This book was translated from the French by Marco Pallis. It is divided into three parts: in The Tracks of Buddhism, Buddhism's Ally in Japan Shintö or the Way of the Gods, and Vistas of the Mahäyäna. The first has ten short essay chapters, Originality of Buddhism, Message and Messenger, Charity and Existence, The Question of Illusion, A Buddhist Eye on Science, Cosmological and Eschatological Viewpoints, More About Human Destinies--the Function of Mercy, What is Matter and Who is Mära?, Some (...) fallacies and facts concerning Buddhism, and Glimpses into Zen. These essays do not present the philosophical systems of Buddhism but rather attempt to give a picture of the spirit of Buddhism. The second part has three short essay chapters: Science, Myth, and the Meaning of Ancestors, Ethics and Mythology of Shinto, and The Noble Virtues: Some lessons of Shinto. The third part contains four essay chapters: Treasures of Buddhism, Mystery of the Bodhisattva, The Feminine Element in Mahayana, and Synthesis of the Päramitäs. Contrary to the trend of recent books which are attempting to differentiate the acceptances of the various schools within Buddhism, this book tends to stress similarities even with non-Buddhist Indian systems. It is best suited for those who would like to enter into the general spirit of Indian religions without necessarily concentrating on Buddhism.--P. J. H. (shrink)

This article deals with developments of Shinto in the seventeenth century, focussing on the school of Yoshikawa Shinto. It is presented as an example of the coalition between Shinto and Neo-Confucianism intellectuals typical for that time. Pointing out the medieval predecessors of this coalition, the article argues that the theological ideas of Yoshikawa Shinto were much more indebted to medieval Shinto than is generally assumed. This is demonstrated by a doctrinal comparison as well as by (...) a historiographical sketch of the relations between Yoshikawa Shinto and Yoshida Shinto. Both schools regarded themselves as legitimate representatives of Japan's original Way of the kami. The article examines the internaljustifications of these claims as well as their acknowledgments by thepolitical authorities. (shrink)

El artículo nos presenta una de las formas de acercamiento y puerta de visualización de la cultura japonesa conociendo sus métodos y costumbres. Uno de nuestros objetivos es dar a conocer cómo el Shinto interviene de manera fehaciente y práctica dentro del costumbrismo y cultura en la sociedad japonesa, y cómo este ha trascendido desde sus más remotos orígenes hasta la actualidad más contemporánea en dicha sociedad y cómo se ha extrapolado a otras culturas para alcanzar el conocimiento más (...) profundo sobre las mismas. Nuestro artículo muestra de cómo una religión puede seguirse o adaptarse para quedarse fuera de los límites que son marcados por una sociedad con grandes arraigos en la mitología que los conforman. (shrink)

In a wide range of contemporary debates on Japanese cultures of technological practice, brief reference is often made to distinct Shinto legacies, as forming an animist substratum of indigenous spiritual beliefs and cosmological imaginations. Japan has been described as a land of Shinto-infused ‘techno-animism’: exhibiting a ‘polymorphous perversity’ that resolutely ignores boundaries between human, animal, spiritual and mechanical beings. In this article, we deploy instances of Japanese techno-animism as sites of theoretical experimentation on what Bruno Latour calls a (...) symmetrical anthropology of nature-cultures. In staging a dialogue between actor-network theory and Japanese techno-animism, we show how Shinto cosmograms provide an enlivening and alternative diffraction device on several of the ontological motifs manifested in Latour’s work. In particular, by mobilizing the territory of a ‘new’ animism debate in anthropology – manifested in the work of Philippe Descola and Eduardo Viveiros de Castro – we attempt to infuse Latourian ‘multinaturalism’ with new, other-than-western analytical energy. Extending actor-network theory, we argue, Shinto cosmograms offer an interesting vantage point for interpreting the immanent, affective, enchanting and enabling powers of non-humans in contributing to collective life. By thus broadening the ‘cosmopolitical’ imagination beyond Latour’s own European-Catholic frame of reference, Shinto techno-animism offers up a wider reflection on contemporary entanglements of science, politics, ecology and cosmos. This reflection, we conclude, opens up a new intellectual territory, allowing us to trace techno-animist streams of thinking both ‘East’ and ‘West’, beyond the confines of the scientific naturalism indigenous to European thinking. (shrink)

