By strict definition, television journalism, like every form of journalism, has always been ?unreal?; some form of constructed mediated reality.1 But now, television journalism is coming to a crossroads?one where ethics and technology will meet squarely at right angles if not head?on. And it is reality, even the constructed mediated kind, that will be at risk. In a few years, television journalism at the network and local levels will have the capability, through television's emerging conversion from (...) analog to digital technology, to easily manipulate video and audio in utterly fundamental ways. It will be simple to completely re?shape, even to create, reality. The question won't be: ?Is it live or is it Memorex?"2 rather, it will be something like: ?Is it real or is it digitex?"3This article explores this new technology and the concomitant merger of form and substance in television journalism; it presents several hypothetical examples of this kind of unethical behavior and the motivations behind them; and, finally, it wonders what impact unethical digitexing might have on the First Amendment. (shrink)

The rapid development of digital technologies has transformed the world but can be a double-edged sword. We study the interaction of important variables that affect individual news reporters’ performance in which digital technology is the dominant feature. A multilevel model illustrates how transactive memory and job competence affect individual performance. The empirical study includes data from 19 teams of news reporters and 211 valid survey responses, applying hierarchical linear modeling to analyze the data. The results indicate that transactive memory and (...) technology competence help to improve a reporter’s job performance. More importantly, teamwork competence fully mediates the relationships. Our findings thus suggest that teamwork competence is the core skill. Neither technology competence nor transactive memory alone translates directly into enhanced individual performance. (shrink)

The quality of political reporting in the news media is a focal point of communication research. Politics, however, is not only conveyed via traditional sources of information, but via fictional sources. In particular, political dramas (e. g., The West Wing, Borgen) enjoy great popularity and are often acknowledged for their realistic depiction of politics. Still, little is known about the democratic quality of such fictional depictions. This paper aims to fill the gap by contrasting the depiction of politics in the (...) fictional TV series Borgen with political reporting in a traditional TV magazine (Berlin direkt). The comparative content analysis is based on ten issues that are covered in both formats and focuses on the quality criteria of relevance, pluralism, and democratic discourse norms. Findings show no significant differences between Borgen and Berlin direkt for any of the three criteria, clearly indicating that fictional TV series can offer the same content quality as political reporting. (shrink)

"Using hundreds of examples from newsrooms large and small, author Ron F. Smith challenges readers to determine how they would face moral dilemmas on the job. Chapters evaluate the search for principles, accountability, truth and objectivity, errors and corrections, diversity, "faking" the news, reporters and their sources, privacy, the government watch, deception, compassion, the business of news, journalists and their communities, and financial concerns. New to this edition: a chapter on improving coverage of minorities, expanded discussion of broadcast journalism (...) and reporting on the Internet, and stories from recent front pages and TV news programs."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. (shrink)

This hard-hitting expose; discusses the erosion of standards and values in the media world of newspapers, TV, and radio over the past 20 years—in particular those of integrity, independence, thought, and accuracy. The general public is becoming increasingly aware of the unsatisfactory state of affairs in media journalism, which is highlighted by the periodic distortions caused by the political ambitions of chief executives and tycoons, misleading headlines, and its extraordinary obsession with celebrity culture. This study is essential reading for (...) the majority of us who care about the destructive effects of spin, misrepresentation, deception, social and international prejudice, the purveying of half-truths in relation to crucial issues that affect our future, and the failure to report fully and accurately on matters that have a bearing on freedom and democracy. (shrink)

In media-centered democracies, political TV interviews can reveal a lot about the relationship between journalists and politicians. However, knowledge about these formats during non-election times is lacking. Against this background, this study aims to generate insights about specific conversation strategies, the staging of politics, and agenda control in a long-term comparison, and to link them with media logic, which has been identified as a factor that shapes agenda-setting strategies in related contexts. Following a static-dynamic approach, a quantitative content analysis was (...) conducted for all statements (N=19,108) from 125 episodes of a specific Austrian interview format in a one-on-one setting broadcast between 1981 and 2016. Regarding the number of statements in which a newly introduced topic is discussed as a measure for agenda control, specific conversation strategies were identified that contribute to a stronger position for journalists. Moreover, specific aspects of media logic help to introduce and anchor a new topic, although their success varies over the decades. (shrink)

