Results for 'art practice'

980 found
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  1.  8
    Visual arts practice and affect: place, materiality and embodied knowing.Ann Schilo (ed.) - 2016 - New York: Rowman & Littlefield International.
    Visual Arts Practice and Affect brings together a group of artist scholars to explore how visual arts can offer unique insights into the understanding of place, memory and affect. Each contributor highlights the crucial role the creative arts play in envisaging new perspectives on the making of meaning, ones that are grounded in the practicalities, materialities and embodied knowing of artistic practice. Art offers other ways of seeing, thinking, understanding the world. It can be very messy, very challenging, (...)
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  2.  20
    Walking art practice: reflections on socially engaged paths.Ernesto Pujol - 2018 - Axminster, England: Triarchy Press.
    "Artists are trying to move away from the influence of competitive corporate culture that has increasingly defined art as an abrasive urban career. Artists are trying to replace this with the humbler notion of art as a practice, as a mindful way of life, consisting of consciously creative gestures, visible and invisible, large and small. Art practice is a private and public, selfless and generous, creative life process resulting in a conscious cultural product." "Walking Art Practice" brings (...)
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  3.  19
    The Role of Art Practice in Elementary School Science.Cecilia Caiman & Britt Jakobson - 2019 - Science & Education 28 (1-2):153-175.
    The aim of this study was to examine the role of aesthetic practice in elementary school and the consequences for children’s meaning-making in science. More specifically, we intended to scrutinise what science learning emerges within the process, to target the consequences of adopting art practice in science class and to explore these two dimensions as a whole in order to better understand how children make meaning when exploring animals’ ecology. The data, comprising audio recordings, photographs of children’s drawings (...)
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  4. Art, practical knowledge and aesthetic objectivity.David Carr - 1999 - Ratio 12 (3):240–256.
    It seems often to have been assumed by art theorists and aestheticians that concepts of art and the aesthetic are related, if not actually identical. In recent times, however, David Best has criticized this widespread assumption in the interests of marking a quite radical distinction between artistic and aesthetic concerns. But this claim may be considered problematic in turn, not only in terms of its denial of the conventional conception of art as implicated in the production of aesthetic effects, but (...)
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  5. Art, Practice, and Narrative.Noël Carroll - 1988 - The Monist 71 (2):140-156.
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  6.  1
    New objects of research in algorithmic aesthetics: dance performance and choreographic art practice.О. И Уймина - 2024 - Siberian Journal of Philosophy 22 (1):82-95.
    The article explores the way in which new objects of study, such as dance performance and art–practice, emerge in algorithmic aesthetics. The advent of digital communicative practices shapes new means of formalization of dance performance scripts, which nowadays have various technological solutions, including algorithmic ones. Classical aesthetics is unable to describe the technological modernization of artistic expression. The author offers a general framework of algorithmic aesthetics to study of dance performance and art practice.
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  7.  24
    A Qualitative Study of the Views of Patients With Medically Unexplained Symptoms on The BodyMind Approach®: Employing Embodied Methods and Arts Practices for Self-Management.Helen Payne & Susan Deanie Margaret Brooks - 2020 - Frontiers in Psychology 11.
    The arts provide openings for symbolic expression by engaging the sensory experience in the body they become a source of insight through embodied cognition and emotion, enabling meaning-making, and acting as a catalyst for change. This synthesis of sensation and enactive, embodied expression through movement and the arts is capitalized on in The BodyMind Approach®. It is integral to this biopsychosocial, innovative, unique intervention for people suffering medically unexplained symptoms applied in primary healthcare. The relevance of embodiment and arts practices (...)
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  8.  27
    Gender, ‘Race’, Ethnicity in Art Practice in Post-Apartheid South Africa: Annie E. Coombes and Penny Siopis in Conversation.Annie E. Coombes - 1997 - Feminist Review 55 (1):110-129.
