Jonathan Lear in Radical Hope tackles the idea of cultural devastation, in the specific case of the Crow Indians. What do we mean by “annihilation” of a culture? The moral point of view that he imagines as he reconstructs the eve and aftermath of this annihilation is not second personal, of obligation, but first personal, in the collective and singular, as told by the Crows, with Lear as “analyst.” Radical Hope is a study of representative character of a people—of (...) virtue, courage, resilience, and hope in the face of cultural collapse. The leading questions are shaped by ancient Greek ethics, but with a twist: On the brink of cultural death , what counts for us as good living and what is the nature of the virtues or excellences that constitute it? How might a leader, a phronimos , exemplify it? This puts it too narrowly. The questions, also, are Wittgensteinian: How does a nation go on, when the concepts and way of life it has lived by for centuries are no more? What does it mean to go on? What does it mean to stop when the marks of going on are no longer? (shrink)

Poetic Heroes: Literary Commemorations of Warriors and Warrior Culture in the Early Biblical World. By Mark S. Smith. Grand Rapids, Mich.: William B. Eerdmans Publishing Co., 2013. Pp. xiv + 636. $55.

Utopia repeatedly sets forth the rhetorical strategy of using pleasant and healing words to “enter” or “flow” or “steal into” fortresses of hardened opinion and custom without arousing warlike passions to keep them out. An important part of this strategy is the creation of a character who denounces major instances and causes of injustice but who nonetheless supports war and other means of force at the expense of law in rectifying that injustice; another part of the strategy is the creation (...) of a character and a plot that embody the “indirect” rhetorical approach aimed primarily at long-term persuasion needed to improve laws and institutions. (shrink)

A century and a half after the Kulturkampf in Germany, and three decades after James Davison Hunter’s account of the “culture warriors,” this book review examines what Nietzsche might have to say to us today about our understanding of the past and our relation to the future. It considers two studies of the four essays of Nietzsche’s Unzeitgemässe Betrachtungen taken as a whole, one study of Nietzsche’s second essay on history, one on Nietzsche’s general conception of decadence and (...) class='Hi'>culture, and a collection of essays on Nietzsche’s views of history and memory. Taken together, these studies not only complement each other in respect of their readings of the Unzeitgemässe Betrachtungen and the question of culture, they also throw light on other aspects of Nietzsche by reminding us of the rootedness of Nietzsche’s thought in the outlook of Weimar classicism and highlighting the vitalist aspects of Nietzsche’s thought. The review concludes that Nietzsche is more timely than ever, not least because of his critique of education, as well as his attention to such key themes as identity politics, Erinnerungskultur, and museumization; it is still possible to agree with Nietzsche’s sentiments as expressed in a motto from an early notebook of July 1862: “I prefer the past to the present; but I believe in a better future.”. (shrink)

Warrior cultures throughout history have developed unique codes that restrict their behavior and set them apart from the rest of society. But what possible reason could a warrior have for accepting such restraints? Why should those whose profession can force them into hellish kill-or-be-killed conditions care about such lofty concepts as honor, courage, nobility, duty, and sacrifice? And why should it matter so much to the warriors themselves that they be something more than mere murderers? The Code of (...) the Warrior tackles these timely issues and takes the reader on a tour of warrior cultures and their values, from the ancient Greeks and Romans to the 'barbaric' Vikings and Celts, from legendary chivalric knights to Native American tribesmen, from Chinese warrior monks pursuing enlightenment to Japanese samurai practicing death. Drawing these rich traditions up to the present, the author quests for a code for the warriors of today, as they do battle in asymmetric conflicts against unconventional forces and the scourge of global terrorism. (shrink)

Drawing on philosophy, history, moral psychology, and ethics, this revised and expanded edition of French’s The Code of the Warrior examines historical and contemporary warrior cultures and their values, arguing that today’s warriors need a code, as their ancestors did, to prevent them from crossing the thin but critical line that separates warriors from murderers in the battle against global terrorism.

A single evolved psychological mechanism, social identity, may help explain the development of salient sex differences in aggression. Bearing children automatically provides a basis for positive social identity for females. Masculine identity is more problematic, especially where the range of possible cultural roles is small. Ethnohistorical data provides insight into the overlap between masculine values and warrior values.

The ‘gene of’ is a teleosemantic expression that conveys a simplistic and linear relationship between a gene and a phenotype. Throughout the 20th century, geneticists studied these genes of traits. The studies were often polemical when they concerned human traits: the ‘crime gene’, ‘poverty gene’, ‘IQ gene’, ‘gay gene’ or ‘gene of alcoholism’. Quite recently, a controversy occurred in 2006 in New Zealand that started with the claim that a ‘warrior gene’ exists in the Mãori community. This claim came (...) from a geneticist working on the MAOA gene. This article is interested in the responsibility of that researcher regarding the origin of the controversy. Several errors were made: overestimation of results, abusive use of the ‘gene of’ kind of expression, poor communication with the media and a lack of scientific culture. The issues of the debate were not taken into account sufficiently, either from the political, social, ethical or even the genetic points of view. After more than 100 years of debates around ‘genes of’ all kinds (here, the ‘warrior gene’), geneticists may not hide themselves behind the media when a controversy occurs. Responsibilities have to be assumed. (shrink)

A Teaching Memoir That Crosses the Barriers Between Worlds A shaman is one who has learned to move between two worlds: our physical reality and the realm of spirits. For John Lockley, shamanic training also meant learning to cross the immense divide of race and culture in South Africa. As a medic drafted into the South African military in 1990, John Lockley had a powerful dream. "Even though I am a white man of Irish and English descent, I knew (...) in my bones that I had received my calling to become a sangoma, a traditional South African shaman," John writes. "I felt blessed by the ancient spirit of Africa, and I knew that I had started on a journey filled with magic and danger." His path took him from the hills of South Korea, where he trained as a student under Zen Master Su Bong, to the rural African landscape of the Eastern Cape and the world of the sangoma mystic healers, where he found his teacher in the medicine woman called MaMngwevu. In Leopard Warrior, John shares a gripping account of his experiences and the wisdom he learned over years of training. Here he invites you to discover: • Powerful insights into the spiritual tradition of the Xhosa lineage of South Africa—the tribe of Nelson Mandela and Desmond Tutu • Ubuntu—a core concept for recognizing and embracing our deep interconnection with all living things • Ancestor medicine—how we can learn to honor the blood in our veins, the heritage of our soul, and our shared humanity • Recovering our forgotten knowledge about the wisdom of our dreams, the spirits of plants and animals, and the power of the unseen world In traditional African healing circles, the leopard represents intuition, instinct, and harmony with nature and the spirit world. As John Lockley writes, "A leopard warrior is a spiritual soldier who mirrors the natural world and directs their gaze inward to answer the call of their spirit." With Leopard Warrior, he brings us an inspiring call to action—showing how we can bridge the barriers that divide us, embrace the gifts of our ancestors, and reclaim our rightful place as compassionate caretakers of our world. (shrink)

