore he had no legal obligation to dower his sister-in-law. Estate planning and heirship strategies probably influenced Pericles, on his part (cf. Plut. Pericles 16.3–4), for he already had legitimate sons born from his first wife and had no need of another full-fledged marriage. Despite the affection with which Pericles treated Aspasia (Plut. Pericles 24.5–6), he does not seem to have made any arrangements for her future after his death. Lysicles, in turn, who is reported to have married Aspasia, probably regarded a connection with her as a “dynastic marriage” linking himself in this way with the deceased [End Page 648] Pericles. Aspasia made the best of her situation, attempting to bridge the gap between notoriety and respectability: she seems to have confined her attentions to only one man at a time and bore sons whose parentage was never doubted.The very existence of Poristes (“Provider”), the son of Aspasia and Lysicles, is questioned by Henry (43) who suggests that word was used of Aspasia herself. I think it is at least as likely that Lysicles chose his son’s name as his own epithet to refer to his fatherly concern for the Athenians, much the way that the names of Themistocles’ children testify to their father’s political interests. Furthermore, although Henry does not refer to the larger sweep of women’s history, Aspasia lived during the Peloponnesian War, a watershed in the history of Athenian women, when on account of the absence of men at war and the desertion of slaves, the luxury of secluding respectable women had to yield to harsh necessity (see Sarah B. Pomeroy, Goddesses, Whores, Wives, and Slaves [New York, 1975] 66–67). Therefore the traditions that Aspasia lived in the same household with Pericles’ married sons and their wives and that she conversed with married women are believable.In chapter 2, “The Story Told by Comedy,” Henry rejects the testimony of the comic poets, found also in Plutarch (Pericles 24.5), that Aspasia ran a brothel. Yet since her concubinage is evidence of the lack of a dowry, it would have been advantageous for Aspasia to arrange... (shrink)

British Journal for the History of Philosophy, Volume 20, Issue 3, Page 619-625, May 2012.

The focus of this paper will be the critical material in the particular Life of Thucydides which is attributed to ‘Marcellinus’.1 After some preliminary remarks about the extant Lives, I shall identify the critical material to be discussed, and proceed to examine its composition and possible origin. I shall suggest that, like the biographical material, the critical passages are a compilation of material from different sources and show a variety of approaches. In discussing these approaches, I shall show that (...) the critical passages contain different emphases, analytical skills and priorities, and vocabulary. (shrink)

In this article the survival of the sapphic fragments of the ancient times in Renaissance period is examined. More specifically the reappearance of the sapphic verses is presented concerning the first publications (editio princeps) and the most widespread texts of ancient authors during West Renaissance. These texts were the primary sources, on which the later publications of the sapphic work were based, while they also had a great influence on the reception of the ancient poet by the Renaissance writers.

After reviewing the history, rationale, and Jim Rachels’ varied uses of the notion of biographical lives, the essay further develops its social dimensions and proposes an ontological analysis. Whether one person is leading one life or more turns on the number of separate social worlds he or she creates and maintains. Furthermore, lives are constituted by narrated events in a story. Lives, however, are not stories, but rather are extended “verbal objects,” that is, “narrative objects” with a hybrid character, (...) both linguistic and by inference non-verbal. In this they are like facts, propositions, and histories, grasped only through their verbal expression. Being narrative and socially embedded, lives can arguably be extended beyond the death of the principal liver of a life by the commemorative actions of those who shared it. Jim hoped to persuade doctors to shift from a traditional Sanctity of Life principle to a Sanctity of Lives principle. Accordingly, they could stop pointless prolongation of biological life once a patient permanently loses consciousness, his criterion of the end of a biographical life. It might seem that allowing lives to be extended past that point or death would forego that clinical benefit, but that is not so. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Biographical Encyclopedia of British IdealismKarim DharamsiWilliam Sweet, editor. Biographical Encyclopedia of British Idealism. New York-London: Continuum, 2010. Pp. xx + 724. Cloth, $295.00.The term ‘British Idealism’ underdetermines the interests and geographies of philosophers classed under its heading. It may imply a common goal or, indeed, location. This is misleading. The Biographical Encyclopedia of British Idealism goes a long way in demonstrating the challenge of grouping (...) together philosophers with divergent interests and historical pedigrees, sharing some affiliation with Idealist thinking in Britain from the late nineteenth and early twentieth centuries. Many transcend so-called Analytic and Continental categories, and if not transcend, certainly sidestep them. William Sweet’s volume is at once an archaeological guide to British Idealism and a guide to its relevance today. The volume excavates deeply hidden contributions to philosophy and may destabilize our customary assumptions about the geographical limits of Western philosophy; the contributors to the volume ask readers to extend their community of interest to scholars from Southern Africa, India, and East Asia. Calling philosophers working in India and East Asia “British” is also an important reminder; it has its obvious links to British imperium while at the same time speaking to the influence of Idealist thinking outside the frame of colonial England to thinkers working outside the canonical disputes of Western philosophy.This massive volume, uncompromisingly detailed and comprehensive, does have the elements of a survey, but this is not its intent, nor does one get this impression on reading its entries. This Encyclopedia aims to historically and philosophically contextualize Idealist thought. The first six chapters do just this. They are “Idealism in Britain” (William Sweet); “Idealism in Australia and New Zealand” (Mark Weblin); “The Impact of Idealism in North America” (Leslie Armour); “British Idealism in Southern Africa” (William Sweet); “British Idealism in India” (William Sweet); and “British Idealism in East Asia” (William Sweet). [End Page 146] The remainder of the volume includes entries on well-known Idealist philosophers, lesser known thinkers, and important critics of Idealist philosophy, including the familiar and highly influential Russell and Moore. I will say a little bit about the excellent chapter on British Idealism in India.While readers may have familiarity with Idealism in North America and Britain, it may come as a surprise to learn that Indian philosophers, influenced by a great deal of British philosophy, were particularly keen on Idealism in the late nineteenth and early twentieth centuries. Sweet provides readers with a short history of Indian higher education and the place, for instance, of Kant and Hegel in the philosophy curriculum throughout India in the late nineteenth century; it was not long after that British Idealists were being taught to students in Bombay (Mumbai), Madras, and Calcutta (still important centres of higher education in India) along with Allahabad, Mysore, Pondicherry, and Amalner. Idealists in India, much like their counterparts in Britain, labored beyond academic philosophy, extending their discussions to questions of nationalism in India and contributing to ideas in social and political thought.The attraction of British Idealism (indeed, any “Western” Idealist philosophy) to Indian intellectuals may seem mysterious to some readers. Sweet maintains that Indian philosophy was and is by its own historical sense idealist and so the British variant was not so much as “imported” as finding a natural home. Sweet thinks that the revival of interest in the tradition of Advaita Vedanta can be reasonably traced to the influence of British Idealism’s place in Indian philosophy. There is little dispute that Kant, Hegel, and the British thinkers of the late nineteenth and early twentieth centuries influenced how Indian philosophers understood the discipline’s Western identity and aims. Indian philosophers had begun to enter discussions belonging to another history. Hiralal Halder’s Hegelianism and Human Personality, published in 1910, and Ras-Vihari Das’s doctoral dissertation of 1930, The Self and the Ideal, could easily be taken as titles of works in Western European or North American libraries. Philosophy no doubt includes philosophers who come from many histories, and the discipline may be resistant to simple geographical reduction.Sweet cautions readers that Indian philosophers contributed to the development of Indian philosophical thought; they were not merely expositors... (shrink)

