Wisdom is an essential but often forgotten virtue that has suffered from centuries of misunderstanding and been largely abandoned in contemporary society. Pursuing Wisdom explores philosophical, theological, and scientific traditions to present lessons for future leaders ready to shape the world in a successful and sustainable way.

In accordance with environmental injustice, sometimes called environmental racism, minority communities are disproportionately subjected to a higher level of environmental risk than other segments of society. Growing concern over unequal environmental risk and mounting evidence of both racial and economic injustices have led to a grass-roots civil rights campaign called the environmental justice movement. The environmental ethics aspects of environmental injustice challenge narrow utilitarian views and promote Kantian rights and obligations. Nevertheless, an environmentaljustice value exists in all ethical world views, (...) although it involves a concept of equitable distribution of environmental protection that has been lacking in environmental ethics discussion. (shrink)

The process-dissociation procedure has been used in a variety of experimental contexts to assess the contributions of conscious and unconscious processes to task performance. To evaluate whether motivation affects estimates of conscious and unconscious processes, participants were given incentives to follow inclusion and exclusion instructions in a perception task and a memory task. Relative to a control condition in which no performance incentives were given, the results for the perception task indicated that incentives increased the participants' ability to exclude previously (...) presented information, which in turn both increased the estimate of conscious processes and decreased the estimate of unconscious processes. However, the results also indicated that incentives did not influence estimates of conscious or unconscious processes in the memory task. The findings suggest that the process-dissociation procedure is relatively immune to influences of motivation when used with a memory task, but that caution should be exercised when the process-dissociation is used with a perception task. (shrink)

In this exploratory study, higher education faculty perceptions regarding acceptability of social media use for out-of-class student engagement are identified. Hypotheses are developed and tested using a survey to address the impact of factors such as awareness, faculty/student relationship status, gender, academic discipline, and rank on faculty attitudes toward out-of-class social media use for student engagement. Findings indicate that faculty members are aware of social media, but use varies. Overall, they do not view social media as an important part of (...) out-of-class engagement, but it is viewed as more acceptable for engagement with former students. In addition, faculty from Marketing and Communications disciplines and Associate/Full Professors perceive social media use to be more acceptable for student engagement when compared with their colleagues from other disciplines and lower ranks. Implications and conclusions are discussed for development of university social media usage policies and directions for future research. (shrink)

Preparing the Next Generation of Oral Historians is an invaluable resource to educators seeking to bring history alive for students at all levels. Filled with insightful reflections on teaching oral history, it offers practical suggestions for educators seeking to create curricula, engage students, gather community support, and meet educational standards. By the close of the book, readers will be able to successfully incorporate oral history projects in their own classrooms.

This review discusses recent work that considers literature and film from a free-market perspective. It focuses on two books: Literature and Liberty: Essays in Libertarian Literary Criticism by Allen P. Mendenhall and Exploring Capitalist Fiction: Business through Literature and Film by Edward W. Younkins. Each provides a different, but useful, approach to the topic.

Helen's "viewing" of the Greek heroes from the walls of Troy in "Iliad" 3 and its relation to the duel between Menelaos and Paris later in the same book are much-discussed episodes in Homeric criticism. Comparison with a cognate epic tradition, that of ancient India, produces insight on these problematic scenes. The illegal abduction and correct reabduction of Draupadī, the wife of the heroes of the Mahābhārata, show striking parallels to the sequence of the events in "Iliad" 3, and (...) the narrative pattern in both epics appears to reflect inherited Indo-European legal institutions that bear upon the legality and correct procedure of marriage by abduction. (shrink)

Einleitung von H. Lubbe - K. Fischer: Geschichte der Philosophie als Wissenschaft - K. Rosenkranz: Hegel - E. Gans: (Aus:) Vorlesungen uber die Geschichte der letzten funfzig Jahre - F. W. Carove: (Aus:) Ruckblick auf die Ursachen der Franzosischen Revolution - K. Rosenkranz: Kurzer Begriff der offentlichen Meinung - K. Rosenkranz: Uber den Begriff der politischen Partei - H. F. W. Hinrichs: (Aus:) Politische Vorlesungen - K. Rosenkranz: Die Bedeutung der gegenwartigen Revolution und die daraus entspringende Aufgabe der Abgeordneten (...) - K. Rosenkranz: Die organische Gestaltung der Einheit Deutschlands - K. Rosenkranz: Republik und constitutionelle Monarchie - C. L. Michelet: (Aus:) Zur Verfassungsfrage - H. B. Oppenheim: Philosophie des Rechts und der Gesellschaft - H. B. Oppenheim: Uber politische und staatsburgerliche Pflichterfullung - J. E. Erdmann: (Aus:) Philosophische Vorlesungen uber den Staat - C. Rossler: (Aus:) System der Staatslehre. (shrink)