Norbert Elias (2001) produced one of the most influential theories on the history of violence in human societies in terms of ‘the civilizing process’. With the transformation of feudalism, the rise of bourgeois society and the development of the modern state, interpersonal violence was increasingly regulated by social norms that emphasized self-restraint and personal discipline. His theory was a moral pedagogics of the body in which the ‘passions’ are self-regulated through detailed social regimes. While his theory is influential, it has (...) also been the subject of systematic criticism. I examine three obvious lacunae in Elias’ theory. First, his theory does not provide an adequate account of the role of religion in the civilizing process, particularly with respect to controlling human violence, and I examine Elias’ theory through a commentary on charisma and the sacred in human society, namely the role of sacred violence. Second, Elias had relatively little to say about the interaction between military technology and interpersonal norms. Modern technology has made it possible, both in peace and war, for the state and modern military institutions to gain control of forms of mass violence that were unimaginable in less civilized societies. We could accept Elias’ proposition about constraint in terms of interpersonal violence, but argue that modern technology has obviously enhanced the capacity of the means of violence in society. This ‘de-personalization’ of violence is consistent with aspects of Elias’ civilization theory. However, the theme of technology was completely understated. Third, apart from Elias’ interest in art and society as a consequence of his teaching appointment in Ghana (1962–4), his theory was primarily concerned to explain aspects of social change in European society. An exploration of the evolution of military violence and charisma among American Plains Indians, especially the Cheyenne, is intended as an elaboration of the debate around Elias’ ‘figurational sociology’. Through an examination of the training of warriors in nomadic Plains culture, their mode of warfare is defined as a form of spiritual violence, because warfare was bound up with religious norms of conduct and their military interaction was highly ritualized. These spiritual technologies are an important illustration of military technologies of self-creation. My account concludes with an examination of the nature of modern conflict between professional armies within an international human rights framework. The democratization of warfare results in the routinization of military charisma and the charismatic hero survives primarily in popular culture as a celebrity. (shrink)

This thesis examines the hogbacks and hammerhead crosses of Viking Age Strathclyde and Northumbria. Both are Insular forms of carved stone sculpture often found in Christian contexts. This thesis aims to highlight the significance of these carved stones within a contemporary landscape dominated by a complex historical and archaeological narrative, with the overall aim of ascribing them functions, beyond those of funerary. The approach this thesis takes is theoretical in its construct, both methodologically and analytically, and is grounded in the (...) phenomenological principles of Maurice Merleau-Ponty. It is hoped that this thesis will break down the perceived barrier imposed on research by the modern Scotland-England border, thus potentially alleviate the implied disconnect between Viking Age Strathclyde and Northumbria. While acknowledging the current art-historical work, this thesis archaeologically reappraises hogbacks and provides an original and detailed archaeological treatise of hammerhead crosses. Additionally, this thesis espouses a conceptual framework for approaching, analysing and interpreting carved stones, which considers the idea of what makes space become a place. This framework involves the adoption of a reflexive phenomenological approach to the recording of carved stone monuments in the landscape, and, in approaching material, the adoption and adaption of the concepts of hybrid practice, supervenience, Deleuzian difference, common difference, the third space, and art and agency. In integrating these approaches and concepts, the idea of place-making emerges, discerned via non-dialectical interrelationships between people, material, and space. It is conceptualised here in abstract form as the person/object/place framework. In applying this framework to postulate the functions of hogbacks and hammerhead crosses in the landscape, the following, non-mutually exclusive, themes are considered: commemorative space, economic space, biblical space, mythological space, political space, and sacred space. Considering these themes in the application of the conceptual framework to approaching notable carved stones gives rise to the concept of functional landscapes. These abstract landscapes emerge and are understood through a network of functional places, developing out of particular carved stone monuments inhabiting specific spaces. Ascribing functions to Viking Age carved stones allows for interpretation beyond the traditional and uncritical narrative that hogbacks and hammerhead crosses are simply Viking ‘calling cards’ or gravestones. Furthermore, in considering the Christian context and syncretic nature of many hogbacks, this thesis challenges the common idea that their origins and models often lie solely in Scandinavian paganism and culture. (shrink)

The article discusses the evolving image of female characters in the Mad Max saga directed by George Miller, focusing on Furiosa’s rebellion in the last film—Mad Max: Fury Road. Interestingly, studying Miller’s post-apocalyptic action films, we can observe the evolution of this post-apocalyptic vision from the male-dominated world with civilization collapsing into chaotic violence visualized in the previous series to a more hopeful future created by women in the last part of the saga: Mad Max: Fury Road. We observe female (...) heroes: the vengeful Furiosa, the protector of oppressed girls and sex slaves, the women of the separatist clan, and the wives of the warlord, who bring down the tyranny and create a new “green place.” It is worth emphasizing that the plot casts female solidarity in the central heroic role. In fact, the Mad Max saga emerges as a piece of socially engaged cinema preoccupied with the cultural context of gender discourse. Noticeably, media commentators, scholars and activists have suggested that Fury Road is a feminist film. (shrink)

Les femmes communistes espagnoles reconstituèrent leur organisation en 1945, dans l’exil français, afin de mobiliser les réfugiées dans la résistance antifranquiste. Les figures d’héroïnes évoquées dans la revue Mujeres Antifascistas Españolas, tiennent une place importante dans la culture politique de ces femmes. Des récits, où réalité et fiction se mêlent, mettent en scène vierges guerrières et mères héroïques. Si l’héroïsation individuelle ou collective (les treize roses de Madrid) confine parfois au mythe, sans remettre en cause le système traditionnel de (...) genre, elle permet d’inscrire ces héroïnes dans l’histoire de l’Espagne et dans la mémoire collective des opposants au régime du général Franco. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Feminist Studies 47, no. 2. © 2021 by Feminist Studies, Inc. 419 Paul Amar Insurgent African Intimacies in Pandemic Times: Deimperial Queer Logics of China’s New Global Family inWolf Warrior 2 This essay offers a new paradigm of “deimperial queer analysis” that reveals the tension between the People’s Republic of China’s extractive expansionism in Africa and its claim to solidarity with Africans against white supremacy and Northern imperialism. (...) China has been labeled an “anti-imperial empire” that forcefully challenges previous Euro-American imperial legacies—all while it verges on reenacting them.1 A critical way it resolves this geopolitical tension is through the articulation of a mission for global China, and since 2017, the heroic filmic fictional figure of the “Wolf Warrior” anchors such an approach. The Wolf Warrior is a gorgeous, muscled, Chinese male rogue soldier in exile who adventures through the archipelago of the PRC’s shipping, mining, and medical projects across the Global South to battle white mercenaries, corrupt Asian businessmen, and local pirates—all while saving Africa from a ravaging pandemic. Extending a hugely popular film series, the release in 2017 of the blockbuster Wolf Warrior 2 (abbreviated below as Wolf 2) unleashed a worldwide social media frenzy as well as a revolution in diplomatic tone and protocol for China. In these ways, Wolf Warrior 2 came to mark the debut of the global PRC as a hegemonic structure 1. David Armitage, “The Anti-Imperial Empire?” Times Literary Supplement, no. 6018, August 3, 2018, https://www.the-tls.co.uk/articles/the-anti-imperialempire -american. 420 Paul Amar of feeling with an attendant popular cultural logic, launching a cast of military characters, humanitarian imaginaries, and gendered rebranding initiatives. These fused into a global cultural megaproject with the PRC presenting itself as a leader in responding to the COVID-19 pandemic in the Global South—a time the PRC has officially branded as its “Rejuvenation Era” of “Stepping Out into the World.” This essay shows how exactly this Wolf Warrior imagination has legitimized a new global regime, but I also reveal how, paradoxically, the Wolf Warrior regime has offered a distinct, more subversive worlding project. I argue here that the utopia immanent in this project can be revealed by interpretively turning this Wolf universe inside out through a deimperial queer analysis that honors and combines a Third World feminist lens and the “Asia as Method” approach with Danmei/BL and Slash queer-feminist fanfiction hacks. Danmei is a Chinese (originally mainly Tawainese) fanfiction genre that subverts mainstream heteronormative narratives by erotically aestheticizing and renarrating male-male intimacies within mainstream plotlines from feminist perspectives. BL (short for “boylove ”) is a similar Japanese fanfiction genre, and Slash is the term used in English for the queer/feminist hacking and excavation of sublimated and particularly utopian gender and sexuality plots from within seemingly conventional heteronormative or patriarchal popular-cultural texts. The everted or inside-out epistemology given expression here uses a set of non-phallogocentric lenses and decolonial feminist decoding practices. At stake is the urgency of not repeating the epistemic violence of conventional “anti-imperial” arguments, which tend to be heteronormative, statist, macho, and monolithic. Instead, the form of critique elaborated here brings questions of gender, race, and sexuality to the fore through a three-part approach. First, I identify the homoerotic register of the techno-infrastructural elements in the film. I generate close readings that detail the visual and genre codes of battle scenes, thug subjects, and piracy plots that forge a homoerotic model of rogue or “wolf” governmentality and that act as a metaphor for China’s techno -infrastructural rule. Second, this essay explores the gendered hauntings of supremacist humanism. I deploy a decolonial feminist lens to map the configuration of African women, female doctors, Maoist women insurgents, and feminized “flowerboys” as a rebel protectorate overseen by China’s phallic prerogative that is itself haunted by the specters of Euro-American humanist betrayal and white supremacy. Third, Paul Amar 421 I trace queer kinship utopias. I demonstrate that Wolf Warrior 2 rejuvenates a non-Western, queer, globalist kinship structure that triangulates Asian, white, and Black through adoption dramas and bromance bonds. Through these intimacies, an... (shrink)