Although in Radio and TV-programmes the dutchspeaking radio and television gives much attention to the election campaign, reporters and journalists manage to stick to the status of non agens, conforming the BRT-constitution.There is no difficulty to interview political leaders or ask them for collaboration in one or another programme, during the election campaign. The nearer election-day comes, the more difficult it is to stay neutral.In the radio-programmes one simply avoided to interview political leaders the last weeks before election-day. As for (...) the TV-programmes, one managed to give the campaign with all pro's and con's, the typical detail and the striking events in puredocumentary style. (shrink)

This article examines a recent shift in the organization of prime-time news on Greek private television, from the `one-way' dissemination of information to an interactive format, where the news genre meets the talk show. By drawing on Hunston's model of evaluation in written academic discourse, it is argued that this conversational news format serves as a vehicle for evaluation, allowing the anchorpersons and journalist panels more freedom to voice concrete views. More specifically, prime-time news is generally cast in terms of (...) two major sub-genres, namely the debate and the structured panel discussion. These sub-genres particularly lend themselves to the performance of acts of evaluation by TV journalists. Far from merely reporting events, journalists unequivocally show that their main task is to jointly interpret reality on behalf of the viewer audience. They set about this task by explicitly encoding their personal attitudes, while directly challenging government spokespersons and policies. It is argued that, in so doing, media personalities in effect shape audience opinions. The data attest to the increasing empowerment of the Greek media, and illustrate the ways in which conversational processes bring into being the continuously evolving public sphere in contemporary Greece. (shrink)

"I'll furnish the war" : the making of a media myth -- Fright beyond measure? : the myth of the war of the worlds -- Murrow vs. McCarthy : timing makes the myth -- TV viewers, radio listeners, and the myth of the first Kennedy-Nixon debate -- The Bay of Pigs-New York Times suppression myth -- Debunking the "Cronkite moment" -- The nuanced myth : bra burning at Atlantic City -- Picture power? : confronting the myths of the "napalm girl" (...) photograph -- It's all about the media : Watergate's heroic-journalist myth -- The "fantasy panic" : the news media and the "crack-baby" myth -- "She was fighting to the death" : mythmaking in Iraq -- Hurricane Katrina and the myth of superlative reporting -- Counterfeit quotations : swelling with a digital tide. (shrink)

Seventeen television journalistsfrom Indianapolis and Terre Haute, Indiana encountered a computer simulation of newsgathering, based on Potter's Box. The situation involved showing identijable faces in a story about AIDS testing. Additional information was the most accessed resource. Organizational codes of ethics were accessed the least. Journalism organization members sought more advice from all resources than others. More experienced respondents accessed more advicefrom professional peers. Females were less interested in peer advice than their male counterparts.

Existing studies have extensively explored audience engagement in TV news, but not enough attention has been paid to the discursive presentation of this phenomenon in the discourse of TV news kernels. Based on a pool of news items collected from BBC News at Ten, this article aims to investigate how the discourse of news kernels is constructed and presented to engage the audience. The analysis shows that news values and journalist–audience interaction are two main ways employed by the journalists to (...) achieve audience engagement in presenting TV news kernels. On one hand, a news kernel tends to cover the most newsworthy information of the news story, and the news text; on the other hand, it is often styled as newsworthy, too. In the meanwhile, the presentation of the news kernel tends to create a sense of interaction between the journalist and the audience by practices such as pre-opening remarks, introducing the reporter and alerting the audience, among others. The findings reflect quite different journalistic practice of TV news kernels from that of print news leads. (shrink)

Government has played a pervasive and largely overlooked role in journalists' ethical decision making. Federal Communications Commission (FCC) rules governing program content, and a libel law system run amok, are only two wats government influences journalists' behavior. This substitution of government ethics for private ethics creates minimum standards of conduct rather than challenging journalists to an ethical ideal. More subtly, government erects structural barriers to the development of the very technologies (like cable TV) that can offer journalists a more ethically (...) hospitable environment. In the information age, ethicists will need to be aware of, and wary of, government attempts to control development of the very media that hold the greatest ethical promise. (shrink)

Some kinds of “fake news” bits on Saturday Night Live (SNL) become more meaningful when linked back to the work of media theorist Neil Postman. Postman's best‐known book, Amusing Ourselves to Death: Public Discourse in the Age of Show Business, argues that TV journalism will inevitably reflect the influences and biases of television itself. The result is an entertaining but incoherent stream of “disinformation” in a “peek‐a‐boo world” of unfocused and shallow discussion. Using Postman's arguments for structure and support (...) here, this chapter explores similar concerns reflected in the satirical news reporting of SNL. It shows that “Weekend Update” and other such pieces can ground key lessons that help us navigate our increasingly complex media environment, a point that Postman himself considers in his book's closing pages. As our media environment continues to change, it becomes helpful to see Postman's thesis as a valuable philosophical insight, and one that SNL's comedy can illustrate quite effectively. (shrink)