For about a hundred years there has been an intermittent but sometimes vigorous debate1 on the question whether Quintus Smyrnaeus and Tryphiodorus directly used the Second Aeneid as a source for their epic descriptions “of the capture and destruction of Troy. Heyne thought that they did not; but towards the end of the nineteenth century it appeared more likely that they did. Heinze opposed the general belief: but it was reaffirmed for Quintus by Paschal and Becker4 and for Tryphiodorus (...) by Dr. E. Cesareo on internal evidence. Meanwhile Professor Samuel E. Bassett had concluded that Quintus was not after all dependent on Vergil: and still more recently Dr. J. W. Mackail, reviewing Cesareo's monograph, has maintained with emphasis that the Aeneid is certainly not the source of the late epic. Accordingly the controversy cannot even now be considered closed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Homeric Allusions at the Close of Thucydides' Sicilian NarrativeJune W. Allison.(Marcellinus Vita Thucydidis 37)When Thucydides composed his history, the inclusion of elements from epic was natural. Both the subjects and compositional techniques of epic were at home in this evolving genre.1 Herodotus' mighty prose epic, with its own debts to Homer, was the culmination of the process, successfully combining the mythic and epic with historical narrative.2 Thucydides' method, however, (...) was going to be different: the mythic was to be done away with and the epic made to serve the account of the most destructive war in historical memory.Thucydides in some places mentions Homer directly and in others makes artful allusions to Homeric epic.3 In his Archaeology he repeatedly [End Page 499] holds up the Trojan War as the first great naval expedition and records its failings. In his programmatic passages, moreover, Thucydides draws comparisons between Homer's methods and his own.4 Marcellinus, his biographer, reflects a tradition that attributed even individual features of Thucydides' style and language to Homer. Epic conventions abound: there are angry speeches between antagonists; there are catalogues of warriors, in particular, the fine example before the final battle at Syracuse (7.57–59); and there are splendid battle scenes, where individuals, such as Brasidas, are singled out.5 When Thucydides turns to compose the events of the Sicilian Expedition, he allows the reader to dwell on parallels between it and its ancestral expedition to Troy.6 The parallels with the Homeric poems on a thematic level are large and obvious: a monumental Greek naval expeditionary force travels far in order to besiege a city. The insistence in book 6 on heavy preparations for Sicily recalls Thucydides' criticism in book 1.9 of Agamemnon's effort. Unlike their poetic ancestors, who prolonged the siege because they had to spend valuable time gathering supplies by means of raids on nearby cities, the Athenians would take their necessities with them. Like the Iliad, the History has war as its pervading theme, but also like the Iliad, it is not simply about war; rather it is about the human motivations and reactions which that most dehumanizing phenomenon elicits. In depicting what is poignant Thucydides competes with Homer. He [End Page 500] does not fail to draw on the values of the Iliad to highlight his own narrative and to imbue his account with the powerful sensitivity to suffering found in both Homeric poems.My focus in these pages is Thucydides' use of Homeric words in his description of the final battle in the great harbor and the retreat of the Athenians from Sicily. In 1900 Smith collected some of these terms but made no claims for completeness: "A few terms and idioms borrowed from poetry and traceable directly or indirectly to Homer may give some idea of what might be found if one knew classical Greek usage thoroughly well and were perfectly familiar with Homer" (70).7 So it is not easy to pinpoint specific verbal allusions to Homer in the History. The historian may have used other works in the epic cycle or tragedies now lost that made use of epic.8 Moreover, the atmosphere of high poetry we encounter may result from the effect of a few words or even one word or a setting which will recall Homer without, however, alluding to a specific passage in the poems.9 The poetic influence upon prose was long and profound. Indeed, prose of the fifth century had not yet totally divorced itself from poetry. What I suggest here is that Thucydides created an atmosphere in the final chapters on the Sicilian disaster which derives its Homeric aura from a number of attributes, among these, words of epic coloring.In two places Thucydides seems to make conspicuous use of Homer: in the Funeral Oration, and at the end of book 7. The Funeral Oration deserves analysis, but because it is a formal, epideictic, state address over fallen warriors and is traditional (as Pericles says repeatedly), [End Page 501] it attracts epic forms, as it were, by nature. I shall concentrate on book 7, where Thucydides has employed Homeric echoes to enhance in... (shrink)