This article investigates whether different religious (mythological) worldviews can be described as alternative and altered states of consciousness (ASCs). Differences between conscious and unconscious motivations for behaviour are discussed before looking at ASCs, Weltanschauung and symbolic universes. Mythology can be described both as Weltanschauung and symbolic universe, functioning on all levels of consciousness. Different Weltanschauungen constitute alternative states of consciousness. Compared to secular worldviews, religious worldviews may be described as ASCs. Thanks to our globalised modern societies, the issue is even (...) more complex, as alternate modernities lead to a symbolic multiverse, with individuals living in a social multiverse.Keyowrds: mythology; Weltanschauung; worldview; symbolic universe; states of consciousness; altered states of consciousness; alternative states of consciousness; symbolic multiverse; social multiverse. (shrink)

闇斎門下の個性豊かな諸家の事跡を通して、垂加神道の史的展開を検討すると共に、『日本書紀』神代巻の解釈に見える思想の根幹を明らかにする。.

古代の土俗的にカミ信仰は、中世になると仏教の影響を受けて、教説としての「神道」を形成する。そして近世には儒教の影響を受けて、広く学問と思想の世界を席巻していく。そこには、外来思想の流入に対する。民族の 文化的アイデンティティを追求しようとする日本人の思想的営為があった。カミ信仰の系譜。.

The paper aims to investigate the thesis of the so-called Neue Mythologie within the fragment entitled “Das älteste Systemprogramm des deutschen Idealismus” [“The Oldest Systematic Program of German Idealism”]. The latter presents a revolutionary project of social pedagogy linked to the use of the aesthetic character of myth and poetry in the formation of the conscience and the intellect of the people. The program, therefore, formulates a fertile dialogue between the emancipatory potential of the Enlightenment and Jena Romanticism, in that (...) it proposes a re-evaluation of feelings and Sinnlichkeit [sensuousness] in connection to modern rationality and freedom. The links between the rational mythology of the program and Hegelian philosophy will be explored, starting from his early writings, which are strictly concerned with the importance of a popular and sensuous religion (Volksreligion). Secondly, the work will retrace the same sensuous externalization of philosophical ideas within the relationships between art, religion and philosophy in the mature system, addressing the problem of Hegel’s change of heart regarding art and mythology between the two phases of his thought. In the end the value of symbolical mediation of concepts and idea will be established. (shrink)

I pose the following dilemma for Millikan's teleological theory of mental content. There is only one way that her theory can avoid Gauker's [(1995) Review of Millikan's White queen psychology and other essays for Alice, Philosophical Psychology, 8, 305-309] charge that it relies on an unexplained notion of mapping or isomorphism between mental state and world. Mental content must be explained in terms of the mapping relation that is required for mental state producing and consuming mechanisms to perform their biologically (...) proper functions, i.e. producing mental states that are consumed in systematically adaptive practical inferences. However, this proposal leads to unacceptably counterintuitive ascriptions of content to mythological beliefs and related desires: such beliefs and desires must "map onto" environmental states that make them adaptive, not onto the mythological states of affairs that (would) make them true or fulfilled. I conclude by discussing the merits and drawbacks of a potential solution to this problem: the view that the contents of mythological beliefs and desires are determined by the non-mythological concepts out of which they are constructed, rather than by the environmental states that make them adaptive. The affinities of this proposal with Pascal Boyer's recent theory of mythological concepts [(2001) Religion explained, New York: Basic Books] are also discussed. (shrink)

The concept of interpretation is applicable to any forms of knowledge, including systems of religious knowledge, designing the ideal model of the subject of religious veneration. The author analyzes the epistemological features of theology as a form of spiritual culture, its formation in ancient culture. It is shown that the epistemological basis for overcoming mythological consciousness was the decentralization of thinking, i.e. development of the ability of consciousness in the construction of the image, the picture of the world to correct (...) the position of the subject, to take into account the relativity of the reference system, from the standpoint of which the subject perceives the object and transforms it into an operational system of thinking. Decentration of thinking provided the overcoming of the subjective mental boundaries of the field, giving the thinking nature of universality. Historical stages and moments of this process - the transformation of mythology into forms of folk art, mythopoetic epic, in the form of religious consciousness. In line with such transformations of archaic consciousness, cultural and historical prerequisites of theology emergence were formed. They are represented in mythopoetic art, ancient mythography, early traditions of critical and rationalistic interpretation of the myth, etc. The article shows the formation of allegorical theology, which became possible in the era of individualization of artistic creativity, when the visible was the difference between the motive and the purpose of activity, creative idea and its embodiment, figuratively-poetic and rationally-conceptual ways of reflecting the world, when the image of reality and its personal meaning began to be realized as different States of consciousness. The main function of any theology is the interpretation of abstract models of the subject of religious veneration. (shrink)