Diversity has become a watchword in American journalism as newspapers and TV stations strive to staff their newsroom with more women and minority journalists. But diversity must be thought of as more than numbers. Newsroom culture must change as it becomes more infused with this new wave of journalists who bring different backgrounds, perspectives, and values to the news mix. The new wave of diverse journalists are, in fact, in our classrooms today. Ethics courses preparing journalists for the 21st (...) century need to locate and articulate diverse philosophies to expand the traditional canon and to immerse students in experiences that provide practical applications of diversity to daily journalism. (shrink)

With the spread of new media, traditional media, such as TV faced a problem: how to attract and retain the audience and how to offer something new, that competitors do not have. And for a long time now even well-known and influential mass media have been using interactive content. The statement is that interactive content just for fun is no longer perceived. Interactive content includes quizzes, puzzles, crosswords, various polls, games, tests, quests, memories, interactive graphics, flash games, etc. Interactive elements (...) in the media are used both separately and as a part of journalistic material. For the research of using interactive content in media, we examined the official sites of 30 channels in Ukraine, which belong to DTV and are translated for each region. In general, we have revealed 593 elements of interactive content on the sites of TV media. In the article, there were examined the kinds, types, themes, and amount of interactive content on each site of Ukrainian TV channels. It is investigated that such content can help to stay in touch with the audience and to popularize content that is broadcasted on the TV channel. Interactive media content has several obvious benefits, including the influx of new readers and, consequently, the growth of unique visitors, the growing number of people who talk about your media on social media and in real life, and the opportunity to draw attention to your television projects. (shrink)

This article shows how journalists deploy membership categorization in managing conversational drama among ordinary individuals in live television discussion. The scripted agenda for the discussion is analyzed as an interactional project, being prosecuted by the hosting journalists. The case in focus is a Finnish discussion program broadcast six days after the 9/11 terrorist attacks in the USA in 2001. Five guests are invited to the studio and introduced to the audience. The membership categories that are activated at the beginning of (...) each entrance are consequential to the way the interactional activities unfold in the rest of the discussion, leading from experiential entitlement to accountability and accusation. Introductory identifications are utilized in the question formulation to push moral accounts from the category members and to build an institutionally proper identity for the journalists. The collaboration in realizing the moral casting vividly illustrates the cultural power of the categorization device in action. (shrink)

ABSTRACTWomen television journalists have long faced criticism and harassment regarding their appearance. The normalization of social media engagement in newsrooms, where journalists are expected t...

This study investigates how reality television viewing is linked to Facebook. Utilizing a survey of 736 students in a school of journalism at a large Midwestern university, researchers examined whether viewers of different genres of reality television were more prone to problematic information sharing on Facebook. The study found that all viewers of reality were prone to problematic information sharing. However, viewers of drama-, competition-, and crime-based shows were most likely to share problematic information. These results are interpreted using (...) social cognitive theory. (shrink)

Preceded by an introduction by Noortje Marres and Patrice Riemens that stresses the reconstitution of a national communitarianism around the elections, the article analyses the assassination of Pim Fortyn and the rise of a populism of the extreme-right. It is based upon an analysis of the media and of the relative backwardness of Dutch society with regard to the question of technology. According to the author, Pint Fortyn is essentially a media phenomenon made possible through the complicity of TV journalists. (...) The populist demonstrated the crisis of democracy and how out of touch traditional politicians are in the Netherlands, but with a project that brought about political regression and social division. (shrink)

This paper focuses on the ethical and moral implications of findings from the authors? national survey of television news directors? policies, practices, and perceptions of good/bad news. In light of the potentially negative effects of excessive amounts of bad news on individuals and society, the authors ask whether television journalists have an ethical responsibility?beyond legal constraints and professional criteria?in the selection and presentation of bad news and good news. An earlier version of this paper, detailing the findings of the survey, (...) was presented to the Radio?TV Journalism Division of the Association for Education in Journalism and Mass Communication in August, 1986. (shrink)

In a television news documentary series such as Boston Med, doctors’ duty to their patients may be at odds with the duty of TV journalists to their audience. If this happens, who should win out? The patients. If there is any possibility that harm is being done to patients, we must put them first, and turn off the cameras.