    Siopis has always engaged in a critical and controversial way with the concepts of ‘race’ and ‘ethnicity’ in South Africa. For politically sensitive artists whose work has involved confronting the injustices of apartheid, the current post-apartheid situation has forced a reassessment of their practice and the terms on which they might engage with the fundamental changes which are now affecting all of South African society. Where mythologies of race and ethnicity have been strategically foregrounded in the art of any (...)
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  9.  9
    Personally and Politically: Feminist Art Practice.Phil Goodall & Tricia Davis - 1979 - Feminist Review 1 (1):21-35.
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  10.  58
    Weaving and Warping: Free Indirect Movements Between Theory and Art Practice.Charlotte Knox-Williams - 2012 - Deleuze and Guatarri Studies 6 (1):89-102.
    Through an exploratory interrelation of theory with fine art practice, this article sets out to address the role of memory in the transitions and transformations between smooth and striated states. The article constructs a striated, woven formation between virtual and acquired memory, and attentive and inattentive perception, before going on to investigate how its regularity is disrupted through disturbances, slippages and snags.
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  11.  56
    A Discrete Continuity: On the Relation Between Research and Art Practice.Tim O'Riley - 2011 - Journal of Research Practice 7 (1):Article P1.
    This short article discusses the nature of research and art practice and makes a case for the necessary intermingling of these activities. It does not attempt to define a space for art to operate as research, quite the opposite: research is an operating structure for the process and production of, among other things, art. It is regarded as integral to the processes of thinking, making, and reflecting, and it is important to note that curiosity, creative enquiry, and critical reflection (...)
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  12. Distributed sounding art : practices in distributing sound.Franziska Schroeder & Pedro Rebelo - 2017 - In Marcel Cobussen, Vincent Meelberg & Barry Truax, The Routledge companion to sounding art. Abingdon, Oxon: Routledge.
     
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  13.  9
    The Relationship between Social Media Use and Innovation in Visual Art Practices.Prem Colaco, Aakash Sharma, K. N. Raja Praveen, Saumya Goyal, Axita Thakkar, Ashmeet Kaur & Dr Amit Kumar - forthcoming - Evolutionary Studies in Imaginative Culture:953-962.
    Social media usage entails the interacting with online-based platforms to share the content's, connect with other people, and consuming the digital information. Visual art practitioners innovate by employing the new techniques, materials, and viewpoints to generate distinctive, contemporary artistic representations. The purpose of this investigation is to analyze the relationship among the social media use along with innovation in the visual art practices. It integrated the quantitative and qualitative methods. Initially, the sample data is gathered. The sample includes 200 visual (...)
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  14.  31
    Joint improvisation in the arts practices : Entrainment, engagement and expert skill.Ingar Brinck - 2018 - In Simon Penny & Kelly Donahey, Proceedings from A Body of Knowledge : Embodied Cognition and the Arts conference 8-10 Dec 2016 - Embodied Cognition and the Arts conference 8-10 Dec 2016. pp. 1-19.
    To improvise together for the pure curiosity, joy, and beauty of it constitutes a central but often neglected ability of human beings. Integrating pragmatic, practical, and technical skills with conceptual understanding, improvisation is adaptive and collaborative. It seems made to counter the challenges of living in a fleeting present, unconstrained by physical and historical boundaries, and very likely has deep evolutionary roots. I present an account of joint improvisation in the performative arts based in reviews of empirical research in the (...)
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  15.  14
    Designing experiments informed by observational studies.Art B. Owen & Evan T. R. Rosenman - 2021 - Journal of Causal Inference 9 (1):147-171.
    The increasing availability of passively observed data has yielded a growing interest in “data fusion” methods, which involve merging data from observational and experimental sources to draw causal conclusions. Such methods often require a precarious tradeoff between the unknown bias in the observational dataset and the often-large variance in the experimental dataset. We propose an alternative approach, which avoids this tradeoff: rather than using observational data for inference, we use it to design a more efficient experiment. We consider the case (...)
