Cet article compare deux livres majeurs : La Symbolique du mal, de Paul Ricœur et La Littérature et le mal, de Georges Bataille. L’articulation de ces deux penseurs que tout semble opposer répond à l’espoir de dégager une forme de compatibilité productive entre eux à travers leur intérêt commun pour le langage du mal. On insistera tout d’abord sur Ricœur : c’est en reconnaissant que le dire de l’expérience du mal passe d’abord nécessairement par un langage symbolique qu’il nous (...) permet de penser l’insistance de Bataille sur la place de la littérature quant au mal. On montrera ensuite que l’affirmation par Bataille d’une lucidité littéraire moderne du mal, tout en permettant de confirmer les thèses de Ricœur au sujet du caractère à la fois historique et langagier de l’expérience du mal, nous conduit aussi à en formuler la principale conséquence : que le langage du mal, marqué du sceau de la créativité poétique, ne peut sans doute pas être tenu pour achevé. On soulignera enfin l’intérêt de cette approche pour interpréter, avec la littérature, les nouvelles expériences du mal aujourd’hui. (shrink)

This book is the second part of the second volume of Ricœur's projected three volume work, La Philosophie de la Volonté. The first volume has already been translated as The Voluntary and the Involuntary and the first part of the second volume, which is titled generally Finitude et Culpabilité, has been translated as Fallible Man. The third part of the second volume has been projected as an Empirics of the Will, while the third volume has been broadcast as a Poetics (...) of the Will. The entire project moves from phenomenology to thought, in an attempt to give an account of man from the standpoint of Will, or more dramatically put, from the standpoint of human freedom and all the vicissitudes of existence that come with this freedom. Evil is one of the more portentous consequences of human freedom, and this book is concerned to explore it in a fashion which is initially phenomenological. But it moves toward the reflective thought that will emerge full blown in the Empirics. There Ricœur will offer a transcendental validation of the hermeneutic he has adopted to explain man through interpreting the way man presents himself to himself in his prereflective language and comportment with the world. In the first part of the book Ricœur picks up the leading symbols of evil, given through the phenomenon of confession, and follows them in their dialectical progression from evil as defilement, through evil as sin, to evil as guilt. His discussions of the Sumerian, Babylonian, and Hebrew writings, as they witness to these stages in the symbolization of evil, are exceptionally sensitive and thoroughly informed by the scholarship. Ricœur then turns his attention to the systematization of these symbols in the various archaic myths, giving first a typology of these myths and, finally, a dynamics of the myths. In the latter his Christian as well as his hermeneutical standpoints begin to assert themselves more explicitly. The preferred myth on evil, for Ricœur, is the Adamic myth, and he moves outward from there to the tragic myth, as expressed in the Greek dramatists, to the theogonic myth as expressed in Hesiod and the Sumerian and Babylonian literature, and finally to the orphic myth of the exiled soul. In addition to sustaining the development of the main thesis about the way in which a phenomenology of the symbols of evil gives rise to thought, Ricœur has many individual analyses and insights that are extremely exciting. His consideration of Plato's supposed dualism, which he interprets along the lines of Pauline dualism, which is to say, as not being an ontological dualism, is one of the more striking of these analyses. The combined rigor of argument and richness of material in this book signal a high place for it in the recent philosophical literature in general.--E. A. R. (shrink)

In this article, I examine the discourse around evil from the perspective of philosophical anthropology. Through an analysis of the religious symbolism of evil and an associated quest for a complete study of being, I intend in this article to explore fresh ways of establishing the relation between our rhetorical practices of evil and moral responsibility. I draw on Ricoeur’s work on the primary symbols of evil, which can be seen as a means for clarifying and extending our understanding (...) of evil and moral responsibility. I employ the concept of “the double intentionality of symbol” to advance an expressive-performative model of speaking about the full shape of moral responsibility. At stake in my paper is the possibility of recognizing the need to valorise subordinate resources of knowledge that might prevent us from studying and responding to the elusive reality of evil in intellectual abstraction. (shrink)

This article reconstructs the forgotten friendship between Georges Bataille and the Russian émigré poet and philosopher Boris Poplavsky. Comparing their solar metaphysics, I focus on conceptions of friendship, sacrifice and depersonalisation. First, I retrace Bataille’s relationship to early Surrealis and Russian circles in interwar Paris, with a focus on his friendship with Irina Odoevtseva. I then offer a novel reading of Poplavsky’s poetry through the lens of Bataille’s philosophy, analysing a recurring motif that I call ‘dark solarity’. (...) Uncovering a hidden intertextual dialogue between Poplavsky and Bataille, I argue for Poplavsky’s lasting impact on Bataille’s anti-Icarian sun cult. Finally, my paper demonstrates how Poplavsky’s writings on solar sacrifice, excess and friendship left marks on Bataille’s vision of a solar community, embodied in the secret society Acéphale. The dialogue between Poplavsky and Bataille, I finally suggest, is a missing piece in the entangled history of Russian and French philosophy, as well as an original contribution to discourses on friendship in twentieth-century continental thought. (shrink)

Paul Ricoeur’s most widely read book, The Symbolism of Evil, examines the structure of a will that has succumbed to evil and discloses its meaning through a study of symbols and myths. This edited collection explores a wide range of themes that resonate with topics in contemporary philosophy and religion.

