Peer review is a widely accepted instrument for raising the quality of science. Peer review limits the enormous unstructured influx of information and the sheer amount of dubious data, which in its absence would plunge science into chaos. In particular, peer review offers the benefit of eliminating papers that suffer from poor craftsmanship or methodological shortcomings, especially in the experimental sciences. However, we believe that peer review is not always appropriate for the evaluation of controversial hypothetical science. We argue that (...) the process of peer review can be prone to bias towards ideas that affirm the prior convictions of reviewers and against innovation and radical new ideas. Innovative hypotheses are thus highly vulnerable to being “filtered out” or made to accord with conventional wisdom by the peer review process. Consequently, having introduced peer review, the Elsevier journal Medical Hypotheses may be unable to continue its tradition as a radical journal allowing discussion of improbable or unconventional ideas. Hence we conclude by asking the publisher to consider re-introducing the system of editorial review to Medical Hypotheses. (shrink)

Der Band versammelt acht Vorträge, die im Rahmen eines Kolloquiums des Philosophischen Seminars der Universität Göttingen in Verbindung mit der Akademie der Wissenschaften zu Göttingen aus Anlaß des sechzigsten Geburtstags von Lorenz Krüger im Sommer 1993 gehalten wurden.Die Beiträge sind durch die Verwandtschaft miteinander verknüpfter Themenstellungen geprägt, welche die Schwerpunkte und die Breite der wissenschaftlichen Interessen des 1994 verstorbenen Lorenz Krüger sichtbar machen.

A hypothetical evolutionary scenario is offered meant to account for the emergence of mental selves. According to the scenario, mental selves are constructed to solve a source-attribution problem. They emerge when internally generated mental contents are treated like messages arising from external personal sources. As a result, mental contents becomes attributed to the self as an internal personal source. According to this view, subjectivity is construed outward-in, that is, one's own mental self is derived from, and is secondary to, the (...) mental selves perceived in others. The social construction of subjectivity and selfhood relies on, and is maintained in, various discourses on subjectivity. (shrink)

We are concerned with modal logics in the class EM0 of extensions of M0 . G denotes re exive frames. MG the modal logic on G in the sense of Kripke. M is nite if M = MG for some nite G. Finite G's will be drawn as framed diagrams, e.g. G = ! ; G = ! ; the latter shorter denoted by . EM0 is a complete lattice with zero M0 and one M . If M M0 M0 (...) is a succ of M. An ip of M is an immediate predecessor of M. E.g. M ! and M are the only ip's of M in ES4. M[P] denotes the extension of M adding P as a \new axiom", e.g. S4 = M0 [p ! p]. M is nitely axiomatizable if M = M0 [P] for some formula P. One easily shows if M is f.a. then each predecessor is separated from M by an ip of M. It is known that each nite M is f.a. and has only nitely many succ's all of which are nite. (shrink)

In the historiography of mathematics the concept of deviation is relative to a normal way of developing mathematics. Similarly, the concept of abbreviation is necessarily connected to some aim to which this development is directed. We should not speak of deviation or abbreviation without regard for such contects. In the history of mathematics there are some cases of treating impossible objects as possible objects of a new theory. Therefore it may be expected that there are more ways out than in (...) normal life. Some examples are given. *** DIRECT SUPPORT *** A02GD002 00011. (shrink)

The general principle behind the effects of nested sets on the use of base rates, we believe, is that the mind is prepared to take in Without any need to assume two cognitive systems, this principle explains how the proper use of base rates can be facilitated and also accounts for occasions when base rates are overused.

In this article, I present a case study of underdetermination in nineteenth-century electrodynamics between a pure field theory and a formulation in terms of action at a distance. A particular focus is on the question if and how this underdetermination is eventually resolved. It turns out that after a period of overt underdetermination, during which the approaches are developed separately, the two programmes are merged. On the basis of this development, I argue that the original underdetermination survives in hidden form (...) in ontological and methodological redundancies of the subsequent particle–field electrodynamics. Implications regarding criteria for theory choice and the realism debate are briefly addressed. (shrink)

Im aristotelischen sogenannten Lexikon wichtiger philosophischer Begriffe werden ›Prinzip‹ und ›Ursache‹ gleich in den ersten beiden Kapiteln erläutert und eng aufeinander bezogen: Alle Ursachen sind Prinzipien, und es gibt ebenso viele Arten von Ursachen wie von Prinzipien. Ein Prinzip ist ebenso wie eine Ursache Teil einer Relation: Jedes Prinzip ist Prinzip einer oder mehrerer Sachen, und allen Prinzipien ist gemeinsam, dass sie grundlegende Elemente sind, aus denen eine Sache entsteht, besteht oder erkannt werden kann. Diese allgemeine Bemerkung weist allerdings nicht (...) auf drei exclusive Alternativen, sondern eher auf verschiedene Aspekte des aristotelischen Prinzipienbegriffs hin. (shrink)

Musik ist eine Herausforderung für die Philosophie - die von dieser oft nicht angenommen wurde. In den letzten Jahrzehnten hat sich jedoch die Musikphilosophie im deutschsprachigen Raum als ein zunehmend dynamisches interdisziplinäres Feld zwischen Philosophie, Ästhetik und Kunsttheorie, Musikwissenschaft, Musiktheorie und musikalischer Praxis entwickelt. Die Beiträge dieses Bandes, u. a. von Daniel Martin Feige, Gunnar Hindrichs, Richard Klein, Cosima Linke und Matthias Vogel, ziehen erstmals ein Fazit und beleuchten die Perspektiven des mittlerweile ausdifferenzierten Diskurses über diese scheinbar unmittelbarste und zugleich (...) begrifflich am schwersten fassbare künstlerische Ausdrucksform. (shrink)