This paper analyses the role of foreign and local companies in shaping Brazilian positions on global sustainability. It deals with an empirical investigation of CSR practices of firms from the electronics, food, and personal care sectors in response to pressures of 'market' and 'non-market' stakeholders. The results demonstrate that CSR decisions by foreign and local firms are triggered by organisational considerations and anticipated economic gains. The degree of implementation of CSR activities by foreign firms is more advanced than that of (...) local firms. The survey also confirms the hypothesis that market stakeholders exert pressure on companies and positively influence CSR. Non-market stakeholders seem to have a minor effect on corporate social responsibility decisions. We conclude that the institutional environment is a critical determinant of the extent to which the dialogue between stakeholders and companies leads to the attainment of sustainable development. (shrink)

Brain, Mind and Consciousness are the research concerns of psychiatrists, psychologists, neurologists, cognitive neuroscientists and philosophers. All of them are working in different and important ways to understand the workings of the brain, the mysteries of the mind and to grasp that elusive concept called consciousness. Although they are all justified in forwarding their respective researches, it is also necessary to integrate these diverse appearing understandings and try and get a comprehensive perspective that is, hopefully, more than the sum of (...) their parts. There is also the need to understand what each one is doing, and by the other, to understand each other's basic and fundamental ideological and foundational underpinnings. This must be followed by a comprehensive and critical dialogue between the respective disciplines. Moreover, the concept of mind and consciousness in Indian thought needs careful delineation and critical/evidential enquiry to make it internationally relevant. The brain-mind dyad must be understood, with brain as the structural correlate of the mind, and mind as the functional correlate of the brain. To understand human experience, we need a triad of external environment, internal environment and a consciousness that makes sense of both. We need to evolve a consensus on the definition of consciousness, for which a working definition in the form of a Consciousness Tetrad of Default, Aware, Operational and Evolved Consciousness is presented. It is equally necessary to understand the connection between physical changes in the brain and mental operations, and thereby untangle and comprehend the lattice of mental operations. Interdisciplinary work and knowledge sharing, in an atmosphere of healthy give and take of ideas, and with a view to understand the significance of each other's work, and also to critically evaluate the present corpus of knowledge from these diverse appearing fields, and then carry forward from there in a spirit of cooperative but evidential and critical enquiry - this is the goal for this monograph, and the work to follow. (shrink)

Music; philosophy and aesthetics; Islamic philosophy.

Um livro que reúne alguns dos mais representativos textos que moldaram o que podemos chamar pensamento feminista. Uma obra de referência capaz de oferecer um repertório fundamental para os estudos de gênero e também para o ativismo. "A missão deste livro é, portanto, a de mostrar o caminho no qual os conceitos centrais do pensamento feminista foram se desdobrando, sendo questionados e dando origem a novas formas de pensar e definir identidades, gênero, subjetividades e sexualidades. A sinalização desse longo processo (...) que constituiu o léxico feminista vai certamente facilitar o estudo das tendências teóricas e o avanço dos trabalhos acadêmicos e políticos no contexto atual", Heloisa Buarque de Hollanda. (shrink)

Research articles on Indic philosophy and religion.

This is an edited collection of original essays that combine philosophy, phenomenology, and literature to reflect on modern ideas about orientation and disorientation, grounds and groundlessness.

On lira ici un dialogue qui ne s’est donné ni règles préliminaires de progression ni aboutissement calculé d’avance, mais qui s’est inventé au fur et à mesure de son avancée. L’intention initiale était d’examiner ce que Heidegger nomme « la traduction occidentale » dans La parole d’Anaximandre : d’une part, que veut dire « traduction » là où l’on se guide sur des « traces » dont la nature même, comme traces, est problématique? D’autre part, comment comprendre le Brauch qui (...) porte la charge finale de cette « traduction »? En arrière-plan surgit la question : quelle est donc l’histoire dont Heidegger se réclame? (shrink)

The present article discusses the relation between painting and music in the work by Paul Klee, bringing it into conversation with the music by Anton Webern. It assumes, as a starting point, that the main question is not about relating painting and music but rather about the relation between moving towards painting and moving towards music, hence the relation between forming forces and not between formed forms. Since for Klee the musical structure of the pictorial is understood as “active linear (...) polyphony,” the article develops this notion in conversation with Webern’s thoughts on the polyphonic structure of twelve-tone music. The general purpose of the article is to determine what kind of thoughts emerge from the in-between of painting and music. (shrink)

Omnipresent in popular culture, especially in film and literature, the theme of the 'end of the world' is often rejected from contemporary philosophy as hysterical apocalyptism. This volume attempts to show that it is vital that we address the motif of the 'end' in contemporary world – but that this cannot be done without thinking it anew.

This article presents Clarice Lispector’s view on writing, showing that for her literature is the writing of the act of writing itself. In question is the writing of the act while acting, the is-being of existence. In this sense, Lispector described her writing as the writing of a screaming object, as abstract writing, almost a painting. Following some central passages of different works, the article is an attempt to seize the main traits of what could be called the gerundive act (...) of literature of Clarice Lispector. (shrink)