This is an interpretation of the experiential/religious meaning of Japanese Shrine Shinto as taught us primarily by the priests at Tsubaki Grand Shrine, Suzuka, Mie Prefecture. As a heuristic device, we suggest lines of comparison between the thought and practice of the Tsubaki priests and two Western thinkers: the Jewish philosopher Martin Buber and the French philosopher Georges Bataille. This in turn allows the construction of three interpretive categories that we believe illuminate both the Shintō worldview and Shintō ritual (...) practice. (shrink)

Three approaches to scholarship are “scholarship as a way,” which aims at perfection of character; “scholarship as a method,” which clearly limits objects and methods in order to achieve precise perception and new knowledge; and “scholarship as an expression,” which takes various approaches to questions and inquiry. The “humanities” participate deeply and broadly in all three of these approaches. In relation to this view of the humanities, Japanese Shinto is a field of study that yields rich results. As a (...) religion of awe, shrine groves, community, arts, and entertainment, it offers a research field that joins together the study of human beings, nature, society, and expression. Though we elucidate the characteristics of Shinto and its differences with Buddhism, we also draw attention to the seven dimensions of “place, way, beauty, festival, technique, poetry, and ecological wisdom,” and then finally take up “research on techniques of body and mind transformation” as a comprehensive and creative development in the “humanities.”. (shrink)

The article deals with one of the earliest Christian interpretations of the supreme secular power created by Eusebius Pamphilus, Bishop of Caesarea, during the life of the first Christian emperor Constantine the Great. It is proved that the concept by Eusebius contains mythological ideas transformed in a Christian context. In particular, the main focus of the interpretation of the Lord is the recognition of Him as Pantocrator [Παντοκράτωρ – the Lord of all] endowed with infinite power and authority over the (...) Universe. Such an interpretation reconstructs archaic ideas about the deity as the centre of power and says nothing about his mercy and justice. This concept became the basis for the argumentation of the absolute nature of the Christian emperor’s supreme power – Basileus. The Lord, communicating with Basileus through His Son, Christ the Logos, gives him the sacred right to reign and thus makes him godlike [Friend of God – Θεóς, divinely favoured] – an icon of the Lord of all. Another mythological feature of Eusebius’ interpretation of supreme power is the solution to the problematic relationship between the reign and the priesthood. Eusebius believed that the Lord’s endowment of Basileus with the right to reign obliges him to perform priestly functions at the same time. The purpose of Basileus’ priesthood was to enlighten his flock about the essence of the Word of God, and not to observe religious rituals. In this way, the role of the basileus-priest differed from the Patriarch. Thus, the mythological nature of the concept by Eusebius of Caesarea is the fact that he unconsciously replaced various semantic connections. This happened because he could not explain the essence of supreme power and its value to society in a different way. The foundation of Eusebius’ mythological thinking is the beginning of the synthesized rationality (historical understanding of the real past) and myth (substitution of history by religious tradition) of the history of the Byzantine Empire. (shrink)

Preface to the second edition -- Preface to the first edition -- Psycho-mythology : meschugge? -- Dreams and fantasies : manifestations 0f the mythological unconscious -- African-American dreaming and the "lion in the path" : racism and the cultural unconscious -- "Hapless" the Centaur : an archetypal image, amplification, and active imagination -- Pegasus and visionary experience : from the white winged horse to the "flying red horse" -- The bull, the labyrinth, and the Minotaur : from archaeology to "archetypology" (...) (with an apology to Ariadne) -- Griffins, gold, and dinosaurs : mythology and "fantastic paleontology" -- Dreaming of a unicorn : a comparison of Lacanian and Jungian interpretation -- "Destiny" and the call to heroism : a dream of vocation and individuation -- List of publications by Michael Vannoy Adams. (shrink)

