This article illuminates the open ending of Christopher Nolan's film Inception (2010) in light of Friedrich Nietzsche's philosophy. Drawing particularly on Nietzsche's notions of ascetic ideals and honest illusions, the article contends that Cobb's refusal to look at the spinning top can be seen not necessarily as his renunciation of autonomy but as his new attempt to affirm his existence and create meanings. Mal's tragic death has turned Cobb into an ascetic idealist who paradoxically resorts to self-torture to alleviate his (...) pain and suffering. Only when he sees the destructive power of his sense of guilt about Mal does he come to realize that what he really needs is not exactly the ability to distinguish the dream world from reality per se but the ability to make things seem and feel real – that is, in Nietzsche's words, honest illusions. Faced with the challenge to regain the capability to see and appreciate illusions as illusions without deceiving himself into believing that they are real, Cobb takes “a leap of faith” with Saito into the world to which he wishes to belong and finally embraces the moment of seeing his children's faces, which, fortunately for him, seem real – that is, “good” – enough. (shrink)

In this paper I wish to examine in detail the arguments which Spinoza uses in a very brief section of the Ethics, the lemmas following Proposition 13 of Part II. My aim in this analysis will be twofold: to attempt a preliminary sketch of the nature of a physical system in Spinoza’s view, and to clarify what Spinoza means by speaking of certain items as “individuals.” At least a partial fulfillment of the first aim is a necessary condition for the (...) second, since most of what Spinoza has to say about individuation in the Ethics and elsewhere is expressed in terms of individual bodies. His own solution of the mind-body problem entails that there will be correlative statements true at the ideational level; but, unfortunately, he usually leaves such correlations to his reader. I use the term “ideational” herein in preference to “mental” to avoid any dualistic connotation. Ideational and extensional levels for Spinoza refer to a dualism of denoting complexes, but not to a dualism of objects denoted by these. (shrink)

Ethnography of Singapore Chinese Names: Race, Religion, and Representation Singapore Chinese is part of the Chinese Diaspora. This research shows how Singapore Chinese names reflect the Chinese naming tradition of surnames and generation names, as well as Straits Chinese influence. The names also reflect the beliefs and religion of Singapore Chinese. More significantly, a change of identity and representation is reflected in the names of earlier settlers and Singapore Chinese today. This paper aims to show the general naming traditions of (...) Chinese in Singapore as well as a change in ideology and trends due to globalization. (shrink)

Publication date: 30 November 2016 Source: Author: Wen Lee Ng, Manimangai Mani, Wan Roselezam Wan Yahya While the growing body of research on Tan Twan Eng’s The Gift of Rain focuses on the protagonist, Philip Hutton’s traumatic condition, his Chinese identity, and his ambiguous identity, this study devotes particular attention to the complexity of interactions between various cultures practised by Philip. This study aims to address this gap by applying the concept of transculturalism to analyse the processes of acquiring a (...) foreign culture and incorporating the foreign culture into traditional cultures experienced by Philip. In other words, this study employs the concept of transculturalism to examine multicultural depictions in the novel. Scholars, such as Khan, Tiwari, Sheoran and Tan C. S. who have examined multicultural depictions in various literary texts, have found that multicultural circumstances cause certain ethnic groups to lose their cultures and identities. Hence, the multicultural circumstances depicted are perceived as negative phenomena. However, this study has found that by examining the interactions between various cultures, rather than focusing on the end products such as portrayals of hybridity, the positive sides of multicultural depictions could be revealed. The transculturation process experienced by Philip shows that the new cultural practices he has created are made up of both his traditional cultures and the foreign culture he has acquired. This means that Philip does not totally lose his traditional cultures and identities. Therefore, this study concludes that multicultural depictions in The Gift of Rain could be read positively, provided that the interactions between various cultures, which resulted in the incorporation of a foreign culture into traditional cultures, are examined. (shrink)

It is often claimed that Spinoza regards aesthetic values as inherently subjective and relative. I suggest in my opening section that this reading is derived from Leibniz's misconception of Spinoza's method, and go on to develop a spinozistic account of aesthetic experience which is relational, but which sees it as rooted in human sensibility (imagination). In the closing section I take up the issue of intersubjective valuation, and the question how aesthetic values are shared within the human community. I suggest (...) also that Spinoza's somewhat out-of-fashion approach to aesthetic valuation through the concepts of 'beauty' and 'well-being' are worthy of further attention and development by contemporary aestheticians. (shrink)