The moral potential of works of art, for good or ill, has been recognised from philosophical antiquity: on the assumption that the moral effects of art are invariably negative, Plato advised the exclusion of artists from any rationally ordered state. Arguably, however, the problem of the moral status of art has become yet more acute in contexts of post-Romantic and other modern artistic exploration of moral ambiguity, and even of some apparent contemporary celebration of the immoral and amoral. Indeed, some (...) tension between commitment to liberal-democratic openness and freedom, on the one hand, and fear about the potential literary and artistic corruption of the young, on the other, is evident in latter-day moralistic trends in children’s literature. However, in the light of some basic exploration of conceptual relationships between the artistic, the aesthetic and the moral, this paper argues that such moralising trends in particular and arguments for artistic censorship in general are mostly wrongheaded and unsustainable. (shrink)

This article explores imagination as a means of ethical re-orientation in the aftermath of atrocity. The discussion of the problem of evil is based on Hannah Arendt’s critique of Kant and her notion of ‘rootless’ rather than ‘radical’ evil. On this basis, the orienting potential of visual images is investi­gated with regard to images of violence in the media on the one hand, and, on the other, with regard to Michelangelo’s Creation of Adam. Then the role of verbal and mental (...) images of humanity or inhumanity is discussed with reference to the Holocaust survivor Jorge Semprun’s testimony in his book Literature or Life. Finally, the biblical motif of the human being created in the image of an invisible God, the imago Dei, comes into view as an exemplary image of humanity that appears in a framework of interpretation where the invisible is mediated with the help of verbal, visual and/or mental images. (shrink)

Taking the Hagar story as the central biblical resource to address the particular plight of Black women—a plight that reckons with patriarchal and White supremacist forces that desire its enclosure—Delores Williams challenges both the traditional understanding of atonement theory which embraces the Cross as salvific and Black liberation theologies’ apocalyptical conceptions of a mighty liberating God. This article seeks to read Delores Williams closely to take seriously her theological development through literature more broadly and her soteriological critiques of the (...) Cross specifically. A rereading of Williams will provide the grounds for continuing the debate of the Cross’s significance within Black theological thought at large. Analyzing Williams’ soteriological critiques will allow me to offer a reading of the Cross that ultimately relies on Williams’ emphatic rejection. Such a rejection of the Cross is necessary for understanding how Black Christianity centers the Cross in order to reject it, as it is intended to be. (shrink)

Contrary to what many philosophers believe, Calvinism neither makes the problem of evil worse nor is it obviously refuted by the presence of evil and suffering in our world. Or so most of the authors in this book claim. While Calvinism has enjoyed a resurgence in recent years amongst theologians and laypersons, many philosophers have yet to follow suit. The reason seems fairly clear: Calvinism, many think, cannot handle the problem of evil with the same kind of plausibility as other (...) more popular views of the nature of God and the nature of God's relationship with His creation. This book seeks to challenge that untested assumption. With clarity and rigor, this collection of essays seeks to fill a significant hole in the literature on the problem of evil. (shrink)

This publication revealed the phenomenon of representations of evil spirits in Orthodoxy and Catholicism. The necessity of consideration of the phenomenon as an interdisciplinary synthesis of work on religion, philosophy, theology, mythology, culture, history and ethnic psychology. Consider the views of Western experts and the state of the problem in Ukraine. Analytical review of the literature on the problems investigated allowed to select the structural elements of demonology. The author noted the similarity of representations of evil spirits in Orthodoxy (...) and Catholicism, confirming the conclusions of well-known experts. (shrink)

The problem of evil and theodicy is one of the most important subjects in the field of Philosophy of Religion. The problem of evil is basically understood as the problem of incompatibility of the existence of God with evil. While the problem of evil is used to justify atheistic claims, theodicy has been developed to strengthen theistic claims. Mawlânâ D̲j̲alāl al-Dīn Rūmī (1207-1273), who is the important sufi thinker of Turkish-Islamic culture, is generally known for his mystical and literary works. (...) Although Mawlânâ 's philosophical views have not been studied sufficiently, it is seen that he presents his important ideas in the philosophical field, especially in the philosophy of religion, in a non-systematic and hidden way in his works. In this study, the problem of evil has been studied in the case of Mawlânâ, within the scope of the evil’s types and the problem of evil’s types in the literature. In addition, it has been examined whether Mawlânâ discussed the evil as a philosophical problem and contributed to the solution of the problem of evil. Then, one of the theodicy used by Mawlânâ, which is related to contrasts, has been called the theodicy of contrasts and has been explained and systematized. It is known that theodicy related to theme of contrast was developed before Mawlânâ. As a result, Although it cannot be said that Mevlânâ made an original contribution to the problem of evil with his theodicy of contrasts in terms of content, it can be said that he approached originally to this problem in terms of his metaphorical manner and expression style. (shrink)