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  16. Editorial: Rethinking research with methodologies of art practice.Claudia Westermann - 2024 - Technoetic Arts 22 (1):3-7.
    This issue of Technoetic Arts: A Journal of Speculative Research (TA) encompasses eight articles by artists and scholars from around the globe who engage with methodologies of art practice within research that reflects on technological and ecological change, contributing to the discourse on the inclusion of subjective experience in research. The articles by authors Dulmini Perera, Kate Doyle, Nora S. Vaage, Merete Lie, Nikita Peresin Meden, Kristina Pranjić, Peter Purg, Nicolaas H. Jacobs, Marth Munro, Chris Broodryk, Semi Ryu, Rahul (...)
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  17.  18
    Stitching Language: Sounding Voice in the Art Practice of Vanessa Dion Fletcher.Stephanie Springgay - 2021 - Studies in Social Justice 15 (2):265-281.
    This paper engages with the artistic practice and work of Vanessa Dion Fletcher from my perspective as a non-Indigenous academic and curator. Dion Fletcher and I have worked together over the past several years through discussions about her work, studio visits, and various events. In her art practice, Dion Fletcher uses porcupine quills and menstrual blood to inquire into a range of issues and concepts including Indigenous language revitalization, feminist Indigenous corporeality, Land as pedagogy, decolonization, and neurodiversity. In (...)
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  18.  21
    Body shopping: Challenging convention in the donation and use of bodily materials through art practice.Louise Mackenzie, Ilke Turkmendag, Isabel Burr-Raty, WhiteFeather Hunter, Charlotte Jarvis, Miriam Simun, Hege Tapio & Adam Zaretsky - 2020 - Technoetic Arts 18 (2):279-297.
    The historical context of body and tissue donation is deeply problematic, with patriarchal and colonial narratives. The contemporary context of molecular and genetic biology further complicates issues of bodily donation through narratives of abstraction and extraction. As practitioners working outside the conventional boundaries of scientific study learn the tools and techniques to extract and use bodily materials, they are also learning and challenging the procedures and processes. This article approaches questions of bodily donation through the edited transcript of a conversation (...)
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  19. Toward A Deweyan Theory of Ethical and Aesthetic Performing Arts Practice.Aili Bresnahan - 2014 - Journal of Aesthetics and Phenomenology 1 (2):133-148.
    This paper formulates a Deweyan theory of performing arts practice that relies for its support on two main things: The unity Dewey ascribed to all intelligent practices (including artistic practice) and The observation that many aspects of the work of performing artists of Dewey’s time include features (“dramatic rehearsal,” action, interaction and habit development) that are part of Dewey’s characterization of the moral life. This does not deny the deep import that Dewey ascribed to aesthetic experience (both in (...)
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  20.  16
    Discourses on Painting and the Fine Arts, Delivered at the Royal Academy.Joshua Reynolds, Jones & Co & Royal Academy of Arts Britain) - 2023 - Legare Street Press.
    As the first President of the Royal Academy of Arts, Joshua Reynolds played a pivotal role in shaping the course of British art in the 18th century. In these discourses, Reynolds reflects on the nature of art, the role of the artist, and the importance of aesthetic education. With insightful commentary on the works of the Old Masters and a wealth of practical advice for aspiring artists, this volume is a must-read for anyone interested in the history of art or (...)
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  21. Embodying martial arts for mental health: Cultivating psychological wellbeing with martial arts practice.Adam M. Croom - 2014 - Archives of Budo Science of Martial Arts and Extreme Sports 10:59-70.
    The question of what constitutes and facilitates mental health or psychological well-being has remained of great interest to martial artists and philosophers alike, and still endures to this day. Although important questions about well-being remain, it has recently been argued in the literature that a paradigmatic or prototypical case of human psychological well-being would characteristically consist of positive emotion, engagement, relationships, meaning, and accomplishment. Other scholarship has also recently suggested that martial arts practice may positively promote psychological well-being, although (...)