This interview – conducted by Peter Beilharz and Trevor Hogan with Clinton Walker over the course of three months (July to September 2011) between Melbourne and Sydney via email and Skype – explores the questions of Australian popular culture writing with, against, and of the culture industries themselves. Walker is a leading freelance Australian cultural historian and rock music journalist. He is the author of seven books, five about Australian music. He has been a radio DJ and TV presenter. He (...) compiled and produced four double CD album collections of Australian music – Inner City Sound, Buried Country, Long Way to the Top, and Studio 22. He has been a key writer in several multi-media projects, including the Powerhouse Museum Real Wild Child exhibition and CD-Rom (1995) and ABC TV’s hit documentary series/CD/DVD Long Way to the Top (2001). In 2006, a new US edition of his first book Inner City Sound (with soundtrack CD) was published. His Golden Miles: Sex, Speed and the Australian Muscle Car (2005) has been published in a revised edition in 2009. In 2012, his eighth book, The Wizard of Oz, will be published. Walker is currently writing with Beilharz and Hogan a book called The Vinyl Age: The History of Australian Rock Music, 1945–1995. The interviewers invited Walker to reflect critically on his 35-year ‘career’ as pop avatar, independent writer and critic in the post-war to post-modern Australian popular culture industries. Going from journalism to his path-finding books and television documentaries, the article traces this work’s development both in personal terms and as a symptom of the broader cultural evolution, from the suburbs to pop to art and rock and back again; between London and the provincial cultures of Oz; from one-way American consumerism to local DIY egalitarianism, analogue to digital to global dialogue, youth culture to multi-culturalism, and from the putative low brow to the legimitization process itself of popular culture. (shrink)

In the last years, TV documentaries, articles in popular magazines, and Internet content have increased the public visibility of deep brain stimulation (DBS). The media may have also provoked significant clinical and public interest in potential future applications for treating psychiatric disorders beyond the current use of DBS in neurological disorders. In this article, we review and discuss the topic of patient and public understanding of DBS, focusing on both the clinical consequences of patient understanding as well as the broader (...) social consequences of public understanding. The literature and the experience of clinicians suggest that strongly optimistic media reports of DBS have had detrimental consequences for informed consent and the management of patient expectations before and after surgery. Likewise, this context has created complex issues for trust between clinicians, patients, and their families and may have hard-to-predict social impacts including on the relationships between public understanding of neuroscience, biological therapies, stigma, and mental illness. We propose an approach to tackle the clinical and social consequences of media messages on public understanding within a broad and interdisciplinary effort with concrete actions. This approach includes actions by all key players, including not only providers but also patients and their family members, as well as journalists. To further address issues at the intersection of informed consent and patient expectation, there should be more discussion on and actual testing and measurement of these recommendations or similarly minded practice changes. (shrink)