In medieval epics such as the Byzantine Digenis Akritis and the Persian Šāhnāme, dragons are usually considered to be mere opponents of the hero. But the symbolism attached to them is far from being exclusively that of a monstruous creature fighting a good hero. The motif of the three-headed dragon combines an allegorical meaning with a mythological framework. The confrontation between a dragon and an apparently weaker protagonist like a maiden or a younger son highlights the latters’ inner strength (...) and intelligence, while dangerously revealing the dragon’s possession of these human qualities. On an axiological level, the dragon’s symbolism displays the same variety: the dragon is a malevolent creature, and the archetype of the enemy, but also serves as an auxiliary to sound out men’s hearts, as in Fereydūn’s trial of his three sons. The dragon furthermore symbolizes power when painted on banners. When united to its celestial foe, the dragon’s lineage leads to the birth of the greatest hero of the Persian epic, Rostam. Thus the dragon ultimately guarantees the world’s balance between good and evil. (shrink)

Theists typically think the freedom to choose between right and wrong is a great good . Yet, they also typically think that the very best being—God—and inhabitants of the very best place—heaven—lack this kind of freedom. The question arises: if freedom to choose evil is so good, then why is it absent from the best being and the best place? I discuss articulations of this question in the literature and point out drawbacks of answers that have been proposed. I (...) then propose a new answer by showing how freedom to do evil could result in certain good situations even if it does not contribute to the intrinsic greatness of a certain being or place. (shrink)

Those daunted by the massive theology of the classic modern treatment of the problem of evil, John Hick's Evil and the God of Love, will find here a compelling alternative. With a wealth of vivid imagery, and illustrations from experience and literature, as well as theology and history, John Cowburn explores the problems caused by the existence of pain, suffering and evil and suggests how they may be understood and countered. Crucial to his argument is a distinction between evils (...) which are to be found in a growing and developing world where himan beings have been given freedom, the shadows, and the inexplicable existence of moral evil, the dark: 'The dark mystery of moral evil is in itself pure unintelligiblity, and does not surpass our minds but is opposed to reason as such, and God understands it even less than we do.'. (shrink)

The last decade has witnessed a growing perception of ethical crisis in public life. Circumstances of political uncertainty, fueled by the rise of international terror and global financial crisis, have placed the practice of civic virtue under severe strain. Our turbulent times have prompted many people to think less about the "good life" and the "good society" and more about their basic needs for safety and reassurance. Consequently, while prominent public commentators call for the reassertion of civic virtue in the (...) public square, it is very hard to see what basis there can be for its practice in present conditions. This book articulates a new perspective on public morality in uncertain times by defending a radical re-orientation of civic ethics away from the pursuit of the good society and toward the prevention of the great evils of human life. Edyvane makes the following central innovations: Uses the resources of philosophy to help us think about vital social, political, and spiritual questions that have dominated the public conversation of liberal democracies since 9/11; Offers a new perspective on key scholarly debates about civic virtue in a way that provokes disquieting questions about the character of religious diversity and conflict and the nature of foundations of public morality; Develops and deploys a novel intellectual approach by drawing on the insights of art and literature to inform and enrich philosophical enquiry. (shrink)

The doctrine of karma, as elaborated in the Hindu, Buddhist, and Jain religious traditions, offers a powerful explanatory account of the human predicament, and in particular of seemingly undeserved human suffering. Whitley R. P. Kaufman is right to point out that on some points, such as the suffering of children, the occurrence of natural disasters, and the possibility of universal salvation, the karma theory appears, initially at least, much more satisfactory than the attempts made to solve the perennial problem of (...) evil by writers working within the mainstream theistic traditions of Judaism, Christianity, and Islam .1 Kaufman, we think, is also correct to highlight the lack of critical analysis given by contemporary philosophers of religion to the theory of karma, at least in comparison with the voluminous body of work produced in recent years on the theistic problem of evil . Kaufman?s recent article in this journal, therefore, is to be welcomed as a step toward redressing this imbalance in the literature, and in the process helping to remove the Western theistic bias of much contemporary philosophy of religion. On the other hand, we think that Kaufman has unfortunately done little to further the general understanding of the doctrine of karma. (shrink)

Theodicy: God or evil?: Irenaeus -- Augustine -- Thomas Aquinas -- John Hick -- Alvin Plantinga -- God and evil: Friedrich Nietzsche -- Richard Dawkins -- Divine hiddenness -- Rudolf Otto -- The Kabbalah -- Karl Barth -- Karl Rahner -- Empirical science -- A cultural, historical and literary survey: Does the devil exist? A persistent belief -- Stepping stones to Europe -- Demonology in medieval literary culture -- The Reformation: Two magisterial reformers: Martin Luther -- John Calvin -- De-sacralisation (...) -- The Catholic reform: Three outstanding reformers and conflict with the devil: Saint Ignatius Loyola -- Saint Teresa of Avila -- Saint John of the Cross -- The devil in the era of modernity: Poetry and literature in a new age -- Twentieth-century chronicles of evil -- Exorcism: A historical and theological analysis: Exorcism: The historical context -- Towards a theological assessment of exorcism -- Appendix: Towards a psychological analysis of possession and exorcism. (shrink)