This paper discusses the announcement by a team of researchers that they identified a genetic influence for a range of “antisocial” behaviours in the New Zealand Māori population (dubbed the “warrior gene”). The behaviours included criminality, violence, gambling and alcoholism. The reported link between genetics and behaviour met with much controversy. The scientists were described as hiding behind a veneer of supposedly “objective” western science, using it to perpetuate “racist and oppressive discourses”. In this paper we examine what went (...) wrong in the dissemination of the research. We chose as our framework the debate around the “internal/external” responsibilities of scientists. Using this discourse we argue that when the researchers ventured to explain their research in terms of social phenomena, they assumed a duty to ensure that their findings were placed “in context”. By “in context”, we argue that evidence of any genetic influence on behavioural characteristics should not be reported in isolation, but instead presented alongside other environmental, cultural and socio-economic influences that may also contribute to the studied behaviour. Rather than imposing a new obligation on scientists, we find this duty to contextualise results is in keeping with the spirit of codes of ethics already in place. Lessons from the “warrior gene” controversy may assist researchers elsewhere to identify potential areas of conflict before they jeopardise research relationships, or disseminate findings in a manner that fuels misleading and/or potentially discriminatory attitudes in society. (shrink)

During a series of protests in Hong Kong about a leadership transition widely perceived to give Mainland China greater political influence, the Hong Kong Museum of History held a Special Exhibition of the Terracotta Warriors of Xian, China. Sponsored by "The Leisure and Cultural Service Department, " the exhibit featured the first emperor of the Qin Dynasty who ushered in "an epoch-making era in Chinese history that witnessed the unification of China" (Museum Exhibition). This essay explores the multi-media aspects of (...) the exhibit, arguing that encounters with dramatic music and fully immersive digital experiences are examples of an embodied, affective form of constitutive rhetoric. Put differently, the museum's multi-media elements demonstrate how Maurice Charland's theory of a constitutive rhetoric can be informed by recent work on affect and can provide one point from which to engage affect theory and the "affective dimension of politics.". (shrink)

The article presents an interpretive view on culture wars in America along with their echoes in the autobiographical works written by Barack Obama. Being either viewed as the manifestation of the “post-American” creed, looked down at as a mere product of popular culture, or being ignored as a marginal manifestation, culture wars flared before and after the presidential campaign of 2008, signaling the intensity of a yet unconsumed ideological combustion fuelling further cultural and political dissensions. One of (...) the conspicuous consequences of culture wars in America is that the definition of culture has been significantly altered and that nowadays culture warriors have outnumbered intellectuals. Another outcome of culture wars is that they are considered by many as a benchmark of democracy and democratization, when more probably they are the product of an ideological confrontation. Thirdly, culture wars are regarded either as a political stylization of politicization of culture setting up a new network of correspondences between culture and politics. A final relevant consequence may be found in the increasing awareness that civil society and political parties may deploy different strategies to convey democratic ideals into reality, but it remains to be clarified if this should be carried out into the trenches of a pugnacious media and from there into the beliefs and expectations of citizens. Civil society and political parties in America construed differently the meanings of democracy, providing with different images the promised future and the American creed. Therefore, while culture wars spread their belligerency in various sectors of the American society, it is harder and harder to figure out a democratic consensus. (shrink)

ABSTRACT Many Christian historians and theologians hold the opinion that the early church condemned wholesale an active involvement in bloodshed. However, in light of evidence drawn from early Christian texts, most notably literature dealing with martyrdom, one finds that stance overly simplified. In fact, forms of early Christianity not only glorified war and violence in certain contexts but actively sought it out. This article enters into this conversation by applying a theory championed by Mark Juergensmeyer's Terror in the Mind of (...) God. While this theory deals with modern examples of religious cultures of violence, his “stages of symbolic empowerment” apply surprisingly well to certain communities within the early orthodox church. The cosmic war complex that leads to nefarious figures such as the fanatic suicide bomber can be seen at work within the nascent matrix of the Church, which produced victims and warriors in the form of the voluntary martyrs. (shrink)