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  22.  94
    Rediscovering Aesthetics: Transdisciplinary Voices from Art History, Philosophy, and Art Practice.Francis Halsall, Julia Alejandra Jansen & Tony O'Connor (eds.) - 2008 - Stanford, Calif.: Stanford University Press.
    _Rediscovering Aesthetics_ brings together prominent international voices from art history, philosophy, and artistic practice to discuss the current role of aesthetics within and across their disciplines. Following a period in which theories and histories of art, art criticism, and artistic practice seemed to focus exclusively on political, social, or empirical interpretations of art, aesthetics is being rediscovered both as a vital arena for discussion and a valid interpretive approach outside its traditional philosophical domain. This volume is distinctive, because (...)
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  23.  25
    A Vision of Industrial Ecology: State-of-the-Art Practices for a Circular and Service-Based Economy.Nina Nakajima - 2000 - Bulletin of Science, Technology and Society 20 (1):54-69.
    This article provides a comprehensive synthesis of state-of-the-art approaches used by industry to improve human, social, and environmental sustainability. Currently available methods such as product stewardship, industrial eco-park design, industrial ecology, Design for Environment (DfE), and others areexplained and their contribution summarized. Particular attention is paid to practices that make the material flows of a society more circular, as in natural ecosystems, and to the idea of companies selling services rather than products. It is concluded that the widespread implementation of (...)
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  24.  9
    Imagining rural landscapes: Making sense of a contemporary landscape identity complex in the Netherlands.Timothy Theodoor Marini Lam & Koen Arts - 2025 - Environmental Values 34 (1):60-83.
    Periods of accelerated societal change in European history have disrupted gradual alteration in the landscape, creating breaks with the past. This has led to, what we refer to as, the contemporary landscape identity complex in the Netherlands. Composed of dissonant narratives surrounding the landscape that play out on the societal level, the contemporary landscape identity complex may create tensions that can obstruct conservation efforts. In this article, we map out this complex. Three narrative clusters, distilled from literature and supplemented by (...)
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  25.  12
    UCI critical theory and contemporary art practice: Jacques Derrida, Jean-François Lyotard, Bruce Nauman, and others.Ewa Bobrowska - 2020 - New York: Peter Lang. Edited by Georges Van den Abbeele.
    This book is unique in both its subject matter and its approach. It focuses on the collaboration of J. Derrida, J.-F. Lyotard, J. Hillis Miller, D. Carroll, F. Jameson and others at the Critical Theory Institute at the University of California, Irvine and on the application of critical theory for the analysis of contemporary American visual art. The critical and philosophical analysis concerns the art of Bruce Nauman, Kosuth, Burden, Christo, Wodiczko, Johns, Rauschenberg, and others. The focus of the book (...)
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  26.  80
    Culturally reimagining education: Publicity, aesthetics and socially engaged art practice.Sharon Todd - 2018 - Educational Philosophy and Theory 50 (10):970-980.
    This paper sets out to reimagine education through a cultural perspective and explores education as a performative practice that establishes certain borders of ‘public’ belonging. Wide-spread debates about the public dimension of schools and universities have focused on how economic rationales need to be replaced with alternative visions of education. This paper seeks to contribute to this revisioning of the public in education by reclaiming education as a specifically cultural endeavour, one tied to practices that are at once both (...)
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  27.  18
    How to relate: Wissen - Künste - Praktiken = knowledge - arts - practices.Annika Haas (ed.) - 2021 - Bielefeld: Transcript.