An ancient and enduring cross-cultural mythology explores what the texts generally perceive as a paradox: the birth of white offspring to black parents, or black offspring to white parents. This mythology in the Hebrew Bible is limited to animal husbandry, but in Indian literature from the third century B.C.E. and Greek and Hebrew literature from the third or fourth century C.E. it was transferred to stories about human beings. These stories originally express a fascination with the dark skin (...) of “Ethiopians” , and a fantasy of white children born to them. But when ideas about human race arise in Europe after the sixteenth century, the stories reverse their color schemes and shift their emphasis to investigations of the paradox of black children born to white parents. In our day, racism is clearly a strong factor in the media fascination with court cases about in vitro fertilization in which black children are born to white parents. This development suggests that the symbolism of black and white was not originally, nor need be now, racist, but that, once racism is current, it is hard to reclaim the nonjudgmental innocence of the earlier texts. Many of these texts explained the paradox of children who differ from their parents in color by invoking the concept of parental impression , which argues that whatever a woman thinks of or sees at the moment of conception influences the physical form of the child. This doctrine, which was known in ancient Israel, in Greece, in ancient India, and in Europe well into the twentieth century, primarily addresses an entirely different obsession—the problem of paternal insecurity—and generally draws heavily on sexist and misogynist attitudes toward women. Yet, when it was appropriated into the narratives of off-color offspring, it offered, in place of the more obvious explanation , an alternative fantasy that softened the culpability of women. So, too, when applied to stories of color-contrasting offspring in European narratives, even after the sixteenth century,the idea of parental impression functioned as a force against racism ; the Lamarckian or Lysenkan idea of the inheritance of acquired characteristics—the privileging of nurture over nature—argues against the belief that one’s racial stock determines who one is. Thus this doctrine, farfetched as it seems to us , dulled the edge of ancient antagonism toward women and modern European antagonism toward the descendants of the “Ethiopians.” A study of the variations of this myth across cultures has much to tell us about the ways in which myths about women and myths about people of dark skin color are transformed under the pressure of later tropes of sexism and racism. (shrink)

As a traditional clothing symbol that is unique to the Chinese nation, the dragon symbol combines the distinctive features of the Chinese nation, reflecting the depth of mental changes and the historical context of Chinese culture. The image of the dragon has formed a kind of dragon pattern as a certain set of ideas about the culture that encoded all its changes. Therefore, in national clothing the dragon image has been one of the most favorite patterns for thousands of years. (...) With the interweaving of world cultures and the deepening of the concept of clothing design, the dragon pattern will incorporate fresh elements of Western culture while maintaining the essence of traditional Chinese culture, and show a new design image through the utilization of various innovative ideas and design methods. The following methods were used for the study: literature review, field research, analysis of design cases, analysis of fashion trends. Using these methods, the specifics of using dragon designs in the fashion industry in different seasons and years are analyzed, and the trend of their evolution in the field of high fashion is studied. In the article we analyzed modern trends of clothing design and gave their characteristics. The results of the study showed that even in modern youth fashion this national symbol is actively used, which indicates that the patterns and images of the dragon have real applicability and wide prospects of application in modern fashion design. Modern clothing design provides a rich cultural heritage for modern clothing to retain the characteristics of civilization on the basis of continuous innovation. The use of dragon motifs in modern clothing not only meets the aesthetic concepts of modern people, but also adds vitality to clothing design. (shrink)

In an article that I wrote back in 1987,1 I sought to make some ideas then current in the philosophical literature available to a wider audience of non-philosophers. I was also very hard on John Beversluis, author of C.S. Lewis and the Search for Ra- tional Religion (1985), and even implied, perhaps with less charity than I should have manifested, that his treatment of the problem of evil failed to meet even minimal standards of philosophical competence. I fully expected, (...) therefore, that his response, as set forth in the 2007 revision of his book, would be less than perfectly warm and welcoming. But when, at the behest of others, I finally got around to reading that response, I was stunned. For what I encountered was an amazing disregard for logical rigor, some appallingly bad arguments, and an even more appalling ignorance of the current philosophical literature on the problem of evil. (shrink)

The problem of evil is an ideal topic for experimental philosophy. Suffering--which is at the heart of most prominent formulations of the problem of evil--is a universal human experience and has been the topic of careful reflection for millennia. However, interpretations of suffering and how it bears on the existence of God are tremendously diverse and nuanced. We might immediately find ourselves wondering why (and how!) something so universal might be understood in so many different ways. Why does suffering push (...) some people toward atheism while pushing others toward deeper faith? What cultural, psychological, or sociological differences account for this diversity of responses? And, importantly, what light might this diversity of responses shed on the problem of evil and how it has been formulated by philosophers in recent years? The primary aim of this paper is to highlight how the tools and resources of experimental philosophy might be fruitfully applied to the problem of evil. In the first section, we review some recent work in this area and describe the current state of this emergent body of literature. In the second section, we review the broader and more recent theoretical developments on the problem of evil. Finally, in the final section, we outline some potential areas of future empirical research that we see as especially promising given those developments. (shrink)

What makes someone an evil person? How are evil people different from merely bad people? Do evil people really exist? Can we make sense of evil people if we mythologize them? Do evil people take pleasure in the suffering of others? Can evil people be redeemed? Peter Brian Barry answers these questions by examining a wide range of works from renowned authors, including works of literature by Kazuo Ishiguro, Mark Twain, Edgar Allan Poe, Herman Melville, and Oscar Wilde alongside (...) classic works of philosophy by Nietzsche and Aristotle. By considering great texts from literature and philosophy, Barry examines whether evil is merely a fiction. _The Fiction of Evil_ explores how the study of literature can contribute to the study of metaphysics and ethics and it is essential reading for those studying the concept of evil or philosophy of literature at undergraduate level. (shrink)