Le mythe comme force de mobilisation dans une société guerrière. L’article se concentre sur le rôle mobilisateur des symboles et en particulier sur le fonctionnement du théâtre mythique. Le théâtre attique est compris comme une performance symbolique dans laquelle le genre comique et tragique représentaient des processus de ‘sur-distanciation’ et de ‘sous-distanciation’ respectivement. Au lieu de concevoir la tragédie seulement comme un medium esthétique ou critique, le genre tragique est vu comme une part d’un processus culturel etsocial complexe qui sert (...) de une force mobilisatrice autour des valeurs fondamentales de la polis, e.g. du guerrier et son hèbè. Quelques pratiques cultuelles sont discutées pour démontrer l’importance du symbolisme guerrier dans la société attique. En plus l’argument présenté est que la performance tragique ne présente pas une image positive et idéale, mais une violation de l’ordre social . Les enfants d’Héraklès et d’autres tragédies sont analysées pour illustrer cette manière de penser.This paper focuses on the mobilizing role of symbols and specifically on the workings of mythical theatre. Attic theatre is understood as a symbolic performance in which the comic and the tragic genres represented processes of ‘over-distancing’ and ‘under-distancing’, respectively. Instead of conceiving of tragedy as just an aesthetic or critical medium, the tragic genre is viewed as part of a complex cultural and social process that serves as a mobilizing force around the fundamental values of the polis, e.g. the warrior and his hebe. A number of cult practices are discussed in order to demonstrate the importance of warrior symbolism in Attic society. Furthermore, it is argued that the tragic performance does not present a positive and ideal image, but a violation of the social order . The Children of Herakles and other tragedies are analysed in order to illustrate the argument. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Cultural Context of Post-traumatic Stress DisorderCarolyn Smith-Morris (bio)Keywordspost-traumatic stress disorder (PTSD), culture, medical anthropology, fight-or-flight responseIn his Clinical Anecdote, Dr. Christopher Bailey gamely imagines the evolutionary underpinnings of his patient's distressing lack of war wounds. As part of a careful and engaged discussion of care for his suffering patient, Dr. Bailey suggests that our evolved fight-or-flight response to the alarms of the African savannah may be at (...) work in Colin's distress. The fight-or-flight response is something of great interest to anthropologists, who rely on Darwin's theory of evolution to explain much in human experience. According to Dr. Bailey's application of the theory, Colin's visceral response to threat is protective in the presence of danger, but destructive (particularly to his mental health) in the absence of such challenges. So Dr. Bailey considers whether we may have an evolved “need” for threat, and that Colin's trauma is in part related to the lack of such threat in his wartime experience.According to Darwin's ideas, evolved traits may be adaptive but may also simply be random appearances that have not yet produced cause for evolutionary eradication. The fight-or-flight response, or any of the hypothalamic–pituitary–adrenal axis events initiated under either acute or chronic stress, is therefore occurring in Colin's reactions to everyday frustrations, to wartime exposures, and even during the stressful nontrauma of feeling “wimpy.” Dr. Bailey's idea about an evolved need for threat is tautological. That need is not biological, but cultural.Although post-traumatic stress disorder is medically real, it is an event that develops in a particular place and time. Likewise, gender roles that demand scar battles and trophies of a certain form are culturally determined. Culture is central to this anecdote: a culture-specific occurrence of post-traumatic stress disorder and culturally driven gender roles for men, especially warriors. Stress is indeed present in Colin's life: our postindustrial culture's separation from everyday death and violence make episodes like war and combat all the more shocking or traumatic; the lack of social recognition for his service also seems to be one of Colin's stressors. Both the shock of warfare and the trauma of his social invisibility are as vivid to his evolutionarily informed body as is the presence of a crouching lioness in the room. So it is the host of cultural expectations, and his inability to mobilize social and cognitive resources to respond to them, that is wounding Colin. Talk therapy should draw out these cultural details [End Page 235] and, as Dr. Bailey has already begun to do, emplot Colin into a more heroic (his)story of his service to our nation.Related ArticlesFeature Article: Clinical Anecdotes: A Painful Lack of WoundsCommentary: The Nature of Proof in PsychiatryCommentary: Truth and Healing a Veteran's DepressionCommentary: Inappropriate RegretCommentary: The Cultural Context of Post-traumatic Stress DisorderCommentary: Explication or Explanation?Commentary: The Importance of What Psychiatrists Care AboutCommentary: Mourning or MelancholiaResponse: A Painful Lack of ConnectionCarolyn Smith-Morris Carolyn Smith-Morris is an Associate Professor in the Department of Anthropology at Southern Methodist University in Dallas, Texas. Her work focuses on chronic disease and the health impacts of culture change and acculturative stress in North America. She is engaged in several research programs among migrating Mexican workers, among poor African-Americans in Dallas, and for the Gila (pronounced Hee-la) River Indian Community of Southern Arizona, a tribe that suffers from the highest recorded rates of type 2 diabetes in the world. She also holds a research fellowship with the Foundation for Community Empowerment, serves on the Board of the Society for Medical Anthropology, and is a fellow in the Society for Applied Anthropology. She published Diabetes Among the Pima in 2006 and has several articles detailing her applied research on diabetes, reproduction, health care ethics, and end-of-life care. She can be contacted via e-mail at: [email protected], C. 2009. A painful lack of wounds. Philosophy, Psychiatry, & Psychology 16, no. 3:223–224. [End Page... (shrink)

The job of being a sports team physician is difficult, regardless of the level, from high school to the National Football League. When a sports league receives the intensity of attention leveled at the NFL, though, a difficult occupation becomes even more challenging. Even for the NFL players themselves, players’ best interests regarding health issues are often unclear. Football players are, as a lot, highly competitive individuals. They want to win, and they want to help the team win. It's a (...) warrior culture, and respect is earned by playing hurt. Should the team physician respect a player's autonomy when this means allowing him to make choices that might lead to further personal harm, especially if the player's choices align with the preference of the coach and management? Or should the doctor set limits and balance the player's choices with a paternalistic set of constraints, perhaps in opposition to both the player's and the team's desires? Simplification of this web of conflicts of interest is the goal of the model proposed by Glenn Cohen, Holly Lynch, and Christopher Deubert. In my view, their proposal is very clever. As an idea, it meets the expectations its authors set, namely, to minimize the problem of conflict of interest in the delivery of health care services to NFL football players. The ethics of the proposal align well with certain moral goals, like treating the player's interests more fairly and treating the player's health as an end instead of as the means to an end. But will such a proposal ever make headway in the pressurized environment of the NFL? (shrink)

The Ethics of Karbala investigates the relationship between religious myths and the development of character, focusing on the warrior ethos as expressed in accounts of the Battle of Karbala, as well as on the place of the martial virtues in modern life and warfare. This book is the first of its kind in taking a virtue ethics approach to the study of Islamic history. It offers an ethical analysis of arguably the most pivotal moment in Islamic history. To do (...) so, it makes use of interdisciplinary methods, especially global philosophy and religious studies, and draws on philosophical concepts spanning from Nietzsche to Iqbal. The book's clear and engaging prose makes it accessible to readers seeking a profound understanding of intersections between practical philosophy and religious myths. This book targets upper-level undergraduate readers seeking to discover Islamic ethics. It will serve non-specialists, specialists in Shii Islamic studies, and all those interested in Islamic ethics, virtue ethics, cross-cultural philosophy, Nietzsche studies, military science, and religious studies. (shrink)

"A consistently informative and often impressively detailed analysis of Anglo-Saxon heroic stories (especially Beowulf, Brunanburh, Maldon), this study pulls them out from under the pall of pseudo-mystical Germani-schism that has shrouded them for generations and returns them to something of their own historical, and especially political, origins."--R. A. Shoaf, University of Florida Anglo-Saxon poems and fragments seem to preserve a long-standing Germanic code of heroic values, but John Hill shows that these values are probably not much older than the poems (...) that record and advance them. In the first book-length application of anthropological research to Old English heroic literature, Hill demonstrates that the loyalties and values celebrated in "The Battle of Brunanburh," "The Battle of Maldon," and numerous other heroic episodes in Old English literature are not aspects of an archaic or ancient ethical life but instead political models serving the interests of West Saxon kingship and hegemony. Using the much more complicated Beowulf as an illuminating counterpoint, Hill works out the development in the heroic literature of these new ideals. Employing anthropological and psychoanalytic perspectives, Hill reopens for study an important subject of Old English literature long thought settled, and he provides a window onto the process of Anglo-Saxon state formation that should appeal to medievalists in both literary studies and history. John M. Hill is professor of English at the U.S. Naval Academy and author of several books, including Chaucerian Belief and The Cultural World in Beowulf. (shrink)