Motoori often criticized China, saying “Adashi Michi ” or “Kara Gokoro.”“In China, they often say heaven’s way, heaven’s order or heaven’s reason and regard them as the most reverential and awesome things … firstly heaven is … not a thing with the mind, there cannot be such a thing as heaven’s order …” He concludes that there is no “way of nature” in China. He also mentions in his essay Tamakatsuma [Beautiful Bamboo Basket]: “We think that heaven and earth grow (...) all things, but this is not true. It is the deed of Kami that all things grow. Heaven and earth is only the place where Kami grows all things. It is not heaven and earth that grow them.” Kami in this case seems to be different from heaven and earth, but this Kami is one with “nature” and he does not mean that Kami is above “nature.” I think that Motori resumes the essence of Shinto, comparing the thoughts of China. (shrink)

This essay analyzes the formation of sect Shinto in the second half of the nineteenth century. It is pointed out that the Shinto sects that constituted sect Shinto were constructed on the basis of preexisting infrastructures, which had developed in response to the profound social changes accompa- nying the modernization process of the Bakumatsu and Meiji periods. Sect Shinto took shape in a cross3re between the impact of modernization from below, and the vicissitudes of Meiji religious (...) policy from above. The essay further proposes to distinguish between two types of Shinto religious move- ments: Shinto sects, characterized by a typical “dish-structure,” and Shinto- derived New Religions, displaying a “tree-structure.” Of these two types, groups of the 3rst type were shaped more directly by Meiji religious policy than the latter, which 3rst arose as “founded religions” and adapted to Meiji policy only later, in the course of their institutionalization. (shrink)

The author examines some Confucian-trained Tokugawa Japanese scholars who were concerned about the deleterious impact of Buddhism on native Shinto thought and practice. Several leading Confucian-tr...

Sous le titre quelque peu énigmatique de Mythologizing Performance, Richard P. Martin (R.M.) a réuni dix-sept essais publiés à différentes occasions. D’une manière ou d’une autre ces essais, plus originaux les uns que les autres, font tous suite à l’ouvrage fondamental paru en 1989, dans la même belle collection « Myth & Poetics » dirigée par Gregory Nagy à Cornell University Press, soit The Language of Heroes: Speech and Performance in the ‘Iliad’. Assurément, le recenseur ne dispose pas des...

Plato, as a poet, employs muthos extensively to express his philosophical dialectical development, so the majority of his dialogues are comprised of muthoi. We cannot separate his muthos from his philosophical thought, since the former has great influence in the latter. So the methodology of this paper is first to discuss the dialogue "Theaetetus" to find out why he compares Socrates to the Greek goddess Artemis; then his concept of Maieutikē will be investigated. At the beginning of Plato’s "Theaetetus", Socrates (...) first likens himself to the goddess Artemis, who, though unmarried, has a duty to assist women in labour. Socrates’ role, as Plato portrays, is the same as that of Artemis; and the technē he possesses is Maieutikē, which is to assist his students in giving birth to their mental offspring. This paper will focus on discussion on the Socratic mythological role in Platonic interpretation and dialectics so as to reveal the philosophical meaning of Socratic ignorance. (shrink)

Reminiscent of the approach to Japan of Lafcadio Hearn, Ross evokes a picture and mood of Shinto in Japanese life. Conscious of the difficulties that understanding Shinto can present to the Western thinker, Ross combines personal experiences with historical discussion of the myths, festivals, rites, and development of Shinto. Ross succeeds in giving the reader a "feel" for Shinto and its influence as well as arousing his curiosity for further study.—R. J. B.

The article is devoted to the reconstitution of the mythological worldview of the well-known European Symbolist writer Maurice Maeterlinck based on his famous drama ‘Princess Maleine’ that made a great impact on the development of the ‘new drama’ in the end of the 19th century. This analysis is performed in the context of the study of the symbolist semiotic system in French-speaking tradition. The lingua-poetic and mythopoeic intertextual analysis done, we have found that the mythological model in the play is (...) functioning with a large system of mythological structures and semantic patterns. The locus of ‘Princess Maleine’ is marked as Hades World and its inhabitants are connoting the mythical concept BAD LUCK. Only two actors, the protagonists Maleine and Hjalmar are connoted not only by the morbid semantics but also as the correlates of the astral world. Their death in Hades makes possible the eschatological catastrophe leading to the neutralization of the killers whereas the infernal semantics is neutralized and the cosmos tends to the restoring of harmony symbolized by the coming of the new day and of the new year. Besides, the protagonists are considered to be the sacred sacrifice to change the semantics of the mythological concept BAD LUCK to the harmonized GOOD LUCK. Three mythological models are reconstructed: LIFE with positive connotation, LIFE with negative connotation and DEATH with positive connotation. The projection of the play is modeled by the movement from the positively and negatively connoted concept LIFE to the positively connoted concept DEATH that is a distinctive sign of Symbolist conception of ‘tragic optimism’ developed by Maeterlinck. (shrink)