While there are interesting connections between literature and evil, there is as of yet no systematic collection of models of evil to study literature. This is problematic, since literature is among other things an evaluative discourse and the most basic evaluative category is the polarity of good versus evil. In addition, evil shows important affinities with basic narratological principles. To initiate a discussion of models of evil for the analysis of literature, this article organizes a dozen (...) models of evil into four groups. The first consists of a core model which coincides with basic narratological elements in character analysis and narrative tension. The second group contains two pre-modern models of evil, defilement and moral-natural evil. The third group takes its cue from personality theory and proposes the five-factor model of personality and an enriched “dark triad,” and, to balance description against narration, a model which categorizes kinds of murder. The last group organizes six models around the thematic opposition between nature and society, an opposition which forms the backbone of Western philosophy and narrative. To test their validity, the models are applied to a series of literary examples/characters, above all Grendel, Browning’s “My Last Duchess,” and Carol Oates’ short story “Heat.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 12.3 (2005) 261-263 [Access article in PDF] The Philosophy of Evil Dan J. Stein Keywords philosophy, evil, self-deception, psychopathy, narcissism, sadism Kubarych (2005) first draws on Peck (1983) to suggest a distinction between psychopaths who have no conscience and therefore no need for self-deception, and evil narcissists who use self-deception to keep the emotional consequences of their crimes out of awareness. He then draws on (...) Davidson (1985) to emphasize a parallel between self-deception (or weakness of the warrant) where an irrational belief conflicts with the evidence, and akrasia (or weakness of the will) where an irrational intention is in conflict with one's values.Although self-deception has long been de-scribed and debated (Fingarette 2000; McLaughlin and Rorty 1988; Mele 2001), a cognitive-affective neuroscience of self-deception has become possible only recently. Such an approach includes several strands. First, contemporary information processing constructs (e.g., schemas) have been used to reframe the early insights of writers like Freud and James, and to emphasize how inattention to painful truths provide a shield against anxiety (Goleman 1997). Second, the theoretical framework of evolutionary psychology has been used to emphasize the adaptive advantages of self-deception (Lockard and Delroy 1988). Third, functional brain imaging studies have noted increased activity in executive regions (e.g., prefrontal and anterior cingulate cortices) during attempted deception but not during truthful responding, suggesting that the former requires active effort (Spence et al. 2004). The functional imaging of memory suppression suggests similar processes (Anderson et al. 2004). To date, however, there has been little functional imaging work on self-deception.Similarly, although evil has always been a key concern of philosophical thought, a cognitive-affective neuroscience of evil has emerged only in recent years (Stein 2000). Evil actions are not homogenous, and this area of research again comprises a number of different strands. First, there are actions where the primary aim is not necessarily to hurt, but where harm is in fact inflicted. (A contested, but perhaps useful example, is the battery-raising of animals for human consumption [Singer 2001]). Second, there are actions where the aim is to hurt, and where harm to the other may even be enjoyed. (During normal altruistic punishment, for example, reward circuitry is activated [de Quervain et al. 2004]). Third, there are actions characterized by impulsive aggression, and a relative absence of executive control. (There may be psychobiological distinctions between reactive aggression in response to frustration or threat, and instrumental aggression that is more goal directed [Blair 2004]).What are the implications of these two sets of cognitive-affective neuroscience literature for a philosophical consideration of evil and of narcissism? [End Page 261] It may be useful to differentiate healthy processes (e.g., having sufficient frontal cortical activity to be able to deceive others) from psychopathologic processes (e.g., not having the necessary frontal-amygdala circuitry required for empathic processing of emotions in social interaction). Similarly, it may be useful to differentiate between normal healthy narcissism (Taylor and Brown 1988) and pathologic malignant narcissism (Kernberg 1985), and between normal altruistic punishment (Hamilton 1963) and pathologic sadistic personality (Kaminer and Stein 2001). In addition, it is perhaps the case that some cognitive-affective processes that do not seem to involve psychopathology may nevertheless be seen as evil (e.g., arguably, the processes that allow a human to eat a battery-raised chicken), whereas some cognitive-affective processes that are clearly psychopathologic may not be viewed as evil (e.g., impulsive aggression in the context of a frontal lobe tumor may be viewed as excusable, as "mad" rather than "bad").Taken together with recent work on the cognitive-affective neuroscience of psychopathy, narcissism, and sadism, these considerations may lead to somewhat different approaches from those taken by Peck and Davidson. In his work on psychopathy, for example, Blair emphasizes a dysfunction in cognitive-affective processing resulting in abnormalities in the weighing up of social emotions (Blair 2004). This account is not inconsistent with a view that in psychopathy there is a disturbance in moral processing that is evil (contra Peck). Furthermore, this... (shrink)