The article discusses the portrayal of Éowyn in Tolkien’s The Lord of the Rings in the light of the biblical tradition of the warrior woman. The author focuses on the scene in which Éowyn slays the Nazgûl Lord in the battle of the Pelennor Fields with the help of Meriadoc. This event is juxtaposed against the biblical descriptions of female warriors, in particular Jael and Judith. A detailed analysis of passages from the King James Bible and the Douay-Rheims Bible, (...) with which Tolkien was familiar, allows the reader to detect numerous affinities between his vocabulary and imagery, and their biblical antecedents. Filipczak contends that, by defending the body of the dying Théoden, Éowyn defends the whole kingdom; her action can be interpreted in the light of The King’s Two Bodies by Ernst Kantorowicz. Her threat to the Ringraith makes use of the verb that can be found in the descriptions of Jael and Judith in the Protestant and Catholic Bibles respectively. Furthermore, Éowyn’s unique position as a mortal woman who achieves the impossible and thus fulfills the prophecy paves the way for a comparison with the Virgin Mary, whose Magnificat contains elements of “a holy-war song” which were suppressed by traditional interpretations. Consequently, the portrayal of Éowyn blends the features of Jael, Judith and Mary with allusions to St. Joan of Arc. Moreover, her act of slaying the Ringraith’s fell beast reinterprets the story of St. George and the dragon. Filipczak argues that Éowyn’s uniqueness is additionally emphasized because she acts out Gandalf’s words from Minas Tirith and sends the Nazgûl Lord into nothingness. (shrink)

A Marriage Made in Hell Where did they come from, these furiously self-righteous “social justice warriors”? The growing radicalism and intolerance on the American left is the result of the strange union of Nietzsche’s “will to power” and a secularized Puritan moralism. In this penetrating study, Mark T. Mitchell explains how this marriage made in hell gave birth to a powerful and destructive political and social movement. Having declared that “God is dead,” Friedrich Nietzsche identified the “will to power” as (...) the fundamental force of human life. There is no good or evil in a Nietzschean world—only the interests of the strong. Reason and the common good have no place there. The Puritan, by contrast, is morally rigorous, zealous to promote virtue and punish vice. America’s Puritan tradition, now thoroughly de-Christianized, has been reduced to a self-righteous moral absolutism that focuses on the faults of others, intent on avenging the sins of society, institutions, and the past in pursuit of the secularized ideals of equality, diversity, and social justice. As Nietzsche’s ideas have permeated our culture, a new generation of radicals has embraced the rhetoric and tactics of the will to power. But the strength of America’s residual Puritanism keeps them only half-baked Nietzscheans. More Christian than they care to admit, they cling to a moralism that Nietzsche would despise. The incoherence of their mixed creed dooms social justice warriors to perpetual frustration. Their identity politics generates ever more radical demands that can never be satisfied, further fracturing a society in desperate need of a unifying myth. We seem to be left with only two options, Mitchell concludes—Nietzsche or Christ, the will to power or the will to truth. The choice is bracingly simple. (shrink)

Depuis la nuit des temps, les relations homme-animal ont reposé sur un principe d'inégalité et de domination. Pourtant, la place et le statut des animaux ont récemment connu de grandes évolutions. L'animalisme, à l'instar de l'antispécisme ou de l'abolitionnisme est progressivement entré dans le débat public, poussé par une actualité brûlante (scandales des abattoirs, vidéos L214, émergence d'un véganisme de masse, etc.). A l'origine, ce courant d'éthique proposant de défendre les droits des animaux était considéré comme une mouvance violente et (...) radicale. Comment cette doctrine a-t-elle séduit un public de plus en plus large? Que nous raconte cet engouement quant à nos valeurs, aux croyances de notre société? Cet ouvrage constitue la première analyse sociologique de ce phénomène émergent. En embrassant les points de vues politiques, écologiques, religieux ou encore celui des contre-cultures, Marianne Celka jette un regard neuf et, pour la première fois, neutre et objectif sur cette question aussi profonde que troublante du rapport entre l'homme et l'animal. (shrink)

Outside of the Vulcans, Klingons are the most enduringly famous humanoid race in the Star Trek universe, a fearless and fearsome interstellar military power in the Beta Quadrant. The Klingons are singularly intriguing as a veritable pastiche, a motley conglomeration, of various human cultures. Klingon culture is so well developed, in fact, that they are the only Star Trek race to have had their language published in a dictionary for fans who wish to nurture their inner warrior spirit. (...) This chapter explores some of the human cultural representations that find in the favorite bumpy‐headed, bat'leth‐swinging, raktajino‐drinking aliens that can help to reflect on how human society has evolved and where one may be headed in the future. The Klingon religion is an interesting combination of mythical and spiritual elements, along with a grounded humanism that characterizes Gene Roddenberry's fundamental vision of the future by eschewing the contemporary existence of deities. (shrink)

In so far as long-range tele-operated weapons, such as the United States’ Predator and Reaper drones, allow their operators to fight wars in what appears to be complete safety, thousands of kilometres removed from those whom they target and kill, it is unclear whether drone operators either require courage or have the opportunity to develop or exercise it. This chapter investigates the implications of the development of tele-operated warfare for the extent to which courage will remain central to the role (...) of the warrior and for the future culture of the armed services in the age of drone warfare. (shrink)

When the world as we know it crumbles to pieces, who does the future belong to? For the survivalist subculture, the answer is typically quite clear—the future belongs to the properly prepared, self-sufficient and autonomous men, who will outlive the majority of humankind in the upcoming global pandemonium. Once considered a fringe movement, survivalist ideas, imagery, and discourse now permeate Anglo-American popular culture and have increasingly made their way into other cultural regions as well. In recent years, there have (...) been numerous doomsday reality programs and shows about extreme survival trials on television. In their unique ways, programs such as Doomsday Preppers, Man vs. Wild, and Survivor have all... (shrink)

The integral consciousness -- The internal universe -- The evolution of consciousness -- The within of things -- The systemic nature of evolution -- Stages of consciousness and culture -- The spiral of development -- Tribal consciousness -- Warrior consciousness -- Traditional consciousness -- Modernist consciousness -- Postmodern consciousness -- The spiral as a whole -- What is the real evidence for the spiral? -- The integral stage of consciousness -- Life conditions for integral consciousness -- The values (...) of integral consciousness -- Integral consciousness in the context of history -- Practicing the integral lifestylevalue metabolism -- Postintegral consciousness -- Integral politics -- The politics of the spiral -- Integral politics and global governance -- Is global governance an unrealistic fantasy? -- Is global governance too dangerouswhat are the safeguards? -- Global governance and integral consciousness cocreate each other -- Integral spirituality -- The development of spiritual traditions -- Public spirituality in the integral age -- Beauty, truth, and goodnessphilosophical spirituality -- The practice of beauty, truth, and goodness -- The revelation of evolution -- The founders of integral philosophy -- Ken Wilber in context -- The evolution of philosophy as a human endeavor -- Hegel, the first integral philosopher -- Bergson, the first post-darwinian integral philosopher -- Whitehead, spiritual philosopher for the ages -- Teilhard de Chardin, master of the internal universe -- Gebser, prophet of integral consciousness -- Developmental psychology and the mapping of the internal universe -- Habermas, architect of integral foundations -- Wilber, framer of integral philosophys twenty-first-century synthesis -- What I add to integral philosophy -- The integral reality frame -- Metaphysics and the evolution of reality frames -- The integral map of reality -- Integral philosophy and human spirituality -- Some critiques of the integral reality frame -- Structures of the human mind -- Lines of development recognized by psychologists -- Wilber's theory of the lines of development -- A critique of Wilber's theory of developmental lines -- An alternative theory of the structures of consciousness -- The self as a whole -- The directions of evolution -- Evolution and the idea of progress -- Unity, complexity, and consciousness -- Directions of evolution in the internal universe -- The dialectical quality of the master patterns of evolution -- Potential applications of a dialectical understanding of evolution. (shrink)

Twenty “uncontacted” Taromenani were slaughtered and two female children kidnapped in retaliation for the spearing of a couple of “civilized” Huaorani in March 2013. After months of indecision, the government of Ecuador decided to abduct the two little captives and send six warriors to jail for genocide. Each of these actions caused a moral outrage locally, nationally, and internationally. This article explores the complex constructions through which these violent events have come to be understood, both by the Huaorani and by (...) Ecuadorian nationals, and it shows how two broad concerns—“territoriality” and “compensation”—have structured both the violent conflicts discussed and subsequent attempts at peace restoration. The essay concludes with a brief anthropological discussion of the relationship between ontology and politics. Whereas recent theorizations of Amazonian cosmic economies of alterity sharpen our understanding of “the assimilation of the Other as a mode of reproduction,” they tend to obscure the whys and the hows of intra- and intercultural disagreements, as well as the nature of the resort to violence as a way of asserting one's will. (shrink)

The divine architect and his temple -- The divine artisan and his images -- The divine farmer and his plantings -- The divine monarch and his regents -- The divine warrior and his army -- The divine shepherd and his flock -- The divine patron and his household.