This _Biographical Dictionary_ provides detailed accounts of the lives, works, influence and reception of thinkers from all the major philosophical schools and traditions of the twentieth-century. This unique volume covers the lives and careers of thinkers from all areas of philosophy - from analytic philosophy to Zen and from formal logic to aesthetics. All the major figures of philosophy, such as Nietzsche, Wittgenstein and Russell are examined and analysed. The scope of the work is not merely restricted to the major (...) figures in western philosophy but also covers in depth a significant number of thinkers from the near and far east and from the non-European Hispanic-language communities. The _Biographical Dictionary_ also includes a number of general entries dealing with important schools of philosophy, such as the Vienna Circle, or currents of thought, such as vitalism. These allow the reader to set the individual biographies in the context of the philosophical history of the period. With entries written by over 100 leading philosophy scholars, the _Biographical Dictionary_ is the most comprehensive survey of twentieth-century thinkers to date. _Structure_ The book is structured alphabetically by philosopher. Each entry is identically structured for ease of access and covers: * nationality * dates and places of birth and death * philosophical style or school * areas of interest * higher education * significant influences * main appointments * main publications * secondary literature * account of intellectual development and main ideas * critical reception and impact At the end of the book a _glossary_ gives accounts of the schools, movements and traditions to which these philosophers belonged, and thorough _indexes_ enable the reader to access the information in several ways: * by nationality * by major areas of contribution to philosophy e.g. aesthetics * by major influences on the thinker concerned e.g. Plato, Kant, Wittgenstein. (shrink)

This book attempts to fairly summarize the thought of over four hundred "greatest" contributors to philosophy in addition to providing thumbnail biographies. As might be excepted, it fails. For example, all of Plato's dialogues, except the Republic, are allowed one sentence; Berkeley comes off as an influential moron. Heidegger is "to philosophy what Gertrude Stein is to literature...." Of Kierkegaard's nineteen lines, six are devoted to his alleged dislike for women, and none to his philosophic contributions of note.—L. C.

Alexander Altmann's acclaimed, wide-ranging biography of Moses Mendelssohn (1729-96) was first published in 1973, but its stature as the definitive biography remains unquestioned. In fact, there has been no subsequent attempt at an intellectual biography of this towering and unusual figure: no other Jew so deeply rooted in the Jewish tradition was at the same time so much a part of the intellectual life of the German Enlightenment in the second half of the eighteenth century. As such, Moses Mendelssohn (...) came to be recognized as the inaugurator of a new phase in Jewish history; all modern Jews today are in his debt. Altmann presents Moses Mendelssohn in strictly biographical terms. He does not attempt to assess his significance with the hindsight of historical perspective nor to trace his image in subsequent generations, but rather to observe his life from the period within which it was set. Altmann has written an absorbing and compelling narrative that makes a whole epoch come alive with great drama, for Mendelssohn's life was a kaleidoscope of the European intellectual scene, Jewish and non-Jewish. As both a prominent philosopher and a believing Jew, Mendelssohn became a spokesman for the Jews and Judaism; he was one of the rare figures who become the symbol of an era. Through Altmann's skilful use of hitherto unpublished archival material, the reader is introduced to the vast array of people-men of letters, artists, politicians, scientists, philosophers, and theologians-with whom Mendelssohn was in contact, and sometimes in conflict. What was Mendelssohn's Judaism like? To what extent did the disparate worlds of Judaism and modern Enlightenment jostle each other in his mind and to what degree could he harmonize them? These questions are not easily answered, and it is only in the aggregate of a multitude of accounts of experiences, reaction, and statements on his part that the answer is to be found. Alexander Altmann's analysis of this wealth of material is extraordinary in its discernment, subtlety, and clarity of expression. This masterly work will be of interest not only to those who are concerned with Jewish intellectual history but also to those interested in eighteenth-century cultural and social history, philosophy and theology, literary criticism, aesthetics, and the other areas of intellectual activity in ferment at that time. The general reader will also find much of contemporary relevance in Mendelssohn's life, not only because of his exemplary devotion to reason and tolerance, but also because of his lifelong struggle with the basic dilemma of the Jew in the modern world: the attraction of assimilation versus the singularity of Jewish life, and the preservation of Jewish identity versus integration in the wider society. (shrink)

