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    Wearable music in engaging technologies.Franziska Schroeder & Pedro Rebelo - 2007 - AI and Society 22 (1):85-91.
    We address the relationship between a music performer and her instrument as a possible model for re-thinking wearable technologies. Both musical instruments and textiles invite participation and by engaging with them we intuitively develop a sense of their malleability, resistance and fragility. In the action of touching we not only sense, but more importantly we react. We adjust the nature of our touch according to a particular material’s property. In this paper we draw on musical practice as it suggests attitudes (...)
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  2. Distributed sounding art : practices in distributing sound.Franziska Schroeder & Pedro Rebelo - 2017 - In Marcel Cobussen, Vincent Meelberg & Barry Truax (eds.), The Routledge companion to sounding art. Abingdon, Oxon: Routledge.
     
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  3. Shifting listening identities: towards a fluidity of form in digital music.Franziska Schroeder - 2012 - In Susan Broadhurst & Josephine Machon (eds.), Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity. Palgrave-Macmillan.
     
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