The paper is based on the experiences of a fieldwork researcher. Two studies of everyday life are compared. In spite of the differences in theoretical frameworks and methodologies, important similarities are identified, leading to identical basic results. These similarities are to be found in the dependence of the everyday survival on political survival, of everyday life on political life, of coping on political developments. The similarity is proved by pointing to the shared broader socio-historical framework in which both studies have (...) been located, and to the uniqueness of the environment/area in which both have taken place. This leads to the final conclusion on the relation between the character of everyday life and the collective character/mentality, where the key mediator is political life and the character shaped within its domain. In a culture basically structured as a warrior culture, in the circumstances of huge civilizational changes at the global world scene, the local political mentality assumes specific features, somewhat modified in comparison with the traditional ethos. These features in turn directly shape the everyday, particularly of ordinary people, beyond the centers of power and global decision-making. U tekstu se iznosi iskustvo jednog terenskog istrazivaca/intervjuera. Uporedjuju se dva istrazivanja svakodnevnog zivota. Uprkos razlikama u teorijskim polazistima i metodskim resenjima, podvlace se slicnosti koje su dovele do istovetnosti osnovnog rezultata. Njih treba traziti u zavisnosti svakodnevice opstanka od politickog opstanka, svakodnevnog zivota od politickog zivota, prezivljavanja od politickih desavanja. Da bi se dokazala ova slicnost ukazuje se na zajednickost sireg drustveno-istorijskog okvira u koji su oba istrazivanja smestena, a preko njega, i na jedinstvenost podneblja/prostora na kome se oba odvijaju. To vodi krajnjem zakljucku o vezi karaktera svakodnevnog zivota od kolektivnog karaktera/mentaliteta, pri cemu je kljucni posrednik politicki zivot i karakter oblikovan u njegovoj sferi. U jednoj, u osnovi, ratnicki strukturisanoj kulturi, a u uslovima krupnih civilizacijskih potresa na globalnoj svetskoj sceni, politicki mentalitet u lokalnim uslovima zadobija osobene crte, donekle modifikovane u odnosu na tradicionalni etos, koje potom, neposredno oblikuju i svakodnevicu, pre svega, obicnih ljudi, izvan centara moci i globalnog odlucivanja. (shrink)

Culture, Not Politics We live in a politicized time. Culture wars and increasingly partisan conflicts have reduced public discourse to shouting matches between ideologues. But rather than merely bemoaning the vulgarity and sloganeering of this era, says acclaimed author and editor Gregory Wolfe, we should seek to enrich the language of civil discourse. And the best way to do that, Wolfe believes, is to draw nourishment from the deepest sources of culture: art and religious faith. Wolfe has (...) been called “one of the most incisive and persuasive voices of our generation,” and this penetrating and wide-ranging book makes a powerful case for the importance of beauty and imagination to cultural renewal. He begins by tracing his own journey from a young culture warrior bent on attacking the modern world to a career devoted to nurturing the creation of culture through contemporary literature and art that renew the Western tradition. Along the way, Wolfe finds in Renaissance Christian humanists like Erasmus and Thomas More—and their belief that imagination and the arts are needed to offset the danger of ideological abstractions— a “distant mirror” in which to see our own times. Beauty Will Save the World offers a revealing introduction to the artists and thinkers who are the Christian humanists of the modern era, from well-known figures like Evelyn Waugh and Wendell Berry to lesser-known authors like Shusaku Endo, Andrew Lytle, and Geoffrey Hill. A section on visual artists Mary McCleary, Fred Folsom, and Makoto Fujimura (accompanied by reproductions of their works) demonstrates that there are artists who can reimagine the Western tradition in strikingly contemporary terms. Finally, Wolfe pays tribute to the conservative thinkers who served as his mentors: Russell Kirk, Gerhart Niemeyer, Marion Montgomery, and Malcolm Muggeridge— all of whom rejected rigid ideology and embraced culture and tradition. At a time when our public discourse has come to be dominated by warring factions with little regard for truth, Wolfe's affirmation of beauty as a redemptive force is both refreshing and encouraging. (shrink)

The gradual appearance and relative stabilisation of the names of different kinds of martial activities in different cultures and contexts has led to confusion and to an unhelpful and unjustifiable elision of meanings, which merges different modes of combat and other martial activities. To gain a clearer perspective on this area, we must enquire into the criteria according to which the various kinds of martial activities are classified. Our assessment of the literature suggests that there is no satisfactory and well-justified (...) overall cross-cultural account of the classification of martial activities. This paper provides a revisionary classification and offers an explanation and a justification of the five main categories identified: close combat, warrior arts, martial paths, martial arts and martial sports; as well as some minor ones, such as martial training, martial therapy, martial display, martial games and martial dance. (shrink)

The distinction between shame cultures and guilt cultures is due to the anthropologist Ruth Benedict. The moral education of the youth in a shame culture will involve a multitude of prescriptions determining how to conduct oneself. Heroic societies with a closed aristocratic warrior class are typically shame cultures. The form of the dominant norms of a guilt culture is the imperative or dominative tense, which determines what one is obligated to do. This is the typical form of (...) the obligation‐imposing commandments of God. A primary focus of shame in the emerging guilt culture became sexuality and the body, and shame became forcefully riveted to the notion of sin. Feeling shame, like feeling pride, lies at the centre of a ramifying cluster of emotions and emotional attitudes. Shame bears a kinship to embarrassment. Embarrassment is distinguished from feeling shame in so far as it is essentially an audience‐involving emotion. (shrink)

Religious texts and historical narratives are instrumental in defining appropriate emotions and moral reasoning in a culture. In the Bhagavad Gıtā, the warrior Arjuna is faced with a twofold dilemma: are his emotions appropriate and should emotions influence his actions? The Gıtā is thought to be a redacted text with three primary layers: the original verses, the Sāmkhya/Yoga layer, and the devotional bhakti layer. Cross-cultural psychological theories of emotions are employed to analyze the layers of the Gıtā. It (...) is argued that each of the three layers corresponds with one of three possible moral codes as proposed by R. A. Shweder and his colleagues (1997; 2000): the Ethic of Autonomy (promoting personal well-being and avoiding shame); the Ethic of Community (maintaining social order and emotional detachment); and the Ethic of Divinity (upholding cosmic order and endorsing emotional devotion). These three perspectives remain relevant for deciding emotionally laden moral dilemmas today. (shrink)