The Anékdota or Secret History of Procopius of Caesarea tends to raise perplexity among scholars for different reasons, particularly the fact that a courtier wrote this work as well as the Buildings, a clear praise of Justinian through his constructions and foundations, and the Wars, in the most canonical historiographical tradition. It is apparent that the Secret History, as it is usually acknowledged, is related to the tradition of the invective and the pamphlet, even to the earlier classic (...) iambography, but we should try to answer the question with the same analytical tools that have been applied in recent years to the study of ancient biography, whence the author takes inspiration, especially for the portrait of empress Theodora. Here we have identified, alongside the ancient biographical patterns of the classical tradition, new ones, mostly inversions of contemporary hagiographical narratives. (shrink)

Chrysostomus Javelli OP (c. 1470–1540) is remembered almost exclusively for his numerous scholarly works in the Thomist philosophical-theological tradition, which are easily accessible in the often-reprinted, massive opera omnia editions of the late sixteenth century (Lyon 1568, Venice 1577, Lyon 1580). In this revised biographical account, Javelli’s literary output is seen in the context of his entire life and its key aspects as observant Dominican friar, unenthusiastic inquisitor, prolific author and dedicated teacher. New light is cast on all (...) these facets by focusing on unexploited primary sources, in the first place the rich prosopographical material found in the multiple, and mostly now very rare, editiones principes of Javelli’s works. This material, in the form of dedicatory letters, colophons and incidental autobiographical remarks, was almost entirely omitted by the editors of all the posthumous editions of his works and hitherto has been overlooked by scholars. (shrink)

Tibetan biographers began writing Jetsun Milarepa's (1052-1135) life story shortly after his death, initiating a literary tradition that turned the poet and saint into a model of virtuosic Buddhist practice throughout the Himalayan world. Andrew Quintman traces this history and its innovations in narrative and aesthetic representation across four centuries, culminating in a detailed analysis of the genre's most famous example, composed in 1488 by Tsangnyön Heruka, or the "Madman of Western Tibet." Quintman imagines these works as a kind (...) of physical body supplanting the yogin's corporeal relics. (shrink)

Grimsley has written a work which combines a sketch of Kierkegaard’s biography with an account of the contents of his major writings. A good part of the time, his efforts are directed almost exclusively to studies of Kierkegaard’s works, and these are only thinly threaded together by biographical information. His exposition is clear, and his interpretations are often interesting. Thus, in Chapter 5, he explores the possibility that Kierkegaard’s "secret," which lay behind his great melancholy, and which stood in (...) the way of marrying Regina, may have consisted in "partial or complete impotence". While Grimsley, in general, takes the pseudonymous character of Kierkegaard’s authorship seriously, he shows something of a lapse from this in Chapter 7 where the views of Johannes Climacus and of Kierkegaard are all but identified. At one point he even speaks of "Kierkegaard’s philosophy" in respect to the Concluding Unscientific Postscript. There is a helpful bibliography and index at the end.—J.D.C. (shrink)

In "Cultural Variation and Cultural Creation in Chinese Biographical Writing and Carnegie's Work" Weidong Zhou discusses the impact on Chinese biographical writing via biographies written in Chinese and translated from English about Andrew Carnegie's life and work. The interpretation of Carnegie's philanthropy includes Chinese traditional cultural concepts such as "righteousness," "cause and effect," and "self-cultivation" which constitute the unique understanding of "philanthropy" in modern Chinese literature. From a "moral model" to "successful person" the overall images following Carnegie can (...) reflect the processes of acceptance of Western "individualism." Zhu argues that Carnegie's example was shaped as a "Youth Idol" in the May Fourth Movement from which the unique route of modernization in Chinese literature and culture can be traced. (shrink)

“Deus fons veritatis”: the Subject and its Freedom. The Ontic Foundation of Mathematical Truth is the title of Gaspare Polizzi’s long biographical-theoretical interview with Imre Toth. The interview is divided into eight parts. The first part describes the historical and cultural context in which Toth was formed. A Jew by birth, during the Second World War Toth became a communist and a partisan, enduring prison, torture, and internment in a concentration camp from 1940 until 6 June 1944. In the (...) second part Toth presents his mathematical training as a “vocation” that led him to rethink the whole tradition of mathematical thought critically, on the basis of non-Euclidean geometry. In the third part Toth describes his research in the history of mathematics, which begin with his studies on Aristotle and mathematical thought and on Plato and the negative ontology of the irrational recognizable in the theory of the infinite dyad and of the One. In the fourth part Toth criticizes the positions of Frege, who came to deny non-Euclidean geometry, viewing it as an expression of irrationality and mysticism. In the fifth part Toth maintains that mathesis and poiesis have similar ontological structures, and he speaks of his collages métaphysiques. In the sixth part Toth recalls how the birth of the idea of freedom made possible the highest political, social and artistic achievements, as well as the entire movement of human emancipation. And this was thanks to philosophy, which is not a science but a knowledge of the subject on the subject’s part. In the seventh and eighth parts Toth speaks of the value and the role of mathematics in the affirmation of the phenomenology of freedom, and remarks on his relations with French and Italian cultures. (shrink)

The following is an account of an early Socialist approach to American historiography, including a biographical note on Fedor Kapelusz (1876–1945).