    Beziehungen sind nicht gegeben, sie werden gemeinsam gemacht. Der Band untersucht Relationalitäten als prozessuale Aushandlungen zwischen Künsten und Wissenschaften, zwischen gebautem Raum und sozialem Körper, zwischen theoretischem und poetisch-künstlerischem Schreiben und Sprechen, zwischen Form, Material und Handlung. Plädiert wird für eine Wissenspolitik der Künste, die von einer radikalen Verstricktheit theoretischer, ästhetischer, medialer und gesellschaftlicher Praktiken und Techniken ausgeht. Mit Beiträgen von / with contributions by Bini Adamczak, Emily Apter, Alice Chauchat, Beatriz Colomina, Gradinger / Schubot, Annika Haas, Maximilian Haas, Orit (...)
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  28.  11
    Mobilising International Law for 'Global Justice'.Jeff Handmaker & Karin Arts (eds.) - 2018 - Cambridge University Press.
    Mobilising International Law for 'Global Justice' provides new insights into the dynamics between politics and international law and the roles played by state and civic actors in pursuing human rights, development, security and justice through mobilising international law at local and international levels. This includes attempts to hold states, corporations or individuals accountable for violations of international law. Second, this book examines how enforcing international law creates particular challenges for intergovernmental regulators seeking to manage tensions between incompatible legal systems and (...)
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  29.  32
    Thinking Gestures. On How the Philosophical Conceptualization of Ordinary Life Can Be Shaped by Art Practices.Barbara Formis - 2023 - Open Philosophy 6 (1):63-70.
    As a speculative and abstract discipline, philosophy is traditionally considered to be in dialectical tension with physical experience and daily practice. In contrast to this conventional and idealistic perspective, and in line with aesthetics as embodied knowledge, this article attempts to show that not only do we constantly think via gestures, movements, and physical experiences but also that there is no need to disconnect a concept from practice. Passing from Wittgenstein’s idea of “form of life” to the pragmatist (...)
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  30.  57
    Art Rethought: The Social Practices of Art.Nicholas Wolterstorff - 2015 - Oxford, GB: Oxford University Press UK.
    Human beings engage works of the arts in many different ways: they sing songs while working, they kiss icons, they create and dedicate memorials. Yet almost all philosophers of art of the modern period have ignored this variety and focused entirely on just one mode of engagement, namely, disinterested attention. Nicholas Wolterstorff asks why this might be, and proposes that almost all philosophers have accepted the grand narrative concerning art in the modern world. It is generally agreed that in the (...)
  31.  56
    MAPPING the domains of media art practice: A trans-disciplinary enquiry into collaborative creative processes.Mogens Jacobsen & Morten Sndergaard - 2010 - Technoetic Arts 8 (1):77-84.
    From new practices emerge new domains. And from new domains emerge new competencies and roles. This article investigates some of the new competencies and roles emerging from the trans-disciplinary practice of curators, artists, scientists, programmers etc., which are involved in media art practice. Our hypothesis is that these new domains have a more general existence and profile in the paradigm of media art even though the following is based on the process of creating the MAP Media Art Platform (...)
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  32.  26
    Francis Halsall, Julia Jansen, and Tony O'Connor, eds. Rediscovering Aesthetics: Transdisciplinary Voices from Art History, Philosophy, and Art Practice Reviewed by.Vladimir D. Thomas - 2010 - Philosophy in Review 30 (2):90-92.
  33. From Stuttering and Stammering to the Diagram: Deleuze, Bacon and Contemporary Art Practice.Simon O'Sullivan - 2009 - Deleuze and Guatarri Studies 3 (2):247-258.
    This article attends to Deleuze and Guattari's idea of a ‘minor literature’ as well as to Deleuze's concepts of the figural, probe-heads and the diagram in relation to Bacon's paintings. The paper asks specifically what might be usefully taken from this Deleuze–Bacon encounter for the expanded field of contemporary art practice.
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  34. MA poses : a new material feminist art practice.Nané Jordan Barbara Bickel, Ingrid Rose Medwyn McConachy & Cindy Lou Griffith - 2019 - In Boyd White, Anita Sinner & Pauline Sameshima, Ma: materiality in teaching and learning. New York: Peter Lang Publishing.