I would describe myself as an accidental humanist, if not atheist. That was very much how I felt when I found myself on June 4, 2010, standing at the podium of the sixty-ninth annual conference of the American Humanist Association. I was receiving the Humanist Pioneer Award. But what did I do to deserve the honor? The golden letters on the beautifully crafted award said: “To Wendy Liu for her pioneering work that advances Humanist values and critical thought through cross (...) cultural perspectives on American Society.” The “pioneering work” presumably meant my writings on US-China relatedtopics, especially the collection of essays on my understanding of America from a Chinese and non-religious angle. As an aspiring writer, I was happy to be recognized for anything, not to say that particular angle. But that angle, with which I stumbled my way to the San Jose conference, was not an accident. It had come a long way with me on a journey starting in Xian, China, my hometown. Talking about Xian, the terracotta warriors of Qin Shihuang, the first Emperor of China, would probably come to one’s mind. Visitors have marveled at the work of ancient artisans, especially the rendering of individual facial features of the clay soldiers in eternity. In contrast to that humanistic touch was the cruelty of Emperor Qin, who ordered that upon his death the entrance to the underground mausoleum be sealed on completion, entombing the laborers inside to keep it secret.1 This is a brief but telling picture of humanism vs. tyranny in China–the once-upon-a time China. (shrink)

Drawing on research from digital media studies, political theory and rhetoric, this article explores online radical conservative and reactionary ‘ideological entrepreneurs’. It argues that online media are uniting an ‘ideological family’ around concepts of natural inequality and hostility to those who deny them. Placing this phenomenon in context, the article shows how online culture reinvigorates well-established discourses of opposition to bureaucrats, intellectuals and experts of all kinds, rejecting one version of the neoliberal state and of its personnel, a ‘new (...) class’ understood to dominate through discursive, cultural power and imagined through the figures of the ‘Social Justice Warrior’ and the ‘Cultural Marxist’. In competing for a share of the marketplace of ideas, these ideological entrepreneurs promise insights – the revelations of the ‘red pill’ – critiquing ‘actually-existing’ neoliberalism yet insisting on the ‘rationality’ of governance through markets and promising adherents techniques for achieving success as liberated entrepreneurial selves. (shrink)

Ancient Slavic archaic culture proved to be much more complex and incomprehensible than domestic researchers had imagined at the end of the 20th century. Modern scientists have discovered new complex aspects of ancient pagan culture that require considerable attention from researchers in various scientific fields. Of particular interest in this regard are the cults of ancient Slavic pagan gods-warriors, who are worshiped both among the people and among warrior-warriors.

Religious texts and historical narratives are instrumental in defining appropriate emotions and moral reasoning in a culture. In the Bhagavad Gītā, the warrior Arjuna is faced with a twofold dilemma: are his emotions appropriate and should emotions influence his actions? The Gītā is thought to be a redacted text with three primary layers: the original verses, the Sāmkhya/Yoga layer, and the devotional bhakti layer. Cross-cultural psychological theories of emotions are employed to analyze the layers of the Gītā. It (...) is argued that each of the three layers corresponds with one of three possible moral codes as proposed by R. A. Shweder and his colleagues (1997; 2000): the Ethic of Autonomy (promoting personal well-being and avoiding shame); the Ethic of Community (maintaining social order and emotional detachment); and the Ethic of Divinity (upholding cosmic order and endorsing emotional devotion). These three perspectives remain relevant for deciding emotionally laden moral dilemmas today. (shrink)

Because the fauna of the world possess a blood-driven vitality so comparable to that of people, they serve as an unwitting resource in the anthropocentric quest to ward off the ravages of death and decay, to create a cornucopia of human life amid the caprices of the cosmos. Fueled by the human fear of the grave, the “Gilgamesh complex” is the ensemble of beliefs and desires underlying a spectrum of zoocidal practices ranging from religious immolation to scientific experimentation. The name (...) of the complex draws its textual inspiration from the Babylonian epic of the warrior-king Gilgamesh, who lays waste to beasts of forest and field in his quest for immortality. From a psychological perspective, the epic of Gilgamesh pierces the veil of submerged desires and muddled behaviors that most people in modern society are loath to recognize. The Gilgamesh complex is also among the most culturally and historically encompassing of psychological complexes, penetrating to the barest of human existential concerns—the preoccupation with death. (shrink)

Wearing black make-up to impersonate black individuals has become highly controversial in many countries, even when it is part of long-standing cultural traditions. Prominent examples of such traditions include Saint Nicolas celebrations in the Netherlands (which feature a black character known as “Black Pete” who hands out candy to children), Epiphany parades in Spain (which feature impersonations of the biblical king Balthasar who is traditionally portrayed as black) and the annual Zulu parade in New Orleans (which features impersonations of South (...) African Zulu warriors). In this article, I challenge the widely held view that black make-up traditions are categorically wrong. Specifically, I argue that these traditions can be morally vindicated if (i) the large majority of individuals who help to maintain them do not believe that they denigrate black people; (ii) the relevant traditions do not depict black people in denigrating ways; and (iii) the relevant traditions are not gratuitously offensive. While the Dutch Saint Nicholas tradition fails to satisfy these conditions, the New Orleans Zulu tradition is found to satisfy them, as is the Spanish Epiphany tradition in certain cases. I end by identifying another set of conditions under which black make-up traditions might be morally justified. (shrink)

Parochial altruism is manifested in the most violent of conflicts. Although it makes evolutionary sense for kin, many non-kin groups also behave parochially altruistically in response to threat from out-groups. It is possible that such non-kin groups share a sense of “fictive” kinship which encourages them to behave parochially altruistically for each other’s benefit. Our findings show that individuals not directly involved in a conflict approved of parochial altruism enacted by an in-group against an out-group more when the out-group posed (...) a threat to the in-group; however, this effect wasgreaterwhen the in-group members expressed fictive kinship by addressing each other using kinship metaphors such as “brothers.” Furthermore, although males approved of parochial altruism more than females, as the male warrior hypothesis would suggest, the effects of threat and kinship metaphor on approval of parochial altruism applied to both genders. These findings were replicated in an honour and non-honour culture. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Alexander and Persian WomenElizabeth Donnelly CarneyPerhaps the most dominant symbol of conquest in Greek literature is that of the captive woman, the wife, the mother, the daughter of some once great warrior now slave and perhaps concubine to the man who killed him. It is the image of Andromache led away to do demeaning work for some Greek that most haunts Hector when he foresees defeat; he hopes (...) he is dead before it happens (Il. 6.450–65). As the quarrel over Chryseis and Briseis demonstrates (Il. 1.26–31, 110–85), possession of the women of your enemy both symbolizes victory and is victory. 1 The family of Alexander’s mother, the Aeacids, asserted their essential Hellenism via connection to the great saga of Troy, not only by claiming descent from Achilles, through his son Neoptolemus, but also from Andromache, the captive of Neoptolemus. 2The strong influence of the story of Troy in Greek literature has created the image of a male Greek conquering and taking captive an Asian woman. 3 By the fifth century Greeks had defined themselves as superior because they had defeated Asians, Trojans and Persians had been conflated, and by then both were characterized as mere barbarians. 4 Thus the capture of Asian women by Greeks could be understood as part of the victory of civilization over barbarism.It is not incidental that the image is primarily one of a captive woman rather than a captive child; from the point of view of the ancient [End Page 563] world, the woman is the more compelling figure. 5 More important, women, perhaps because they themselves could not generate status easily, were perceived to have axi ma (‘reputation’), 6 to carry the status of their fathers and/or husbands or sons with them, status which could then be transmitted to the male who possessed them—thus the importance of Andromache, widow of the greatest Trojan warrior.Sexual possession of these bearers of status, whether legitimated by marriage or not, was a particularly powerful symbol of victory—a kind of second victory, both sexual and military, over the males to whom the women had belonged. Victory as rape and conquest as sexual union were commonplaces of Greek literature, metaphors but more than metaphors. 7Thus, that Alexander came into control of the women of the Persian royal family and other women of the Persian elite after the battle of Issus in 333 meant both that he had achieved a real victory and that he had acquired a potent set of symbols of that victory which he could manipulate to his own ends in the varying contexts of Macedonian, Greek, and Persian audiences. However, these Persian women were or could be, thanks to another old Greek literary tradition, dangerously ambiguous symbols to the Greeks and Macedonians. This tradition insisted that Persian monarchy had lost its original toughness by the fourth century and had become overly steeped in luxury. Much of this decadence was understood as effeminacy, often blamed on the role of royal women, especially in the education of princes (e.g., Plato Laws 3.694a–696a). If anything, [End Page 564] Greek tradition exaggerated the power and influence of royal Persian women, particularly the mothers of kings. Stories of scheming and seductive queens playing succession politics abounded. 8As is now generally recognized, most of this tradition is false, 9 a product of the Hellenic inclination to conceptualize in terms of polarities and to associate two different sorts of “others,” the foreigner and the female, 10 coupled with Hellenic suspicion of the role of women in monarchy, 11 and envy of the comparatively rich Persian culture. Greeks claimed to pride themselves on their austerity and to disdain the material wealth of the Persians, but in practice proved vulnerable to it. 12 In fact, a considerable part of the appeal and motivation for warfare in general and the Graeco-Macedonian conquest of the Persian Empire in particular was the acquisition of that wealth and luxury supposedly so disdained and so often associated with women. 13Whatever one believes about the ethnicity of ancient Macedonians, one cannot assume that Macedonian views were identical to those [End Page... (shrink)