In Schelling’s Lectures on the Philosophy of Art, he outlines an aesthetic theory of the novel and how it communicates truth, based around his Identitätssystem. In doing so, he understands truth as symbolic, where the symbolic is tautegorical. In his later lectures on mythology he instantiates a new understanding of ontology and mythology as tautegorical, and makes gestures towards how to understand aesthetic forms based on these new accounts. This paper explores how that new aesthetic understanding of truth, ontology, and (...) aesthetics can be used to create a new Schellingian theory of the novel. To explore this, the paper looks at the worldview presented in Thomas Mann’s Doktor Faustus, arguing that it could be seen as the late Schellingian novel and as such, present a new paradigm for understanding truth as communicated through literature. (shrink)

How do the Japanese about their native philosophy, Shinto, a decade and a half after its abolishment as a state religion by the Western Allies? // What is its relationship to Buddhism, and particularly to Zen? // How modern can this very ancient creed ever be? // These are some of the questions considered in this study by Dr. Chikao Fujisawa, who specialized in the study of traditional Japanese philosophy and its effect on modern society. // Zen and (...) class='Hi'>Shinto is a strong plea to rectify the steps taken to eradicate Shinto, the very substance of Japanese life and thought. At the same time, it offers new insight into the amazing adaptability of the Japanese psyche--its depth, vitality and universality--and its remarkable capacity to assimilate foreign thought and ideas, and thus contribute to the world's hope for permanent peace. // Dr. Chikao Fujisawa was a Japanese philosopher and historian, and he lectured on the topics at Nihon University. He believed in preserving Japanese customs, and as such he was a strong supporter of reintroducing Shinto and Zen traditions to Japan's youth. (shrink)

The author examines some Confucian-trained Tokugawa Japanese scholars who were concerned about the deleterious impact of Buddhism on native Shinto thought and practice. Several leading Confucian-trained scholars appealed to Zhu Xi’s thought in various ways to reinforce and preserve Shintoism and its original spirit.

This article examines the development of the concept of the value chain from the linear to the virtual conception of the chain, through the evolution of the literature from Michael Porter’s writings of the mid 1990s to the theorists of e-business and e-commerce in the later 1990s I argue that Porter’s account employs white metaphors and that writings on the virtual value chain both extend the white metaphors of Porter’s linear chain, and suggest a pronouncedly metaphysical system of thought — (...) one which has correlates in areas of thought, including Renaissance Neo-Platonism, cybernetics and the discourse of cyberspace. I suggest that this offers a model of the advance of metaphor — of its usure, as described by Derrida in his White Mythology — and that this model can be synthesised with the views of Ricoeur about the evolution of metaphor towards symbolism. When we apply these ideas of Derrida and Ricoeur to the development of the White Metaphor of the linear chain towards a progressive symbolism, we can see a correlation between the complex causality inferred as a feature of the virtual chain and the cosmological affinities of Renaissance notions of causation. (shrink)

This article attempts to establish and examine the context of the two remaining mythological paintings in the Macellum, the central market of Pompeii. Panels of Io and Argos and of Penelope and Odysseus grace the interior walls, and while the identification of the Penelope figure has been the subject of debate, she clearly derives from Greek prototypes of Penelope, both material and theatrical. Indeed, scholars suggest that the Io panel and perhaps the Penelope painting as well are copies of Greek (...) panel paintings created by a fourth-century B.C. artist, but it is argued here that their pairing seems to be a Roman creation and that they were part of a larger narrative program. The paintings are compositional opposites and share the narrative technique of depicting moments of quiet tension; this choice of narrative moment is one that began in the Greek world; particularly during the Hellenistic period, and was developed and enhanced by the Romans. Moreover, this interest in creating tension for the spectator, and in the relationship between viewer and image, is also demonstrated by the inclusion of a spectator figure in the Penelope painting. Although the other paintings do not survive, their subjects are known from a nineteenth-century drawing and from nineteenth-century descriptions, and these too share the same narrative technique. If the lost paintings are copies of Greek originals, then the Macellum may have served as a picture gallery for Pompeii's inhabitants. A careful reading of the Macellum paintings of Greek myths, their juxtaposition and relationship to each other, and their reception in Roman literature and society reveals that the paintings were arranged as a program, a moralizing ensemble, designed to instruct the viewer on the proper behavior of Roman matrons. (shrink)