Of all the themes treated by the mimes, perhaps the one that gave the most delight to their audiences throughout the centuries was that of adultery. References to it, from various parts of the ancient world, are found from the first century before Christ to the sixth century of the Christian era, and in many cases it is spoken of as a theme typical of the mime as a whole. There does not seem to be satisfactory evidence of its existence (...) in a genuinely dramatic form at an earner date. It is reported that the μαγδoί, among other impersonations, mimicked the behaviour of μoιχoί, but their performance, so far as can be discovered, was purely a piece of imitative buffoonery. When the theme of adultery was treated by Greek mimes of a later date, the approach seems to have been rather a psychological study of the adulteress than an attempt to bring out the dramatic possibilities inherent in the situation. This is certainly the case with Herondas' fifth mime, which portrays a lady jealously in love with a slave. Evidence from sources bearing a close relationship to the mime is equally negative. Thus a well-known Egyptian papyrus contains a song, written perhaps in the third or second century B.C., in which Helen complains of Menelaus' indifference to her after bringing her back from Troy; but this is far from constituting a variant on the adultery theme. The wall-song in Marissa, which was composed in the middle of the second century B.C., does indicate a situation in which a woman is trying to keep her lover's presence outside the house from the knowledge of another man with whom she is consorting inside. (shrink)

So begins one of the most engaging, and variously controversial, musical scenes in Euripides. The Messenger's narrative of the Phantom Helen's disappearance has proved to Menelaus that the Helen standing before him is the real Helen, altogether innocent of elopement to Troy, from whom he has been sundered for seventeen laborious years. The ensuing embrace is developed in a duet which is followed without a break by the so-called ‘Interrogation’, the two together constituting the so-called ‘Recognition Duo’.

H.F.W. Hinrichs’ contribution to the posthumous edition of the travel journal written by the Oriental explorer U. J. Seetzen is an almost unknown aspect in the life of this disciple of Hegel. On the basis of three unpublished letters by Hinrichs , the Author endeavors to reconstruct Hinrichs’ role and to show that it can be fully understood only in the light of his critical revision of Enlightenment convictions in matter of religion, ideas also professed by Seetzen. (...) In this respect, Hinrichs did not simply follow Hegel’s teaching. He was also influenced by Maistre’s thinking by the way of C.J.H. Windischmann, who at that time was trying to combine Maistre’s views with the philosophical system of Hegel. (shrink)

Qu'il s'agisse d'une preface a un livre de Hinrichs, de recensions d'ouvrages le concernant ou encore d'une declaration publique, par ces quatre textes, inedits en francais et tous ecrits entre 1822 et 1829 a Berlin, Hegel s'efforce a chaque fois de souligner la compatibilite de sa pensee philosophique avec la doctrine religieuse de Luther. Pourtant, une fois remis en situation aussi bien socioculturelle et politique que proprement philosophique, ces ecrits nous presentent le visage d'un Hegel plus complexe et calculateur (...) que jamais; si complexe meme qu'il ne faudrait pas trop vite voir en sa pensee l'accomplissement lutherien d'une theologisation de la philosophie. (shrink)