A critical edition of Eadmer’s Vita Sancti Anselmi is the natural supplement to a modern biography. Professor Southern has established the original text with meticulous care, adding a lucid translation en face and has enriched it with an editorial preface and notes which carry their scholarship lightly for the contemporary reader. This Life was written shortly after the death of Anselm in 1109 in order, apparently, to rebut criticisms of his sanctity and of his administrative success at Canterbury; hence as (...) a complement to Eadmer’s earlier Historia Novorum in Anglia, which expounded Anselm’s defence of Church autonomy against royal dominance, as Eadmer’s preface here explains. (shrink)

Illustrations: 13 B/w & 1 Colour Illustrations Description: The frontiers of Traditional Knowledge and Science have long attracted the minds of scientists, theologians, intellectuals and students, who have been arguing both their similarities and dissimilarities, apparent contradictions, and the possibility of an ultimate harmony between the two. In ancient and medieval India - as in much of the Non-Western world - there was only one word for tradition and science, namely, vidya. Vidya encompassed what in the modern historically-sensitive inquiries (...) is called 'knowledge-systems.' However, in the modern West, placing Science and Tradition side-by-side has become something of an anathema, for many in the post-Enlightenment era regard Tradition to be a leftover from the Dark Ages. Science, in contrast, with its systematic approach to studying and understanding of all there is, has been considered to be unassailable. But even this impenetrable divide may be showing signs of rupture in the twenty-first century : there is now growing evidence of a line of continuity and creative engagement in a 'third space' between Science and Traditional Knowledge. Individuals and learned organizations are making enormous contributions in this interactive exploration. The Sir John Templeton Foundation, based in Philadelphia, USA, is one such international organization. Professor B.V. Subbarayappa is one such eminent scholar who has relentlessly pursued, and in his quiet way stimulated, the fusion of disparate minds in this area. He is hailed as a pioneer in the History and Philosophy of Science movement in India. His contributions in this field are without match and have earned him a name among scientists, science historians, philosophers and intellectuals all over the world. His monumental work and his sheer humanity have inspired the Editors of this volume to find a way to honour him. Scholars of various persuasions from around the world have contributed exploratory, specialist and dialogic essays toward this conversation of Science and Tradition. A biographical sketch with a comprehensive Bibliography (first-ever) of Prof Subbarayappa is also featured in the Introductory essay. Professor--D.P. Chattopadhyaya and J.N. Mohanty have offered prefatory comments of their own. Given the extensive range of topics discussed, both specialists and lay readers will doubtless gain a deeper understanding of the relationship between Science and Tradition in a cross-cultural context, and hopefully be inspired to develop respect for knowledge across these two frontiers. (shrink)

By way of essays and a selection of primary sources in parallel text, Biography, Historiography, and Modes of Philosophizing provides an introduction to a vast, significant, but neglected corpus of early modern literature: collective biography. It focuses especially on the various related strands of political, philosophical, and intellectual and cultural biography as well as on the intersection between biography, historiography, and philosophy. Individual texts from the fifteenth to the eighteenth century are presented as examples of how the ancient collective (...) class='Hi'>biographical tradition--as represented above all by Plutarch, Suetonius, Diogenes Laertius, and Jerome--was received and transformed in the Renaissance and beyond in accordance with the needs of humanism, religious controversy, politics, and the development of modern philosophy and science"--Provided by publisehr. (shrink)

This chapter reviews references to Pythagoras by the authors of the pre-Platonic period. It shows that in the course of the fourth century, studies in mathematics, particularly geometry and arithmetic, became a constant element of the tradition of Pythagoras; astronomy and harmonics are less frequently mentioned. Mathematics did not displace metempsychosis and wonders, nor did the tradition of Pythagoras the politician which emerged concurrently with it, yet they did edge them aside, completing the ambivalent, contradictory image of Pythagoras, (...) which was retained by his Neoplatonic biographers and passed from them into modern scholarship. It concludes that Pythagoras the mathematician is as little a product of the Academy as Pythagoras the philosopher. (shrink)

Chronologically sequenced chapter units give an overall historical perspective in this text on ethics, while chapter introductions include biographical, historical and other information.