This book is a concise philosophical meditation on Iago and the nature of evil, through the exploration of the enduring puzzle found in Shakespeare's Othello. What drives Iago to orchestrate Othello's downfall? Instead of treating Iago's lack of motive as the play's greatest weakness, The Apologetics of Evil shows how this absence of motive is the play's greatest strength. Richard Raatzsch determines that Iago does not seek a particular end or revenge for a discrete wrong; instead, Iago is governed by (...) a passion for intriguing in itself. Raatzsch explains that this passion is a pathological version of ordinary human behavior and that Iago lacks the ability to acknowledge others; what matters most to him is the difference between himself and the rest of the world. The book opens with a portrait of Iago, and considers the nature and moral significance of the evil that he represents. Raatzsch addresses the boundaries dividing normality and pathology, conceptualizing evil as a pathological form of the good or ordinary. Seen this way, evil is conceptually dependent on the ordinary, and Iago, as a form of moral monster, is a kind of nonbeing. Therefore, his actions might be understood and defended, even if they cannot be justified. In a brief epilogue, Raatzsch argues that literature's presentation of what is monstrous or virtuous can constitute an understanding of these concepts, not merely illustrate them. (shrink)

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

For many centuries philosophers have been discussing the problem of evil - one of the greatest problems of intellectual history. There are many facets to the problem, and for students and scholars unfamiliar with the vast literature on the subject, grasping the main issues can be a daunting task. This Companion provides a stimulating introduction to the problem of evil. More than an introduction to the subject, it is a state-of-the-art contribution to the field which provides critical analyses of (...) and creative insights on this longstanding problem. Fresh themes in the book include evil and the meaning of life, beauty and evil, evil and cosmic evolution, and anti-theodicy. Evil is discussed from the perspectives of the major monotheistic religions, agnosticism, and atheism. Written by leading scholars in clear and accessible prose, this book is an ideal companion for undergraduate and graduate students, teachers, and scholars across the disciplines. (shrink)

Our past century was exemplary in a number of ways. The advances it made in science and medicine were unparalleled. Also without precedent was the destructiveness of its wars. In part, this was due to an increasing technological sophistication. The time lag between a scientific advance and its technological application was, in the urgency of the century, constantly diminished. Modern weaponry combined with mass production, communication and mobilization to produce what came to be known as “total war.” This was a (...) war without any of the limits that characterized the conflicts of the previous centuries. It was this lack of restraint that, perhaps more than anything else, led to the terrible excesses of this century: its war time terror bombings, deportations, and genocidal slaughters. It also led to the chief problem this century presents to ethics: that of the grasp and comprehension of collective evil. This problem is not just theoretical. An inability of those involved in its collective processes to take thought--to actually apprehend the evil they were engaged in--characterized the disasters of our century. At least in part, the participants’ lack of restraint was based on a lack of recognition. (shrink)

The problem of evil is not only a logical problem about God's goodness but also an existential problem about the sense of God's presence, which the Biblical book of Job conceives as a problem of aesthetic experience. Thus, just as theism can be grounded in religious experience, atheism can be grounded in experience of evil. This phenomenon is illustrated by two contrasting literary descriptions of aesthetic experience by Jean-Paul Sartre and Annie Dillard. I illuminate both of these literary texts with (...) a discussion of the 18th Century philosopher Lord Shaftesbury's concept of ‘enthusiasm’. (shrink)

Cover -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- Chapter One: Writing against Theodicy: Secularization in Baudelaire's Poetry and Critical Essays -- Chapter Two: The Mourning of God and the Ironies of Secularization in Baudelaire's Le Spleen de Paris -- Chapter Three: Sublimation and Conversion in Zola and Huysmans -- Chapter Four: The Staging of Doubt: Zola and Huysmans on Lourdes -- Chapter Five: Religious and Secular Conversions: Transformations in Céline's Medical Perspective on Evil -- Conclusion -- (...) Notes -- Bibliography -- Index -- About the Book. (shrink)

According to one understanding of the problem of dirty hands, every case of dirty hands is an instance of moral conflict, but not every instance of moral conflict is a case of dirty hands. So, what sets the two apart? The dirty hands literature has offered widely different answers to this question but there has been relatively little discussion about their relative merits as well as challenges. In this paper I evaluate these different accounts by making clear which understanding (...) of concept distinctness underlies them and which of them is, ultimately, the most plausible one in the case of dirty hands and ordinary moral conflict. In order to do so, I will borrow from the terminology employed in recent debates in the philosophy of evil which have tackled a similar problem to the one at hand, i.e. defining what sets evil apart from ordinary wrongdoing. Here it has been argued that concepts could be distinct in three ways: they can have a quantitative difference, a strong qualitative or a moderate qualitative difference. I conclude that the most convincing definition of dirty hands draws a moderate qualitative distinction between ordinary moral conflict according to which dirty hands are those moral conflicts that involve a serious violation or betrayal of a core moral value. (shrink)

This paper finds its origin in a debate between Georges Bataille (1897-1962) and Octavio Paz (1914-1998) on what is central to the idea of eroticism. Bataille posits that violence and transgression are fundamental to eroticism, and without prohibition, eroticism would cease to exist. Paz, however, views violence and transgression as merely intersecting with, rather than being intrinsic to, eroticism. Paz places focus on imagination, and transforms eroticism from a transgressive, to a ritualistic act. Eroticism thus functions as an (...) intermediary, turning animal sexuality into ceremony and rite. In this paper, I argue that Paz and Bataille are not fundamentally at odds in their conceptualisation of eroticism. Instead, Paz redefines the locus of eroticism by subverting its unsettling aspects. His conception of eroticism gives precedence to the imagination, which in itself is an act of violation. Imagination transgresses normal life, but this transgression – the violation of the habitual world – also introduces a glimpse of the numinous that Paz associates with belongingness. The paper further explores eroticism, as this is perceived today, and argues that it ultimately eliminates the threshold marked by transgression. The rise of the contemporary pornographic society is marked by a loss of imagination and transcendence, which ultimately reduces the subject into a mere automaton that demands instant gratification. (shrink)