In Herbert’s poetry the words which are the names of musical instruments function both on the level of literary text stylistic composition - they are constituent elements of the metaphors and comparisons - and as signs of concrete or symbolic objects, which constitute one of the categories of motifs visible in the poems. The essay is an attempt to define the function performed by the motifs of the lyre and the lute, the first two instruments to appear in Zbigniew Herbert’s (...) poetry. The group of poems in which the motifs of the lyre, the lute and the string - a frequent synexdoche of the two instruments - appear includes twelve poems: Do Apollina [To Apollo], O Troi [On Troy], Do Marka Aurelego [To Marcus Aurelius], Struna [The String], Las Ardeński [The Forest of Arden], Arijon [Arion, from the volume Struna Światła [The String of Light]), Niepoprawność [Incorrectness], Do Pięści [To the Fist], Prośba (A Request, from the volume Hermes, pies i gwiazda [Hermes, a Dog and a Star]), Apollo i Marsjasz [Apollo and Marsyas], Szuflada (The Drawer, from the volume Studium przedmiotu [A Study of an Object]), Wit Stwosz: Uśnięcie Najświętszej Marii Panny (Veit Stoss: Repose of the Virgin, from the volume Elegia na odejście [An Elegy on Passing Away]). In the symbolism of the poems by Zbigniew Herbert the motif of the lyre has ambivalent value. It symbolizes a type of art which does not suit twentieth century experiences or kind of poetry ruthlessly indifferent to evil and thus deserving ethical criticism on the one hand and represents art., which can provide man with a sense of the order of existence, on the other. It is because of the second function that is must be saved. In Herbert’s poems the lyre symbolizes classical poetry - its stylistic tone and function; it is also a symbol of music and harmony - presented as a desired state existing in the world. The string - if it is not a synexdoche of the lyre or the lute - becomes a symbol of new poetry, which results from twentieth century catastrophes, but does not totally reject classical tradition (though compared to it, it is only partial and incomplete). The way the two motifs function in Herbert’s poetry illustrates one of the author’s fundamental dilemmas. The question is: How can a poet who has rejected traditional classicism remain a twentieth century classical poet? (shrink)

This volume contains eight new essays on different aspects of Hegel’s thought by different contributors, and a translation of Hegel’s “Foreword” to H. F. W. Hinrichs’ Die Religion im inneren Verhältnisse zur Wissenschaft.

This paper presents the contributions of Alcindo Flores Cabral, professor of Chemistry at the Faculdade de Agronomia Eliseu Maciel, nowadays part of the Universidade Federal de Pelotas, to chemistry teaching. It is a contribution almost unknown to the Brazilian chemical community, although recognized as valuable by several renowned chemists abroad, like W. Hückel, G. Charlot, F. Strong, E. Fessenden and others. Cabral’s innovative helical representation is presented in connection not only with contemporary representations, but also an incursion is made into (...) the first helical systems proposed, those of Hinrichs and of Baumhauer. Some comments are made not only on Cabral’s Classificação Natural dos Elementos, published in 1946, but also about other texts he wrote for an efficient chemistry teaching. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:MOLTMANN'S POST-MODERN MESSIANIC CHRISTOLOGY: A REVIEW DISCUSSION 1 PAUL D. MOLNAR St. Johns University Jamaica, New York 0 VER TWENTY-FIVE years ago Jiirgen Moltmann's response to Karl Barth's suggestion that it might be wise to " accept the doctrine of the immanent trinity of God " 2 indicated the future of his theology: " in studying C.D. at these points I always lost my breath. I suspect you are (...) right but I cannot as yet or so quickly enter into this right." Moltmann believed he could present the " economic Trinity " in such a way that " in the foreground, and then again in the background, it would be open to an immanent Trinity... the Holy Spirit is first the Spirit of the raising of the dead and then as such the third person of the Trinity." 3 Moltmann's The Way of Jesus Christ reflects the same onesidedness that Barth had criticized in his theology of hope, and this predicament leads to his own distinct messianic christology, as we shall see. This third volume in Moltmann's systematic theology, following his Trinity and the Kingdom and God in 1 The Way of Jesits Christ: Christology fo Messianic Dimensions. By Jiirgen Moltmann. Translated by Margaret Kohl (San Francisco: Harper San Francisco, a division of HarperCollins Publishers, 1990). Pp. vii + 388. $24.95. This volume has a name index only. The Way of Jesits Christ will henceforth be cited in the text of this article by page numbers within parentheses, without further qualification. 2 Karl Barth Letters 1961-1968, ed. Jurgen Fangmeier and Hinrich Stoevesandt, trans. and ed. by Geoffrey W. Bromiley (Grand Rapids: Eerdmans, 1981)' p. 175. 3 Ibid., p. 348. Barth's Church Dogmatics is usually abbreviated as C.D. 669 670 PAUL D. MOLNAR Creation,4 is intended to lead to a fourth volume on Redemption. Like Moltmann's other works it is tightly written, difficult, intriguing and informative. His writing is clear and his position certainly is developed with a commendable systematic rigor. Throughout this book, which contains seven chapters with clear headings indicating the topics to be treated, the reader is compelled to admire Moltmann's ability to weave together immense amounts of scriptural and systematic data without losing his own position in the process. While the wealth of information alone makes this book worth studying, there is much more than information here. Yet the problem with this book is apparent throughout, i.e., Moltmann attempts to reconceive christology not from a superior knowledge of the person and work of Jesus Christ as presented in scripture but from the community's experience of Jesus Christ in the present. Hence he begins his own " pneumatological christology " with the experience of discipleship (xiv) and argues against the traditional christologies, on the basis of " Christopraxis " which he says is "the source from which christology springs " (41). But can we say that our discipleship is the "source" of christology when, according to Matt. 16 :17, flesh and blood did not disclose who Jesus was-rather, this was revealed by God? This substitution of experience for a real action of the trinity within history is the weakness of Moltmann's bold attempt to revise christology.5 I hope to show how this problem affects Moltmann's method and conclusions. While I agree with Moltmann's intention to present a christology which makes sense in a post-modern environment, I hope to illustrate that by beginning with experience rather than with the Word of God revealed, 4 Jiirgen Moltmann, God in Creation: A New Theology of Creation and the Spirit of God (San Francisco: Harper and Row, 1985), pp. xv-365. Hereafter cited within the text of the article as Creation. J iirgen Moltmann, The Trinity and the Kingdom: The Doctrine of God (San Francisco: Harper and Row, 1981), pp. xvi-256. Hereafter cited within the text of the article as Trinity. 5 As I indicated in Theological Studies vol. 51 (p. 684), this is also a serious predicament in his theology of the trinity and of creation. MOLTMANN'S POST-MODERN CHRISTOLOGY 671 he is unable to escape the " Jesuology " which he criticizes in Rahner and the metaphysical view that... (shrink)