The Indian mediascape has dramatically changed in the past 15 years. Gradual privatization and deregulation have resulted in increased entertainment-driven rather than public-service oriented news. This article explores the ethical issues Indian journalists face in such a globalized media environment. Our research was based on interactive workshops we conducted in various Indian cities. Findings from these workshops reveal that although journalists encounter serious ethical issues, media ethics is not a topic being widely discussed in Indian newsrooms and TV stations. Marketing (...) pressures, the tabloidization of news, and management and economic pressures are affecting journalism ethics and issues such as accountability, independence, and conflict of interests. A lack of professional training, especially ethics training, is affecting journalists' understanding of concepts such as privacy and accuracy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Encounters with Bertrand RussellBryan Magee and Introduced by Henry HardyBryan Magee (1930–2019), the celebrated philosopher, politician, journalist, author and broadcaster, was (and still is) well known for his brilliant television conversations with prominent philosophers—a triumph of uncondescending popularisation. He was a consummate interviewer and discussion chairman, and one of the most articulate and engaging expositors, especially of ideas, who ever lived.Born a cockney in Hoxton, east London, he was (...) educated at Christ's Hospital School in Sussex, and at Oxford, where he was elected president of the Oxford Union. Early in his career he presented the itv current affairs programme This Week, made documentaries about social issues, and wrote books, including the hugely successful Popper (1973) for Fontana Modern Masters. In 1974 he was elected as Labour mp for Leyton, but in 1982 defected to the sdp, losing his seat in 1983.He talked to philosophers for the bbc in the radio series Conversations with Philosophers (1970–71) and in the two tv series Men of Ideas (1978) and The Great Philosophers (1987). Substantial volumes on Wagner and Schopenhauer were highlights in an eventual total of 23 very various books, including The Story of Philosophy (1998), Ultimate Questions (2016), and three volumes of autobiography: Clouds of Glory: a Hoxton Childhood (2003), Growing Up in a War (2007), and Making the Most of It (2018).He left a large body of unpublished work: finished and unfinished books; essays, poems, interviews, "Notebooks" of short philosophical thoughts, correspondence. It falls to me as his literary executor to publish the best of it. I started with the selection from the Notebooks that appeared last year in the New Statesman, chosen by the editor of the magazine, Jason Cowley. Next in line are his pen-portraits of contemporary figures whom he knew well, or met [End Page 63] and sharply observed. Many of these, including the one published here,1 were written in a thick red bound foolscap notebook. Magee intended them to be published as a book, but never turned to the task.The following vignette of his meetings with Russell turned out to be a dry run for "Getting to Know Russell", Chapter 12 of Confessions of a Philosopher, which I described, when I reviewed it for the Times Higher Education Supplement,2 as a "challenging and readable invitation to philosophy" that is "exemplary in its clarity and breathtaking in its intellectual self-confidence". As Andrew Bone, co-editor of this journal, has observed to me, this original version is "More affectionate and less critical than the longer book-chapter that grew out of it."3 The later version is not as different from the earlier as Magee's closing words below imply it should be, but there are things in both versions that are not there in the other, so that it is worth having both in print. In the book Magee adds that Russell was one of the two geniuses he had the good fortune to get to know (the other, presumably, being Karl Popper), that "My first day with Russell remains for me the most memorable day of talk I have ever experienced", and that "Russell remains the most unforgettable character I've met." There are also factual differences: for example, Magee says below that they spent only "minutes" on the tv project that he visited Russell to discuss, but in the book "We discussed the television programme at useful length." Stories have a way of changing in the retelling. [End Page 64]________25 October 1970I have been putting off writing about Russell, because the task is so great, and the offhand way I have written this book is not appropriate to it. Perhaps first, simply, the facts of my acquaintanceship with him.When I was working at atv in the late 1950s it was wanted to include Russell in a one-hour documentary about the population explosion (a documentary which would have to say a good deal about world hunger). I rang him at his house in Wales to ask him to take part, and told him I was perfectly willing to bring a television unit down to Penrhyndeudraeth to film the... (shrink)

In this issue, articles excavate the tensions among latent moral norms and motivations in the content of several media sectors—reality TV, social media advertising, journalism, and branded content....

The article is devoted to the Roman Kurkiewicz essays. He is a philosopher, but is also a wellknown newspaper, radio and television journalist. The publication Klapsy polskie contains selected essays printed in ‘Przekrój’. They are alphabetically arranged and concern many issues important for Poles at the time. Political, economic, sporting and cultural events are the starting point for general discussions on the human and the world. Kurkiewicz writes about difficult and controversial topics. The article describes selected examples of different kinds (...) of essay titles. The author refers to the literature, press and TV movies. Selected examples demonstrate the richness of the author’s ideas. (shrink)

Anarchists get a bad rap. More often than not, TV shows, comic‐books, videogames and sometimes even serious journalism portray anarchists as lazy work‐shirkers or as cartoonish evil villains, hell‐bent on causing chaos for chaos's sake. Unfortunately, the world of Avatar: The Last Airbender is not immune to this habit. Book Three of Avatar: The Legend of Korra even features an antagonist, Zaheer, who is nominally an anarchist. Anarchists would never jealously guard knowledge in a personal library, like the owl (...) spirit Wan Shi Tong. Anarchism involves a radical commitment to democracy‐sharing power and an opposition to unjust hierarchies. Anarchism also involves a way of looking at human beings and human interaction. This perspective is encapsulated in the anarchist principle “mutual aid,” which is often ascribed to the Russian biologist and philosopher Pyotr Kropotin. (shrink)