     
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  35. Art Criticism as Practical Reasoning.Anthony Cross - 2017 - British Journal of Aesthetics 57 (3):299-317.
    Most recent discussions of reasons in art criticism focus on reasons that justify beliefs about the value of artworks. Reviving a long-neglected suggestion from Paul Ziff, I argue that we should focus instead on art-critical reasons that justify actions—namely, particular ways of engaging with artworks. I argue that a focus on practical rather than theoretical reasons yields an understanding of criticism that better fits with our intuitions about the value of reading art criticism, and which makes room for a nuanced (...)
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  36. Lorna Collins. Making Sense: Art Practice and Transformative Therapeutics. [REVIEW]Adam Haaga - 2017 - Derrida Today 10 (1):110-116.
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  37.  49
    The ethnographer as a trader.Piret Koosa & Art Leete - 2006 - Sign Systems Studies 34 (2):387-401.
    Collecting ethnographic items for the Estonian National Museum has been linked to the practice of buying objects during fieldwork. Often we can find metaphors or expressions connected with trading in the Komi fieldwork diaries. Comparing ethnographers with merchants is a stereotypical way of describing the activities of Estonian researchers in the field. If ethnographers use, in their diaries, metaphors and expressions connected to trading, it may be just a spontaneous phrasing or inter-textual play of words. Inside the community of (...)
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  38.  23
    Art as human practice: an aesthetics.Georg W. Bertram - 2019 - London: Bloomsbury Academic. Edited by Nathan Ross.
    How is art both distinct and different from the rest of human life, while also mattering in and for it? This central yet overlooked question in contemporary philosophy of art is at the heart of Georg Bertram's new aesthetic. Drawing on the resources of diverse philosophical traditions – analytic philosophy, French philosophy, and German post-Kantian philosophy – his book offers a systematic account of art as a human practice. One that remains connected to the whole of life.
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  39.  15
    Using Art Media in Psychotherapy: Bringing the Power of Creativity to Practice.Michelle L. Dean - 2016 - Routledge.
    _Using Art Media in Psychotherapy_ makes a thoughtful and contextual argument for using graphic art materials in psychotherapy, providing historical context for art materials and their uses and incorporating them with contemporary practices and theories. Written with an analytic focus, many of the psychological references nod to Jung and post-Jungian thought with keen attention to image and to symbolic function. This book jettisons the idea of reductionist, cookbook approaches and instead provides an integrated and contextual understanding of the origins of (...)
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  40.  15
    Quotational Practices: Repeating the Future in Contemporary Art.Patrick Greaney - 2014 - Univ of Minnesota Press.
    Literature and art have always depended on imitation, and in the past few decades quotation and appropriation have become dominant aesthetic practices. But critical methods have not kept pace with this development. Patrick Greaney reopens the debate about quotation and appropriation, shifting away from naïve claims about the death of the author. In interpretations of art and literature from the 1960s to the present, _Quotational Practices _shows how artists and writers use quotation not to undermine authorship and originality, but to (...)
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  41. Hegemony and the spread of dominant art practices (shifting patterns of cultural dominance in art between France and the United States between 1930 and 1960). [REVIEW]C. L. Carter - 2003 - Filozofski Vestnik 24 (3):19-33.
  42.  66
    Practice-Centered Pluralism and a Disjunctive Theory of Art.Caleb Hazelwood - 2021 - British Journal of Aesthetics 61 (2):213-227.
    In this paper, I argue that ‘art’, though an open concept, is not undefinable. I propose a particular kind of definition, a disjunctive definition, which comprises extant theories of art. I co-opt arguments from the philosophy of science, likening the concept ‘art’ to the concept ‘species’, to argue that we ought to be theoretical pluralists about art. That is, there are a number of legitimate, perhaps incompatible, criteria for a theory of art. In this paper, I consider three: functionalist definitions, (...)