Good and evil are the most general ethical categories from which we can get our bearings in the fundamental philosophical and normative problems of ethics. In the contemporary scholarly literature the interpretation of the good is multifunctional. Good is regarded as a model of morality, as the most general moral requirement or most general moral evaluation, and finally as a practical norm, i.e., a requirement embodied in moral experience, as a unity of the objective and subjective in moral actions. (...) The history of ethical thought was bound to reach this broad, all-embracing conception of the good, indeed, that was the way it went, mastering the content of the category of the good, bit by bit, focusing attention now on one, now on another of its aspects. Hence the most general explanation of the good as a synonym for morality has not at all been the same throughout the different stages in the history of ethical thought. Good, like evil, and like all other ethical categories, had a different compass and different sets of attributes in diverse ethical systems. One must also consider that until modern times, there had never existed a single categorial term to designate morality as a whole. As O. G. Drobnitskii noted, the words "good and evil," "justice," "virtue," and "manners" were often preferred to the concept "morals"; and moreover, each of these words was used to designate not only the particular phenomena within moral philosophy but the entire domain of morals in general. (shrink)

The problem of evil is generally taken as evidence for atheism. However, some philosophers can be referred as a sign that this is not necessarily so. For example, one of the leading philosophers of contemporary philosophy of religion, Paul Draper, for whom one can say that the problem of evil is a big problem by looking into the works he brought to the literature, defines himself as an agnostic. Draper does not argue that evil directly supports or justifies agnosticism, (...) but rather that it does not have the power to justify atheism on its own. According to him, the evidence presented for and against theism and atheism leads to a balance between these two stances. The balance here does not mean that the evidence creates a fifty percent probability for both parties and makes a choice difficult as a result, but rather that an evaluation of all the evidence opens the way for an ambiguity that makes it difficult to choose between the two. He states that none of the available evidence is sufficient to decisively establish the truth of neither theism nor atheism; and that neither theism nor atheism/naturalism is true. However, while some evidence raises the possibility that theism is true over naturalism whereas others justify atheism by supporting naturalism. So, this kind of ambiguity justifies agnosticism as the true doxastic stance to adhere to. If the problem of evil was sufficient in terms of evidential power for Draper, he would have to be an atheist, not an agnostic. In an atmosphere where the problem of evil is generally associated with atheism, how Draper grounds agnosticism and why the problem of evil cannot necessarily be considered as a justification for atheism by and only itself is the main focus of this article. Thus, this study aims to reveal why the problem of evil cannot necessarily be a justification for atheism, as a result of a critical reading of Draper’s studies on the problem of evil and agnosticism, as well as the studies in the literature that deals with the discussion and criticize Draper. Likewise, in order to illustrate Draper’s argument regarding the grounding of agnosticism decisively, this study will briefly touch on the discussions of the grounding of agnosticism, and conclude that Draper’s move from “the problem of evil to agnosticism” is more rational than any transition from “evil to atheism”. (shrink)

_ Source: _Volume 25, Issue 2, pp 163 - 195 The concept of evil in 4 Maccabees differs from what we find in most ancient Jewish literature, and little attention has been paid to its philosophical background. In this article I submit that the author of 4 Maccabees has absorbed and adapted a Stoic conception of evil into his Jewish philosophy. I trace the concept of evil in Stoicism and in 4 Maccabees using the categories of value theory, natural (...) law, and the emotions. The outcome is an integrative philosophy that embraces vice as the sole evil, yet maintains a belief in the “goodness” of an afterlife; redefines natural law in terms of the Torah, reckoning any deviance from that Law as vicious; and conceives of the emotions as false belief and the cause of evil behavior, while still maintaining their God-given nature. (shrink)

This volume contains "The Wireless Lectures", a series of lectures delivered during April and May, 1936 at Cheshunt College Lodge, Cambridge. The lectures pertain to the age-old problem of evil in Christian doctrine. This volume will appeal to those with an interest in Christian theology, and it would make for a worthy addition to collections of related literature. Contents include: "Four Classic Answers to the Problem", "The Answer of Theism", "The Christian Answer", "Listeners' Questions", and "Books Suggested for Further (...) Reading". Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction. (shrink)

Rabbinic literature contains several examples of a manner of silencing impious arguments that is usually identified only with later forms of piety, namely, ascribing the arguments to the evil inclination . Arguments attributed to the yetzer represent serious discursive threats against rabbinic doctrine, marking fundamental problems in both its legal and nonlegal parts. Identifying a question or refutation as belonging to the yetzer automatically invalidates it. By ascribing arguments to the yetzer , the rabbis prevent their audience from actually (...) engaging them, thus marking the limits of rabbinic dialogism. (shrink)