This article addresses the conversational process taking place during a TV interview in which the contrast shows up between the canonical procedure overseeing the succession and nature of conversational roles and turn-takings in contemporary media contexts and the preservation of an atavistic attitude tied to a traditional culture, Albanian tradition of oda. The discourse in these chambers is a revered phenomenon in the Albanian culture. The interviewee uses the traditional code of oral communication in the oda as a strategy for (...) saving his honour in public, while the interviewer uses another code, the language of investigative journalism. In this paper, a detailed analysis of this interview shows how the sequences built on a basic adjacency pair operate to allow the interviewee to attempt to save face in a compromising situation. We see how the oda structures override normal turn-taking rules and how the face-work process (Goffman Interaction ritual. Essays on the face-to-face behavior, Doubleday, New York, 1967) is reflected in expanded sequences. We consider this topic as an extension of a potential CA analysis when describing how cultural forms with different procedural rules affect general turn-taking. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Future Directions for Human Cloning by Embryo Splitting:After the HullabalooCynthia B. Cohen (bio)In October 1993, a paper entitled, "Experimental Cloning of Human Polyploid Embryos Using an Artificial Zona Pellucida," was presented at a joint meeting of the American Fertility Society and the Canadian Fertility and Andrology Society. Although it was awarded a prize, its authors, who are affiliated with George Washington University, decided against calling a press conference to (...) announce their findings. Word of their experiment soon leaked out, however, and the New York Times blazoned on its front page that human embryo cloning had been achieved. The story was accompanied by a diagram of cloning by nuclear transplantation.Newspapers and television networks around the world picked up the story and embellished it. The idea of unlimited, xeroxed copies of human beings gripped the public imagination. Wild scenarios of hundreds of Hitlers plotting to take over the world and of clones giving birth to their own twins enlivened media reports. Only gradually did it become clear that the term "polyploid" in the title of the paper referred to abnormal embryos that could never develop into living human beings and that "cloning" referred to embryo splitting or twinning, not to nuclear transplantation or the transfer of a donor nucleus into an enucleated egg. Once this sank into public consciousness, the "hullabaloo," as Dr. Howard W Jones, Jr., called it, died down.It left in its wake unanswered questions about the ethics of splitting embryos. During the height of the publicity given to the George Washington experiment, newspaper and TV stories had not delved in any depth into the ethical issues it raised. Ethicists, given limited time to discuss the ethical questions at stake, had been quoted in quick, simplistic responses. Some had offered little analysis of the rights and wrongs of embryo splitting, but, revealing tremendous creative talent, had spun out [End Page 187] imaginary and frightening applications of the procedure. This was a story essentially about ethics in which ethics was never really discussed.The National Advisory Board on Ethics in Reproduction* (NABER), an independent, multidisciplinary group that addresses ethical issues in modern reproductive science, technology, and care, became concerned about the sparsity of reflective ethical debate about embryo splitting. NABER's chair, Albert Jonsen, observed that "reporters phoning ethicists for comment and ethicists appearing on talk shows do not a debate make. Debate requires face to face (or at least essay to essay) argument among persons sharing the same information. This has yet to take place." Consequently, NABER decided to convene a workshop on human cloning by embryo splitting at the National Academy of Sciences in February 1994. The board invited participants who would provide a broad range of opinion about the ethical and public policy issues entailed by human embryo splitting. Embryologists, ethicists, reproductive biologists, public policy experts, staff from the National Institutes of Health (NIH), legal scholars, journalists, and infertility specialists were among those who participated. The feature articles in this issue of the Kennedy Institute of Ethics Journal derive from that workshop. Their authors were given free rein to take whatever stance they deemed ethically supportable.The first article is designed to provide some understanding of the science of human cloning as a basis for exploring the ethical issues raised by this set of techniques. Jacques Cohen, a leading reproductive embryologist, and Giles Tomkin, a science writer, both of Cornell University Medical School, explain, in a way that is clear to laypersons and biologists alike, the meaning, nature, and function of cloning. They discuss recent: advances in this area and offer an assessment of feasible uses of human cloning procedures, hoping to dispel what they view as mistaken fears about its future applications. Dr. Howard W Jones, Jr., a pioneer infertility specialist, briefly comments on Cohen and Tomkin's paper, pointing out that embryo splitting may not improve pregnancy results if genetic heterogeneity is required for successful embryo transfer and implantation.In the next article, three major ethical arguments against human cloning by embryo splitting are analyzed and rejected by Ruth Macklin, an expert in reproductive ethics from Albert Einstein College of Medicine. She finds the first argument, that the worth of individuals... (shrink)

In many countries, science is challenged by science-related populism, which deems the common sense of “ordinary people” superior to the knowledge of “academic elites”. Individual support for science-related populism can be associated with people’s communication behavior: On the one hand, people who hold science-related populist attitudes may inform themselves differently about science; they may even be disconnected from societal discourse around science. On the other hand, they may communicate more actively on social media and in interpersonal conversations. We test this (...) using nationally representative survey data from Switzerland. Results show that science-related populists use TV and social networking sites more often to get information about science. They are also more likely to communicate about science in social media comments. However, science-related populist attitudes are not associated with a general preference for social media over journalistic media. Science-related populism has thus not (yet) fueled a “science-related public disconnection”. We also run multiverse analyses, which show further nuances of our results, and discuss implications for science communication. (shrink)