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  43. Staying with the in-between : arts practice as a form of thinking about play and everyday encounters in a public square.Hattie Coppard - 2017 - In Wendy Russell, Emily Ryall & Malcolm MacLean, The Philosophy of Play as Life: Towards a Global Ethos of Management. New York: Routledge.
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  44.  11
    Art Therapy in the Digital World: An Integrative Review of Current Practice and Future Directions.Ania Zubala, Nicola Kennell & Simon Hackett - 2021 - Frontiers in Psychology 12.
    BackgroundPsychotherapy interventions increasingly utilize digital technologies to improve access to therapy and its acceptability. Opportunities that digital technology potentially creates for art therapy reach beyond increased access to include new possibilities of adaptation and extension of therapy tool box. Given growing interest in practice and research in this area, it is important to investigate how art therapists engage with digital technology or how practice might be safely adapted to include new potential modes of delivery and new arts media.MethodsAn (...)
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  45.  39
    Art Rethought: The Social Practices of Art.Garry L. Hagberg - 2017 - British Journal of Aesthetics 57 (3):331-334.
    © British Society of Aesthetics 2017. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: [email protected] exists, according to Nicholas Wolterstorff in this deeply engaging and exemplary study, a Grand Narrative that runs through much of our thinking about art. That narrative, emerging from and solidified since the eighteenth century, is in essence that art is created for, and remains in museums and galleries as occasions for, abstract and transcendent (...)
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  46.  17
    The Art and Science of Surgery: Innovation and Concepts of Medical Practice in Operative Fracture Care, 1960s–1970s.Thomas Schlich - 2007 - Science, Technology, and Human Values 32 (1):65-87.
    In this article, I am using the example of the introduction of osteosynthesis into surgical routine practice to analyze the use of the notions of art and science in medical innovation. The examination of the renegotiations of power and responsibility associated with the introduction of this new technique shows that proponents and critics actively linked their arguments to more fundamental epistemological and social issues. The proponents claimed to manage the uncertainties of innovation through making surgery more scientific, drawing on (...)
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  47.  48
    After Late- and Postmodernism: A Wittgensteinian Reconstructive and Transformative Aesthetics, Art Practice, and Art Education.Leslie Cunliffe - 2001 - The Journal of Aesthetic Education 35 (3):1.
  48.  9
    Community Art: A Practical Path for Shaping Public Aesthetic Space in the Postmodern Art World.Zenan Kang - 2024 - European Journal for Philosophy of Religion 16 (3):490-508.
    The era of the Internet of Things provides a free space for the public to participate in the consumption, production, dissemination and sharing of art and aesthetics in a way that is accessible and equal to all. This promotes the development of daily aesthetic and artistic practices of the masses in the age of sharing, thus promoting the development of Community Art. Based mainly on the perspectives and theoretical orientations of the disciplines of art theory and art anthropology, this paper (...)
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  49. Somaesthetics, education, and the art of dance.Peter J. Arnold - 2005 - Journal of Aesthetic Education 39 (1):48-64.
    In lieu of an abstract, here is a brief excerpt of the content:Somaesthetics, Education, and the Art of DancePeter J. Arnold (bio)This essay has two related purposes. The first is to explicate what dance as an art form should minimally comprise if it is to be taught as a distinctive aspect of education in the school curriculum. The second and main purpose is to argue that dance, if taught in accordance with what is outlined, is not only an efficacious means (...)
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  50.  8
    The Art of Philosophy: Wisdom as a Practice.Karen Margolis (ed.) - 2012 - New York: Cambridge University Press.
    In his best-selling book _You Must Change Your Life_, Peter Sloterdijk argued exercise and practice were crucial to the human condition. In The Art of Philosophy, he extends this critique to academic science and scholarship, casting the training processes of academic study as key to the production of sophisticated thought. Infused with humor and provocative insight, The Art of Philosophy further integrates philosophy and human existence, richly detailing the foundations of this relationship and its transformative role in making the (...)
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