The movement for ‘military preparedness’ in America and Britain gained tremendous momentum at the turn of the century. It assimilated the cult of manliness — the key public virtue, which allowed a person to claim possession of himself and a nation to reclaim possession of itself. An army was the means of marshalling a mass of people for regeneration. The symbol of a nation's preparedness to take control of its own soul was the readiness to bear arms. Although this movement (...) originated in the middle-class, Protestant cultures of the USA and England, its core ideas were adopted by many political movements. Affected by these ideas, as well as the formation of the Protestant Ulster Volunteers in 1913, a movement to reclaim Irish independence through the mass bearing of arms began in South and West Ireland in autumn 1914. Women were excluded from these Volunteer companies, but set up their own organization, Cumann na mBan, as an auxiliary to the men's. The Easter Rising in 1916 owed as much to older ideas of the coup d'état as new ideas of mass mobilization, but subsequent history recreated that Rising as the ‘founding’ moment of the Irish republic. It was not until mass conscription was threatened two years later that the mass of people were absorbed into the idea of an armed campaign against British rule. From 1919 to 1923, the reality of guerrilla-style war pressed people into a frame demanding discipline, secrecy, loyalty and a readiness to act as the prime nationalist virtues. The ideal form of relationship in war is the brotherhood, both as actuality and potent myth. The mythology of brotherhood creates its own myths of women (as not being there, and men not needing them) as well as creating the fear and the myth that rape is the inevitable expression of brotherhoods in action. Despite explicit anxiety at the time about the rape of Irish women by British soldiers, no evidence was found of mass rape, and that fear has disappeared into oblivion, throwing up important questions as to when rape is a weapon of war. The decade of war worsened the relationship of women to the political realm. Despite active involvement as ‘auxiliaries’ women's political status was permanently damaged by their exclusion as warriors and brothers, so much so that they disappear into the status of wives and mothers in the 1937 Irish Constitution. (shrink)

Resumo: A proposta é analisar a concepção de trabalho de Hesíodo em Os Trabalhos e Os Dias e abordar os referenciais de sua relação entre trabalho, virtude e justiça. A fonte é: Os Trabalhos e Os Dias e análise contemporânea de sua obra, já consagrada. Entende-se que as necessidades materiais, comuns e aceitas no mundo rural de então, motivaram-no a defender o trabalho como meio de transformação social e de superação do contexto desolador em que vivia o camponês. Seu interlocutor (...) explícito era Perses, com o qual estava em litígio de herança, mas os conselhos e ensinamentos morais, éticos e espirituais de exaltação do labor adquiriram dimensão coletiva. Ao desvendar a vida do trabalhador dos campos, com sua cultura e seu respeito pela natureza, Hesíodo retirou-o do anonimato e exaltou-o como um novo herói que, mediante o trabalho, dominava a natureza, colocando-a a seu favor. Com sua ‘pedagogia do ser e fazer’, desalojou o tradicional guerreiro aristocrata, que obtinha a honra e a glória nos campos de batalha, e cantou o novo herói do trabalho, ecoando uma voz que já não podia ser ignorada ou silenciada. Palavras-chaves: Hesíodo; Educação; Trabalho; Justiça; Virtude The ‘Pedagogy of being and doing’ in Hesiod’s Work and Days Abstract: Current paper analyzes the concept of work in Hesiod´s Works and Days and undertakes the relationship between work, virtue and justice. The source comprises Works and Days and the contemporary analysis of the already acknowledged masterpiece. It should be emphasized that common material needs accepted within the agricultural world of the time motivated him to defend work as a mean of social transformation and the overcoming of the desolating context in which the peasant lived. The poem´s overt interlocutor is Perses, with whom he was in conflict over an inheritance, but warnings and moral, ethical and spiritual teachings on the praise of labor attained a collective stance. Revealing the peasant´s life, with his culture and respect for Nature, Hesiod retrieved from anonymity and exalted the peasant as a novel hero who, through labor, dominated Nature and placed it in his favor. Through his ‘pedagogy of being and doing’, Hesiod replaced the traditional aristocratic warrior who obtained honor and glory in the battlefields, and sung the new worker hero, emitting a voice that would be neither ignored nor silenced. Keywords: Hesiod; Education; Work; Justice; Virtue. La ‘Pedagogía del ser y del hacer’ en Las Obras y los Días Resumen: El artículo analiza el concepto de trabajo en Los trabajos y los días de Hesíodo y emprende la relación entre trabajo, virtud y justicia. Nuestra fuente comprende Los trabajos y los días y el análisis contemporáneo de la obra ya reconocida. Cabe destacar que las necesidades materiales comunes aceptadas dentro del mundo agrícola de la época motivaron el autor a defender el trabajo como medio de transformación social y de superación del contexto desolador en que vivía el campesino. El interlocutor del poema es Perses, con quien estaba en conflicto por una herencia, pero las advertencias y las enseñanzas morales, éticas y espirituales sobre la alabanza del trabajo alcanzaron una postura colectiva. Revelando la vida del campesino, con su cultura y respeto por la Naturaleza, Hesíodo recuperó del anonimato y exaltó al campesino como un héroe novedoso que, a través del trabajo, dominó la Naturaleza y la colocó a su favor. A través de su ‘pedagogía del ser y el hacer’, Hesíodo reemplazó al guerrero aristocrático tradicional que obtenía honor y gloria en los campos de batalla, y cantó al nuevo héroe obrero, emitiendo una voz que no sería ignorada ni silenciada. Palabras clave: Hesíodo; Educación; Trabajo; Justicia; Virtud. Data de registro: 22/08/2022 Data de aceite: 13/12/2022. (shrink)