TV-Philosophy in Action is inspired by philosopher and series-devotee Sandra Laugier’s monthly columns published in the French journal Libération. It is her contribution to the collective reflection on TV series produced by critics, theorists, and the vast mass of individual watchers who evaluate and discuss these programmes every day. The book brings together a selection of articles from Libération, as well as longer pieces, to demonstrate ‘TV-Philosophy in action’: Laugier’s response as a philosopher-viewer to a range of particularly salient TV (...) shows from the last 20 years, and their relationship to social and political issues of our times. Arranged under a number of important themes—relating to politics, identity, and the stories we tell ourselves about our world—the book shows how TV series provide a rich resource for thinking about our lives, and places them centre-stage as works of art, and of thought, in their own right. (shrink)

A provocative study of the complex relations between philosophy and journalism.

A study examined the journalistic codes of ethics from 23 countries involved in the Conference on Security and Cooperation in Europe (CSCE), using descriptive and interpretative content analysis. The contents of the 24 codes from the 23 countries were divided into explicit categories on the basis of a 17-part classification scheme, including: "truth, ""acquisition of facts, ""professional secrecy, ""freedom of information, ""professional integrity, ""human rights," and "values." Results indicated that: (1) the most important principle in all the codes was represented (...) by truth; (2) the general rule on acquisition and checking of facts was that journalists should use open and honest means to acquire information; (3) confidentiality of sources must be maintained; and (4) freedom of information figures prominently in nearly all of the codes. Findings suggest the development among the CSCE countries of some sort of basic, universal model of journalistic codes where the accent is on truth, freedom of information, and protection of the individual. Studies like this one point to the increasing urgency for research on the "new Europe" and its rapidly changing cultural landscape. (Twenty-one references, a list of the codes of ethics examined, and a list of publications in English and Swedish of the Department of Journalism and Mass Communication of the University of Tampere are attached.) (RS). (shrink)

Examines the issue of journalistic ethics, discussing such areas as accuracy, conflicts of interest, relationships with sources, and slanting the news.

Public life in America is in trouble. We find ourselves seemingly unwilling or unable to solve long-standing problems. The political part of public life is viewed with growing cynicism by increasingly disaffected citizens. At the same time, journalism is also in trouble. Much of what journalists do is seen by citizens as the product of a discredited political class. By every statistical measure, journalism is not trusted, not believed, and seen as unhelpful in solving public problems. It is (...) no coincidence that the decline in journalism and the decline in public life have happened at the same time. In modern society, they are codependent -- public life needs the information and perspective that journalism can provide, while journalism needs a viable public life because without one there is no need for journalism. Thus journalism and the people in it face a challenge. If journalists are to leave the country a better place than they found it and secure their profession's future, a great deal must change. This book about journalism and democracy suggests a place to start. Foundational to the book are the author's own deep-seated biases which include: * journalism in all its forms ignores its obligations to effective public life, * failure has been a major contributor to the resultant malaise in public life, * journalism should and can be a primary force in the revitalization of public life, * but fundamental change in the profession -- cultural, generational change -- is necessary for that to occur. Divided into three parts, this volume begins with a summary of the arguments -- why journalism and public life are inseparably bound in success or failure, and why the way journalism operates fosters failure more often than success. The next section looks at the development of the profession's culture in one journalist -- the author -- over four decades, and how he came to believe that substantive change is needed. The final part deals with the future of journalism in cyberspace and why journalism needs a vocabulary of values. (shrink)

Este estudo pretende discutir as relações existentes entre mídia e educação, analisando as políticas públicas que influenciaram a criação da TV Pendrive, identificando a percepção dos professores acerca da mesma. Justifica-se pelo fato de que no ano de 2007 o governo federal criou o Programa Nacional de Tecnologia Educacional (ProInfo), com o objetivo de informatizar o ensino, buscando promover uma educação com maior qualidade. Nesse contexto, a Secretaria de Estado da Educação do Paraná, com vistas à inclusão e ao acesso (...) de alunos e professores da rede pública estadual às novas tecnologias, criou o projeto TV Pendrive. Para a concretização desse estudo, foram realizadas pesquisas e análises bibliográficas, bem como um levantamento com professores da educação básica pública estadual da cidade de Londrina/PR, visando a identificar a percepção dos mesmos em relação à TV Pendrive. Como resultado, constatou-se que as políticas públicas, especialmente as voltadas à educação, parecem ser implantadas pelo governo sem a anuência dos educadores. (shrink)