On the 24th and 25th of December every year two very different stories are told: one in people’s homes, by the fireplace or Christmas tree, to pyjamaed but excited and sleepless children; the other to people of all ages in the more imposing setting of candlelit churches and cathedrals. I want to ask, in this essay: Does the telling of these two stories have anything in common? What can we learn by comparing them? The first one, the one I call (...) the ‘secular’ mythology, is the story of Father Christmas. The second, ‘sacred’ mythology is the religious reason why Christmas was ever celebrated as Christmas at all. Although the figure of Santa partly originated in an early Christian bishop (and partly in pagan figures), he has these days become rather more secularized—even, for some, a symbol of secular commercialism. I want to compare these two mythologies as they might effect the way in which we think about Christmas today. I think that philosophical reflection along these lines will allow us to draw some interesting conclusions relevant to theology and the philosophy of religion. (shrink)

In this article, the authors introduce the concept of a “queer counter-mythology.” They do so by discussing a speculative song they wrote as an enactment of research-creation. Research-creation names an interdisciplinary scholarly praxis where artist-scholars create the artefacts they want to think-with, rather than analysing existing cultural productions. The song discussed in this article, “Cosmic Beavers,” proposes a queer counter-mythology that reimagines the historical, colonial archive by foregrounding the stories of giant, trans-dimensional beavers who shred Lewis and Clark and use (...) them to reinforce their Time-Dam. Drawing on this song, as well as queer theories of time and anti-colonial thinkers, the authors suggest that artistic interventions invoke speculative lures that, while not changing history, can complicate state-sanctioned archives and narratives of the past and future: they frame this intervention as a queer counter-mythology. (shrink)

Introduction. The lexeme “myth” is ordinary for a modern person, but its meaning is a vague circle of definition. The author sets the question — how does modern man understand the myth, how does he use it, and what approaches to studying the manifestations of the mythological are used in modern science. But in order to correctly answer these questions, it is necessary to clarify the concept of “modernity”. According to the author, it is possible to correctly substantiate the concept (...) of modernity by using the method of paradigm analysis by A.G. Dugin. In line with this approach, the concept of “modernity” is conceptually identical to the postmodern paradigm. The purpose of the study is to conduct a revision of modern literature (literature of the postmodern paradigm) devoted to the scientific study of the myth and the manifestations of the mythological in human existence, to analyze it in line with the paradigm approach. Introduce new sources into scientific circulation and, on the basis of a combination of new and existing sources, offer a detailed historiographic review of the literature. Methods. The main method used in this work is the paradigm analysis by A.G. Dugin. In addition to it, a systematic approach and general scientific methods were used — analysis and synthesis, induction, deduction, abstraction. Scientific novelty of the research. The main scientific novelty of the study is the use of the method of paradigm analysis in the study of the mythological. In addition, a number of new sources (published in the period from 2020 to 2022) dedicated to the topic of myth are being introduced into scientific circulation. Results. Within the framework of this article, more than 60 works were analyzed and, on their basis, an exhaustive historiographic review of the existing modern literature devoted to the study of myth and manifestations of the mythological in human being was made. Conclusion. Considering the presented literature in line with the paradigm approach, the author explicates the main aspects of the study of the mythological, which are characteristic of this paradigm and suggests further vectors of its development. According to the author, the myth is increasingly integrated into the digital and virtual environment, which actualizes the need to study it already in the mainstream of digital anthropology. The author also puts forward the thesis that digital literacy skills can help reduce the ideological load of the myth, which manifests itself in the digital environment in the form of fake news and other tools of hybrid wars. (shrink)

This book explores feminine archetypes and mythological figures in African and European traditions with an underlying goal of describing the foundations of social status for women. The author provides a rich corpus of mythology and tales to illustrate aspects of female and mother-daughter relationships. Diop analyzes the symbolic aspects of maternity and femininity, describing the social meaning of the matrix, breasts, and breastfeeding. A retrospective of female characters in African literature brings an interesting approach to explore the figures of femininity (...) and maternity in society. After an extensive analysis of African mythology and tales, the author proposes a way to integrate them in the clinical psychotherapy as a projective material. The analysis of clinical cases offers an example of how this material can be used in therapy with women from African descent. (shrink)

A hugely important book that rediscovers three crucial, but long overlooked themes in German idealism: mythology, madness and laughter.