This book examines biographical and textual connections between sociologist-theologian Jacques Ellul and philosopher-phenomenologist Paul Virilio. Through an examination of Ellul and Virilio's embeddedness in the socio-historical context of postwar France, the book identifies a relationship between these critics of technology which constitutes a nascent theological tradition. The author shows from various vantage points how Ellul and Virilio's nascent tradition exposes technology as modernity's primary idol; and, how it uses multiple disciplines-including history, sociology, philosophy, phenomenology, theology, and ethics-to (...) resist the perilous consequences of the modern world's worship of power and the kinds of technologies this misdirected worship produces. Jacques Ellul's death in 1994 and Paul Virilio's death in 2018 may have prevented the maturation of this nascent theological tradition, but Theology, Ethics, and Technology in the work of Jacques Ellul and Paul Virilio aids this tradition's ripening through the presentation of an illuminating way to read these two unique, and at times quixotic, intellectuals. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:In Their Father’s Library: Books Furnish Not Only a Room, But Also a Tradition ELIZABETH POWERS Although they shared close life dates and became famous in the same years for their epistolary novels, Johann Wolfgang von Goethe (1749–1832) and Fanny Burney (1752–1840) would seem to have been worlds apart literarily. (Goethe had in his Weimar library a copy of Evelina, while Burney was probably not ignorant of the (...) Europe-wide sensation The Sorrows ofYoung Werther.) What might be called their literary apprenticeship, however, was remarkably similar, consisting not of schooling in a traditional institution in which students (and, importantly, most eighteenth-century writers) were drilled in the classical curriculum, but, instead, from wide reading within the confines of their fathers’ libraries. It is true that Goethe and his younger sister Cornelia were supplied at home with a number of tutors and that their progress was monitored by their father, but their acquaintance with literature was fostered within the confines of the family home. Burney had no formal education at all. Indeed, on the appearance of Evelina, her father (according to her diary) remarked : “[S]he has had very little Education but what she has given herself,—less than any of the others!” Burney, however, had the advantage of growing up in a milieu in which books mattered. While the Goethes were eminently respectable, on the mother’s side part of what was the patriciate of the city of Frankfurt, the Burney household in London was bursting with wits and with what can only be called celebrities. The Burneys knew God and the world: David Garrick, Dr. Johnarion 28.1 spring/summer 2020 116 in their father’s library son, Hester Thrale. As Virginia Woolf noted of the famous father, Dr. Charles Burney, he was a musician “who could talk of intellectual things and ask clever people to his house.” Goethe has given plenty of evidence of roaming freely among his father’s books, a collection of 1,700 calfskin-bound volumes. When Burney went to serve at the court of King George III, Queen Charlotte was disappointed at how few books the author of Evelina possessed. (Similarities accumulate: Goethe also served at court, as minister in the duchy of Weimar.) But why cart around a load of books? As Burney wrote in her diary: “[M]y Father’s most delightful Library, as I then told her [the Queen], with my free access to it, had made [owning my own books] a thing unnecessary... ” Libraries in the eighteenth and early nineteenth century, whether private or public affairs, were not like contemporary public libraries, catering to a wide array of tastes, but were repositories of what Matthew Arnold termed “the best that is known and thought in the world.” Let’s call it the Western intellectual and cultural heritage. Most respectable homes would possess at a minimum a Bible, while the holdings in private homes, as evident in the library of Goethe’s father, could reach astounding proportions. According to Burney biographer Claire Harman, Fanny’s brother left at his death one of the finest private libraries of the age. Moreover, the antiquity of the works in the venerable libraries scattered across Europe from Dublin to Saint Petersburg, and especially their survival despite centuries of vicissitudes, was testimony to the authoritative nature of the transmission. Anyone who took the Bible in hand, who took lessons from it, adhering, for instance, to the injunctions of the Ten Commandments, was conscious of subscribing to values shared by preceding generations. Literary practitioners, also showing obeisance to authoritative predecessors, followed earlier models, in the process contributing to an evolving literary heritage. There was no purity in this transmission. It was truly promiscuous, but its quasi-biological character, like a mother’s left-handedness in a child, can be seen in the family Elizabeth Powers 117 resemblances among writers of different eras. Just as individuals perpetuate traits of their parents, so literature and the other arts recycled features of artistic predecessors. Writers as diverse in background and language and religion as Ariosto and Milton transmitted the dna, so to speak, of such epical forebears as Homer and Virgil. This sort of family legitimacy was... (shrink)

"This book focuses on a vibrant central current within the history of Russian legal thought: how Christianity, and theistic belief generally, has inspired the aspiration to the rule of law in Russia, informed Russian philosophies of law, and shaped legal practices. In this volume, a team of Western and Russian scholars presents fourteen concise, non-technical portraits of modern Russian jurists and philosophers of law whose thought was shaped significantly by Orthodox Christian faith or theistic belief. Each portrait provides essential (...) class='Hi'>biographical information, a description of the jurist's religious views, and a substantive account of the subject's jurisprudential ideas. Each chapter ends with a word about the jurist's legacy in Russia today. The collection embraces the most creative period of Russian legal thought, the century and a half from the later Enlightenment to the Russian emigration following the Bolshevik Revolution and Civil War of 1917-1921. While many of the figures represented in this gallery were liberals, in various sense of the term, the volume reaches across the ideological spectrum. Contributors to the volume include respected senior authorities together with younger scholars of exceptional promise. This book will merit the attention of anyone interested in exploring the connections between law and religion in modern times"--. (shrink)

The j?taka story of the Bodhisattva Sad?prarudita, the most well known version of which is found in the A??as?hasrik?-prajñ?p?ramit?-s?tra, is a story that has been used in different ways in various Buddhist traditions that flourished in India, Central Asia, China and Tibet. For example, it is quoted and discussed in several commentarial and biographical works in Sanskrit, Chinese and Tibetan and it is found in Candrak?rti’s Prasannapad?,??ntideva’s?ik??samuccaya, and works about the lives of eminent Tibetan masters, such as Marpa, Milarepa, (...) Rechungpa. In some works Sad?prarudita is presented as the paragon of one who searches for prajñ?p?ramit?; in others he is the model for those who desire to serve their gurus. In China, moreover, during the early stage of the Pure Land tradition, Sad?prarudita was regarded as the preeminent exemplar of one practising the niànfós?nmèi????. This paper will examine the story of Sad?prarudita as it is preserved in different sources, and will address its significance and the possible reasons for its employment by different Buddhist traditions. (shrink)

Richard M Weaver, a thinker and writer celebrated for his unsparing diagnoses and realistic remedies for the ills of our age, is known largely through a few of his works that remain in print. This new collection of Weaver's shorter writings, assembled by Ted J Smith III, Weaver's leading biographer, presents many long-out-of-print and never-before-published works that give new range and depth to Weaver's sweeping thought. Included are eleven previously unpublished essays and speeches that were left in near-final form at (...) the time of Weaver's death in 1963. In all, there are some one hundred and twenty-six essays, speeches, book reviews, and editorials. (shrink)