In 1997, the Nobel Prize-winning novelist J. M. Coetzee, invited to Princeton University to lecture on the moral status of animals, read a work of fiction about an eminent novelist, Elizabeth Costello, invited to lecture on the moral status of animals at an American college. Coetzee's lectures were published in 1999 as The Lives of Animals, and reappeared in 2003 as part of his novel Elizabeth Costello; and both lectures and novel have attracted the critical attention of a number of (...) influential philosophers--including Peter Singer, Cora Diamond, Stanley Cavell, and John McDowell. In The Wounded Animal, Stephen Mulhall closely examines Coetzee's writings about Costello, and the ways in which philosophers have responded to them, focusing in particular on their powerful presentation of both literature and philosophy as seeking, and failing, to represent reality--in part because of reality's resistance to such projects of understanding, but also because of philosophy's unwillingness to learn from literature how best to acknowledge that resistance. In so doing, Mulhall is led to consider the relations among reason, language, and the imagination, as well as more specific ethical issues concerning the moral status of animals, the meaning of mortality, the nature of evil, and the demands of religion. The ancient quarrel between philosophy and literature here displays undiminished vigor and renewed significance. (shrink)

This paper analyses the reemerging concept of evil in political science and international relations. Evil is approached as the link between the metaphorical and the metaphysical that is used to sacralize politics. After introducing the concepts of metaphor, metaphysics and the sacred, we expand on the definition of evil by drawing on existing philosophical and theological literature. We proceed to analyze its effects in politics by applying our findings to examples from the United States, Russia, India, Myanmar, Israel, ISIS (...) and Al-Qaeda. The paper addresses the political potential of the common evil for building international communities in the third section. We conclude that the concept of evil achieves the sacralization of politics by effacing itself, that is, by becoming metaphysical. The metaphor of evil, then, is most successful precisely when it is no longer a metaphor at all but deemed a metaphysical reality. (shrink)

Pain, suffering, death, and extinction have been intrinsic to the process of evolution by natural selection. This leads to a real problem of evolutionary theodicy, little addressed up to now in Christian theologies of creation. The problem has ontological, teleological, and soteriological aspects. The recent literature contains efforts to dismiss, disregard, or reframe the problem. The radical proposal that God has no long–term goals for creation, but merely keeps company with its unfolding, is one way forward. An alternative strategy (...) to tackle the problem of evolutionary theodicy is outlined, with an implication for environmental ethics and suggestions for further work. (shrink)

This article re-examines Bataille’s increasingly influential notion of the sacred, with particular emphasis on the left or impure aspects of the sacred and their relationship to social structure or topology. Bataille’s understanding of the ‘sacred nucleus’ of society is examined in detail, particularly his suggestion that society endures only as the hardening of the conduits of sacred and profane around a radically heterogeneous, impure or ‘filthy’ central nucleus. For Bataille the sacred as heterogeneous is necessarily excluded from (...) profane, homogeneous working life, and is internally divided between left and right, or pure and impure aspects. The article then examines the theme of profanation in Bataille’s writing, and the emergence of what he calls ‘post-sacred’ society. Finally, the article turns to Baudrillard’s relationship to Bataille’s work, and, beyond their common indebtedness to Mauss, the author examines the thematic relationship between Bataille’s heterological sacred and Baudrillard’s notions of symbolic exchange, evil and transparency. Baudrillard’s work presents a version of heterology more adapted to the contemporary era of rampant consumerism and virtual technologies, but, as the author argues, it actually departs rather little from Bataille’s position. However, for Baudrillard, profanation generates conditions of hyper-positivity and transparency which reintroduce evil, repulsion and disorder into the social system. (shrink)

Why is the number seven lucky--even holy--in almost every culture? Why do we speak of the four corners of the earth? Why do cats have nine lives? From literature to folklore to private superstitions, numbers play a conspicuous role in our daily lives. But in this fascinating book, Annemarie Schimmel shows that numbers have been filled with mystery and meaning since the earliest times, and across every society. In The Mystery of Numbers Annemarie Schimmel conducts an illuminating tour of (...) the mysteries attributed to numbers over the centuries. She begins with an informative and often surprising introduction to the origins of number systems: pre-Roman Europeans, for example, may have had one based on twenty, not ten, while the Mayans had a system more sophisticated than our own. Schimmel also reveals how our fascination with numbers has led to a rich cross-fertilization of mathematical knowledge: "Arabic" numerals, for instance, were picked up by Europe from the Arabs, who had earlier adopted them from Indian sources. But the heart of the book is an engrossing guide to the symbolism of numbers. Number symbolism, she shows, has deep roots in Western culture, from the philosophy of the Pythagoreans and Platonists, to the religious mysticism of the Cabala and the Islamic Brethren of Purity, to Kepler's belief that the laws of planetary motion should be mathematically elegant, to the unlucky thirteen. After exploring the sources of number symbolism, Schimmel examines individual numbers ranging from one to ten thousand, discussing the meanings they have had for Judaic, Christian, and Islamic traditions, with examples from Indian, Chinese, and Native American cultures as well. Two, for instance, has widely been seen as a number of contradiction and polarity, a number of discord and antithesis. And six, according to ancient and neo-platonic thinking, is the most perfect number because it is both the sum and the product of its parts. Using examples ranging from the Bible to the Mayans to Shakespeare, she shows how numbers have been considered feminine and masculine, holy and evil, lucky and unlucky. A highly respected scholar of Islamic culture, Annemarie Schimmel draws on her vast knowledge to paint a rich, cross-cultural portrait of the many meanings of numbers. Engaging and accessible, her account uncovers the roots of a phenomenon we all feel every Friday the thirteenth. (shrink)