Este artigo apresenta a contribuição de Alcindo Flores Cabral (1907-1982) - professor de química da Faculdade de Agronomia Eliseu Maciel, hoje incorporada à Universidade Federal de Pelotas - ao ensino de química, uma contribuição quase desconhecida pela própria comunidade química brasileira, embora reconhecida como relevante por diversos químicos estrangeiros importantes, como W. Hückel, G. Charlot, F. Strong, E. Fessenden e outros. A inovadora representação helicoidal de Cabral é apresentada não só em conexão com representações contemporâneas, mas também inclui-se uma incursão (...) pelos primeiros sistemas helicoidais propostos, os de Hinrichs e de Baumhauer. Apresentam-se alguns comentários não somente sobre a Classificação natural dos elementos, publicada em 1946, mas também sobre outros textos escritos para tornar mais eficaz o ensino de química. (shrink)

The dialectic of private desire and public imperative — their conflict and interpenetration and mutual causation — has been the theme of the Troy story through three millennia. When W. B. Yeats wrote a poem about the irruption of sexual passion in the pattern of human events, and its incalculable aftermath in history, he restated powerfully for the twentieth century a perception which nevertheless goes back to Homer.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Here in the Achilleid Statius catalogues the contributions of Greek towns to Agamemnon's expedition against Troy. Every item of equipment is appropriate to its origin. There is one puzzle, however: why is it that murorum tormenta are the peculiar contribution of Pylos and Messene? O. A. W. Dilke suggests that the proximity of classical Messene to Mt Ithome would have reminded Statius of the siege of that place by the Spartans in 464–59 b.c., when they were aided by the (...) Athenians, experts in siege warfare. This solution is undoubtedly ingenious but, based as it is upon association, it places this last entry in a quite different category from the previous entries: all the preceding items have been very definite products of their places of origin. K. von Barth , while noting the not unparalleled anachronism, attempts to account in another way for the siege-engines: ‘quia ibi silvae crassissimas arbores habent’. But there is no evidence to support this: Messenia features neither in the pages of Theophrastus or Pliny as a source of quality timber, nor in the poets as an area which is characterised by the stoutness of its trees. These theories pay insufficient attention to the verb tendunt, the vox propria for exerting a strain on rope, making it taut. (shrink)