In a previous article, I have attempted to summarize the evidence of Aristotle about the relations of Socrates and Plato in the development of the theory of Ideas. It may be of interest now to carry the enquiry further, and to see whether writers later than Aristotle have anything of importance to say about the whole question of the general intellectual relationship between the two men. In particular we must enquire whether or how far they regard or say anything to (...) lead us to regard the Dialogues of Plato as a record of Plato's own thought or as a biographical account of the thought of Socrates or—a third possibility—as both at the same time. And, in addition to this, we shall have to attempt some estimate of the value, if any, which we can put upon such statements—an estimate which would depend in its turn on our answer to the question how far they had access to original sources of information no longer extant. (shrink)

In this paper I attempt to situate the expression of the secular culture of the Enlightenment in the Greek context into the broader intellectual and spiritual tradition defined by the Greek language. The analysis points at the breaks introduced into this tradition by the Enlightenment (in historical and geographical conceptions, in scientific and political thought and in the understanding of the classics) but it also argues that despite its novelty the Enlightenment shared a considerable heritage with the broader (...) Orthodox religious culture into which it was transmitted in Southeastern Europe. This point is illustrated by reference to biographical evidence, supplied by the life histories of three important exponents of the Enlightenment writing in Greek (E. Voulgaris, Iosipos Moisiodax and N. Doukas). The complex relation between the Enlightenment and earlier Greek intellectual traditions is underlined in conclusion. ☆ An earlier version of this paper was presented as the concluding lecture of the conference “The Greek world under Ottoman and Western domination, 15th–19th centuries”, held at the Onassis Cultural Centre in New York on 29 April 2006. The original version appeared in the proceedings of the conference, published under the same title in 2008. The version published here has been extensively revised, updated and expanded. In revising the earlier version I had the benefit of the comments and suggestions of Professor Ihor Sevchenko, to whom I am deeply grateful. I am also indebted to Richard Whatmore for his encouragement. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Osip Mandelstam and the Modernist Creation of TraditionHarold D. BakerOsip Mandelstam and the Modernist Creation of Tradition, by Clare Cavanagh; xii & 365 pp. Princeton: Princeton University Press, 1995, $39.50.The great, enigmatic poet of twentieth-century Russia, Osip Mandelstam (1891–1938), employed a poetics based on recollection. The word-soul or psyche is not contained within a linguistic body but hovers amorously over it, [End Page 257] fleeing any too (...) crude attempt at capture. The reader must trace out Mandelstam’s personal networks of association, both inside and outside the text, before a kernel of thought and emotion can be recognized (“only the moment of recognition is sweet to us,” goes a famous line from his “Tristia”). Although Clare Cavanagh’s book does not emphasize this theme, her tactics could hardly be better suited to Mandelstam’s peculiar poetic sensibility.Osip Mandelstam and the Modernist Creation of Tradition is an exhaustive exploration of historical and cultural context. It opposes itself explicitly to the traditional structuralist and semiotic approaches to Mandelstam, and takes his works in their “secular” rather than their “hermetic” aspect (to borrow terms from Robert Scholes). In that sense it seeks to recollect and bring to mind everything that might affect our understanding of Mandelstam’s oeuvre. This turns out to be a varied field: Pound and Eliot (coeval modernists whose ideas resonate significantly with his), François Villon, Byzantine and Gothic church architecture, the marginalized yet culturally dynamic position of the Russian Jew, Pindar (an exemplar of the social-economic relation of poet to state), Dante, the psychology of literary play, and even Charlie Chaplin. Although it does not use extensive biographical framing, the book proceeds through Mandelstam’s poetry and prose in chronological order, alternately pursuing aspects of context and concentrating on selected works by Mandelstam for sustained analysis.What results is perhaps the most serious comprehensive work on the poet produced so far. Cavanagh’s approach may appear diffuse at first, but it enables her to capture a great deal of this elusive genius without confining Mandelstam within a narrow critical purview. The book’s argument is that Mandelstam qualifies as a central modernist poet through his agonistic relation to an ideal of “world culture.” He attempts to recreate an authoritative literary and cultural tradition that his own innovative work would both continue and transform. And it is from this point of view that Mandelstam’s Jewishness appears so significant to Cavanagh (a chief issue in three out of eight chapters): it gives a precise formula for that position both inside and outside of the dominant culture. Cavanagh even contends quite suggestively that, for Mandelstam, both Dante and Chaplin function as avatars of Jewishness.All this is well-founded and important, but perhaps the best thing about her book is that its central argument doesn’t do justice to the richness of Cavanagh’s own materials. Her discussion does not weaken, for instance, as it leaves Mandelstam’s early period, when the notion of “world culture” was indeed an obsessive one for him. The book is equally effective on the brilliant late poems of the Voronezh cycle, by which time not only a place in world culture but even a secure place in human society seemed futile dreams to Mandelstam. Cavanagh’s readings of the prose and especially the poetry are flexible and sensitive; she gives beautiful accounts of the poetic wordplay and follows closely the ebb and flow of musicality in the verse from one period and [End Page 258] collection to another. More than a milestone in Mandelstam studies, this book brings the poet closer to realizing his fondest dream: a responsive, understanding readership or “interlocutor.”Harold D. BakerUniversity of California, IrvineCopyright © 1996 The Johns Hopkins University Press... (shrink)