Purpose This study investigates the incidence of ethical violations in the Ghanaian press which has become topical in the wake of misinformation in a charged political atmosphere. Public interest institutions have questioned the unprofessional conduct of journalists covering election campaigns in recent years. This study content analysed political stories from two leading Ghanaian newspapers (Daily Graphic and Daily Guide) to determine the nature and extent of ethical violations, and to examine the level of prominence accorded to political news stories by (...) the two dailies. Design/methodology/approach This paper relied on qualitative content analysis for data gathering and analysis. A total of 387 political news items published between 1 October and 30 November 2020, were analysed. Findings This study found infractions of various nature to Article 1 of the Ghana Journalists Association (GJA) codes of ethics, chief among which is the deliberate publications of news stories without cross-checking facts. Other infractions to Articles 17, 11, 6 and 5 of the GJA codes of ethics were observed. Political news coverage favours the governing New Patriotic Party (NPP) and the main opposition National Democratic Congress (NDC) than any other parties, with the two parties (NPP-NDC) given greater prominence and salience by the Ghanaian press. Originality/value The research makes a modest contribution to the growing concern of journalism ethics in an increasing ecology of fake news. (shrink)

The Moral Media provides readers with preliminary answers to questions about ethical thinking in a professional environment. Representing one of the first publications of journalists' and advertising practitioners' response to the Defining Issues Test (DIT), this book compares thinking about ethics by these two groups with the thinking of other professionals. This text is divided into three parts: *Part I includes chapters that explain the DIT and place it within the larger history of three fields: psychology, philosophy, and mass communication. (...) It also provides both a statistical (quantitative) and narrative (qualitative) analysis of journalists' responses to the DIT. *Part II adds to scholarship theory building in these three disciplines and makes changes in the DIT that adds an element of visual information processing to the test. *Part III explores the larger meaning of this effort overall and links the results to theory and practice in these three fields. The Moral Media pursues connections among various intellectual disciplines, between the academy and the profession of journalism, and among those who believe that what journalists do is essential. As a result, this book is appropriate for aspiring journalists; scholars in journalism and mass communication; psychologists, particularly those interested in human development and behavior; and philosophers. (shrink)

Ethics in Journalism examines journalism ethics in practice. It examines the social context of the newsroom, the economics of the news industry and cultural expectations of what constitutes news. Covering ethical issues in the multimedia journalism environment of the 21st Century, Ethics in Journalism updates theory and history through a discussion of contemporary and recent case studies that are aligned with the underlying principles of various codes of ethics and charters of editorial practice. The book provides (...) contextualized case studies and discussion questions for classroom use, covering ethical issues in a logical manner, beginning with broad principles before focusing on specific examples. (shrink)

This book makes the case for the news media to take the lead in combatting key threats to American society including racial injustice, economic disparity, and climate change by adopting an "ethics of care" in reporting practices. Examining how traditional news coverage of race, economics and climate change has been dedicated to straightforward facts, the author asserts that journalism should now respond to societal needs by adopting a moral philosophy of the "ethics of care," opening the door to empathetic (...) yet factual and fair coverage of news events, with a goal to move public opinion to the point that politicians are persuaded to take effective action. The book charts a clear path for how this style of ethics can be applied by today's journalists, tracing the emergence of this empathy-based ethics from feminist philosophy in the 1980s. It ultimately urges ethical news organizations to adopt the ethics of care, based on the human emotion prioritized by Scottish Enlightenment philosopher David Hume, and to pursue a more pro-active, solutions-seeking coverage of current events. This is an invaluable text for students and academics in the fields of journalism ethics, media ethics and media law, as well as for media professionals looking for a fresh perspective on practicing ethical journalism. (shrink)

What are ethics? -- News : towards a definition -- Morality of reporting -- The good journalist -- Truth, accuracy, objectivity and trust -- Privacy and intrusion -- Reputation -- Gathering the news -- Reporting the vulnerable -- Deciding what to publish -- Taste and decency : harm and offence -- Professional practice -- Regulation -- History of print regulation -- History of broadcast regulation -- Codes of conduct as a regulatory system -- Press regulation systems in the UK and (...) Ireland -- Broadcast regulation systems in the UK and Ireland -- The experience abroad. (shrink)