The object of the study is the image of an emaciated horse in Chinese culture. It represents a real artistic phenomenon, serving as a reflection of the self-perception of authors who are faced with a sense of alienation and injustice, isolation from society, and the inability to get help. The subject is the image of thin horses in the painting by the Italian Catholic artist Giuseppe Castiglione, who arrived in China for missionary work. His stay in China coincided with a (...) period of strong rejection of Catholicism in the country. The article pays special attention to the use of the image of a skinny horse as a metaphor, a veiled way to convey the subjective perception of the situation at the Qing court. The emaciated animal is considered by the author both as a visual phenomenon enriching the variety of characters in the paintings, and as a reflection of philosophical reasoning about the relationship between man and society. Formal-stylistic and structural-semantic types of analysis became the leading research methods. With their help, the author studied the compositional structure, coloristic features and semantic aspects of the fragments of the painting analyzed in the article by Giuseppe Castiglione. The scientific novelty of the research is due to the small number of thematic publications in Russian art history. One can find scientific works on Chinese culture devoted either to the image of horses in general, or taking into account exclusively the work of Giuseppe Castiglione. Combining the analysis of the image of an exhausted horse as such and the analysis of the painting "A Hundred Horses", the author closed the gap in a highly specialized art criticism problem, arguing the theses put forward with biographical data about the artist and historical references. New information deepens knowledge about the cultural characteristics of the Chinese people and can serve as an aid for further research by art historians. The author comes to several conclusions. First, he discovers the specific philosophical significance of the image of an emaciated horse. Secondly, it notes its stability in various creative figures. Thirdly, he reveals the peculiarities of the fate of Giuseppe Castiglione using the example of "Hundreds of Horses". (shrink)

Illustrations: Numerous Colour and 15 B/w Illustrations Description: The volumes of the PROJECT OF HISTORY OF SCIENCE, PHILOSOPHY AND CULTURE IN INDIAN CIVILIZATION aim to discover the central aspects of India's heritage and present them in an interrelated manner. In spite of their unitary look, these volumes recognize the difference between the areas of material civilization and those of ideational culture. The Project is not being executed by a single group of thinkers, methodologically uniform or ideologically identical in their commitments. (...) Rather, contributions are made by different scholars of diverse ideological persuasions and methodological approaches. The Project is marked by what may be called 'methodological pluralism'. In spite of its primarily historical character, this project, both in its conceptualization and execution, has been shaped by scholars drawn from different disciplines. It is the first time that an endeavour of such unique and comprehensive character has been undertaken to study critically a major world civilization. History of art, unlike that of science, is not an accumulation of facts. It comprises concurrences and overlappings cutting across the linearity of time. Based on this premise the essays in this volume delve into the discourse as also forms of creativity in the Indian tradition in terms of both the perennial and the ephemeral aspects of aesthetic experience. The essays form four groups dealing with (a) core concepts which permeate the discourse on aesthetic theories, and having ramifications in many other disciplines and domains; (b) The Rasa theory in the framework of classical philosophical traditions of Vedanta, Mimamsa, Samkhya, and Kashmir Saivism, and (c) the comprehension of the foundational concepts of aesthetic theory, namely, Rasa and Dhvani from the perspectives of Indian thought traditions addressing also music, dance and the visual arts. There is no clear-cut demarcation between the four groups of essays though in their own framework they illustrate a transition from the discourse (sastra) to practice (prayoga) i.e., from theorizing on the nature of aesthetic experience to the process of concretizing it into forms of music, dance, architecture, and painting. The contributions highlight the fact that the history of Indian aesthetic tradition comprises various textual and performing traditions that have flourished in the Indian subcontinent. What we have is not a single history but multiple histories based on various philosophical and methodological approaches adopted by art historians. Some of these histories pertain to the technical details of a given art form, and some with the changes that have occurred in the evolution and development these forms. While some historical accounts focus on the relevant biographical details of the artists, some art histories focus on the social, cultural, political, and even the economic conditions of civilization that determine the nature of an art form. Considering the multi-dimensional and multi-level complexities of Indian civilization and culture, the contributions to this volume have investigated into a number of factors which are directly and indirectly relevant for comprehending the complexities of the Indian aesthetic tradition. (shrink)

This anthology is a collection of basic readings for beginning students, chosen to illustrate the major movements in the history, development and nature of aesthetics. Selections of major importance are drawn from the period of the Greeks to the mid-twentieth century. Every section introduction includes an historical overview of each period, biographical information, and a brief analysis of key concepts. The editor designed this anthology to be of sufficient length for use as the sole text in a one quarter (...) course, yet brief enough to invite the use of additional materials in longer courses. (shrink)

Why do human beings believe in divinities? Why do some seek eternal life, while others seek escape from recurring lives? Why do the beliefs and behaviors we typically call "religious" so deeply affect the human personality and so subtly weave their way through human society? Revised and updated in this second edition, Eight Theories of Religion considers how these fundamental questions have engaged the most important thinkers of the modern era. Accessible, systematic, and succinct, the text examines the classic interpretations (...) of religion advanced by theorists who have left a major imprint on the intellectual culture of the twentieth century. The second edition features a new chapter on Max Weber, a revised introduction, and a revised, expanded conclusion that traces the paths of further inquiry and interpretation traveled by theorists in the most recent decades.Eight Theories of Religion, Second Edition, begins with Edward Burnett Tylor and James Frazer--two Victorian pioneers in anthropology and the comparative study of religion. It then considers the great "reductionist" approaches of Sigmund Freud, Emile Durkheim, and Karl Marx, all of whom have exercised wide influence up to the present day. The discussion goes on to examine the leading challenges to reductionism as articulated by sociologist Max Weber and Romanian-American comparativist Mircea Eliade. Finally, it explores the newer methods and ideas arising from the African field studies of ethnographer E. E. Evans-Pritchard and the interpretive anthropology of Clifford Geertz. Each chapter offers biographical background, theoretical exposition, conceptual analysis, and critical assessment. This common format allows for close comparison and careful evaluation throughout. Ideal for use as a supplementary text in introductory religion courses or as the central text in sociology of religion and courses centered on the explanation and interpretation of religion, Eight Theories of Religion, Second Edition, offers an illuminating treatment of this controversial and fascinating subject. (shrink)

What happened when creative biographers took on especially creative subjects in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of (...) the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too. (shrink)

This chapter examines the ways in which four different pseudonymous letter-collections portray themselves as the work of their purported famous authors; how the authority of individual letter- and wider collections depends on the creation of an impression of authorship by a particular historical individual; and the functions to which the authority so created are put. The chapter focusses on how the theme of authenticity is important in these texts, and how they have a complex relationship with mainstream biographical traditions (...) about their purported authors. The picture that emerges points to a sophisticated conception of authorship and provides important evidence for the relationship of the narrating voice of a text and its supposed author in antiquity. (shrink)

This article focuses on the relationships between Themistocles and the lyric poets Simonides of Ceos and Timocreon of Rhodes in Plutarch's Life of Themistocles. It is argued that Plutarch expects the reader to connect explicit references to the poets and their works with stories located outside the narrative in the anecdotal biographic tradition. Through an implicit synkrisis with the protagonist, the poets' anecdotal personae create a narrative counterbalance that suggests a faultline in Themistocles' characterization that, in turn, reflects the (...) model of the "timocratic" man in Plato's Republic. (shrink)

1. The principal question I want to raise is that of the interpretation of what you call Parmenides' "wildly paradoxical conclusions about the impossibility of plurality and change." An argument that leads to a truly paradoxical conclusion is always open to construction as a reductio ad absurdum. And the biographical tradition represents Parmenides--quite unlike Heraclitus, for instance--as a reasonable and even practically effective man, not at all a fanatic. It therefore seems natural to ask, if he maintained a (...) paradoxical doctrine, whether it did not possess for him an interpretation that made some sense. Further, setting aside this not very weighty prima facie argument, I think the search for plausible interpretations is worthwhile in any case: for to make a rational assessment of the historical evidence one needs the widest possible survey of hypotheses to choose among; since conclusions in such matters are always uncertain, a list of possibilities may retain a kind of permanent value, as the best we can do; and readings which are even dismissed as unsound on adequate critical grounds may still be of interest, both for the understanding of historical influence--I have in mind in the present case especially Parmenides' influence on Plato--and for our own philosophical edification. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Iambic Poetics in the Roman Empire by Tom HawkinsGideon NisbetTom Hawkins. Iambic Poetics in the Roman Empire. Cambridge: Cambridge University Press, 2014. xi + 334 pp. Cloth, $99.This stimulating and highly readable book explores the ancient afterlife of three famous literary bully-boys: Archilochus, Semonides, and Hipponax, the unholy Trinity of archaic Greek iambus. Tom Hawkins sets out to examine their reception, not among the classical and Hellenistic Greek (...) poets to whom they were living forebears (although the Callimachean intertext is a lively presence, e.g., 40–51, 146–49), or in the literary flourishing that they in turn inspired in late Republican and “golden” Augustan Rome, but amid authors of the Empire and Late Antiquity, extending into a recognizably Christian age. Only one of the six authors chosen (Babrius) adopts an iambic meter, and three—Dio, Lucian, and Julian—do not even compose verse (or not here). Hawkins’ choices are piquant. He has sought out the kinds of text that classicists generally skip: odd, minor works by the less reputable pagans, and by the type of early churchman we tend [End Page 180] gratefully to surrender to our colleagues in theology. Indeed, some are scarcely read at all (qua texts) but merely dipped into as a source of corroborating factoids, at least until now (142, on Gregory Nazianzen). Hawkins contends that an “iambic tradition” of sorts remains culturally alive and vital throughout these early centuries c.e.: a tradition not so much of metrical continuation or even necessarily of working closely with the archaic texts, but nevertheless retaining a definite sense of the constituent elements (e.g., animal-fable, a scruffy narrator) that, variously combined, let the reader or audience know they are in dialogue with an “iambic mode” (terms are defined in the introduction’s first footnote, 2).Authors and readerships of these centuries had at their command much more of the text of the archaic iambicists than is available to us moderns, provided they cared to read it and could understand what they read (28–29 suggests it was often otherwise). Today, Archilochus et al. are mere tattered ghosts, pieced together by editorial ingenuity out of citations and mentions, and latterly read in papyrus fragments gleaned from ancient rubbish heaps (the heroes of this scholarly epic of reconstruction include the late Professor Martin West, news of whose death came shortly before this review went to press). Some of the Imperial poets and prose authors studied by Hawkins envisage an ideal reader to whom archaic iambus is an open book, but the true constant is the ancient biographical tradition about Archilochus in particular (the stories told about the others are often recognizable knock-offs, but all three are names to conjure with; there are grounds for thinking that Archilochus had become literally proverbial for invective abuse even among non-readers, 27). Hawkins is very good at showing how these interwoven life-stories took on a life of their own and continued to grow in the telling (9), all the more so perhaps as actual familiarity with the texts waned. Over several centuries and numerous genres, the malleable myth of iambus—the slighted outsider, embracing abjection to shock a complacent Establishment and shame his nemeses—proved endlessly useful as a temporary vantage point when authors felt like taking a walk on the wild side.The iambic tradition tracked by Hawkins thus has “more to do with the sediment of cultural memory about iambic poets and their poetry than with historical realities, but once we get beyond a fascination with origins, such sediment becomes the only reality worth talking about” (8). In Hawkins’ readings of his chosen texts, this textual-biographical muck is fertile stuff. Iteration and generic migration turn the iambic life-story into a potent and versatile literary trope which usefully combines ironic distance (to be, or even make like Archilochus is an obvious non-starter in such a belated and grown-up age), and thus self-evident deniability, with the implicit threat that traces of iambus’ murderous power may yet remain. For Hawkins, the hint is if anything strengthened by repeated, name-checking recusationes that keep the iambic biopic in the... (shrink)